NEW YORK CITY â âLate Show with David Lettermanâ? on CBS will soon be the proud owner of a Solid State Logic C296 Digital Production Console, representing the largest C200 Series console in the world. The new console, which will handle all of the music production requirements for the show, will be installed in the legendary Ed Sullivan Theater this summer, replacing the SSL analog SL 4000 G Series console that has served the show for 15 years.
âWith our new format of shooting in HD and mixing in 5.1 surround, the clear choice for a new console was the SSL C296,â? says Harvey Goldberg, who has been music mixer for âLate Show with David Lettermanâ? for the last eight years. âAnother reason why we purchased the console was that it delivers the resources necessary for us to mix different music acts during the show, or if not multiple acts, the different songs performed by one act. Working on an analog console isnât the fastest way to switch between different kinds of set-ups. When we start working with the C296, switching between set-ups will be a push of a button.â?
The key to understanding the 96-fader frame console purchase lies in Goldbergâs work style. According to Goldberg, where many other manufacturers have made the leap to digital by redesigning how a console operates, Goldberg prefers the ergonomic consistency of SSL consoles.
âSSL has always presented consoles with an industry standard work surface familiar to the top engineers in the world and the C200 Series carries on that tradition,â? Goldberg explains. âRight now I am training on the C200 and I have developed a plan to take advantage of its power. I will use 40 of the input channels right off the top for Paul Shaffer and the CBS Orchestra. The average guest band comes in using between 30 and 40 inputs. Perhaps a rock band will only take up 24. Sometimes we are talking about shooting two or three shows in a day and that represents a lot of setup. The advantage of the C200 is that I can work in the traditional analog mode of one channel strip per instrument or vocal, but when I need to see a channel at the other end of the board, I can push a button and it is in front of me. This feature will make mixing easier, better, faster.â?
Goldberg says, âThe most important feature of all is, of course, the sound of the console. SSL has built their great sound into the C200. Having the power to recall setups, mix in surround, flip-flop fader banks and the like may improve workflow, but the C200 offers a sound that is comfortable with any type of music. This gives me a strong sonic foundation for any style of music and from there I can use the fantastic EQ and dynamics on the console to further shape the best sound for each group.
âKeep in mind that the variety of music that goes on this show is wider than any other show on TV,â? continues Goldberg. âFor instance, we can do John Fogerty on Monday, The Metropolitan Opera on Tuesday, Snoop Dogg on Wednesday, Dolly Parton on Thursday and then the Foo Fighters on Friday. Thatâs how dramatically different the music can be. It really goes from one end of the spectrum to the other. We are anxiously awaiting the installation of the C200.â?
Solid State Logic is the worldâs leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solid-state-logic.com.
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