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Archive for January, 2012

DNF Controls Announces New On-Set Playback Control Application for Live Productions

Application Built on DNF’s Flex Control Network(R) Eliminates Need for TD Assistance in Handling On-Set Displays

SYLMAR, Calif. — Jan. 3, 2012 — DNF Controls today announced the On-Set Playback Control Application built on the Flex Control Network(R), DNF’s modular platform of professional IP-based machine controllers that solve all manner of operational control problems and set a new standard of excellence for operational efficiency and profitability. The On-Set Playback Control Application is a specific combination of Flex Control equipment that allows a single technical director (TD) to operate simultaneous and timed events for on-set displays and transitions at the touch of a button, without the need for a back-up TD or complex custom programming. The new application was developed specifically for managing on-set displays during live productions — especially non-linear productions or breaking news — in which a second “TD assist” might be required and/or talent interacts with video and graphics.

The On-Set Playback Control Application eliminates the need for a second operator and additional equipment, while at the same time increasing production value. The application provides simple, push-button random access to clips and graphics for non-scripted events while controlling up to 24 different machines and allowing talent to interact with sophisticated on-set transitions.

“The advent of HD and flat-panel displays has brought more images to the set, adding another layer of complexity to the playout a technical director has to manage,” said Dan Fogel, CTO of DNF Controls. “This application is highly targeted at efficient workflow and relieving the burden on the TD so that quality remains high consistently without the expense of extra personnel. Now a single TD can control everything the audience will see in real time without imposing impossible-to-synchronize button pushes.”

The On-Set Playback Control Application consists of a CP20 event-based, cue-marking, VTR-style control panel and up to six DC20 device controllers, depending on the number of channels or devices to be controlled. The result is an integrated, standalone tactile, sophisticated, cost-effective backup and manual playout control system always at hand.

The On-Set Playback Control Application is based on the Flex Control Network, DNF’s flagship technology that encompasses DNF’s more than 20 years of experience providing “must work,” mission-critical control systems for broadcast and production operations. The Flex Control platform consists of device controllers with 25 drivers and interface solutions that combine with a full range of control panels to create applications for solving even the most complex control problems while using existing IP infrastructure as the backbone. With its tactile control surfaces, browser-based interfaces for ease of use and deployment, and simple push-button operation using “event to action” logic for sophisticated, automated control, Flex Control delivers unparalleled centralized and distributed control over machinery and workflows.

More information on DNF Controls solutions is available at www.dnfcontrols.com.

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About DNF Controls
Headquartered in Sylmar, Calif., DNF Controls is a leading provider of hardware- and software-based control solutions for the broadcast, audio/video production, post-production, and graphics markets. By partnering with industry-leading manufacturers and customers, DNF provides innovative, reliable, precise, and easy-to-use products for point-to-point control as well as facility-wide multipoint control applications. Its flagship technology, the Flex Control Network(R), is a modular platform of professional IP-based machine controllers that solve all manner of operational control problems, setting a new standard of excellence for operational efficiency, profitability, and reliability. DNF Controls’ customers include major U.S. and international broadcast and cable networks, television stations and production facilities, mobile production trucks, stadiums, and arenas. More information is available at www.dnfcontrols.com.

ENDS

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Revolabs Closes Sixth Consecutive Year of Record Revenues

Company Adds 8,000 More Square Feet of R&D Space to Headquarters

SUDBURY, Mass. — Jan. 3, 2012 — Revolabs Inc. today announced that the close of 2011 marks six consecutive years of year-over-year revenue growth for the company, with 2011 revenue growing nearly 30 percent above 2010 results. Revolabs attributes its ongoing success to new customer adoption of its products both domestically and internationally, continued expansion into its current customer base, and the demonstrated value of its family of wireless audio systems for unified communications. To keep pace with its rapid growth and expanding product family, Revolabs has expanded its Sudbury, Mass., headquarters by 8,000 square feet for additional engineering offices and test facilities.

“It’s an exciting time for Revolabs, as we continue to expand our operations worldwide and provide more great audio solutions to our existing customer base. In a slow economy, and at a time when most companies are being conservative, we are looking to continue our phenomenal growth through the creation and delivery of even more unique solutions for our unified communication customers,” said Martin Bodley, CEO of Revolabs. “To accomplish this, we are expanding all areas of our company, most notably our R&D and sales organizations, as well as our headquarters facilities.”

Included in Revolabs’ extensive customer base are half of America’s Fortune 500 companies and nearly three quarters of the Fortune 100 companies. In addition to customers in North America, Europe, Hong Kong, and Australia, Revolabs has experienced dramatic international growth over the past year, expanding its distribution network in Japan, India, the Middle East, Russia, China, and Turkey. Currently, Revolabs products are sold in 50 countries through more than 850 resellers.

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About Revolabs
Revolabs Inc. is the premier provider of wireless audio solutions for unified communications, enterprise collaboration, and professional audio applications across a wide range of markets. Offering unmatched audio quality that allows users to “hear every word,” the company’s wireless conferencing and microphone systems are utilized across the globe for a variety of applications, from webcasts and video conferencing to podcasts and broadcasting. Combining the ultimate in flexibility with sleek, stylish form factors, Revolabs solutions cut the cord, facilitating natural mobility by allowing participants to move about a workspace and still be heard, without being held back by wires. Leading the way in innovation, the company continues to add to its portfolio of value-added audio systems with products such as the new Revolabs FLX(TM) wireless conference phone, which provides superior performance for video and audio conference calls, public address systems, and more. Revolabs systems are secure (encrypted), rechargeable (environmentally friendly), and GSM-impervious. The company is headquartered in Sudbury, Mass., and can be reached at +1.800.326.1088 or by visiting www.revolabs.com.

ENDS

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New Year, New Website, New RelampIt!

RelampIt has a number of exciting changes planned for 2012; their 5 year anniversary. The first of which went live this morning. Beginning the year off strong, RelampIt has completely revitalized their old website.

The new website, www.relampit.com, is cleaner looking, with more organic colors and direct links to the most important and sought after information. Leone` Harvey, marketing coordinator at RelampIt, says of the new look, “We wanted a site that exemplifies our company’s core concerns- quality, service and sustainability.” The new site, with its crisp feel and easy navigation, offers visitors and clients an opportunity to learn more about RelampIt simply and without clutter which can become overwhelming.

New additions to the site include an online quote submission form, updated tips to extend lamp life, social media links, lamp search and increased functionality for the dealer portal. Gina Sansivero, partner at RelampIt, is thrilled about the enhanced portal function because it supports RelampIt’s desire to strengthen existing dealer relationships and expand the dealer channels. “Our partners are excited to work with us because we add a new level to their clients’ contracts which was typically overlooked. Adding replacement lamps and lamp recycling to service contracts offers value to end-users which hasn’t been offered before.” Additional functions to the portal will be added during the first half of the year, allowing for improved cooperation between RelampIt and their dealers. RelampIt will continue to announce new company developments throughout 2012.

RelampIt provides re-lamping services for the projection display industry. RelampIt has developed a process that allows projection lamps to be remanufactured at a reduced cost without compromising lifetime or performance. RelampIt also offers a no charge projector lamp recycling service. The RelampIt Projector Lamp Recycling Center, focuses on reducing waste and environmental contamination from the lamps found in front and rear projectors. For more information about relamping and recycling or to become a RelampIt dealer, call 1(631)244-0051, email gms@relampit.com or visit our NEW website at www.relampit.com.

International Human Beatbox Sensation fii Takes HARMAN’s AKG WMS 4500 Wireless System To The Global Stage

VIENNA, Austria – Armed with a custom-painted flash/neon/lime green HARMAN AKG D5 microphone, vocal percussion sensation and native Austrian fii takes the stage around the world with his a cappella beat boxing show, wowing audiences with his beats, harmonies, singing and rapping transmitted through an AKG WMS 4500 wireless system. Expressing his love for the art of music, fii’s unrestricted genre of performance, through multiple channels of looped vocals, is never distorted and sounds perfectly natural with AKG.

With a fascination in music from the age of six, fii began his musical journey with classical music, moving on to metal, hardcore rap and eventually making his way to a cappella – an art that seemed instinctive for the talented performer. On stage, fii utilizes a looper and the green D5 to capture 10-12 parts of a song before he takes on the melody. Each part must blend perfectly to ensure the sound is portrayed exactly how the artist envisions.

“In my mind, all music is the same, in terms of expressing feelings and emotion,” said fii. “Whether it’s Tchaikovsky or hardcore metal, the passion an artist expresses is the true art. When I perform, it’s all or nothing. The high definition D5 sounds like a condenser, but still has all of the characteristics of an amazing dynamic. There is only mic for me – my green D5!”

fii uses no effects in his live shows or albums, (minus some slight compression and EQ) so it is imperative the microphone capturing the rhythms and the signal carrying his voice provide high definition sound to enhance his performance.

“fii is another example of the diversity and reliability AKG microphones offer the dynamic music industry,” stated Joe Wagoner, product marketing manager for wireless, tour and install, AKG. “When an artist is so in tune with their sound, they understand the slight variances in wireless systems, which separates AKG and reinforces our position as a leader in wireless technology. We are happy to welcome fii to the HARMAN family and wish him the best with his custom green D5.”

“AKG has a very natural sound,” fii continued. “When I was first introduced to the brand in 2008, there was no doubt I had to use it. I had issues with other wireless systems and microphones not defining those fine lines between each part on my loops; there was a lack of powerful sound. I only use one channel and my wireless system needs to be able to support me so I can reach my full potential. The WMS 4500 gives me confidence in my performance’s sound.”

The lime green-wearing fii has an equally passionate love for music as he does for the custom D5. “I am so proud to have a mic that lets me express my music, as well as my personality,” said fii.

For more information on fii’s partnership with AKG, please visit http://www.akg.com.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

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CLEAR-COM NAMES BOB BOSTER AS COMPANY’S NEW PRESIDENT

ALAMEDA, CA ─ Clear-Com®, an HME Company and leader in critical voice communications systems, today names Bob Boster, previously Vice President of Worldwide Sales, as the company’s new President. Boster succeeds Matt Danilowicz, formerly company President, whose last day with Clear-Com was December 31, 2011. more

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Structured Cable Products, Inc. Produces the First Cat5e/6 cables to Achieve HDBaseT Cable Recommendation

Structured Cable Products, Inc. (SCP), a leading manufacturer and global supplier of low voltage cable and accessories, today proudly announced that its HNCPRO and HNCPRO PLUS+ professional grade home network cables, are the first cables that have been officially recommended by HDBaseT Alliance.

Any standard LAN cable will work with HDBaseT technology, but through its Cable Recommendation Program, the HDBaseT Alliance has stepped in to help installers and consumers select LAN cables that meet the current Telecommunications Industry Association (TIA) requirements and therefore work perfectly with HDBaseT devices.The HDBaseT technology standard allows integrators to easily connect all entertainment devices in a home through its 5Play™ feature set, converging uncompressed full HD digital video, audio, 100BaseT Ethernet, power over cable and various control signals through a single Cat5e/6 cable using standard RJ45 connectors.

As the first HDBaseT recommended cables, HNCPRO and HNCPROPLUS+ have demonstrated the ability to meet and exceed today’s demanding HD distribution applications over UTP/STP cables, which serve as the backbone of the HDBaseT standard. The cables also provide improved signal integrity and stable electrical performance exceeding TIA/EIA requirements for Cat5e/Cat6e.

“Having the distinction of producing the first Cat5e/6 cables to achieve HDBaseT recommendation is a win-win for SCP and its customers,” said David Spiller, president of Structured Cable Products. “Integrators now have access to high performance cables for HDBaseT transmission, thus providing them with a proven solution for simplifying installations and reducing costs.”

“The HDBaseT Alliance Cable Recommendation Program provides cable manufacturers the opportunity to use the HDBaseT logo for their products and gives consumers a way to easily identify cables ideal for HDBaseT installations,” said Micha Risling, marketing committee chair, HDBaseT Alliance. “SCP is a valued member and representative of the HDBaseT Alliance and due to support from leading companies such as SCP, HDBaseT technology is positioned to become the unrivaled next-generation home networking transport.”

HDBaseT Alliance is a cross-industry alliance founded by LG Electronics, Samsung Electronics, Sony Pictures Entertainment and Valens Semiconductor to promote and standardize HDBaseT technology for whole-home distribution of uncompressed HD multimedia content.

The HDBaseT Certification Program provides HDBaseT Alliance members with a formal framework for the growing HDBaseT product ecosystem, ensuring interoperability among current and future HDBaseT products.

Structured Cable Products will provide attendees to Integrated Systems Europe (ISE) 2012, held January 31-Feburary 2 in Amsterdam, the opportunity to learn more about its HDBaseT recommended cables and more by visiting booth #11F70 throughout the show.

For more information on Structured Cable Products, visit http://www.scpcat5e.com.

About Structured Cable Products, Inc.
Structured Cable Products, Inc. is a leading global manufacturer and supplier of low voltage cable and accessories. SCP is the leading brand in our industry for Quality, Price and Service. From its beginning with one location in Ft. Lauderdale, Florida, SCP has grown steadily into a global company. In addition to our corporate headquarters in South Florida, SCP a West Coast sales office in Arizona and distribution warehouses located across the USA in Arizona, Florida, Georgia, Pennsylvania and Texas. For our international customers, our European Distribution Center is logistically located in The Netherlands. In addition we are growing our Authorized Distributor program across Europe and establishing SCP Authorized Dealers across Africa and the Middle East.

Media Contact
Scott Moody, Marketing Matters
Email: scott@marketingmatters.net
Phone: 954-925-1511

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Alcorn McBride Products Perform Swimmingly at Dolfinarium Show in The Netherlands

Spettershow

Spettershow

Alcorn McBride products are playing a central role in a unique new blacklight show at the Dolfinarium in Harderwijk, The Netherlands where a V4 Pro, Video Binloop and LightCue system are used for show control and AV sourcing. The theme park, which features an impressive collection of marine mammals, introduced “Spetter en het magische avontuur” last summer showcasing the magical adventures of Spetter, the dolphin, and his friends.

The show is staged in a 500-seat former 4D theater so seat movements and air effects are integrated into the presentation. Although no human characters appear in the tale of the dolphin and his marine buddies, the actual show is controlled by actors who trigger the start, pause and lighting controls from an OCC panel on the stage. “The V4 Pro is the perfect controller in the hands of actors and operators,” says Frank Ruisch of AV-Sync who was the show’s sound designer and show control programmer, the latter in collaboration with Boaz Borggreve of Nightlife Productions.

Alcorn McBride’s Video Binloop professional audio and video reproducer (with three reproducers for this application) handles inputs from eight JBL VRX 928 speakers, a pair of JBL 3635 Cinema subs and three Crown XTI 4000 amps. Ruisch was charged with making sure all the show’s music and sound effects were in place and mixed to surround sound. He also did all the voiceover recording for the characters and the soundtrack’s final mix downs.

Alcorn McBride’s LightCue primarily functions as a lighting board replacement in automated applications. For the Dolfinarium’s show, it controls an array of ten blacklight cannons on stage in combination with 50 black fluorescents in the theater; the fluorescents are directly connected to an output of the V4 Pro show controller.

Ruisch is pleased with the ease of use and reliability of the Alcorn McBride products, which have to be robust to fill the needs of the Dolfinarium’s demanding schedule for “Spetter en het magische avontuur.” “The show is running perfectly two to five times a day; we haven’t had any downtime,” he reports.

About Alcorn McBride:

Founded in 1986, Alcorn McBride is the leading manufacturer of show control, audio and video equipment for the themed entertainment industry, and a rapidly growing provider of audio and video systems for retail environments and transportation applications. Staffed by some of the industry’s best engineers and backed by outstanding customer support, the company has demonstrated great agility in bringing new designs to market. A hallmark of Alcorn McBride products is their durable, zero maintenance design. The company’s products provide consistent, reliable operation for audio and video playback applications worldwide. For more information, visit www.alcorn.com.

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Neumann Launches Active Studio Subwoofers: the KH 810 and KH 870

Old Lyme, Conn. – January 3, 2012 - Following the successful launch of the Neumann KH 120 two-way active nearfield monitor last fall, Neumann proudly announces the launch of two new active subwoofers: the KH 810 and KH 870.

Over the past few years, numerous developments in transmission technologies have increased the demands placed on professional monitoring systems. As a result, modern production facilities now require high-quality monitoring systems that can accurately reproduce any signal, including the latest 7.1 discrete high definition formats. The KH 810 and KH 870 both feature Neumann’s 7.1 High Definition Bass Manager™ technology, which complements high-definition video with the most accurate sound reproduction possible.

The KH 810: At the Heart of a Modern Monitoring System
The KH 810 is far more than a simple subwoofer; it serves as the heart of a modern monitoring system. The comprehensive 7.1 High Definition Bass Management™ system meets the latest demands of the industry and perfectly complements the Neumann KH 120 nearfield two-way monitor. It can be used either as a subwoofer dedicated to reproducing the LFE channel, or as a means of providing low frequency extension with an increased maximum SPL. With the KH 810, it is now possible to assemble flexible monitoring systems for studios of different sizes, with a smooth, uniform response that ranges from below 20 Hz to above 20 kHz.

The integrated 7.1 High Definition Bass Manager™ is compatible with all formats, from mono to the latest 7.1 high definition systems such as Blu-ray. Eight electronically balanced analog XLR inputs ensure flexible interconnectivity for modern studios. Four-mode LFE channel processing guarantees maximum compatibility across all formats, while 4th order crossovers and flexible acoustic controls allow for seamless system integration. A built-in volume control permits centralized system adjustment of replay levels, independent of the source. The electronics can be located remotely to reduce cabling, and to allow the cabinet to be mounted flush to a wall.

State-of-the-art amplifier technologies and acoustic components have been used to ensure maximum accuracy of sound reproduction. A robust 10-inch driver, solid cabinet, and carefully designed ports guarantee tight, articulate, distortion-free low frequency reproduction down to 18 Hz; even at high playback levels. By using sum output, Plane Wave Bass Array™ (PWBA™) techniques can acoustically improve lateral consistency in the listening area and further increase low frequency linearity. The flexibility of the system is further enhanced by an extensive range of accessories.

The combination of KH 120 and KH 810 is ideal for tracking, mixing and mastering in music, broadcasting, project and post-production studios. The KH 810 ($1,999) and the KH 870 ($3,199) are available from select retailers.

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Oxygen DCT Introduces New Concept In Mobile Tapeless Workflow for TV and Film Acquisition and Editing

Oxygen DCT has launched a new concept in mobile production for field and on set recording for television and film productions. Featuring Cinedeck recorders and Final Cut Pro editing, the custom-built Land Rover Discovery is designed for a one or two-person team who can record and edit material instantly on set or on a mountain road.

This new approach is a result of a close collaboration with Broadcast Networks, who are acclaimed for the design and build of quality broadcast and media systems for UK international broadcasters and media organisations including recent work for a new 3D production OB vehicle for Norway’s OB-Team.

This latest collaboration came about as a direct response to market demand for fast turnaround, high quality and durable live productions that can be rapidly deployed with minimal set up and crew. This new approach allows crews to drive into a studio or location connect their cameras up and record without the rigmarole of unloading numerous flight cases and cabling up a plethora of equipment. This ‘ready-to-go’ approach saves time, reduces cost and dramatically improves reliability as everything is set up in the Discovery.

The backbone of this mobile production facility is Cinedeck RX dual channel recorders that can record and instantly playback up to 4 camera chains. This unique application of tapeless workflow means that the recorded material is immediately ready to edit on the Final Cut Pro edit system in the vehicle. Director of Production and Producers can immediately see either a final edit or a working production edit allowing them have more creative input to the finished production.

This collaborative network-editing environment means that material can be ingested stored and edited on the fly. It allows a number of cameras to be linked to Cinedeck RX recording systems that captures their output without the need for a large production team. The live ingest system also enables a single operator to monitor multiple cameras and even create a simple ‘cut edit’ list whilst the camera feeds are being recorded, effectively reducing overall editing time. Once the production content is recorded, the data is transferred onto the main post production server for final editing. As the Cinedeck recorders record edit ready material in a variety of Apple ProRes formats, the whole production process is quick to set up and easy to operate, thus also reducing training and operational costs.

Oxygen DCTs is renowned for its customer focussed, practical innovations and the Land Rover Discovery 4 is an opportunity to use one of the most versatile and durable four-wheel drive vehicles on the market. Inside the vehicle is a central working area that can be utilised by a one or two-person production team. The rear interior has been stripped and fitted with a sliding custom-built rack (for ease of use and servicing) and features a 5KVA 240V generator.

The vehicle was designed and built by Broadcast Networks and Tom Haye, Managing Director says: “With a smaller equipment footprint and reduced power requirements, our vehicle platform is ideal for any media company involved in the rapid generation, editing and content delivery for TV and Film production companies. It is also well suited to content providers in emerging markets where there is minimal broadcast infrastructure, but where efficient fuel consumption and reliability in extreme terrains is essential.”

Steve Hathaway, Managing Director of Oxygen DCT adds “Before Cinedeck’s tapeless workflow, VTR decks would have been required for recording productions and the space required for this alone would have precluded the possibility of such a system in a relatively small vehicle. What’s more, the efficiency of operation and operating costs are scaled back considerably by using Cinedeck’s ready-to-edit tapeless workflow and this is well proven and extremely attractive proposition for TV and Film Directors, Producers and Production companies.”

Oxygen DCT has in place an agreed worldwide support deal with Land Rover to offer full vehicle warranty for DSNG and Live Production vehicles. With a complete full-cycle offering, from design and build to servicing the modified vehicle itself, this mobile production unit is an even more attractive proposition and can easily be shipped or air freighted to any location around the world and reduces the business risks of deployment and operational stress.

For more information please contact www.oxygendct.com

-ends-

About Oxygen DCT:
Oxygen DCT is a broadcasts systems solutions provider with a deep knowledge and understanding of the broadcast and professional media markets. This dynamic organisation has amassed in just over five years, a very extensive and comprehensive products portfolio of over 3000 carefully designed broadcast and production products that represent the pinnacle of engineering excellence. Oxygen DCT was the first company in the broadcast industry to fully implement online facilities for its customers and its unique, comprehensive online ordering facility automatically configures equipment systems for customers, saving time and provides industry professionals with the convenience of immediate online pricing. The ‘one-stop-shop’ website caters for the smallest requirements whilst also allowing users to prepare their own quotes and place orders online with immediate order confirmation. Oxygen DCT also provides advice, support and expertise as part of its ‘life cycle’ care scheme, ensuring that customers are fully serviced throughout their career life cycles. www.oxygendct.com

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Atlona Introduces AtlonaAdvantage Global Partner Support and Exclusive Premier Club Programs

SUNNYVALE, Calif. — Jan. 2, 2012 — To fulfill the business needs of its dealers and distributors, respond to their daily challenges, and deliver new opportunities to help them build on their success, Atlona(R) today introduced the AtlonaAdvantage Global Partner Support Program. In addition, for select partners, Atlona is taking dealer support to an entirely new level with the exclusive AtlonaAdvantage Premier Club Program. more

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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