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Archive for May, 2012

Vaddio Expands IT and Sales Channels

Vaddio, the global leader in robotic PTZ cameras and camera control systems is pleased to announce the recent appointments of Tim Kiernan as National IT Channel Manager and Paul Cords as Channel Manager of the Northeastern United States and Canada.

Tim Kiernan and Paul Cords

Kiernan will lead Vaddio’s IT growth efforts as National IT Channel Manager. Kiernan will focus on adding IT-centric reseller partners and broadening the reach of Vaddio’s new EasyUSB products to existing AV channels.

“I am excited about the opportunity the new EasyUSB products offer to help Vaddio significantly grow its reseller base and revenues,” says Kiernan. “These new products represent a new approach and solution for Vaddio’s existing AV channels and an opportunity for me to expand Vaddio’s reach and success in the United States.”

With more than 20 years experience in VC and IT technologies, Kiernan specializes in launching the sales of new innovative videoconferencing and IT products against current market-leaders. His track record includes some of the most recognized companies in the industry including PictureTel, LifeSize and Polycom. While at LifeSize and Polycom, Kiernan helped launch initial video products through channels and sales reps in the Americas. Most recently he was Director of Sales for Vidyo, a pioneer in personal TelePresence, enabling multi-party videoconferences that enable interaction over regular IP networks using commodity desktop systems as endpoints.

Paul Cords will be assisting Vaddio partners and dealers throughout Canada and the Northeastern region including: Connecticut, Maine, Massachusetts, New Hampshire, New York, New Jersey, Rhode Island and Vermont. “I’m excited about the opportunity to build on Vaddio’s amazing reputation of an organization that delivers high quality, thoughtful and innovative camera solutions,” said Cords. “As a former customer myself, I’ve always considered Vaddio to be a very cooperative company to do business with and it’s great to be part of such an amazing team.”

With over 13 years of experience working as an AV integrator in both sales and sales management roles, Paul’s expertise lies in helping customers research and implement the most effective technologies to meet both current and future business objectives. Most recently, Cords headed sales efforts at MSpace, a full-service videoconferencing and audiovisual integrator based in Eden Prairie, Minn. Prior to MSpace, Cords held positions at Tierney Brothers, Polycom, Global Crossing and AVI Systems.
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About Vaddio:
Vaddio is the leading manufacturer of specialty PTZ cameras and camera control systems used in the audiovisual, videoconference and broadcast industries. Your customers demand cutting-edge technology that’s simple to use. You want equipment that’s easy to install and reliable to operate. Vaddio serves integrators and operators alike – with broadcast-quality PTZ cameras and control systems that deliver the performance you need with the convenience you demand. More information can be found on the Vaddio website, www.vaddio.com or at (800) 572.2011.

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VMP Debuts New ER-1-4PKIT Rack Expansion Kit at InfoComm 2012

Now shipping, The ER-1-4PKIT is an Easily Installed Expansion Kit for the ER-1 Rack to Convert a Two-Post Rack to a Four-Post Rack

STEVENSVILLE, Md., May 3, 2012 — Video Mount Products (videomount.com), a leading provider of mounting solutions for the commercial, residential, security, and pro audio/video markets, is proud to announce its will debut the new ER-1-4PKIT Expansion Kit for the ER-1 Equipment Rack at InfoComm 2012, held in Las Vegas, Nev. from June 13-15 at the Las Vegas Convention Center, booth N2540. The ER-1-4PKIT is now shipping with an MSRP of $124.95.

“The ER-1-4PKIT is an easily installed expansion kit for the ER-1 rack to convert our most popular two-post rack to a four-post rack,” explained Keith Fulmer, president of VMP. “VMP offers numerous solutions to help answer thermal and cable management concerns by providing easy-to-assemble, vented, functional, and compatible racks, shelves, brackets, mounts and accessories. Designed to meet the challenges faced in such tight and component-laden A/V and other low voltage installations, the ER-1 with expandable ER-1-4PKIT is an example of just such a valuable tool.”

Features of the ER-1-4PKIT Expansion Kit include:
• Standard 10-32 threading in expansion posts
• Includes side stabilizing bars
• Steel construction
• Black static resistant powder coat finish

The ER-1 is an EIA compliant, 40-rack space, 19-inch headend equipment rack with a 400 lb. load capacity.

For more information on the ER-1-4PKIT, please visit www.videomount.com or call (410) 643-6390 or toll free 877-281-2169. If you need help choosing the right mount for your application, try the Video Mount™ Finder at www.chooseamount.com.

About Video Mount Products
Born in 1994, Video Mount Products (VMP) is a leading provider of mounting solutions for the video, audio and security industries. VMP products consistently offer the latest designs in safety and flexibility, all at an outstanding value. VMP’s product offering continues to substantially grow by adding several mounting systems to address the increasing popularity of flat panel technology, both LCD and Plasma, as well as other growing segments across many markets.

VMP has become the mounting systems company of choice for professionals and their customers everywhere. All products have been engineered for and installed with confidence in thousands of residences, businesses, hotels, restaurants, schools, hospitals, houses of worship and security applications throughout the world. VMP prides itself on providing the best products in the industry and by supporting those products with knowledgeable professionals who understand that “support” is the core of the business.

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Extron Announces New DisplayPort Switcher and Distribution Amplifier

Extron Electronics is pleased to introduce the SW2 DP two input DisplayPort switcher, and the DP DA2 two output DisplayPort distribution amplifier. They are HDCP compliant, and support data rates up to 10.8 Gbps and computer resolutions up to 2560×1600 @ 60 Hz, including HDTV 1080p/60. The SW2 DP and DP DA2 feature EDID Minder®, an Extron-exclusive technology, which maintains continuous EDID communication between connected devices for reliable video content display. The DP DA2 also features Key Minder®, an Extron-exclusive technology that continuously authenticates HDCP encryption between all devices, ensuring the simultaneous distribution of source content to both displays. Additionally, dual-mode support on the DP DA2 allows source signals to be distributed to multiple HDMI, DVI, or VGA display devices with appropriate adapters. more

RTW’s TM3 Supports Loudness Monitoring for RTL Formula One Coverage

Martin Leuenberg (left), sales manager, Germany, RTW with Tobias Vees (right), executive manager for technical systems and business development at Wige Broadcast.

Prior to Its Official Launch, New Meter Becomes Part of Wige Broadcast’s Mobile TV Broadcast System

COLOGNE, GERMANY, 3 MAY 2012 – RTW, a leading manufacturer and distributor of professional audio metering and control devices for studio recording and radio and TV broadcast applications, is pleased to announce it recently delivered three pre-production units of the new TM3 TouchMonitor to Cologne, Germany-based Wige Broadcast, prior to RTW’s official sales launch of the new product. German Broadcaster RTL, which relied on Wige Broadcast’s technical infrastructure for this year’s Formula One coverage, employed the units during the first Formula One races in Australia and Malaysia, where they passed acid tests.
The three RTW units are part of Wige Broadcast’s extensively preconfigured mobile production system, which the company flies from race to race, setting it up on site. Despite the considerable workload the equipment must handle, Tobias Vees, executive manager for technical systems and business development at Wige Broadcast, says the units operated flawlessly.
“Even after countless transports, temperature fluctuations, and continuous assembling and disassembling, the units operated smoothly,” says Vees. “In addition, our on-site users liked the extremely straightforward operating concept of the TM3, as well as the option of placing the unit horizontally or vertically, as needed.”
For the Formula One broadcasts, Wige Broadcast used the TM3 TouchMonitor as a component of the on-site edit suites. The signal inputs of the TM3 are extremely flexible and provide a number of formats, including analog (balanced and unbalanced), AES3 and S/PDIF-features that Vees appreciates. “When it comes to selecting input sources, the TM3 is extremely flexible,” he explains. “Fast integration of the devices into existing setups is simple and straightforward.
Vees notes that while the RTW TM3 TouchMonitor wasn’t the only metering system his company tried, it was the one Wige Broadcast liked the best. “We had tested various options for loudness metering for this project,” he explains. “These also included plug-ins installed right on the edit computer. It soon became obvious, however, that a dedicated hardware solution offers many benefits compared to software metering. In addition to the display quality and speed, the accuracy of the metered values plays a key role. In my opinion, no plug-in was capable of achieving the same degree of reliability and display accuracy offered by the TM3.”
A plug-in would have also required on-screen space, and is never on top when actually needed. “On the other hand,” says Vees, “an external unit always shows the relevant settings in the same place and in the highest quality, regardless of the computer’s graphics configuration.”
Moreover, Vees also reported that the hardware units enjoy much greater user acceptance. “With regards to critical parameters such as level and loudness, users want to be sure that they can rely on the readout,” he says. “At the end of the day, a dedicated unit specifically designed for that single purpose is much more trustworthy to them-in particular when it bears the RTW logo.”
“We are very glad that Wige Broadcast relies on the TM3 TouchMonitor to realize such a demanding project,” says Andreas Tweitmann, CEO, RTW. “We are convinced that the TM3 is an extremely flexible and reliable entry-level solution for loudness-metering applications.”
The RTW TM3 TouchMonitor is a solution for quick and easy use in loudness metering. The system comprises a display unit featuring a 4.3-inch touch screen for horizontal or vertical use and a separate interface box. The easy-to-learn operating concept allows for fast selection of presets that are configured using the Devicer DC1 software, which is available for Macintosh and Windows. In addition to PPM and true-peak instruments, the TM3 offers comprehensive loudness metering in compliance with all globally relevant standards: EBU R128, ITU BS.1770-2/1771, ATSC A/85, and ARIB. Instruments include single-channel and summing bar graphs, loudness range, and numerical displays. The TM3 stereo version handles analog and digital audio; in addition, the TM3-6CH version also supports six-channel digital input. (An upgrade option for stereo units is available.)

About RTW
RTW, based in Cologne (Germany), has more than 40 years of experience in designing, producing, and marketing advanced audio systems for professional users. The company focuses its business on tools for visual signal analysis and loudness metering that is in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio includes the TouchMonitor range, a series combining highest flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, and the SurroundControl series providing a full feature set for monitoring, controlling, and routing stereo, multichannel, and surrounds signals. Both ranges share intuitive built-in surround-signal visualization thanks to the Surround Sound Analyzer, which has set new standards in the pro-audio industry. In June 2008, RTW was certified for the internationally accepted DIN EN ISO 9001:2000 quality-management standard.

For more information, visit www.rtw.de or www.facebook.com/rtw.de, or call +49 221 709130.

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Anton/Bauer Helps Keep PACSAT International On the Move with Dependable Batteries and Round-The-Clock Customer Service

HyTRON 140 Batteries Meet the Power Demands of Company’s High Definition Workload

SHELTON, CT, MAY 3, 2012—Anton/Bauer® has been supporting PACSAT International, a full-service video and audio production, post-production and satellite transmissions company for the last 20 years. PACSAT has come to rely on the dependability of batteries from Anton/Bauer, part of Vitec Videocom, a Vitec Group company and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries, whether shooting breaking news, major sporting events like the Olympics, a Katy Perry special for MTV or videos for corporate clients. Anton/Bauer’s HyTRON® 140 batteries have allowed PACSAT International Director of Photography Ken Cavalli and his production crew to focus on the creative work at hand without worrying about power needs.

“Since we’ve been using the HyTRON 140, I no longer have to think about the longevity of a battery when I go on shoots,” says Cavalli, who typically uses the Sony PDWF800. “When I use a HyTRON 140 battery, I know it’s going to work and it’s going to get me through the job with no issues.”

Anton/Bauer’s HyTRON 140 battery is ideally suited to the power demands of today’s high definition equipment and on-camera lighting systems. In lower-power applications, it can provide power for many hours without limits or travel restrictions. The HyTRON 140 also offers an excellent counterbalance to offset the weight of a lens. With the recent transition to HD cameras, the HyTRON 140 typically provides up to four hours of run time with a single battery. A new cell technology has been employed to provide key improvements in battery life, durability and discharge performance in all environments.

PACSAT International also uses Anton/Bauer’s Ultralight® 2 camera-mounted light and the 2700 series PowerChargers, including the four-position Quad 2702 and compact two-position DUAL 2722 chargers. According to Cavalli, the products not only help to provide seamless and reliable power, they also come with Anton/Bauer’s steadfast customer support, which has become a valuable part of his productions. If something goes awry during a crucial moment of a shoot, Cavalli and his crew know they can always turn to Anton/Bauer for help.

“During the last Olympics, I was doing a shoot in a bay, when a wave splashed some of my gear,” explains Cavalli. “While I was able to keep the camera dry, after a while, it started to malfunction. I immediately called up [Global Customer Support Manager] Joe Teodosio, who I knew was on site throughout the entire span of the games. Not only did he provide the replacement gear for the back of my camera directly from the camera manufacturer, he helped me get back out there to shoot within 40 minutes.

“The type of support they provide at major events and from their headquarters throughout the year shows just how much they care about their customers—always thinking ahead and having a full stock of gear saved my shoot. If I need anything, I know they’re out there to help me.”

About Anton/Bauer
Anton/Bauer is recognized as the world’s innovator and a premier provider of batteries, chargers, lighting and other key mobile power systems for the professional broadcast, video and film industries. Based in the United States in Shelton, CT with offices in Europe and Asia, Anton/Bauer was established in 1970 and has expanded its product offerings to include many signature lines such as its leading Gold Mount® system, InterActive® chargers and Logic Series® batteries such as the HyTRON® 50, 100 and 140, and DIONIC® 90, 160, HC and HCX. Their products are compatible with every camera brand on the market today. Other Anton/Bauer high performance products include the Ultralight® 2, ElipZ®, CINE VCLX and the Tandem 150 Modular Charging System. Their superior-quality products have become an industry standard. For more information on Anton/Bauer, visit www.antonbauer.com.

About Vitec Videocom
Vitec Videocom brings together some of the most respected, most innovative and most sought-after brands in the industry: Anton/Bauer, Autoscript, Litepanels, OConnor, Petrol, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.

Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong, well known, premium brands on which its customers rely on worldwide.

Vitec Videocom – innovative products around the camera.

Projector Lamp Blowout at RelampIt, Now!

For the first time, RelampIt is currently hosting a bulk sales event running only during the month of May. This is a great time for distributors and dealers to stock up on a variety of replacement projector lamps at amazing prices.

RelampIt offers professional AV dealers, integrators and AV end users, high quality alternatives to new projector lamps and replacement bulbs. Relamping provides clients an environmentally responsible options to purchasing costly new replacement projector lamps; reducing waste and cost. For this event RelampIt decided to list much of their overstock items at generous prices when 5 or more lamps are purchased in a single transaction. Replacement lamps to be included in the event feature some of the top brands in projector lamps and are built with the highest quality components and workmanship available. Quality is of no concern with RelampIt who is also backing sales made during this event with their unprecedented 90-day warranty, from installation.

It is a perfect time for dealers and distributors to stock up during RelampIt’s blow out event. Visit www.relampit.com to see the list of lamps available during the limited time sales event Please contact sales@relampit.com to discuss quantity and cost with our sales representatives.

RelampIt provides relamping services for the projection display industry. RelampIt has developed a process that allows projection lamps to be remanufactured at a reduced cost without compromising lifetime or performance. RelampIt also offers a no charge projector lamp recycling service. The RelampIt Projector Lamp Recycling Center, focuses on reducing waste and environmental contamination from the lamps found in front and rear projectors. For more information about relamping and recycling or to become a RelampIt dealer, call 1(631)244-0051, email gms@relampit.com or visit our NEW website at www.relampit.com.

LECTROSONICS INTRODUCES ASPEN DANTE™ NETWORK PROCESSOR

**** Photo: ASPEN Dante Network Processor ****

Rio Rancho, NM – May 2012… Meeting the demand for reliable network audio transport, Lectrosonics has developed the SPNDNT network processor to expand the ASPEN digital matrix processor family. The new network processor is much more than a simple network interface. Instead, it is a full featured DSP processor that can address both the ASPEN and Dante matrices and add mixing, gain, and delay functions to the digital audio signals. Any of the 48 final mixes in the ASPEN matrix can be assigned to any one or more of the Dante channels for transport to other endpoints in the network. Dante signals can also be imported into the ASPEN matrix in a local processor sub-system for mixing with other local and network signals, and then routed onward to other local or network devices. more

Sennheiser Appoints Alexander Schek Vice President Sales, Latin America

Old Lyme, CT – May 2, 2012: Audio specialist Sennheiser announced that Alexander Schek has been promoted to vice president sales, Latin America, effective immediately. In his new position, Schek will be responsible for Sennheiser’s sales strategy across each of its business lines, as well as managing the company’s area sales managers within the Latin American region. He will report directly to Markus Warlitz, general manager, Latin America.

Schek began his career with Sennheiser in 2009 as area sales manager for Central America and the Caribbean, where he was responsible for managing Sennheiser’s business across each of its divisions. In this role, he was very successful in increasing the overall distribution of Sennheiser products across Central America. As Vice President Sales, Latin America, Schek replaces Oliver Baumann who left Sennheiser in March.

“As one of the fastest growing economies in the world, the Latin American region represents a very important part of Sennheiser’s international growth strategy,” commented Markus Warlitz. “During his tenure at Sennheiser, Alexander has achieved remarkable sales performance while also possessing drive to take our business to the next level in Latin America. I congratulate him on this well deserved promotion.”

A German citizen who grew up in Brazil and Chile, Schek has an acute understanding of the Latin American market and business culture in addition to over a decade of executive level sales experience in the Consumer Electronics and Audio Industry. He holds a degree in Marketing from the University de las Américas, Santiago de Chile. Alexander is located in Miami, FL and will travel to the Latin American region on a frequent basis.

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Irvine Inline Sounds Great with Renkus-Heinz CF-Series

Irvine, CA, April 2012…  As any die-hard fan will tell you, hockey is the Rodney Dangerfield of American sports. Despite a long history and legions of fans, the game has never quite garnered the respect it deserves.

But the folks behind the Anaheim Ducks are working to change that perception with The Rinks, a fast-growing chain of ice and inline hockey venues in southern California designed to promote the game in a kid- and teen-friendly environment.

“Particularly in Southern California, hockey’s always been a pretty underrated sport,” says Jason Voorhees of Costa Mesa-based Cantara Design, the company behind the audio systems at The Rinks. “It’s gotten a bad rap as a rough game, and in the past, many of the available places to play have been rather run down and neglected.”

The Ducks have been working to combat that image, purchasing and renovating older rinks to create clean, modern, family-friendly environments. “The Ducks want to raise the bar and set a new standard for what a hockey rink can be, giving kids an appealing environment to play the game and become fans,” Voorhees explains.

The recently-opened Irvine location is a prime example. Irvine Inline boasts a pro hockey genealogy, having been originally owned by hockey legend Wayne Gretzky. Home to three inline rinks, the venue is a fresh new take on hockey rinks, with family-style lounge and state-of-the-art Renkus-Heinz sound systems.

As Voorhees explains, the Renkus-Heinz systems were chosen for their performance and weather-resistant durability. “Our primary objective was to design a great sounding system that was high-output, self-powered, and capable of standing up to the elements,” he says. “These venues are all essentially outdoors. They do have a metal roof, but no walls. So even though you don’t get rain, per se, you get exposure to all the elements – Santa Ana winds and humid, moist days, all sorts of extremes. Also, because the roofs are metal, the air mass that hovers above the rinks can stay cool, and when the sun hits the roof, that cool, moist air hits the hot roof and starts to condense and rain back down.”

Jason Voorhees & Adam Purath, Cantara Design; Bjorn Slijderink, H&S Ventures; Garrison Parkin, The SG Group.

Each of the three rinks is outfitted with four CF81-2 powered two-way 8-inch systems and two CF121-5 powered 12-inch two-way systems. “Since the systems are all outdoors, they designed a mobile control station on a rolling cart,” says Voorhees. “Every morning they roll out the three control stations, and every evening they roll them back into the Pro Shop.” Each individual station is equipped with its own MP3 input, sound effects machine and microphone.

All three systems are tied to a CobraNet network, enabling a central music source or announcement mic to cover the entire venue at one time. “They can control all this from a touch screen at the office or the front desk,”

Since opening its doors, Irvine Inline has seen a steady growth in popularity, with a full schedule of games and practices for everything from Pee Wee to High School Leagues.

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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Vivace Music Brings World Class WSDG Studio To Uruguay

<img src="http://blog.svconline.com/briefingroom/wp-content/uploads/2012/05/2-Vivace-Studios-Live-Room-lr-300×200.jpg" alt="" width="300" height="200" class="alignnone size-medium wp-image-29662" MONTEVIDEO, URUGUAY: Vivace Music, an elegant, high-end recording studio, has debuted in the heart of Montevideo, the 1/4Switzerland1/4 of Latin America. Acoustically superb, and aesthetically unique, studio details are highlighted by rare wood elements such as doors, window trim, flooring and custom furniture built with recycled wood acquired from ancient wooden casks originally used for the leather tanning industry, (one the multiple activities of studio co-owner Luis Cesio).

Designed to accommodate the full spectrum of Latin, jazz, pop, rock and world music production, Vivace establishes a new standard of high-quality audio production for South America. The 1000 sq. ft. complex features a 450 sq. ft. live room outfitted with variable acoustics and shared by two comfortable control rooms, each with it's own Iso Booth. Control Room A is equipped with an SSL AWS948 – 48 channel console, Pro Tools HD – 48 channels, Stereo ATC SCM 150A Surround and Genelec 8050 /7070 monitors. Control B features Command 8 Control surface, Pro Tools HD. and Surround JBL LSR6325 monitoring. The studio also offers a substantial collection of outboard gear including preamps and compressors (API, AVALON, Manley, Empirical Labs, Neve, Teletronics, etc), and numerous vintage mics and instruments.

"The acoustic qualities and isolation developed by WSDG enable us to work at any sound level without concern for extraneous noise entering the studio or leaking out to our neighbors," explain Studio co-founder/partners Cesar Lamschtein and Louis Cesio. WSDG Latin director Sergio Molho, developed a turn-key design and build program which engaged local talent for technical and specialty item finishes, and, an experienced studio construction crew to insure critical isolation. Grammy-winning engineer/WSDG Brasil partner/GM, Renato Cipriano, coordinated final tuning and certification of the ATC monitoring systems.

Photo 1. Vivace Music Control A
Photo 2. Vivace Music Live Room

Photos by Silvia Campos Ulloa

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Walters-Storyk Design Group has designed over 3000 media production facilities in the U.S., Europe, the Far East and Latin America. WSDG credits range from the original Jimi Hendrix Electric Lady Studio in Greenwich Village to NYC's Jazz At Lincoln Center performance complex, broadcast facilities for The Food Network, CBS and WNET, over twenty teaching studios for The Art Institutes around the US, and corporate clients such as Hoffman La Roche. Recent credits include Jungle City, NY's major new destination studio; private studios for Green Day, Jay-Z, Timbaland's Tim Mosley, film composer Carter Burwell, Aerosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk, Beth Walters, and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG is a seven-time winner of the prestigious TEC Award for outstanding achievement in Acoustics/Facility Design, including 2012 for Jungle City. WSDG maintains offices in NY, SF, Miami, Argentina, Brazil, Bejing, Germany, Mexico City, Spain and Switzerland.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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