A virtual press conference from Sound & Video Contractor

PDG Helicopters Takes to The Skies With A Cinedeck RX Solid State Recorder

Leading on-shore helicopter operator PDG Helicopters has become the first company in the UK to use a Cinedeck RX dual channel, solid-state recorder to deliver high quality digital aerial filming to clients in film, TV broadcast, commercials and corporate production.

Based in Scotland, PDG Helicopters has over 40 years of knowledge in helicopter charter, a fleet of 17 aircraft, and registers over 10,000 flying hours each year across a range of services. These include passenger flights, aerial crane, aerial survey, helicopter maintenance, scenic helicopter tours and aerial cinematography.

PDG Helicopters acquired its Cinedeck RX from Cindeck’s UK distributor Oxygen DCT. The unit is now being used to record uncompressed 4:4:4 from a gyro-stabilised Cineflex V14 HD camera, in a wide range of frame rates, recording variations of Apple ProRes, Avid DNxHD and Cineform codecs, according to each customer’s preference.

Peter Jones, aerial cameraman and PDG Helicopters’ camera systems manager, says: “We researched where to buy our Cinedeck RX and decided on Oxygen DCT because it has such a strong reputation for aftersales support. The company’s staff are incredibly helpful and have answered all our technical queries quickly and knowledgeably.”

Jones adds that Cinedeck RX has allowed PDG Helicopters to mirror the industry trend towards tapeless capture, and to extract the full performance of its Cineflex camera system.

“As it records to a range of codecs, clients can leave the shoot with edit-ready footage, which ultimately helps their production costs – and that’s a great selling point for us,” he says.

Since acquiring their Cinedeck RX, PDG has used the unit on projects for BAE Systems, QinetiQ, a commercial for McDonald’s through Thomas Thomas Films, and a corporate production for LineUp TV.

“Aerial cinematography has a number of issues, not the least of which is vibration,” Peter Jones explains. “With a tape deck, you’re always concerned there might be dropped frames or other image degradation. With other capture devices you just have to trust the takes are there when you land. There’s huge merit in the RX being a solid-state recorder, with built-in redundancy, that lets you review material in the air. It gives you great confidence while you’re shooting. I was absolutely delighted to discover that it was developed by a fellow cinematographer (Cinedeck CEO Charles Dautremont) with expertise in aerial shooting, who had encountered exactly the same issues as me.”

Jones adds that a key advantage of Cinedeck RX is the choice of production formats it offers.

“The Cinedeck RX has tremendous appeal for producers because it can record uncompressed 4:4:4 and the native codec for editorial. Program makers can leave the shoot with edit-ready material, normally Avid DNxHD or Apple ProRes, and there are no extra costs for ingest and transcoding. This helps to reduce their post production costs, and ultimately has a positive impact on the overall budget.”

On an operational level, Jones says the dual channel Cinedeck RX is much smaller and lighter than a tape deck, and offers greater performance and functionality over flash cards.

“With Cinedeck RX, you just glance at the screen and immediately know you’re recording,” he says. “Whilst we’re in the air, I can check the levels on the waveform, and easily scrub through the clips to double-check that I have shot what the director required. If required, we can look at ways we can improve a shot by changing the flight profile of the helicopter, or the camera move.”

Recording duration and security are other crucial considerations for aerial filming, and PDG has equipped its Cinedeck RX with four caddies that hold eight solid- state drives, providing a total 2TB recording capacity.

“Some jobs might take a couple of hours, and we can normally fit the footage onto one SSD drive,” says Jones. “But on larger jobs, we might be away for several days. Having such a large recording capacity, being able to change drives in flight and to keep rolling is a real bonus. The fact that material is protected with the redundant record provides piece-of-mind too.”

While Jones is appreciative of the technical support PDG has received from Oxygen DCT and Cinedeck, he’s even more delighted by the profile Cinedeck has amongst clients.

“We’re now getting calls from clients asking for Cinedeck. This kind of brand- awareness makes us feel we made the right decision to buy,” he exclaims. “I can see Cinedeck RX rapidly becoming our main recorder in the future. It certainly ticks all the boxes right now.”

-ends-

About Oxygen DCT:

Oxygen DCT is a broadcasts systems solutions provider with a deep knowledge and understanding of the broadcast and professional media markets. This dynamic organisation has amassed in just over five years, a very extensive and comprehensive products portfolio of over 3000 carefully designed broadcast and production products that represent the pinnacle of engineering excellence. Oxygen DCT was the first company in the broadcast industry to fully implement online facilities for its customers and its unique, comprehensive online ordering facility automatically configures equipment systems for customers, saving time and provides industry professionals with the convenience of immediate online pricing. The ‘one-stop-shop’ website caters for the smallest requirements whilst also allowing users to prepare their own quotes and place orders online with immediate order confirmation. Oxygen DCT also provides advice, support and expertise as part of its ‘life cycle’ care scheme, ensuring that customers are fully serviced throughout their career life cycles. www.oxygendct.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News

Seattle’s Iconic Comet Tavern is Reborn with Mackie DLM Series Sound
PreSonus Helps Avengers S.T.A.T.I.O.N. Come Alive
World Bank Counts on ICONYX
Lee Boylan Joins the PreSonus Europe Team
Thunder Audio Rolls and Roars with L-ACOUSTICS
Archimedia Announces Enterprise Media Player for Any Media Professional, Regardless of Expertise
West Coast Catalyst AV Distribution Network Member Custom Plus Distributing Appoints Steven Ricks as Territory Sales Manager
HPA to Host Symposium Leading Into SMPTE 2014 Annual Technical Conference & Exhibition
Calrec Audio IBC2014 Product Preview, Stand 8.C58
Award-Winning Gefen Solution Distributes HDMI with USB, RS-232, IR and Audio over a Local Area Network with Option to Create Virtual Matrix Switching Solution

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

May 2012
M T W T F S S
« Apr   Jun »
 123456
78910111213
14151617181920
21222324252627
28293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication