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Once Again, Carl Tatz Design (CTD) Goes to the Head of the Class as Mix Magazine Honors CTD with the “Class of 2012” Studio Design Award

— Nashville’s MontAnna Mix Room personal studio, featuring the Carl Tatz Design Signature Series by Auralex and CTD PhantomFocus™ System monitor tuning protocol, is chosen as one of the hottest new studios for Mix’s annual “Class Of” Studio Design Issue —

Nashville, TN: “It’s clearly the leading technology in monitoring,” comments uber-successful songwriter/producer Monty Powell about the new-generation PhantomFocus™ System (PFS) in his new MontAnna Mix Room designed by Carl Tatz Design LLC (CTD). “If I build ten more studios, which I hope I don’t,” jokes Powell, “everyone of them will have a PhantomFocus System in it – I can’t imagine mixing without it.”

Multi-award-winning, Billboard chart-topping songwriter/producer Monty Powell and wife, jazz artist Anna Wilson, called on personal studio guru Carl Tatz for a second time when they decided to downsize and move from their beloved Nashville home that housed a beautiful Carl Tatz Design studio with 20’ tall ceilings in the tracking room into a posh new townhouse mix room nearby. The mix room design features a custom application of the Carl Tatz Signature Series by Auralex acoustic treatment system, with its now-familiar trademark Acoustic Lens™ modules.

“We started with a small upstairs bedroom and broke through the rear wall to create a very effective wide-band low frequency absorber partition that separates the mix room from the equipment room,” explains Tatz. “And then we broke through the left wall into the former laundry room to add a very comfortable vocal/overdub booth with floor-to-ceiling glass that is mimicked on the right wall with the Acoustic Lens.”

The fit and finish of the room is very polished, but as Carl points out, “Even without the high customization that Monty and Anna requested, the combination of the PhantomFocus System along with my basic Signature Series by Auralex, audio professionals can have a truly world-class mix room, way beyond anything they could imagine, at an affordable price point.”

Since this successful couple is spending most of their time now in their Utah home when they are not gigging around the country at various jazz venues with Anna or songwriting on the road with the likes of country superstars Keith Urban, Rascal Flatts, Lady Antebellum and others, it makes perfect sense to make this transition. The move reflects a trend where many personal studio owners prefer to track in a commercial studio that has all the amenities you would expect in a professional tracking room and spend the remaining 90 percent of the time overdubbing and mixing in their own facility.

“It’s always a great compliment to be asked back by your client to design a second room, and Monty and Anna are so much fun to work with, both being very creative people with lots of enthusiastic ideas,” says Tatz. “And upgrading their PhantomFocus System was the maraschino cherry on top of the cake. They were very happy with their existing PFS, but when I convinced them that they should experience the new system at another studio, their mouths dropped – it sold itself.”

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