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Archive for February, 2012

LATEST PROMPTING INNOVATIONS FROM AUTOSCRIPT HEAT UP THE TRADE SHOW FLOOR AT 10TH ANNUAL FEBRUARY FREEZE

TORONTO, FEBRUARY 8, 2012Autoscript, part of Vitec Videocom, a Vitec Group company, and the world’s leading teleprompting company, will be in attendance at the 10th annual February Freeze, hosted by William F. White International in conjunction with CinequipWhite, Inc. on February 8. more

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BenQ Introduces New MW860USTi and MP780 ST+ Short-Throw Projectors With Second-Generation PointDraw(TM) Interactive Projection Technolog

For Classrooms, Versatile Projectors Offer Dual Pen Support, Ultra-Short-Throw Ratios, and a Variety of Display Options
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Canon U.S.A. Introduces the REALiS WUX5000 and WUX5000 D, its Brightest Installation LCOS Projectors to Date for the Professional AV Market

LAKE SUCCESS, N.Y., February 8, 2012 – Canon U.S.A., Inc., a leader in digital imaging solutions, has introduced its brightest-ever REALiS Installation LCOS Projectors, which are designed to provide exceptional display performance for a wide range of professional AV markets. Incorporating multiple features for convenient installation and maintenance, the new REALiS WUX5000 and WUX5000 D Installation LCOS Projectors utilize Canon’s unique fourth-generation AISYS (Aspectual Illumination System) optical technology to maximize the display capabilities of their advanced LCOS (Liquid Crystal on Silicon) imaging panels. This combination enables the projectors to deliver higher-than-HD-resolution (1920 x 1200) widescreen video and still images with an aspect ratio of 16:10 and a high brightness level of 5000 lumens. The 5000 lumen brightness level improves display quality in long throw venues or rooms with relatively high ambient light levels, thereby increasing the versatility of the new projectors for a wider variety of viewing environments.

The new Canon REALiS WUX5000 and REALiS WUX5000 D LCOS Projectors expand Canon’s line of high-performance products for the installation market. Additional Canon projectors in this category include the REALiS WUX4000, REALiS WUX4000 D, and the LV-7590.

“The REALiS WUX5000 series is ideal for end-users in such markets as education, business, and government, as well as for professionals in photo studios, film and TV production facilities, theme parks, and museums,” noted Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A. “The introduction of these new models firmly plants Canon within many professional markets and we will continue to produce high-quality products that users demand.”

Capable of displaying many different kinds of high-resolution video and computer signals with highly accurate color, superior display of movement, crisp contrast, and sharper blacks, the REALiS WUX5000 Installation LCOS Projector features a built-in Canon Color-Correction IC (integrated circuit) and 3D color LUT (look-up table) for six-axis color management. Users can adjust specific colors without affecting the display of neighboring colors. A dynamic gamma feature can also optimize gradation reproduction and contrast, which can be beneficial when displaying movies with low-contrast scenes. A Memory Color Correction feature enables users to save their preferred color settings. User-determined display settings for the REALiS WUX5000 Installation LCOS Projector also include Presentation, Vivid Photo, and Photo/sRGB.

The REALiS WUX5000 D Installation LCOS Projector has all the features of the WUX5000 model plus a DICOM® Simulation mode designed to reproduce medical images such as X-Rays, CAT scans and MRI images with superb 21-step grayscale gradation.

Optional Projection Lenses
Further contributing to the display excellence – and installation convenience – of the new Canon REALiS WUX5000 and WUX5000 D Installation LCOS Projectors are the three optional high-resolution interchangeable lenses available for the units. These lenses – including a 1.5x Zoom, 0.8x Ultra Wide Angle single focal length, and 1.7x Long Focus Zoom – incorporate advanced low-distortion and high-resolution optical technologies originally developed for Canon’s camera lenses. Engineered to minimize brightness loss, each lens is the same physical length, due to the use of advanced Canon aspherical elements. This uniformity of length can simplify shipment of assembled projector/lens units for rental/staging companies, and avoid lens-overhang issues when mounted inside projector-lift systems.

Motorized Lens Shift and Installation Convenience
Additional installation convenience is provided by the Canon REALiS WUX5000 and WUX5000 D Installation LCOS Projectors’ motorized Lens Shift feature. This enables installers to overcome moderate projector-placement obstacles by shifting the lens itself to adjust the vertical and horizontal position of the projected image. (This is done using the projector’s control panel or remote control.) The projector can be ceiling-mounted with a plate or extension pole using either Canon’s mounting bracket or products from independent ceiling-mount companies. When used in multi-projector configurations, the REALiS WUX5000 and WUX5000 D can also be stacked or installed side by side.

The projector’s lamp and air filter assemblies can be expediently replaced from the back and side of the projector respectively, and its optical filter element can be replaced from the top of the unit for added convenience and economy.

Multimedia Device Compatibility
Industry-standard digital and analog terminals and connectors ensure the new Canon REALiS WUX5000 and WUX5000 D Installation LCOS Projectors’ compatibility with a wide range of video and computer devices. Signal inputs include HDMI Version 1.3, DVI-D and analog PC terminals, two audio inputs, and one audio output for external amplification and speakers. A built-in five-watt speaker is also included. A network-ready RJ-45 port allows for authorized users to manage and control multiple projectors from any PC on the network. An RS-232 serial connection allows for monitoring the projector locally through a third-party control system. A hand-held remote control enables users to control up to four REALiS WUX5000 and WUX5000 D Installation LCOS Projectors individually or simultaneously. Lens Shift and Gamma Control buttons are also included on the remote control.

Price and Availability
The Canon REALiS WUX5000 and WUX5000 D Installation LCOS Projector have suggested list prices of $8,999 and $9,999 respectively. The new products are scheduled to be available through authorized Canon dealers in March, 2012.

The REALiS WUX5000 and WUX5000 D Installation LCOS Projectors are also backed by Canon USA’s Three-Year Limited Warranty and exclusive Projector Protection Program (“Triple P”). Triple P is a FREE service program that provides a loaner projector of equal or greater value in the event that a qualifying unit is in need of repair. Triple P is available on all Canon projector models during the Three-Year Canon USA Limited Warranty period.

For more information please visit www.usa.canon.com/projectors

About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With more than $45 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks fourth overall in patent holdings in the U.S. in 2010† and is one of Fortune Magazine’s World’s Most Admired Companies in 2011. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.
# # #
†Based on weekly patent counts issued by United States Patent and Trademark Office.
All referenced product names, and other marks, are trademarks of their respective owners.

DICOM is the registered trademark of the National Electrical Manufacturers Association for its standards publications relating to digital communications of medical information.

Availability, prices, and specifications of all products are subject to change without notice. Actual prices are set by individual dealers and may vary.

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Barber Motorsports Park is Loud and Proud with Community’s R-Series

Birmingham, AL – It was George Barber’s lifelong passion for racing that led him to become a driver with the Sports Car Club of America in the 1960s.

After his father’s death in 1972, the Birmingham native put his racing career on the back burner to take over the family dairy business. But by the late 1980s Barber’s obsession with collecting and restoring vintage cars and motorcycles eventually resulted in one of the most impressive collections in the world, and in 1995 he opened the Barber Vintage Motorsports Museum.

In 2003 Barber sold his dairy business and invested more than $50 million to build the Barber Motorsports Park. The sprawling 740 acre park, just east of Birmingham, is home to the Museum, as well as a 16-turn, 2.38-mile racetrack that has hosted both motorcycle and car racing events ranging from Grand-Am and NASCAR to AMA Superbike and Mustang Club of America.

“The state of Alabama has never had a race course as pristine as this one,” says Lee Brock of Birmingham-based Music Alley, the designer and installer behind the track’s high-end audio system. “It started out as a motorcycle course, but in no time at all it evolved to become one of the area’s most unique racing rings.”

As Brock explains, the track’s fast-growing popularity inspired a series of upgrades including a large-scale sound system covering the entire area. “When Indy got involved a couple of years ago, management decided it was time to get away from those old horns they were using and put in a system with full-range, high-quality sound,” says Brock. “They demoed a whole bunch of different loudspeaker products, and when we showed them the Community R-Series, that’s what decided it.”

The system is comprised of more than 100 Community R-Series loudspeakers, including a mix of R.25, R.5 and R.5SUB models. The R-Series’ legendary power and intelligibility was key to its selection, Brock observes. “The R-Series is unmatched when it comes to getting the announcers’ voices out there so people can understand it,” he says. “It delivers without having to work very hard.” QSC RMX and ISA-Series amplification powers the system, with a Rane RPM-88 providing digital signal processing.

The track hosts a wide range of events, from high-testosterone to more family-oriented fare, and Brock adds that the sound system had to be versatile enough to deliver both power and musicality. “Of course, for a racetrack environment volume is critical,” he says. “But their program material also employs quite a bit of music, from singing the National Anthem to a lot of high-energy material, and sound quality was an important consideration.”

Another major consideration was durability, says Brock. “We don’t get a lot of snow here, but we do get a lot of extreme heat and humidity in the summer, and some heavy winds in the spring. The R-Series loudspeakers survived the tornadoes we had in April, and were still sitting on the wheel fence. Honestly, the system’s been in place for a year now and we haven’t had to replace a single component.”

The track’s wide acreage presented one of the project’s biggest challenges, says Brock. “We had a number of speaker runs that were going to be well over half a mile, and that just wasn’t feasible using copper wire,” he explains. “But we were able to use the park’s existing fiber connections from Race Control over to four corner stations around the park, and convert it to analog from there. There are a lot of nice hills and turns where the fans can sit on the grass, put out a blanket and have a picnic, and now we can get them good quality sound wherever they are.”

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Building on the success of its relationship with the Sony Visual Imaging Products Group, Stampede Presentation Products, Inc. today announced that it has been named a United States distributor of the popular Sony EVI Series of pan-tilt-zoom (PTZ) video cameras. According to Stampede President & COO Kevin Kelly, effective immediately Stampede assumes responsibility for the sales and marketing of the Sony EVI-HD7V, EVI-HD3V, EVI-D70, EVI-D70/W, EVI-D100, and EVI-HD1 Video Cameras.

“These Sony EVI Cameras provide added choices for the growing range of video conferencing, distance learning, house of worship, hospitals, nursing homes, event center, concert hall, and remote justice applications where imaging superiority, reliability, and installation flexibility are critically important,” Kelly emphasized today. “The addition of these cameras to our product offering provides our dealers with a new product line to bring to their end-user customers. We are expanding the range of possible installation environments our dealers can pursue — and that is what Stampede is fundamentally all about: creating new market opportunities while strengthening core channel strengths.”

Stampede Presentation Products, Inc. is the exclusive North American distributor of Sony Video Conferencing solutions.

According to Tim Henry, National Sales Manager, Visual Imaging Products Group, Sony Electronics, Inc., “Stampede has already taken the Sony Video Conferencing line to an unprecedented new level of success. The addition of Sony EVI Video Cameras to their product portfolio is the next logical step in our expanding business relationship. We believe the combination of our video conferencing solutions, together with our EVI Video Cameras, provides Stampede dealers and their customers with an unbeatable range of systems to
choose from.”

Sony EVI Video Cameras combine sophisticated signal processing with extensive exposure control options to maximize image quality under even the most challenging conditions. Camera settings and pan/tilt/zoom functions can be performed remotely at high speed via RS-232C interface (VISCA™ protocol).

About Stampede
Known for its value-added distribution, Amherst, NY-based Stampede is the leading distributor of presentation equipment including LCD/DLP projectors and flat panel displays. Stampede provides a complete range of brand name presentation equipment to a variety of audio/video, computer, and home theater resellers and integrators in the United States, Canada and Latin America. These resellers rely on Stampede for value-added services in distribution, marketing and solution- based sales. Stampede annually produces the “Big Book of AV,” an 816-page catalog and companion website (www.BigBookofAV.com) providing hundreds of sales, installation and spec tips for Stampede’s dealers in addition to product details on more than 5,000 SKUs. For more information on Stampede, log onto www.stampedeglobal.com.

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Community Delivers Powerful Sound for Salvation Army Kroc Center

McDonald’s founders Ray and Joan Kroc were known for supporting a variety of charitable causes, and their legacy continues with a multi-billion dollar donation to the Salvation Army for the construction of several community centers in cities across America. The latest Kroc Center, recently opened in North Philadelphia, is one of the largest facilities of its kind on the East Coast. Its 130,000 square feet includes a world-class aquatics center, state-of-the-art fitness center, worship and performing arts facilities, café and culinary education center, as well as a wide range of programs for kids, adults and senior citizens.

Powerful sound was a big part of the plan for the facility, explains RTS Unified Communications’ Joe Zamborsky. RTS specified a selection of Community Professional Loudspeakers for the project, including R-Series, WET-Series and CLOUD6 in-ceiling systems to cover the pool areas, worship center, fitness center gymnasium and numerous other areas.

“In any major project like this one, there are a number of challenges,” says Zamborsky. Clearly, the project’s tight six-month schedule was a demanding one, as was the need to be exceptionally flexible in the face of numerous logistical challenges. On more than one occasion, plans had to be altered due to unforeseen surprises during the construction process. “The number one most important thing is communication,” he observes. “We maintained a daily, ongoing dialogue with everyone involved in the project, and that was key to our ability to keep things moving.”

The Community loudspeakers fit the bill on multiple levels, says Zamborsky. “Particularly in the pool areas, which combined a tremendously reverberant environment with an exceptionally high humidity, the R-Series was the only choice. Not only do they look great, but they sound terrific.”

The competition pool area offered up additional challenges as well. “Aside from having to cover the pool area itself, we were tasked with creating a separate system to cover the stands, which are tucked away in their own alcove,” says Zamborsky. “We chose the Community WET Series to cover that area, because they provided both a tight, focused coverage pattern and a high degree of intelligibility.”

Not surprisingly, the facility has been overwhelmingly embraced by the local community. “This is a great place and a tremendous asset for the city of Philadelphia,” says Zamborsky. “We’re proud to have been a part of it, and proud to be able to deliver a great sounding environment for everyone using the facility.”

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New grandMAs and Upgraded 1gb Network for Miami’s Arsht Center for the Peforming Arts

Arsht Center

Arsht Center

grandMA’s in the house at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County where a pair of grandMA2 lighting consoles, installed by Miami Stagecraft in the John S. and James L. Knight Concert Hall, are in demand by an array of artists. Miami Stagecraft also upgraded the hall’s entire network to 1gb to promote fast, high-speed response time. A.C.T Lighting is the exclusive distributor of grandMA in North America.

“The space is designed to host everything from symphony orchestras to Willie Nelson, Cindy Lauper and BB King,” says Tony Tur, head electrician at the Knight Concert Hall. “We were running another console, and a lot of people were asking for the grandMA. I attended a grandMA2 training course and really liked the console’s features and versatility. It was the kind of technology we needed, capable of accommodating a rock show, a symphony or a musical comedy, and meeting the needs of their designers.”

Steve Welsh, vice president of Miami Stagecraft, echoes Tur’s observations that many touring groups appearing at the Knight Concert Hall were accustomed to using grandMA. In addition, “because of the way the hall is configured there are very few conventional lights,” Welsh points out. “The space is highly-dependent on moving lights mounted to the ceiling and that also helped tip the scales in grandMA’s favor.”

Welsh notes that in order to give the grandMA2 fast, high-speed response time, the hall’s entire network required an upgrade. “grandMA runs flawlessly on a gigabit network,” he says, “so we upgraded the whole system to be 1gb capable. The movable ceilings feed data down to fiber-optic cables even when they’re moving – we had to upgrade all that to 1gb with industrial-grade components.”

Will Murphy, A.C.T Lighting technical support, says that the hall originally had “a big fiber network and all these little gangbox two-universe nodes around the space. When Tony (Tur) fell in love with the grandMA2 they needed to decide what to do with the existing network. So we started to talk about what would make their life easier.”

He explained to Tur that “MAnet is the only protocol in the industry with frame-synchronous DMX. If you have a properly-designed gigabit network, no matter how close or far apart ports are, everything is going to be frame synchronous: the frame comes out of every port at the same time regardless of length. No protocol but MAnet can do that and deliver two-way communication.”

Tur specified a grandMA2 console with NPU and a second unit with 18 2-port nodes. “Tony chose to go all-MA to get 100 percent support,” Murphy says.

The upgraded network “eliminated a lot of equipment on the racks and a lot of connection points with the possibility of faults,” says Tur. “The network was very simple to put together and worked from the get-go: It was all done in two days. Now I have a system where I can communicate right to the nodes from the console; I don’t need another computer to do that. A.C.T’s customer support was another reason I decided to go with the nodes – it’s just amazing. They are there to help me out.”

Welsh concurs that the installation “came out very nicely. There are very reliable communications throughout the system, especially the fiber-optic cable reels.”

Tur reports that the grandMA2s and network are “working great. We just ran BB King and a couple of symphonies, and it’s been very smooth. The grandMA gives us the versatility to do everything. That’s just what people were requesting.”

Welsh believes that the hall’s installation represents “a new phase in the lighting of the theater. They now have a control system that will carry them into the future with LEDs and new lighting fixtures.”

About A.C.T Lighting

A leading importer and distributor of lighting products, A.C.T Lighting, Inc. strives to identify future trends and cutting-edge products, and stock, sell and support their inventory. The company provides superior customer service and value for money to all of its clients.

For more information call 818-707-0884.

About the Adrienne Arsht Center for the Performing Arts of Miami-Dade County
The Adrienne Arsht Center for the Performing Arts of Miami-Dade County is one of the world’s leading performing arts organizations and venues. Made possible by Miami-Dade County’s largest ever public/private-sector partnership, the Center is home to the Florida Grand Opera, Miami City Ballet and New World Symphony, America’s Orchestral Academy. In addition, numerous South Florida arts organizations perform in its theaters regularly. Since opening in 2006, the Center has emerged as a leader in offering and presenting innovative programming that mirrors South Florida’s diversity, as a catalyst for development in Miami, and as a host of impactful community outreach and education programs.

Designed by world-renowned architect Cesar Pelli of Pelli Clarke Pelli Architects, the venue is comprised of the 2,400-seat Sanford and Dolores Ziff Ballet Opera House, the 2,200-seat John S. and James L. Knight Concert Hall, the black box Carnival Studio Theater, a restored Carnival Tower, the Peacock Foundation, Inc. Studio, the Peacock Foundation, Inc. Education Center and the outdoor Parker and Vann Thomson Plaza for the Arts. The Carnival Tower, an architectural icon and one of Miami’s oldest Art Deco buildings, houses the street-level BOMBAY SAPPHIRE(r) Lounge. Events impresario and restaurateur Barton G. Weiss brought his signature style to the Center in 2009 with PRELUDE BY BARTON G, a full-service upscale restaurant.

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Prism Sound’s New Loudness Test Suite Allows Broadcasters To Deliver Flawless and Legally Compliant Audio

With the CALM Act now law in the US and compliance soon to be mandatory, Prism Sound is using the NAB 2012 platform to highlight the importance of loudness meter verification by showing a new application for its award-winning dScope Series III audio analyzer.

This unique, freely-available test suite allows broadcasters and manufacturers to determine whether every aspect of their meter design complies with the latest international loudness standards.

Developed by Dr Rich Cabot, Founder and CTO of Qualis Audio, and Ian Dennis, joint-founder and CTO of Prism Sound, this comprehensive new suite of audio tests can be used to evaluate the performance and compliance of any loudness meter on the market. As US broadcasters are now legally obliged to comply with the ATSC A/89 standards, Prism Sound’s new test suite enables them to properly evaluate all loudness meters and ensure that their chosen product can deliver both ATSC and ITU BS.1770 compliance.

The new test suite will be on show at Prism Sound’s NAB 2012 booth (C3029). Visitors to the booth can obtain a FREE set of wave files and dScope Series III test files for verifying the performance of their loudness meters. The wave files have been specifically designed to expose any design flaws in a loudness meter, and the dScope Series III programmable test suite replicates these test signals in a highly convenient format, allowing the waveforms to be sourced directly from the dScope Series III digital signal generator.

Prism Sound is widely regarded as the leading expert in the field of audio test and measurement. The company offers a range of audio test solutions including the highly-acclaimed dScope Series III instrument, which incorporates precision, automatic gain-ranging that allows high resolution analogue measurements over a massive range, from a few micro-volts to more than 150 volts RMS, and from less than 1 Hz to over 90kHz. Its dedicated hardware interface uses DSP to provide a wide range of real time measurements, while its software exploits the host PC for almost unlimited number crunching and analysis options such as Fast Fourier Transforms, unique ‘Smart FFT’ soft instruments, swept sine and multi-tone testing. Designed to be highly programmable, the dScope Series III can be automated from a wide range of third-party software applications using Active X controls, or internally using VBScript.

Prism Sound will be showcasing its full range of audio Test & Measurement solutions at NAB 2012, 16–19 April, 2012, Las Vegas Convention Centre, Las vegas UAS, Booth C3029. For further information visit www.prismsound.com

-ends-

About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

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HOSA TECHNOLOGY MOGAN ELITE OMNI EARSET MICROPHONE NOW SHIPPING

**** Photo: Mogan Elite Omni Earset Microphone ****

Buena Park, CA – February 2012… Hosa Technology, the leading innovator of analog and digital connectivity solutions for the modern musician and audio/video professional, is pleased to announce that the Mogan Elite Omni Earset Microphone, the newest addition to the Mogan Microphones brand of subminiature microphones, is now shipping. Designed to deliver full-frequency vocal reproduction for the most discerning presenter, the new Mogan Elite earset microphone is a terrific choice for broadcasters, theatrical performers, church worship leaders, and other professionals seeking exceptional audio performance—both spoken word and vocals— for mission-critical applications. more

NEW METRIC HALO WEBSITE DELIVERS A CLEAN, INTUITIVE USER EXPERIENCE

mh_new_website.JPGSAFETY HARBOR, FLORIDA: Metric Halo has completely revamped its website, bringing the crystalline clarity of modern design and functionality to its online presence. The new site, www.mhsecure.com (which is also accessible at the old address, www.mhlabs.com) offers users well-organized access to product information, product support, purchasing, and user-community wikis & list-serves. It is simple and intuitive to navigate and will make more

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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