We have launched our new site! The Wire backend has moved to www.svconline.com. Your can log on now with your e xisting credentials. For your reference, posting instructions have been sent to your email. Note: postings made to the old backend will be redirected through Thursday Feb 19th. Please make the switch to www.svconline.com as soon as possible.


If you have questions please email thewire@svconline.com.


Looking forward to seeing you on the new site!

A virtual press conference from Sound & Video Contractor

Harman Pro Backs Festinho Festival

Boutique fund raiser for Jimmy Page’s Action for Brazil’s Children

EAST ANGLIA, United Kingdom — Take a charity founded by Led Zeppelin guitarist Jimmy Page, the expanding Festinho 2009 weekend fund-raising celebration of Brazilian music to support it, and sponsorship from Harman Professional, and you have a recipe for a highly successful event.

The festival was established five years ago by Rupert Barksfield and Lynda Colborne —as a garden party in a country home attended by 400 people. Since then it has changed its name from the Mini Chill (allied to the larger and long-established Big Chill Festival), and also its site to Kentwell Hall in East Anglia. As a result, this year they were able to cap their attendance at 3,000 (with acts like Jon Kennedy, The Cuban Bros and Penguin Café Orchestra headlining, along with James Yuill and Tom Eno).

In its quest to provide aid for Brazil’s street children, Barksfield says the Festinho management team hse been indebted to Harman for its continued support on an increasing basis. After running an early Soundcraft Vi6™ (along with JBL PA and monitor rig) three years ago, this time around monitor engineer Pete Fletcher also had a Soundcraft Vi4™, while his Studiocare colleague, John Holmes, handled most of the FOH mixes on the Soundcraft Vi6.

But Soundcraft was not the only brand to grace the main stage. Also helping the event to swell the funds of the ABC Trust (Action for Brazil’s Children) were again JBL, which provided a VRX system (VRX932LA’s and SRX718S subs) and SRX712M stage monitors, along with Crown, who powered the system with I-Tech IT-6000 amplifiers. The inventory also included classic AKG C414 condenser mics and BSS AR-133 active DI boxes — with all equipment supplied by Studiocare Professional Audio.

Now operating as the event’s Technical Production Manager, Rupert Barksfield (a full time production manager by day) has served his time as a FOH sound engineer and is well aware of the attributes of the Soundcraft Vi6.

“We are very proud of the support we have received from Soundcraft in different capacities over the last three years; they have gone to the ends of the earth to help us from the very beginning,? he says.

“The latest version of the Vi6 is unbelievable — it’s a breath of fresh air in the digital console world. Any guest engineer who has not used it before requires just a 5-minute walk-through.?

With very few bands bringing their own engineers, John Holmes and Rupert Barksfield developed a master template on the FOH desk. “We would have a meeting each evening and early the following morning we would programme scenes from the input list and then tweak them as fast as possible during each act’s line-check.?

The speed of access, via the desk’s intuitive Vistonics™ II GUI, is essential in a festival context, they note. “Although we had 20-25 minutes turnaround time between acts, that time can soon disappear with a 12-piece band. It was unbelievable how much quicker using the Vi6 was — it’s not like going through every channel on an analogue desk.?

To illustrate how far production values have evolved in five years, acts were able to perform under the main stage Wango’s purple canopy, while the event’s second stage (The Harvest Stage) was set up by Big Chill Festival founder, Pete Lawrence — illustrating the bridge between Festinho and the Big Chill’s community.

Reflecting on a thoroughly satisfying weekend, Rupert Barksfield commented, “We have always been able to reply on 100% support from Harman Pro. We were privileged to have the full VRX system and SRX monitors this year, while also at the stage end we were able to use a Soundcraft Vi4 on monitors for the first time — I had not considered a digital desk for monitors previously.

“We also had a WiFi network running — and to see Pete Fletcher, who was also system teching, being able to check the EQ on a Netbook at front of stage, was a brilliant sight.?

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News, Video

Shotoku Expands With New Corporate Headquarters
DPA Microphones Spices it up for Grammy-Nominated Brazilian Sound Engineer Gabriel Pinheiro
Christie Solaria Series 2K/4K Projectors ans Christie Vive Audio Power the New Larry H. Miller Megaplex Theaters in Vineyard, Utah
Christie celebrates the opening of its Mexican office
WSDG CREATES RUSTIC OWL CITY STUDIO FOR PLATINUM ARTIST ADAM YOUNG
TDC announces partnership with NIDA – Australia’s National Institute of Dramatic Art
Listen Technologies to Participate in Almo Professional A/V’s “Fully Charged” E4 AV Event in Chicago
Lighthouse Evangelism Upgrades with Two SSL Live. L500 Consoles
SSL Live. L500 Consoles Deliver Flawless Performance for 30th Annual Victoires de la Musique
EastWest Sounds adds Wolfgang Kundrus to Software Development Team

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

September 2009
M T W T F S S
« Aug   Oct »
 123456
78910111213
14151617181920
21222324252627
282930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication