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Archive for November 28th, 2011

The RapcoHorizon Company Announces Its “Outfit Your Band” Promotion

Grand Prize Winner to be Revealed During the 2012 NAMM Show

JACKSON, MO, NOVEMBER 28, 2011 ― The RapcoHorizon Company, a leading manufacturer of audio/video interfacing and cable equipment, announces its “Outfit Your Band” Promotion, the company’s largest to date. One Grand Prize winner, to be revealed online and at the 2012 NAMM Show (Booth 4558), will receive a 16×4 snake and every mic, speaker and instrument cable needed for his or her band’s performances. As part of the promotion, RapcoHorizon will also give away one i-JAM 3-n-1 Smart Phone Interface every Friday until the 2012 NAMM show.

To be considered for the “Outfit Your Band” Promotion, beginning Monday, November 28, 2011, RapcoHorizon fans must go to the contest tab on the company’s Facebook page, located at http://www.facebook.com/RapcoHorizon. On this tab, contestants must enter their email address and local dealer store number, which can be obtained by visiting their local RapcoHorizon dealer and locating the store ID number printed on the promotional signage. The Grand Prize winner will be announced on Friday, January 20, 2012, during the 2012 NAMM Show — through Facebook and at The RapcoHorizon Company booth (#4558). The winner will also be contacted via email.

For a chance to win an i-JAM 3-n-1, users must become a fan of The RapcoHorizon Company on Facebook at http://www.facebook.com/RapcoHorizon. One winner will be chosen randomly each week from the company’s fan list. Each weekly drawing will be announced on the RapcoHorizon fan page. Winners will also be contacted through their Facebook accounts.

RapcoHorizon dealers also have the opportunity to win an i-JAM 3-n-1. For every weekly winner who mentions his or her local retailer, The RapcoHorizon Company will also award one i-JAM 3-n-1 to the store that directed the user to the Facebook promotion.

For more information or to become a RapcoHorizon Company Facebook fan, please visit http://www.facebook.com/RapcoHorizon.

The RapcoHorizon Company, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications cable in both bulk wire and assemblies. Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, The RapcoHorizon Company’s products provide optimal flexibility and premium performance. The company’s state-of-the-art Custom Shop can modify existing products or build new devices to meet any need. For more information, please visit The RapcoHorizon Company’s website at www.rapcohorizon.com.

Christie’s EGG Concept Moves Simulation and Virtual Training Beyond the Edge

Christie® brings the ultimate in advanced visualization to I/ITSEC 2011, November 28 – December 1. Leveraging a powerful array of cutting-edge DLP and LED-based technology, the company utilizes its innovative engineering and integration expertise across multiple platforms and applications to deliver customized training and simulation systems from conceptual consultation through planning, integration and installation. The results are dynamic evolutions in technology that are reflected in such concepts as the EGG (Edgeless Graphics Geometry); a 4K resolution virtual sand table; a stereoscopic collimated display; a 60-120HZ high-speed comparison demonstration; and the Personal Immersive Environment (PIE) – all on display at the Christie booth.
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“It’s all about providing customers with the latest innovation, with proven reliability,” remarked Zoran Veselic, vice president of Christie’s Visual Environments. “From the initial site survey to final installation and beyond, Christie integrates its visual projection systems with content from some of the industry’s most innovative companies, such as Flight Safety International, WorldViz, Aechelon Technology, MetaVR and CSC to provide groundbreaking, customized solutions, standardized turnkey systems, and everything in between.”
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Among the various innovative concepts being demonstrated at the Christie Booth:
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EGG – Edgeless Graphics Geometry
The Christie EGG concept is a portable, deployable solution that delivers virtual reality without the edges. It seamlessly fills the entire Field of View (FOV) using groundbreaking technology to deliver smooth, continuous graphics that respond to an intuitive 3D hand control, and features dual-use stereo and simulation. The front-projection “tunnel of light” is driven by eight Christie Mirage WU-L projectors, featuring Christie ArrayLoc™, Christie AutoCal™, and ChristieTwist™, with 3D content provided by WorldViz, an industry leader in interactive virtual reality solutions. The display will demonstrate tasks where depth judgment is required, such as helicopter landing and aerial refueling.
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4K Resolution Virtual Sand Table
Proven to provide superior results, this ultra-high resolution sand table offers situational awareness combined with the interactivity of data in rich detail, allowing users to safely interact with the virtual content on screen – in this case, aerial photography mapped to simulated terrain. The result is a superior interactive experience that offers the added advantage of informative feedback and computer-based coaching during the exercise. The display uses a Christie D4K35 4K (4096 x 2160) resolution 3-chip DLP® projector delivering 32,500 ANSI lumens, powered by a Christie Spyder X20 video processor. The kiosks are context-specific and allow for individual contributions to the main 4K display.
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Stereoscopic Collimated Display
Supporting growing interest in stereoscopic visuals for simulation and training tasks where depth of field is key, the Christie 3D stereo collimated display features an infinite focal plane, so that the eyes can focus closer to infinity – a much more realistic response in the simulated environment. Collimation with 3D projection results in a more realistic out the window display that provides accurate positional information for both near and distant objects. Display is powered by four Christie Mirage WU-L projectors and delivers high resolution and pixel density, with a single-viewpoint perspective. Stereoscopic collimated display applications would benefit boom operator training, driving simulators, and crane operation, as examples.
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60 /120HZ High Speed Comparison
A unique, side-by-side demonstration of images projected at 120HZ versus 60HZ, illustrating the accuracy and clarity of higher update rates projection, in which Christie is recognized as the industry leader. Higher update rates offer sharper images with reduced motion artifacts. The display is powered by two dual-input Christie Matrix StIM LED projectors, with content and database provided by strategic partner MetaVR.
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Personal Immersive Environment (PIE)
Composed of Christie FHD551-X HD LCD flat panels, the Christie PIE concept features a three-panel arrangement in portrait mode for a roughly 90 degree FOV. Additional flat panels are added to increase the FOV up to as much as 270 degrees. Easily flipped into landscape to suit the user’s needs, it is a low-cost faceted simulation display system that is perfect for Unmanned Aerial Vehicles (UAVs) training, as well as ship bridges and air traffic control.
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Megapixel Display Wall
More is better, and this high-performance video wall, matched with a Christie Spyder X20 video processor proves it. Composed of a 4 by 8 array of award-winning Christie MicroTiles, this display features higher resolution and more vibrant colors than the standard display wall, making it ideal for situation rooms, as well as command and control or after-action review, where multi displays are needed for the management of information, such as satellite feeds, maps, live-camera feeds, graphics, and pre-recorded video. The Christie Spyder X20 manages and controls content in single or multiple displays, enabling the high resolution display of several images and source types, in real-time and programmed. The 20 megapixel bandwidth enables the Christie Spyder X20 to blend, window, mix and scale any source format, then routes the signal to any destination device or combination of display devices, with unprecedented flexibility and versatility, quickly and easily.
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“Christie continues to push the envelope with progressive visual technology and integrated solutions to meet every customer’s needs and budget,” added Veselic. “We are a leader in our field because we have established a reputation as innovation and system-solutions experts. We bring together technologies from the widest range of areas to create new capabilities. Most importantly, we understand our customers’ problems and we solve them.”
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Every Christie solution is backed by a full range of services and support provided in a collaborative environment that involves the customer every step of the way – and can support the customer after installation for the long-term.
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Christie products can also be found at partner booths throughout I/ITSEC, including FlightSafety International with a stereoscopic collimated display, booth #1701; CSC with Christie FHD551-X tiled LCD flat panels, booth #2511; and the NTSA displays, found at the entrance to the showroom floor.
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Christie is also proud to sponsor a teacher at I/ITSEC 2011 through the National Training and Simulation Association (NTSA)’s STEM (Science, Technology, Engineering and Mathematics) program. The goal of the program is to further education in the four STEM disciplines and instigate interest in teachers who can then pass on their new appreciation for modeling and simulation to their students.

HARMAN’s Soundcraft® Si Compact 32 Console Allows Students To Take Control At Fort Zumwalt West High School

O’FALLON, Missouri — In order to accommodate the musicals, concerts, dance recitals, talent shows and much more that it holds throughout the academic year, Fort Zumwalt West High School in Missouri recently purchased a HARMAN Soundcraft Si Compact 32 audio mixing console.

Tim Croghan, Auditorium Manager for the school, has been working with the Fort Zumwalt School District for 20 years and helped design and build the auditorium and sound system, and was looking to upgrade from the original analog sound board the school was using. Based on his positive experience with previous Soundcraft products, Croghan decided the Si Compact 32 was an ideal fit.

Croghan chose the Si Compact 32 for many reasons, including the console’s flexibility for the variety of school events. “We like to do production work, mix our own sound effects and record the chorus and bands for live CD’s. Another great use is to mix songs together for football games and sporting events. We simply have an endless amount of options,” he said.

Most of the time, however, the students are the ones operating the console. “It’s the perfect machine to teach to the students. When we got it, the kids were learning faster than I could and ended up teaching me a few things,” Croghan said with a laugh. The students, usually around 15 or 16 years old, enjoy working directly with the console and immediately seeing the results of their work. “It’s great because you don’t need a real in-depth concept of audio production; for a student, to be able to move the fader up and down, gives them the feeling of control we want them to have.”

When working on production for different events, Croghan mentioned that they use the Si Compact as a creative tool as well. “We can have sound effects called by the director just like a lighting effect. Everything that we do can be tied into the script, and we can create actual cues and microphone levels based on what the director wants,” he said.

“Everything about the board is perfect for what we need,” Croghan added. “It allows the kids to have the freedom to operate, and Soundcraft gives us the security of having a reliable console that doesn’t wear or break down. There are so many more outputs than we’re used to, and we are still exploring the ways that we can do more. Overall the board is so much cleaner and crisper.”

Croghan is thrilled the students have the chance to use such a high-end product in a school setting. During a recent Battle of the Bands event, Croghan was shocked to see the ability of the groups to manipulate the settings to find the sound they wanted to achieve, and how they were able to make it happen with very little help.

“Having the Si Compact allows our program to keep growing and expanding not only physically but through music education as well. The console gives us so much opportunity and we are all excited to see the students continue to explore and continue to thrive through the opportunities we give them,” Croghan summed up.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,000 people across the Americas, Europe and Asia, and reported sales of $3.8 billion for the twelve months ending September 30, 2011.

HARMAN’s Studer Announces More Studer Broadcast Academy Training for Freelance and In-House Engineers

POTTERS BAR, United Kingdom — Building on its overwhelmingly successful Broadcast Academy program, HARMAN’s Studer has announced additional free half-day Studer Broadcast Academy introductory training sessions on its Vista and OnAir digital consoles. The sessions will be held at the Soundcraft Studer premises in Hertfordshire, and will include instruction on the new Vista 9, Vista 5 M2, OnAir 1500 and OnAir 3000 desks.

Planned for December 9, January 26 and March 15, 2012, the courses are conducted by independent ex-BBC sound engineer Micky Curling in Studer’s purpose-built studios providing the perfect opportunity for freelance and in-house engineers to get hands-on experience with Studer consoles.

All attendees will be offered lunch, as well as morning and afternoon refreshments, and will also be given a tour of the impressive Soundcraft and Studer manufacturing facility. In the adjoining museum attendees are able to view consoles and tape machines from both Studer and Soundcraft’s past, dating back to the 1950’s.

For those interested in detailed training and factory certification, Studer also offers full-day courses on the Vista series: “Vista Foundation” includes product overview, Vistonics™ U/I and general operation, connection with third-party networks including Optocore and Aviom, and integration with Riedel’s RockNet and MediaNet. “Vista Intermediate” includes more advanced topics such as detailed presentation of the DSP, I/O formats, Virtual Vista remote control and system redundancy.

To apply for a place on the course or register for interest in future courses, please visit our training registration page, http://www.studer.ch/support/training_UK_intro.aspx

For US training visit http://usa.studer.ch/support/us_truck_tour.aspx, where you can enroll on the mobile Studer Broadcast Academy in the custom-built 73-foot truck.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

AES NASHVILLE PRESENTS THE NASHVILLE RECORDING WORKSHOP + EXPO 2012

“Helping Creative People Make Better Recordings”

Immerse yourself in the art and technology of music recording – March 2-3, 2012.

NASHVILLE: The AES Nashville Section has developed a compelling two-day recording workshop and gear exposition focused on getting the most from your personal studio recording environment. AES Nashville, in conjunction with Audio Engineering Society, Inc. in New York is offering this two-day program on March 2 & 3, 2012 at a new location, the Rocketown event center at 601 4th Ave. South. Whether you are a recording musician, a songwriter laying down demos, or a professional engineer working in a personal production space, the Nashville Recording Workshop and Expo will provide essential insight and information geared to boost your career and elevate creativity.

Affordable and more powerful technology has made for a burgeoning market in recording equipment as songwriters, musicians and engineers create their own personal production spaces. Nashville has long been touted to have more personal studios per capita than anywhere in the country, and never has this been truer than in today’s DAW-centric recording environment. NRW+E presents a unique opportunity for personal studio owners to learn from the pros who put the Music in Music City, to check out the latest tools of the trade in the exhibition space and to “network” with their peers.

NRW+E presenters will include leading producers, engineers, acousticians, songwriters, and musicians sharing their professional techniques and knowledge in the areas of vocal and instrument miking, songwriters production of demos, arrangements and recording for better mixes, adding rhythm and spice with virtual tracks, collaboration across time and space, work environments that enhance creativity, practical acoustic and room treatment, and technical essentials.

Cosette Collier, Chairman of the Nashville Section of AES states, “We are thrilled to be able to offer the Nashville Recording Workshop + Expo once again. For two days, NRW brings musicians, songwriters, small studio owners, audio production students and home recording enthusiasts together with professional recording engineers and music industry professionals, not for the typical ‘How I Do It’ kind of sessions, but instead, ‘How YOU Can Do It.’ Inspiration is part of the experience, but “take away” information is key.”

Nashville Recording Workshop +Expo featured events and demos will appear in a live, on-stage setting on a regular schedule throughout both days, while exhibitor booths and displays complete AES Nashville’s own convention-type setting, featuring manufacturers representing all aspects of professional audio gear and services.

Collier continues, “Some of the best engineering and production talent will share practical techniques for producing great recordings and enhancing one’s creative production space, as well as how to get your music heard. Along with the workshops and demonstrations, the exhibits area lets attendees check out the latest in audio production hardware and software and explore new ways to enhance the creative process. The 2012 Nashville Recording Workshop + Expo continues to extend the focused content and involvement for all levels of audio production.”

“Early Bird” registration for AES members and members of participating professional songwriter, performance, musician and engineering organizations is $79, non-members is $99, student members is $39, and non-member students is $59. Early registration is open through February 3, 2012. For the full program listings, information on registering or to book an exhibition space visit: www.nashvillerecordingworkshop.com.

Now in its 7th decade, the Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. With over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East, the AES serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

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Revolabs Ramping Up Internship and Co-op Program; Visiting Boston-Area Colleges to Present Informational Sessions to Students

SUDBURY, Mass. — Nov. 28, 2011 — Revolabs Inc. today announced that the company is visiting Boston-area universities to present informational sessions on its internship and co-op program to students, and to interview applicants. Consisting of internships and cooperative educational positions, Revolabs’ program provides students with an opportunity to learn about both hardware and software while receiving hands-on experience testing the company’s microphones and assisting in quality assurance. more

Audio Logic & DiGiCo Bring The Funk 2 The fDeluxe Family Reunion

To say that September was a busy month for Audio Logic Systems (ALS) would be considered an understatement. Not only did the A/V integrators celebrate a 20th anniversary milestone with a mega bash replete with music, food and drinks at their Minneapolis headquarters, but they also took on the production for a major concert event at the historic Loring Theater—in addition to more

Electrosonic’s AV Expertise Showcased In Two Thea Award-Winning Projects

Electrosonic is proud to have participated once again in several projects that have captured Thea Awards for Outstanding Achievement presented by the Themed Entertainment Association (TEA). Electrosonic, an international audio-visual company, played a key role in both “Star Tours: The Adventures Continue” at Disneyland (cited in the Attraction Refresh category) and “Crane Dance” at Resorts World Sentosa (named in the Show Spectacular category).

Winners of the 18th annual Thea Awards were announced November 15 at the IAAPA trade show in Orlando; the awards will be presented March 17, 2012 at a gala ceremony at the Disneyland Hotel at the Disneyland Resort in Anaheim, California.

The Thea Awards recognize and honor excellence in creating outstanding visitor experiences, attractions, exhibits and places. TEA is the only international non-profit association representing the world’s leading creators, developers, designers and producers of compelling content for these venues.

Electrosonic has worked consistently with Disney on many of their projects around the world. Working closely with design engineers at Walt Disney Imagineering in Burbank, Electrosonic played a pivotal role as systems integrator on the revamped “Star Tours: The Adventures Continue” project, providing fabrication, installation and termination of the low-voltage AV, FX and show control systems. Steve Calver was Electrosonic’s project manager and Les Hill the systems sales consultant.

The Thea Awards nominating committee noted that “Star Tours: The Adventures Continue” is a hit with the extremely loyal “Star Wars” fan base, which was first drawn to the film-based analog version of the simulator ride when it debuted in 1987. Today, “Star Tours: The Adventures Continue” features new 3D digital media systems for a breakthrough experience with a unique branching story structure offering multiple destinations and characters. “This non-traditional storytelling device evokes curiosity by providing 54 potential show experiences,” the committee said. “Image capture systems are used to integrate riders into the varied story branches. All of this is fed into multiple motion programs designed for each random sequence, creating a multiplicity of kinetics for the 54 distinct profiles and unique real-time guest integrations.”

In addition to systems engineering, installation and commissioning, Electrosonic also provides creative technical Design Consulting services to help clients realize their creative vision. For the “Crane Dance” show at Resorts World Sentosa, Electrosonic served as the technical design consultant working directly with creative show designer Jeremy Railton at Entertainment Design Corporation (EDC). Leading the creative and technical design process for EDC was Mark Thomas of On Track Themes whom Electrosonic has worked with for many years on multiple themed entertainment projects around the world.

Steve Coe, one of Electrosonic’s senior design consultants, designed and specified the elaborate Renkus-Heinz audio system, Coolux Pandoras Box video playback system and Medialon show control for this attraction. “This unique application for technology required an out-of-the-box approach to a system design,” says Coe. “There are many technical challenges with this type of attraction and using the right tool for the right job is crtical.”

Billed as the largest animatronic attraction in the world, “Crane Dance” is a 10-minute public performance piece staged daily on the WaterFront. It features a pair of huge mechanical cranes whose courtship and budding love for each other transform them into real birds. The attraction combines groundbreaking audio and visual technologies with amazing light and water effects. Each hydraulically-powered mechanical crane weighs 80 tons and operates in six axes of movement.

Electrosonic’s Linda Danet also worked closely with the entire team as systems sales consultant.

About Electrosonic
Electrosonic is an international AV company with a strong reputation for working on complex projects, both large and small, and has through its 47 year history developed lasting partnerships with customers and suppliers. Electrosonic brings a unique breadth of experience to each project; backed by solid engineering skills, project management and quality production facilities. Beyond complete integrated systems, Electrosonic can provide a wide range of services including technical design, maintenance and operational support.

Learn more about Electrosonic. Visit www.electrosonic.com

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Producer Alex Silva Chooses Prism Sound Conversion For Herbert Gronemeyer’s Live DVD Mix

EMI Music Germany is about to release Live In Leipzig, a DVD that captures the performance of legendary German pop star Herbert Gronemeyer during his recent Schiffverkehr tour.

This major project, which was filmed in one evening, encompasses Gronemeyer’s ‘warts and all’ approach to live DVDs by allowing the viewer to see and hear the concert as it really was.

“What is on the DVD is 100% pure,” says producer Alex Silva who was responsible for mixing the audio. “As nothing was going to be repaired or fixed in the mix, everyone had to bring their A-game to the concert, which certainly made for an adrenaline filled evening behind the scenes. Of course there were problems – with a live event a lot can go wrong and technically things often do. For this project we had to contend with heavy rainfall on the crowd microphones (and there was a lot of rain) to interference on the 128 radio mics – not to mention things that were best left in the bar after the gig!”

Originally from Cardiff, Alex Silva has been part of Gronemeyer’s production team for nearly 15 years. He began his career in record production under the direction of former Eurythmics artist and producer Dave Stewart and has subsequently worked with many international artists including Texas, Mick Jagger, Daryll Hall, Manic Street Preachers, Suede and Jon Bon Jovi.

For the Live in Leipzig project, Silva and Gronemeyer chose to mix at Hansa Studios in Germany, in conjunction with Michael Ilbert. Integral to the sound of the mix was Prism Sound conversion. Silva used a Prism Sound ADA-8XR multichannel AD/DA converter with a Pro Tools digital interface option as a replacement for 192 and 96 IOs that come as standard on a Pro Tools system.

“We chose Prism Sound conversion for its sound quality and also for its versatility.” Silva explains. “We used the unit as our converter while transferring the multitrack audio from one Pro Tools system to another to create the 5.1 mix. We also used it for the analogue fold-down for the stereo mix. The converter did everything I had hoped for and I was very happy with the results.”

As with any live recording, preparation is key to its success and this project was no exception.

“My production technique in this situation really happens in the rehearsal process,” Alex Silva says. “Technically there was a lot of preparation for these shows and artistically the songs had to be re-worked to suit a stadium environment. Basically, I push things as far as possible without tiring everyone’s patience.”

After 14 years of collaboration, Silva and Gronemeyer have developed a close relationship that enables them to know how the other will react and think during the recording and mixing process.

“We have our own studio, which is based around an API board and a Pro Tools system, plus we also have a lot of vintage mic pre’s and outboard equipment such as Helios, D. W Fern and ADL, and a great collection of microphones including Altec, RCA, Telefunken and Coles,” Silva says. “Part of my work is to challenge the artist creatively and this is something that Herbert excels at. He has a gift for letting go and allowing his songs to evolve without fear. It is very liberating for a producer to feel trusted and be allowed to explore a song’s potential. Herbert has an amazing gut feeling for things and I know I can reply on his opinion. For me, that is the mark of a truly great artist.”

Herbert Gronemeyer’s Live In Leipzig DVD was filmed by Austrian production company Just 24/7 and will be released through EMI Germany this month.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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