A virtual press conference from Sound & Video Contractor

Soundcraft Vi6 For Brian Eno’s Apollo 11 Live

Former Roxy Music member Brian Eno celebrated the 40th anniversary of the Apollo 11 moon landing, by introducing the first of two live performances of his 1983 composition Apollo: Atmospheres and Soundtracks in the IMAX Cinema at the Science Museum in London.

Mark Hornsby’s company Headtec were appointed by the Science Museum to provide the sound, and Icebreaker’s FOH sound engineer Alexander Bossew requisitioned a Soundcraft Vi6 digital console as his first choice.

“I specified this, because it is so easy to produce a warm sound without having to EQ like mad,? he said. “Also the few compressors that I used were working very discreetly.?

Bossew admits with only time for a quick run through ahead of the performance — rather than full rehearsal — there had been little time to purpose-configure the desk, which was plugged straight into the cinema PA. However, this hardly concerned him as the musicians were so experienced. “They were all aware of their own dynamics and so there was little for me to correct at the desk end.?

However, the composition adapted by Jun Lee, required the use of a lot of reverb. “The IMAX is completely dry and I had to use six different internal Lexicon reverbs, which sounded excellent,? he said. That task alone consumed most of the one-hour desk programming time that was allocated.

Unsure up to the last minute whether his favourite desk would be made available Alexander failed to order a MADI soundcard — something he deeply regretted.

“It would have been great to multitrack the show. I have had great recording experiences using the Vi6 in the past — particularly during a music and performing arts festival in Austria (Donaufestival, Krems) in 2007; the stereo recording turned out to be of amazingly good quality.?

In conclusion, the sound engineer says his love of the Vi6 is based on its amazing sound, and the fact that he can work quickly on the surface “even when setting up more sophisticated patches that would be almost impossible to realise on analogue (and many digital) desks.?

He says he feels particularly privileged to have mixed the sound for this landmark event. “Usually my colleague Ernst Zettl mixes their sound and for the performance at the IMAX I was only substituting for him. “But I hope it won’t have been the last opportunity I get to collaborate with this astounding collective of excellent musicians.?

Sennheiser Helps Inspirational ‘Skid Row Marathon’ Documentary Come to Life with Pristine Audio
Antelope Audio Offers Black Friday Discounts on Selected Top Sellers
Advanced Systems Group Explores Real-Time 4K Production During Free Annual Workshop
Professional Wireless Systems Says Adios to Signal Interference at NBA Global Games Mexico City 2014
ICE Cable Systems Appoints EMI Sales to Rep Michigan Market
Quantum to Present on Managing Video Content at Government Video Expo 2014
Electrosonic Provides Audio-Visual Systems Expertise For Trio of Thea Award-Winning Projects
Outline GTO C-12 Line Source Sound System Rocks the House at Summit Music Hall
Zylight Debuts Long Throw Black Light Version of F8 LED Fresnel at LDI 2014
PRO SOUND EFFECTS DEBUTS SOUND DESIGN SPOTLIGHT VIDEO SERIES

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

August 2009
M T W T F S S
« Jul   Sep »
 12
3456789
10111213141516
17181920212223
24252627282930
31  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication