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Archive for October, 2011

Harkness Screens Names Keith Watanabe as Director of Sales, Americas

SHOWEAST (STAND 518) HOLLYWOOD, FLORIDA, 25TH OCTOBER 2011 — Harkness Screens, the world’s leading manufacturer of projection screens for cinema and events applications, is pleased to announce the appointment of Keith Watanabe as Director of Sales, Americas. more

AUTOSCRIPT TELEPROMPTERS HELP KEEP UNITED TECHNOLOGIES EXECUTIVES AND GUESTS ON CUE IN NEW PRODUCTION STUDIO

HARTFORD, CT, OCTOBER 25, 2011—When United Technologies Corporation (UTC), a company that provides high-technology products and services to the building and aerospace industries, built its new professional television studio, it selected teleprompters and software from Autoscript, the world’s leading teleprompting company and a Vitec Group brand, to help keep its executives and clients at ease during company broadcasts. more

Christie Launches New Christie AVIAS-TMS™ Theater Management System

Christie® has introduced the new Christie Avias-TMS™, a Theater Management System (TMS) software application that allows exhibitors to centrally manage and orchestrate all of their projection operations within a cinema multiplex – regardless of the diverse projector, servers or operating systems (OS) in use.
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Easy to install and simple to use, Christie Avias-TMS™ can be accessed from any location through a standard Web browser, offering management the ultimate freedom and flexibility to conduct theater operations from an office or home PC, tablet computer or iPad. Its many features reduce the costs and inefficiencies of managing digital projectors separately. For example, the web GUI allows centralized scheduling of all content, devices and Key Delivery Messages (KDMs), including a drag and drop playlist to allow rapid changes based on changing customer demands.
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“The Christie Avias-TMS™ is an exceptional overseer of cinema time management,” said Don Shaw, director, product management, Christie Entertainment Solutions. “It is ideal for theaters of all sizes, with multiple digital screens and hardware platforms, because it provides an easy-to-read dashboard interface that highlights in real-time all projector and screen statuses, as well as the overall progress of each playlist playback. Theater managers don’t have to move from station to station to manage devices and KDMs. They can remotely start, stop or pause any show on any screen from a single location.”
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Collaboration with Arts Alliance Media Praised
In creating Christie Avias-TMS™, Shaw emphasized the collaboration with long-term industry partner, Arts Alliance Media (AAM), Europe’s leading supplier of a host of digital cinema technologies and services. “In keeping with Christie’s practice of incorporating tried-and-true third party solutions into some of our products to quickly deliver immediate benefits to our customers, the core of our TMS was built on AAM’s current, strong TMS offering,” noted Shaw.
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Howard Kiedaisch, CEO of Arts Alliance Media, added, “We have worked with Christie since we first started in digital cinema and have always looked for ways of enhancing our partnership. As a manufacturer of digital cinema projectors, Christie boasts its own impressive engineering and development group, so it was only natural that the two of us as leaders in the industry would collaborate to the benefit of exhibitors across the globe.”
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Shaw also noted that, while TMS solutions offered by some server manufacturers are often ‘thrown in’ with the deal, “You get what you pay for, because these so-called ‘free’ solutions tend to limit the exhibitor to one brand of server, effectively preventing the exhibitor from using existing or new hardware from other manufacturers.”
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Christie Avias-TMS™ is all about choice for the exhibitor; it is OS and hardware neutral and does not mandate the expense of a specific Library Management Server (LMS). Furthermore, it fully supports all DCI-compliant DLP Cinema® projectors and servers, so it can be integrated seamlessly into any existing theater system.
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“Like a conductor leading the orchestra, Christie Avias-TMS™ provides full control of every facet of a theater’s operation, allowing the freedom to run with the most cost-effective hardware for each of the screens that make up the digital cinema system,” said Shaw. “No matter how many screens you are managing, the Christie Avias-TMS™ is the perfect solution for getting the job done with a minimal amount of effort.”

Christie Provides ShowEast Attendees with Single Source for all Digital Cinema and Signage Products, Services, and Financing Needs

Christie® pulled out all the stops to help the exhibitor community “Make the Move” to digital cinema excellence through a range of product introductions, technology previews and a five-zone booth providing one-stop shopping for exhibitors at the annual ShowEast conference held October 25 – 28 in Miami, Florida.

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“An increasingly complex exhibition environment, characterized by rapid advancements in technology and expanding choices, provides both opportunities and pitfalls to exhibitors,” said Craig Sholder, vice president, Christie Entertainment Solutions. “Christie’s presence at ShowEast is intended to inspire confidence among exhibitors that we can keep them ahead of the digital cinema curve, by future-proofing their investments.”

Leading the HFR Charge

To support exhibitors wanting to future-proof their investments in anticipation of showing high frame rate (HFR) movies – which are currently being developed by Hollywood’s most powerful directors – Christie has announced a major software upgrade for its Christie Solaria™ Series of digital cinema projectors. Supporting the industry’s efforts to have the most engaging, entertaining content possible and enabling the best delivery system for this HFR content are Christie’s two main goals.
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To these ends, Christie is helping create the standards for 3D HFR movies through formal and informal technology-development alliances with major producers and directors, postproduction facilities, studios and technology partners. On the exhibitor’s front, Christie provides one stop shopping for all the hardware, software and services that enable exhibitors to deliver a filmmaker’s vision in stunning 3D HFR quality.

Helping Customers Improve Their Bottom Lines

In addition to adding HFR capabilities that will deliver audience-attracting cinema content delivery, HFR will also provide exhibitors with new business opportunities that include projection of alternative content such as live sporting events, as well as artistic and cultural presentations, such as concerts and operas.
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This contribution to an exhibitor’s bottom line will be enhanced by Christie’s recently announced Virtual Print Fee (VPF) Program, which is unique in its scale and flexibility, and through improved operations provided by the Christie Avias-TMS™ (see below) and Christie’s Previsto™ HFR technology, embedded in Christie’s Solaria V.2.2 software (see below).

The Five Zones in Christie’s Booth Showcase Choices for Exhibitors

“Visitors to the Christie booth will have the opportunity to experience our entire digital cinema offering, whose scope encompasses financing the move to digital cinema, establishing an affordable and flexible upgrade path towards new formats and technologies, and turnkey service and support for their operations,” said Kathryn Cress, vice president, global and corporate marketing, Christie. “Five zones will amply demonstrate Christie’s commitment to be a trusted, one-stop shop for all exhibitor needs.”

Zone 1 – High Frame Rate Support:
Christie’s Solaria V.2.2 software application will be available soon and includes Christie Previsto™ High Frame Rate (HFR) technology, among other firmware upgrades, which will allow Christie Solaria Series 2 projectors to accept video content at frame rates as high as 48 and 60 frames per second (FPS) per eye in 3D and up to 120 FPS in 2D. The current industry standard is 24 FPS. HFR technology renders fast-moving objects in exceptional detail, boosting the clarity and smoothness of the image. Christie is once again partnering with International Datacasting to show a state-of-the-art demonstration of HFR, utilizing IDC’s Pro Cinema Event Player.

Zone 2 – Projectors, Lamps and Virtual Print Fees (VPF):
One size doesn’t fit all, and in this zone Christie experts will guide exhibitors through the range of Christie Solaria digital cinema projectors, Christie Xenolite lamp options and the details of Christie’s Virtual Print Fee (VPF) Program, which offers unprecedented financing options.

Zone 3 – Network Operations Center:
Christie remote monitoring will be showcased on an award-winning Christie® MicroTiles® display. Visitors can experience a video demonstration of Christie’s state-of-the-art Network Operations Center (NOC) for remote monitoring, maintenance and troubleshooting of digital cinema projection and digital displays. Christie safeguards visual technology displays, keeping them running 24/7/365. The Christie NOC is remotely monitoring more than 50,000 devices at customer locations across North America while also providing the latest in predictive analytics to anticipate and resolve potential technical issues – minimizing theater and lobby downtime.

Zone 4 – Christie Integrated Media Block (IMB) Tech Preview:
Advancing its leadership position in addressing the exhibition industry’s transition to 4K and high frame rate (HFR) projection standards, Christie will preview a fully integrated media block (IMB) solution with 4K and HFR capabilities at ShowEast. Physically integrated into the projector, Christie’s IMB becomes an integral part of the display device, creating a secure, high bandwidth connection that can manage HFR and 4K content without compromising image quality.

Zone 5 – In-Lobby Digital Displays:
Experience what your theater lobby could be with digital signage such as box office, menu boards and engaging interactive video wall displays. This zone, centered on Christie FHD551-X tiled LCD flat panel displays, will showcase how Christie Managed Services will design, build and deploy a digital signage network that’s right for you. Allure Global Solutions, a valued enterprise software solutions partner, will be on hand to demonstrate how Christie and Allure Global support every digital signage project stage, from strategy and content requirements to equipment selection and POS software integration, as well as a synchronized deployment and post deployment strategy. The firms also provide ongoing hardware and software support, maintenance, monitoring and business impact analytics.

Matrox Video to Host Free Webinar Addressing SDI Monitoring and Signal Management on Nov. 1 and 2

MONTREAL — Oct. 25, 2011 — Matrox(R) Video Products Group today announced the company will be hosting a detailed webinar on Nov. 1 and 2 that will address the monitoring, management, and processing of SDI feeds within a broadcast environment.

Matrox will be offering four sessions of the live webinar to accommodate customers and interested parties across multiple time zones:

Nov. 1 at 9:00 a.m. EDT, 13.00 GMT, 9:00 p.m. in Beijing and Singapore
Nov. 1 at 2:00 p.m. EDT, 18.00 GMT, 2:00 a.m. on Nov. 2 in Beijing and Singapore
Nov. 2 at 10:00 a.m. EDT, 14.00 GMT, 10:00 p.m. in Beijing and Singapore
Nov. 2 at 10:00 p.m. EDT, 02.00 GMT, 10:00 a.m. on Nov. 3 in Beijing and Singapore

Technical experts from Matrox will also introduce the new Matrox MC-100 dual SDI to HDMI mini converter, which supports a range of display resolutions through 3G, Dual Link, HD, and SD-SDI. Matrox MC-100 is a single portable unit that can be used as a HD-SDI switcher, a distribution amplifier, a multiplexer, and even as a 3D processing unit.

“Attendees to this webinar will learn how one, cost-effective device can be used to monitor, distribute, switch, multiplex, and converge SDI video feeds,” said Charles Amyot, product manager at Matrox Video Products Group. “Our new, award-winning Matrox MC-100 mini converter allows broadcasters and other organizations to accomplish all of these tasks, without having to purchase many single-purpose devices.”

Information about registering for the free event and other information is available at:

http://www.matrox.com/video/en/events/webinars/mc_100/.

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About Matrox
Matrox Video Products Group is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, DVD/Blu-ray authoring, streaming, A/V signal conversion, capture/playout servers, clip/still stores, and CGs. Matrox’s Emmy award-winning technology powers a full range of content creation and delivery platforms used by broadcasters, post-production facilities, project studios, corporate communicators, and videographers worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information visit www.matrox.com/video.

ENDS

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New Hit “X Factor” uses grandMA2 and Clay Park Sharpy Fixtures

X Factor

X Factor

With the awards season and the new TV season getting underway grandMA2 systems and Clay Paky Sharpy moving fixtures have been in demand for such high-profile programs as Simon Cowell’s new “X Factor” music reality show for FOX and the MTV Video Music Awards (VMAs). A.C.T Lighting is the distributor for both grandMA and Sharpy in North America.

Lighting Designer Tom Kenny traveled with lighting director Brian Klunder and programmer Dirk Optende for the much-anticipated “X Factor” as the new show made talent stops across America in Chicago, New York, Miami, Dallas and Seattle. Then they settled into LA’s Pasadena Theater for two weeks of boot camp.

The show required four trucks of lighting gear including a grandMA2 control system which “really impressed” Kenny. “MA obviously listened to programmers and lighting designers in creating updates that have made everything easier with the Series 2 board,” he says. “It worked flawlessly on ‘X Factor.’”

Earlier, MTV aired its Video Music Awards; Kenny had teamed with programmers Mike Appel and Dirk Optende to field four grandMA2 systems to control over 2,000 lighting fixtures for the “massive” show. “The grandMA2s were a great upgrade and worked perfectly,” Kenny reports.

Kenny was eager to use Clay Paky Sharpy moving heads, which he first saw in London, on a charity event with The Who. “They are such a small unit – with set designers and directors not wanting to see lighting units on camera, they are very easy to put anywhere,” he notes. But their small footprint belies their power. “The output of the Sharpy surpasses any other light,” Kenny says. “I had them alongside 3K and 4K units, and they just cut right through.”

Kenny deployed 18 Sharpy fixtures on the floor for “X Factor” with another 18 on the rig. “They provided this big graphic, powerful stadium look that the producers wanted,” he recalls. “The days for the live auditions were very long, but the Sharpys performed brilliantly – they would be on for 16 hours with no problems. Their focusability and shape were amazing. The judges were very impressed with the look of ‘X Factor.’”

So was Kenny — so much so, in fact, that he decided to use Sharpy fixtures on the VMAs where the lights “were the talk of many an artist,” he reports.

“I plan to use the Sharpy on all my future shows – they are just great to work with,” he says.

About A.C.T Lighting

A leading importer and distributor of lighting products, A.C.T Lighting, Inc. strives to identify future trends and cutting-edge products, and stock, sell and support their inventory. The company provides superior customer service and value for money to all of its clients.

For more information call 818-707-0884.

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Sennheiser’s evolution Series Microphones are an Integral Part of Le Poisson Rouge’s “Perfect Sound System”

New York – October 24, 2011: Now celebrating its third year in business, New York City’s Le Poisson Rouge (LPR) has reinvigorated the musical landscape of Greenwich Village –- birthplace of the Beat movement and former home to musical legends such as Bob Dylan, Jimi Hendrix, Simon & Garfunkel and so many others. Located on Bleecker Street on the site of the former Village Gate, LPR has made a name for itself in a musical community that now includes more contemporary names like Florence & the Machine, the JACK Quartet and Lykke Li.

Since opening in the summer of 2008, LPR –- which has been recognized by restaurant guide Zagat® as having a “perfect sound system” — has hosted a remarkably eclectic listing of musical performances. Any given show may feature a classical pianist, hardcore avant-garde ensemble, or anything in between. Perhaps the only common element among the performances is that each one is captured using Sennheiser ’s evolution series microphones.

Le Poisson Rouge: Bringing out the Best
Shortly after opening, LPR recruited Richie Clarke, a 15-year sound veteran who has worked across every conceivable genre of music including jazz, rock, reggae, classical and R&B. Clarke, who came from New York’s famed Manhattan Center studios, has been a longtime user of Sennheiser equipment and brought with him a solid understanding of microphones and sound. On his first day of work, among the first things he did was check out the mic cabinet at LPR. “Sennheiser has always been extremely high on my personal list and -– along with Neumann — is the only microphone company I’d want us to be closely aligned with,” he says.

The broad range of performances at LPR presents unique technical challenges. “Some nights we need to mic a 30-piece orchestra with various classical instruments and percussion –- often ‘in the round’ in front of the P.A.,” Clarke observes. “Our collection of Sennheiser mics helps me achieve the highest possible sound pressure level with no feedback — while maintaining the sound integrity of each instrument.” Since LPR often features multiple performances in a day, Clarke and his team are often working against the clock. “It is very tightly scheduled, so when we put a mic on an instrument -– whether it is a screaming electric guitar or a gentle violin -– we need that microphone to help us get to where we need to be as fast as possible.”

Great sound across a diversity of applications
For drums and percussion, Clarke is big a fan of the Sennheiser e 900 series all around. “They sound great whether we are doing heavy hip hop shows or more sensitive jazz standards. The sound of the drum comes through so naturally, and it is all there before EQ,” Clarke says. In terms of specific placements, he prefers to use the e 901 and e 902 on the kick, inside and out. On the snare, he uses an e 905. “This gives us the punch we need –- whether it’s rock or jazz,” Clarke says. He uses e 904s on toms, an e 614 on hi-hat and e 914s as overheads.

Perhaps Clarke’s most favorite microphone of all is the Sennheiser e 906. “For the guitars, we use these exclusively — there is never a situation where they don’t work,” he says. “Our room is a very bright room, and the 906 brings out all the right elements. They give you the crunch of the sound, but without the brittleness.”

LPR routinely puts Sennheiser microphones to the test on vocals, and the e 965 has quickly earned its position as ‘most favored microphone,’ Clarke says: “We already loved the e 935 and e 945, and didn’t think it could get any better. Then we got our hands on an e 965 and I had everyone try it out independently. One by one, I started getting emails and texts from all my engineers telling me that it is the best sounding vocal mic they ever heard. They all had the same experience.”

Microphones that translate to live broadcast
As LPR becomes well established beyond the boroughs of New York City, Internet broadcasting plays an increasingly important role in helping the club attract and maintain its loyal fan base. “We started streaming shows about six months ago and hit our highest viewership numbers in the last couple of weeks,” Clarke says. “It is very important to me that if I have a great sound in the room that it also translates to our live broadcasts. So far, whatever I hear from the mix position sounds great on the radio as well, and this is in large part due to the quality we are getting out of those Sennheiser mics.”

Clarke says that the magic of Sennheiser microphones lies beyond just the great sound: “The versatility of these microphones is very important to me. Being able to switch microphones at any given moment and roll with the punches is key. Sennheiser is a lifesaver here because they perform well across so many different instruments. I can mix and match any of these mics, and they all sound good!”

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Wowza Media Systems Streaming Media West

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Wowza Media Systems Streaming Media West
Booth 23

Company Quote:
“Wowza Media Server(R) 3 makes any-screen content delivery easy and cost-effective for organizations of all sizes. We work hard to address the needs of the market, and ensure we deliver the essential functionality and features that are must-haves in today’s streaming environment.” — David Stubenvoll, chief executive officer and co-founder of Wowza Media Systems more

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GearSource Focuses on Core Business

LED Source® Continues to grow Partnership with Coemar

(Wellington, FL)—LED Source®, the leading supplier of LED lighting products in North America, and sister company GearSource, the world’s marketplace for used lighting, pro audio and stage gear, has announced changes to their exclusive North American distribution agreement with Italian based lighting manufacturer Coemar Spa. Moving forward, GearSource will focus on selling used products and entertainment equipment and will no longer supply Coemar’s automated lighting products while LED Source will continue offering Coemar’s extensive line of LED technology on an exclusive basis throughout North America.
“I felt it was important to make improvements to both of my companies in regards to our relationship with Coemar Spa of Italy,” says Marcel Fairbairn, president and CEO of LED Source and GearSource. “In the best interest of all parties involved, GearSource will focus on its core used products business model, where it continues to be a market leader, while LED Source will maintain its close relationship with the Coemar Italian factory. This will help streamline operations, allow each business to focus on its top priorities and make it easier for our customers to find what they’re looking for. LED Source will continue to stock products from our U.S. headquarters in Wellington, Fla. and work with Coemar on LED product development, marketing and distribution.”
Coemar’s Sales Manager, Filippo Frigeri, will maintain responsibility for all North American automated lighting sales.
“We have built a great relationship with Marcel and his team and will continue to manufacture top-quality and innovative entertainment lighting products,” says Frigeri. “We expect the transition to run seamlessly and will continue to support LED Source in developing the rapidly growing professional LED business in the U.S.”
For more than a year, LED Source has been working closely with Coemar as they update their already successful LED product line, including the new and widely popular Reflection LEDko series. With this line of products, Coemar and LED Source have begun to gain market share in traditional lighting arenas including TV, theater, rental and installations. Additionally, Coemar has updated their ParLite LED line with two new Variable White ParLite LED fixtures. Both are bright, reliable and built on the successful and award-winning ParLite platform.
“With Reflection LEDko and the new ParLite LED products, we are seeing new markets arrive and existing markets grow. Coemar LED products are rapidly gaining popularity and we’re proud to be part of that,” says Fairbairn.

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About LED Source®
Founded in August 2005 by Marcel Fairbairn, LED Source® is a national and international supplier of LED lighting that specializes in full-scale evaluations and retrofits through its Retrofit Division, in addition to providing consultation all the way through to supply on new projects within their Architectural and Entertainment Divisions. Additionally, the company launched a franchise program in October 2009 and expects to have a network of 150 franchise offices throughout North America within three years. For more information, please visit www.ledsource.com or the company’s blog at http://getleducated.wordpress.com.

About GearSource®
Founded in 2002, GearSource® through its online platform, sells predominately used products in professional stage lighting, pro audio, video and staging. Customers include production/rental companies and resellers, as well as televisions studios, theaters and churches. For more information, please visit www.gearsource.com.

About Coemar
Established in 1933 and based in Castel Goffredo, Italy, Coemar Spa is a world leader in lighting for the entertainment industry. The company also develops, manufactures and sells its products for architectural and commercial applications and guarantees pre-sale and after-sale services. At an international level, the company operates in five continents with a network of over 50 distributors. www.coemar.com.

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2020 Exhibits Sets its Sights on High Resolution Systems’ UDC for Multiple-Monitor Environments

2020 Exhibits

2020 Exhibits

Houston-based tradeshow and exhibit designer 2020 Exhibits has acquired Universal Device Controller (UDC) technology from High Resolution Systems LLC for use in multiple-monitor client demos in its showroom and at tradeshows nationwide.

2020 Exhibits maintains a 10,000-square foot showroom set up like a tradeshow floor with extensive numbers of flat-screen displays. A Vista Spyder X20 system resides in a dedicated control room and ties into eight different videowall configurations.

“We were looking at an AMX control system for the showroom and were doing in-house training with Vista for the Spyder,” says senior AV technician Chris Kennedy. “The trainer mentioned High Resolution Systems’ UDC and how easily it worked. So I downloaded the free demo and saw that it was exactly what we needed. [2020 Exhibits president] Bob Babine fell in love with the idea that with the UDC we could control the monitors with a smart phone or an [Apple] iPad.”

“We hooked up the system, programmed it in 10 minutes and we were bouncing through looks with my [Apple] iPhone,” Kennedy says. “The ease of set up and cost savings for our clients over other control systems were amazing. In five minutes you can teach anybody to recall cues with the UDC. Customizing buttons and changing command keys takes seconds instead of having to wait for a programmer to write hundreds of lines of code.”

The UDC made its debut in the showroom where it ran on an iPad and supported a 5×6 videowall during 2020 Exhibits social media boot camp held on August 25. “The ability to literally change your messaging and content in the exhibit space in real time is fantastic. People could walk up and tap into the iPad and change the content on the videowall all in real time” Kennedy reports.

Soon after, the UDC traveled to the VMworld 2011 convention at The Venetian in Las Vegas, a show for virtualization technologies, where it was employed at the BMC Software booth. The centerpiece of the exhibit was a 3×5 videowall, comprised of Samsung 460ux-2 46-inch LCDs, which occupied the entire booth and was tied into a Christie Vista Spyder X20.

“We had a laptop running Vista software and the UDC,” Kennedy explains. “The UDC got a lot of good buzz. People wanted to know what it was and how it worked. The UDC worked just great at the show, and BMC liked how easy it was to use. The response from the show by clients and end users was amazing. The booth remained busy at all times with multiple demonstrations happening concurrently utilizing UDC technology.”

“The UDC has so much to offer and our ability to integrate content through smart phones and iPads will continue to evolve. We love how easy it is to program, that we can use it with smart phones and iPads, and that it can control a long list of devices: You just tell the UDC that you’re using a particular device and it knows the command strings.”

About High Resolution Systems
High Resolution Systems is a company with a strong systems engineering and applications background. Its founders have decades of experience in the audio visual rental and staging industry, broadcast applications, A/V installations and system design. This combined experience allows them to provide the highest possible quality solutions to its customers in the most efficient manner. For more information, visit www.hrscontrol.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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