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Archive for November, 2011

HARMAN’s Studer Announces More Studer Broadcast Academy Training for Freelance and In-House Engineers

POTTERS BAR, United Kingdom — Building on its overwhelmingly successful Broadcast Academy program, HARMAN’s Studer has announced additional free half-day Studer Broadcast Academy introductory training sessions on its Vista and OnAir digital consoles. The sessions will be held at the Soundcraft Studer premises in Hertfordshire, and will include instruction on the new Vista 9, Vista 5 M2, OnAir 1500 and OnAir 3000 desks.

Planned for December 9, January 26 and March 15, 2012, the courses are conducted by independent ex-BBC sound engineer Micky Curling in Studer’s purpose-built studios providing the perfect opportunity for freelance and in-house engineers to get hands-on experience with Studer consoles.

All attendees will be offered lunch, as well as morning and afternoon refreshments, and will also be given a tour of the impressive Soundcraft and Studer manufacturing facility. In the adjoining museum attendees are able to view consoles and tape machines from both Studer and Soundcraft’s past, dating back to the 1950’s.

For those interested in detailed training and factory certification, Studer also offers full-day courses on the Vista series: “Vista Foundation” includes product overview, Vistonics™ U/I and general operation, connection with third-party networks including Optocore and Aviom, and integration with Riedel’s RockNet and MediaNet. “Vista Intermediate” includes more advanced topics such as detailed presentation of the DSP, I/O formats, Virtual Vista remote control and system redundancy.

To apply for a place on the course or register for interest in future courses, please visit our training registration page, http://www.studer.ch/support/training_UK_intro.aspx

For US training visit http://usa.studer.ch/support/us_truck_tour.aspx, where you can enroll on the mobile Studer Broadcast Academy in the custom-built 73-foot truck.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

AES NASHVILLE PRESENTS THE NASHVILLE RECORDING WORKSHOP + EXPO 2012

“Helping Creative People Make Better Recordings”

Immerse yourself in the art and technology of music recording – March 2-3, 2012.

NASHVILLE: The AES Nashville Section has developed a compelling two-day recording workshop and gear exposition focused on getting the most from your personal studio recording environment. AES Nashville, in conjunction with Audio Engineering Society, Inc. in New York is offering this two-day program on March 2 & 3, 2012 at a new location, the Rocketown event center at 601 4th Ave. South. Whether you are a recording musician, a songwriter laying down demos, or a professional engineer working in a personal production space, the Nashville Recording Workshop and Expo will provide essential insight and information geared to boost your career and elevate creativity.

Affordable and more powerful technology has made for a burgeoning market in recording equipment as songwriters, musicians and engineers create their own personal production spaces. Nashville has long been touted to have more personal studios per capita than anywhere in the country, and never has this been truer than in today’s DAW-centric recording environment. NRW+E presents a unique opportunity for personal studio owners to learn from the pros who put the Music in Music City, to check out the latest tools of the trade in the exhibition space and to “network” with their peers.

NRW+E presenters will include leading producers, engineers, acousticians, songwriters, and musicians sharing their professional techniques and knowledge in the areas of vocal and instrument miking, songwriters production of demos, arrangements and recording for better mixes, adding rhythm and spice with virtual tracks, collaboration across time and space, work environments that enhance creativity, practical acoustic and room treatment, and technical essentials.

Cosette Collier, Chairman of the Nashville Section of AES states, “We are thrilled to be able to offer the Nashville Recording Workshop + Expo once again. For two days, NRW brings musicians, songwriters, small studio owners, audio production students and home recording enthusiasts together with professional recording engineers and music industry professionals, not for the typical ‘How I Do It’ kind of sessions, but instead, ‘How YOU Can Do It.’ Inspiration is part of the experience, but “take away” information is key.”

Nashville Recording Workshop +Expo featured events and demos will appear in a live, on-stage setting on a regular schedule throughout both days, while exhibitor booths and displays complete AES Nashville’s own convention-type setting, featuring manufacturers representing all aspects of professional audio gear and services.

Collier continues, “Some of the best engineering and production talent will share practical techniques for producing great recordings and enhancing one’s creative production space, as well as how to get your music heard. Along with the workshops and demonstrations, the exhibits area lets attendees check out the latest in audio production hardware and software and explore new ways to enhance the creative process. The 2012 Nashville Recording Workshop + Expo continues to extend the focused content and involvement for all levels of audio production.”

“Early Bird” registration for AES members and members of participating professional songwriter, performance, musician and engineering organizations is $79, non-members is $99, student members is $39, and non-member students is $59. Early registration is open through February 3, 2012. For the full program listings, information on registering or to book an exhibition space visit: www.nashvillerecordingworkshop.com.

Now in its 7th decade, the Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. With over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East, the AES serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

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Revolabs Ramping Up Internship and Co-op Program; Visiting Boston-Area Colleges to Present Informational Sessions to Students

SUDBURY, Mass. — Nov. 28, 2011 — Revolabs Inc. today announced that the company is visiting Boston-area universities to present informational sessions on its internship and co-op program to students, and to interview applicants. Consisting of internships and cooperative educational positions, Revolabs’ program provides students with an opportunity to learn about both hardware and software while receiving hands-on experience testing the company’s microphones and assisting in quality assurance. more

Audio Logic & DiGiCo Bring The Funk 2 The fDeluxe Family Reunion

To say that September was a busy month for Audio Logic Systems (ALS) would be considered an understatement. Not only did the A/V integrators celebrate a 20th anniversary milestone with a mega bash replete with music, food and drinks at their Minneapolis headquarters, but they also took on the production for a major concert event at the historic Loring Theater—in addition to more

Electrosonic’s AV Expertise Showcased In Two Thea Award-Winning Projects

Electrosonic is proud to have participated once again in several projects that have captured Thea Awards for Outstanding Achievement presented by the Themed Entertainment Association (TEA). Electrosonic, an international audio-visual company, played a key role in both “Star Tours: The Adventures Continue” at Disneyland (cited in the Attraction Refresh category) and “Crane Dance” at Resorts World Sentosa (named in the Show Spectacular category).

Winners of the 18th annual Thea Awards were announced November 15 at the IAAPA trade show in Orlando; the awards will be presented March 17, 2012 at a gala ceremony at the Disneyland Hotel at the Disneyland Resort in Anaheim, California.

The Thea Awards recognize and honor excellence in creating outstanding visitor experiences, attractions, exhibits and places. TEA is the only international non-profit association representing the world’s leading creators, developers, designers and producers of compelling content for these venues.

Electrosonic has worked consistently with Disney on many of their projects around the world. Working closely with design engineers at Walt Disney Imagineering in Burbank, Electrosonic played a pivotal role as systems integrator on the revamped “Star Tours: The Adventures Continue” project, providing fabrication, installation and termination of the low-voltage AV, FX and show control systems. Steve Calver was Electrosonic’s project manager and Les Hill the systems sales consultant.

The Thea Awards nominating committee noted that “Star Tours: The Adventures Continue” is a hit with the extremely loyal “Star Wars” fan base, which was first drawn to the film-based analog version of the simulator ride when it debuted in 1987. Today, “Star Tours: The Adventures Continue” features new 3D digital media systems for a breakthrough experience with a unique branching story structure offering multiple destinations and characters. “This non-traditional storytelling device evokes curiosity by providing 54 potential show experiences,” the committee said. “Image capture systems are used to integrate riders into the varied story branches. All of this is fed into multiple motion programs designed for each random sequence, creating a multiplicity of kinetics for the 54 distinct profiles and unique real-time guest integrations.”

In addition to systems engineering, installation and commissioning, Electrosonic also provides creative technical Design Consulting services to help clients realize their creative vision. For the “Crane Dance” show at Resorts World Sentosa, Electrosonic served as the technical design consultant working directly with creative show designer Jeremy Railton at Entertainment Design Corporation (EDC). Leading the creative and technical design process for EDC was Mark Thomas of On Track Themes whom Electrosonic has worked with for many years on multiple themed entertainment projects around the world.

Steve Coe, one of Electrosonic’s senior design consultants, designed and specified the elaborate Renkus-Heinz audio system, Coolux Pandoras Box video playback system and Medialon show control for this attraction. “This unique application for technology required an out-of-the-box approach to a system design,” says Coe. “There are many technical challenges with this type of attraction and using the right tool for the right job is crtical.”

Billed as the largest animatronic attraction in the world, “Crane Dance” is a 10-minute public performance piece staged daily on the WaterFront. It features a pair of huge mechanical cranes whose courtship and budding love for each other transform them into real birds. The attraction combines groundbreaking audio and visual technologies with amazing light and water effects. Each hydraulically-powered mechanical crane weighs 80 tons and operates in six axes of movement.

Electrosonic’s Linda Danet also worked closely with the entire team as systems sales consultant.

About Electrosonic
Electrosonic is an international AV company with a strong reputation for working on complex projects, both large and small, and has through its 47 year history developed lasting partnerships with customers and suppliers. Electrosonic brings a unique breadth of experience to each project; backed by solid engineering skills, project management and quality production facilities. Beyond complete integrated systems, Electrosonic can provide a wide range of services including technical design, maintenance and operational support.

Learn more about Electrosonic. Visit www.electrosonic.com

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Producer Alex Silva Chooses Prism Sound Conversion For Herbert Gronemeyer’s Live DVD Mix

EMI Music Germany is about to release Live In Leipzig, a DVD that captures the performance of legendary German pop star Herbert Gronemeyer during his recent Schiffverkehr tour.

This major project, which was filmed in one evening, encompasses Gronemeyer’s ‘warts and all’ approach to live DVDs by allowing the viewer to see and hear the concert as it really was.

“What is on the DVD is 100% pure,” says producer Alex Silva who was responsible for mixing the audio. “As nothing was going to be repaired or fixed in the mix, everyone had to bring their A-game to the concert, which certainly made for an adrenaline filled evening behind the scenes. Of course there were problems – with a live event a lot can go wrong and technically things often do. For this project we had to contend with heavy rainfall on the crowd microphones (and there was a lot of rain) to interference on the 128 radio mics – not to mention things that were best left in the bar after the gig!”

Originally from Cardiff, Alex Silva has been part of Gronemeyer’s production team for nearly 15 years. He began his career in record production under the direction of former Eurythmics artist and producer Dave Stewart and has subsequently worked with many international artists including Texas, Mick Jagger, Daryll Hall, Manic Street Preachers, Suede and Jon Bon Jovi.

For the Live in Leipzig project, Silva and Gronemeyer chose to mix at Hansa Studios in Germany, in conjunction with Michael Ilbert. Integral to the sound of the mix was Prism Sound conversion. Silva used a Prism Sound ADA-8XR multichannel AD/DA converter with a Pro Tools digital interface option as a replacement for 192 and 96 IOs that come as standard on a Pro Tools system.

“We chose Prism Sound conversion for its sound quality and also for its versatility.” Silva explains. “We used the unit as our converter while transferring the multitrack audio from one Pro Tools system to another to create the 5.1 mix. We also used it for the analogue fold-down for the stereo mix. The converter did everything I had hoped for and I was very happy with the results.”

As with any live recording, preparation is key to its success and this project was no exception.

“My production technique in this situation really happens in the rehearsal process,” Alex Silva says. “Technically there was a lot of preparation for these shows and artistically the songs had to be re-worked to suit a stadium environment. Basically, I push things as far as possible without tiring everyone’s patience.”

After 14 years of collaboration, Silva and Gronemeyer have developed a close relationship that enables them to know how the other will react and think during the recording and mixing process.

“We have our own studio, which is based around an API board and a Pro Tools system, plus we also have a lot of vintage mic pre’s and outboard equipment such as Helios, D. W Fern and ADL, and a great collection of microphones including Altec, RCA, Telefunken and Coles,” Silva says. “Part of my work is to challenge the artist creatively and this is something that Herbert excels at. He has a gift for letting go and allowing his songs to evolve without fear. It is very liberating for a producer to feel trusted and be allowed to explore a song’s potential. Herbert has an amazing gut feeling for things and I know I can reply on his opinion. For me, that is the mark of a truly great artist.”

Herbert Gronemeyer’s Live In Leipzig DVD was filmed by Austrian production company Just 24/7 and will be released through EMI Germany this month.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

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Digital Rapids Wins Streaming Media Readers’ Choice Award for Over-the-Top (OTT) Video Solution

November 24, 2011 — Markham, Ontario: Digital Rapids announced today that the StreamZ Live ABR adaptive streaming encoder has been honored with the 2011 Streaming Media Readers’ Choice Award in the Over-the-Top (OTT) Video Solution category. The award was presented during the Streaming Media West conference and exhibition in Los Angeles.

Held annually by Streaming Media magazine and its online properties, the Readers’ Choice Awards recognize the leading streaming and online video solutions, services, companies and innovations as judged by end users, rather than the magazine staff. The award is the sixth Streaming Media Readers’ Choice Award won by Digital Rapids in the past three years, and follows closely on the heels of the company being recognized as one of “the 100 companies that matter most in online video” in the inaugural Streaming Media 100 list. more

Visual Unity Helps Czech TV Move In To Full HD Outside Broadcast Production

Leading systems integrator and multiscreen platform provider Visual Unity has enabled Czech TV to enhance its production capabilities by delivering the broadcaster’s fully High Definition-equipped Outside Broadcast vehicle
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Designed to capture mainly sporting and cultural events, the new vehicle is based on a 26 ton MAN chassis with a single expanding side. At 12 meters long and nearly four meters high, it is the second completely HD equipped vehicle in Czech TV’s fleet and provides the entire technical infrastructure needed to deliver Outside Broadcast content in full HD.

Visual Unity was commissioned to handle this prestigious project on the basis of its extensive experience of designing, delivering and integrating turnkey TV systems, broadcast-IT convergent and multiscreen solutions. Borne out of respected international SI Visual Connection (latterly KIT digital Czech), Visual Unity offers an in depth understanding of the complexities of the broadcast chain coupled with extensive in-house software expertise.

Jakub Kabourek, CEO of Visual Unity, says: “As the Czech Republic’s state broadcaster, Czech TV is committed to delivering a premium viewing experience for its audience and constantly strives to deploy the latest technology to optimize its operations. This philosophy was the driving force behind its decision to invest in a new vehicle that could deliver High Definition content from major outside broadcast events.”

Visual Unity’s brief was to ensure that the new vehicle was compatible with Czech TV’s existing systems and interfaces, while also providing the high standard and effective design needed to tackle demanding video and audio productions. As one of the region’s most respected and successful broadcasters, Visual Unity was conscious of the importance Czech TV placed on this project and was fully committed to delivering a state-of-the-art solution that fulfilled all of the design criteria.

Jiri Jires, Head of Czech TV’s Outside Broadcast department, says: “Our main aim was to build a truck that could easily be used for the daily production of material from smaller sports venues and theatres, and from places within cities where we can’t use larger trailers. We intend to gradually expand and upgrade our OB fleet and we believe that our next truck will follow the design of this latest vehicle. I was very impressed with the way in which Visual Unity incorporated all our special requirements into this project.”

Under the direction of project leader Tomas Vesely, the new vehicle was coachbuilt in the UK by Spectra Engineering and engineered together with Megahertz. Once this part of the project was completed, the truck was driven to Visual Unity so that the engineering team could finish the custom installation. In total the project took just 10 months to complete.

Tomas Vesely says: “The most demanding stage of the project was the initial layout design, which we worked on very closely with the customer. We needed to install a lot of equipment, while at the same time provide an efficient, ergonomic operational space for the crew, including a comfortable 5.1 surround sound suite for audio mixing. Achieving this required some thought, given the fixed size of the 12 meter chassis. Another issue we had to resolve was incorporating several different heating systems, which are needed because Czech TV plans to use the truck extensively for winter sports events. The final systems integration challenge was integrating LSB’s VSM control system, which is used to control the majority of the systems on board the truck.”

The vehicle is equipped with eight cameras – six LDK 8000 Elite series HD cameras (all Triax based), plus one radio camera and one SuperMotion camera. It also has two EVS XT-3 servers, IP Director, XF2 storage with removable drives for data exchange with post production facilities, a Snell Kahuna 3ME vision mixer, a Miranda NVISION NV8280 matrix router, an LSB VSM control system, a Studer Vista 8 audio console, Genelec and Fostex audio monitoring, Dolby E encoders-decoders, Clear-Com Eclipse intercom and Harris G5 graphics.

Czech TV took delivery of its new OB truck in October and has already put it through its paces. Its first successful live production was the Euro Floorball Tour 2011, which took place in Bmo, Czech Republic, at the beginning of November.

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About Visual Unity
Visual Unity is an international Systems Integrator bridging the gap between broadcast and software-based media systems, to help clients reach and engage audiences – wherever they are. The team has been designing and delivering turnkey TV systems, broadcast-IT convergent and multiscreen solutions worldwide since 1991 – from HD Outside Broadcast vehicles and major playout facilities to automated Direct-to-Web platforms.

Visual Unity’s award-nominated vuMediaTM platform helps broadcasters and content owners control how their brand and assets are managed and monetised in the multiscreen environment. Through four highly scalable and flexible modules, the vuMediaTM platform delivers a cutting-edge web-based and mobile viewing experience, comprehensive VOD services and a secure robust Content Delivery Network – all of which can be seamlessly deployed into existing workflows.

Visual Unity is based in Prague, London, Dubai and Belgrade.

For further information, please visit www.visualunity.com

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ANTON/BAUER’S LATEST POWER SOLUTIONS FOR SONY, CANON, PANASONIC, ARRI AND RED TO MAKE NATEXPO DEBUT IN 2011


MOSCOW, RUSSIA – Anton/Bauer, a brand of The Vitec Group, and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries, will demonstrate the company’s latest suite of advanced power solutions at NATEXPO 2011 from November 23 through November 25. Anton/Bauer will display the MATRIX Cheese Plate and Gold Mount System for the Sony F3 and NEX-FS-100 cameras; the Canon 5D, 7D and 60D cameras; the Panasonic AG-AF100 camera and the RED EPIC camera. In attendance will be professionals in the television, radio/new media broadcasting and cinema production industries. The company will also be featuring a variety of power solutions for the Sony F65 and ARRI ALEXA cameras. Products will be shown onsite at partner booths DNK (Stand A44), I.S.P.A. (Stand A42), and OKNO-TV (Stand A32, A57).

The new MATRIX Cheese Plate mounts directly on 15-mm or 19-mm rod systems, allowing for easy mounting for Gold Mounts on a variety of cameras including:

  • Sony F3 – QRC-DUAL PT – Gold Mount with four-pin XLR and two PowerTap outputs for the Sony F3. Also mounts directly to the AJA Ki Pro Mini.
  • Sony NEX-FS-100 – FGM-S – 71/4 Gold Mount
  • Canon 5D, 7D and 60D – QR-DLSR – 7/14 Gold Mount
  • Panasonic AG-AF100 – QR-VBG – 71/4 Gold Mount adapter
  • Red EPIC – QRC-EPIC – Exclusive features include three outputs: a hard-wired cabled six-pin LEMO connector for power as well as two PowerTap connectors for accessories.
  • These Gold Mount solutions can also be used on support rigs such as Cinevate, Shape, Redrock Micro and Genus, among others, and in some cases, a pouch (the QR-PD/HDV is recommended for the Sony NEX-FS-100 in a pouch configuration).

    Anton/Bauer also provides a broad range of options and versatility for users powering the Sony F65 and ARRI ALEXA including the reliable and powerful DT-500. Providing two 4-pin XLRs for simultaneous outputs of 28 and 14 volts, the DT-500 is an optimal power supply for high-consumption cameras.

    Specific power solutions for the Sony F65 include the QR-SC ALTA, which can be used with any Logic Series battery including the 124Wh DIONIC HCX or any two Logic Series batteries with the company’s SO-SC ALTA snap on battery belt. For extended run-times, Anton/Bauer also offers the 560Wh CINE VCXL-CA with an 8-pin LEMO for simultaneous outputs of 14 and 28 volts.

    When operating the power-hungry ARRI ALEXA, the QR-HOTSWAP AR allows for two DIONIC HC or HCX batteries for seamless hotswapping. Available exclusively with the QR-HOTSWAP AR is the ability to display combined batteries’ remaining run-time in the camera viewfinder.

    For more information, visit www.AntonBauer.com.

    About Anton/Bauer
    Anton/Bauer is recognized as the world’s innovator and a premier provider of batteries, chargers, lighting and other key mobile power systems for the professional broadcast, video and film industries. Based in the United States in Shelton, CT with offices in Europe and Asia, Anton/Bauer was established in 1970 and has expanded its product offerings to include many signature lines such as its leading Gold Mount system, InterActive chargers and Logic Series batteries such as the HyTRON 50, 100 and 140, and DIONIC 90, 160, HC and HCX. Their products are compatible with virtually every camera brand on the market today. Other Anton/Bauer high performance products include the Ultralight, ElipZ, ElightZ, CINE VCLX and CINE VCLX/2. Their superior-quality products have become an industry standard. For more information on Anton/Bauer, visit www.antonbauer.com.

    A Snapshot of The Vitec Group
    Vitec is an international Group principally serving customers in the broadcast, photographic and military, aerospace and government (MAG) markets. Listed on the London Stock Exchange with 2010 revenue of £309 million, Vitec is based on strong, well known, premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Imaging & Staging, Videocom and Services. Imaging & Staging designs, manufactures and distributes equipment and accessories for photography, video and events. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production teams and film crews. More information can be found at www.vitecgroup.com.

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    SIM2 Announces CES 2012 Plans – Booth 20806 South Hall

    Miramar, FL—November 21, 2011—An aggressive launch of 15 new products in 2011 may be too ambitious for some companies, but for SIM2 it signaled the beginning of a successful strategy that took the company to the #1 position in a Quixel Research® report that shows the SIM2 C3X LUMIS 3D SOLO at the head of the Top 5 Best Selling projectors valued at more than $10,000 in Q3 2011.

    Quixel Research® is a market intelligence firm focused on the Home Theater and Home Entertainment Display market.

    At CES 2012, SIM2 plans to continue to ride the wave of success by showcasing its projection prowess with more new introductions and profitable programs for dealers. Among the highlights will be the celebration of the world’s first active 3D LED single-lens projector, the MICO 150, which is now shipping.

    “SIM2 is at the top of its game, and we are enjoying our success, which makes us one of the biggest stories in CE today,” says Alberto Fabiano, SIM2’s Executive V.P. “This has also benefited our dealers who are experiencing higher sales volume with our comprehensive selection of projectors to fit any integration project. Visit us in South Hall at Booth 20806 to learn what SIM2 has in store for the Luxury Custom Installation industry for 2012!”

    The year 2012 will be an exciting one for SIM2 as they embark on a world tour that continues the company’s global commitment to dealers with investments in major trade and consumer shows beginning with CES 2012 in Las Vegas, followed by one of the European market’s most significant shows: Integrated Systems Europe—ISE in Amsterdam, January 31 through February 2, 2012.

    About SIM2 USA Inc. and SIM2 Multimedia
    Since their entrance into the US home theater market in 1999, SIM2 USA, under the guidance of its parent SIM2 Multimedia (established in 1995), has dedicated its resources to marketing and servicing products that meet the demands of the US market. SIM2 Multimedia is a worldwide leading manufacturer of home theater products and a leading provider of high-end performance large screen systems (for control rooms, information, communication, and simulation) and professional projection systems for E–cinema applications. Over the years, SIM2 has gained a reputation for meeting the industry’s demands for new, emerging technologies, offering high-quality and reliable products that meet the customer’s need in any application. Products are designed and manufactured in Italy. The marketing policies of the company are world-oriented, with a direct presence in Italy (headquarters), the USA, UK, China, Germany (sister companies), and in over 60 countries worldwide through partnerships with qualified distributors.

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    Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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