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Archive for June, 2012

Bexel Returns to the Court for 20th Season of TNT’s NBA Playoffs Coverage

Custom Rental Package Includes Equipment, Technical Support and Services

BURBANK, CA, JUNE 4, 2012—As the NBA playoffs heat up into the conference finals, Bexel, a unit of the Vitec Group’s Services Division and a leading worldwide provider of broadcast services, is once again providing a custom solution, including equipment, technical support and services, for the Turner Network Television (TNT) NBA playoffs broadcast coverage. This year marks the 20th season that Bexel has been providing custom solutions for TNT’s playoff coverage. Turner will cover nearly 40 games in 30 days throughout May and June, with Bexel behind the scenes from start to finish.

“The gear Bexel is providing to Turner for its playoff efforts are essential for the telecasts,” says Lee Estroff, vice president of account development, Bexel. “Ranging from the latest HD super slo-mo systems, to a variety of HD EVS’s, encrypted RF audio packages, fiber optics and on-site non-linear editing facilities, we provide our gear based on Turner’s needs for every single TNT telecast through the Western Conference Finals.”

Bexel is facilitating five systems moving from game to game, some living on trucks and others being shipped around to the various arenas through the Western Conference Finals. With TNT counting on Bexel to help transport the equipment around to various sites, the Bexel team is in constant contact with the network and heavily involved in coordinating and working out logistics 24 hours a day, seven days a week.

“Having worked with Turner in support of its coverage of the NBA playoffs for the past 20 years, we are able to anticipate many of the challenges that they are faced with during such an aggressive schedule with the limited lead time between games,” adds Estroff. “With our knowledge and experience, there is no learning curve on a project that cannot afford any service lapses.”

Bexel is also supporting NBA TV’s extensive coverage of first-round games and live studio coverage, supplying EVS and RF audio packages to the league’s network.

About Bexel
Bexel is the pre-eminent worldwide provider of broadcast services including video and audio equipment rentals, fiber services, new audio sales, used equipment sales, and repairs/maintenance. Bexel provides brilliantly designed and flawlessly executed systems and solutions to all customers – including producers of the biggest and most important televised events in the world. For more information, visit http://www.bexel.com.

A Snapshot of The Vitec Group
Vitec is an international Group principally serving customers in the broadcast, photographic and military, aerospace and government (MAG) markets. Listed on the London Stock Exchange with 2011 revenue of £351 million, Vitec is based on strong, well known, premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Imaging & Staging, Videocom and Services. Imaging & Staging designs, manufactures and distributes equipment and accessories for photography, video and events. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production teams and film crews. More information can be found at http://www.vitecgroup.com.

HARMAN’s BSS Audio Processors and Crown Amplifiers Are A Sure Sonic Bet for New York’s Resorts World Casino

ELKHART, Indiana – New York now has a new world-class casino: Resorts World, the first entertainment destination of its kind located within the five boroughs. Resorts World boasts more than 2,200 slot machines and assorted electronic table games, numerous restaurants and entertainment facilities – and a casino-wide networked audio system featuring more than 130 BSS Audio devices, 50 Crown CTs Series amplifiers and hundreds of JBL loudspeakers.

Commercial and residential systems contractor The Integration Factory of Rockledge, FL handled the installation of the system, which is used for background music, paging and announcements. The system is built around four BSS Audio Soundweb London BLU-800 Signal Processors, four BLU-320 I/O Expanders, 10 BLU-32 I/O Expanders, nine BLU-80 Signal Processors (all with CobraNet(tm)), eight BLU-8v2 Programmable Zone Controllers, 39 Analog Input Cards, 49 Analog Output Cards, a Digital Input Card and two Digital Output Cards. Amplification is provided by 34 Crown CTs 4200A and 17 CTs 1200 power amplifiers.

“We chose the Soundweb London components because of their networking capabilities, proven performance in many previous installations and their ability to interface with the Crown amps via HiQnet System Architect(tm). The Soundweb London components also operate perfectly with the control system the client wanted, and the HiQnet London Architect drag-and-drop programming interface really speeds up the setup and configuration process,” said Carlos Gonzalez, Senior Manager, The Integration Factory.

The system employs an extensive complement of JBL loudspeakers including 428 Control(r) Contractor 26C/T and 410 Control 226C/T in-ceiling speakers, 22 Control 47L/P low-profile in-ceiling models, 108 Control 67P/T pendant speakers and a pair of LSR2328P monitors.

“In a system as complex as this one, we knew we had to have components that worked together seamlessly and flawlessly,” added Gonzalez. “There are more than 36 zones in the property.”

“The Crown amplifiers provide the best value and reliability of any amplifiers I know,” Gonzalez continued, “and they’re ideal for fixed installations like Resorts World because of their easy integration with HiQnet and CobraNet, which provides comprehensive control and monitoring capabilities and the ability to send digital audio directly over the network to the amplifiers. Let’s not forget that they also deliver outstanding sound.”

For more information about The Integration Factory please visit www.theintegrationfactory.net.

HARMAN HiQnet(tm) is the world’s first connectivity and control protocol that integrates all product categories in the signal chain for professional audio systems of all types, size, and applications. HARMAN HiQnet no longer requires the user to manage multiple disparate operating systems or be responsible for programming individual signal processors, speaker controllers, wireless microphone systems, and mixing consoles. HiQnet was developed by engineers from across HARMAN’s Professional Division and is coordinated by the System Development and Integration Group (SDIG), a team of dedicated systems specialists based in Salt Lake City, Utah.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

IAVI Announces a Distribution Partnership with Digital Projection, Inc.

FOR IMMEDIATE RELEASE:

 

IAVI Announces a Distribution Partnership with Digital Projection, Inc.

Fort Lauderdale, FL, June 4, 2012 – IAVI, a world leading commercial Pro A/V Distributor is proud to announce a new, exclusive distribution partnership with Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems and a digital imaging pioneer.

IAVI now represents the entire range of DPI’s diverse projector line, featuring an extensive selection of ultra-high-performance 3-chip and single-chip DLP® projection systems. These projectors are the reference standard for demanding applications such as large venue, live-event staging, Fortune 5000, education, medical and scientific research, command and control, digital cinema, commercial entertainment, worship and elite home cinema. IAVI is proud to be the only distributor chosen by DPI to represent their exclusive product line to resellers across the nation.

“The opportunity for IAVI to distribute the Digital Projection line of projectors is a privilege we embrace wholeheartedly and enthusiastically. Our sales representatives are committed to representing this outstanding brand with expertise, and pledge to offer our existing and prospective customers a consultative approach to choosing the very best products DPI has to offer. We look forward to a solid and profitable partnership with Digital Projection Inc. for many years to come.”  - Bill Woodard, VP of Purchasing & Marketing, IAVI

IAVI is a preferred premier wholesale supplier of professional AV technology products to value-added resellers worldwide. Founded in 1997, IAVI has offices staffed with CTS & DSE certified AV professionals across the nation. IAVI’s customer base consists of independent dealers, system integrators and custom installers. Through this partnership IAVI gains a stable, well-respected and diverse projector line, and DPI gains a robust sales and marketing partner.

Chuck Collins, Vice President of Sales for Digital Projection Inc. affirms, “Over the past few years, Digital Projection has extended our product line in dramatic ways. So much so that DPI now offers solutions that serve a much larger segment of the market than what we have addressed in the past.” “With their extensive team of knowledgeable sales professionals,” Collins continued, “and their focus on customer service, we saw important parallels between IAVI and DPI’s business philosophies. We believe they are the perfect distribution partner to help DPI bring our extensive product line to benefit more customers.”

For more information, please visit www.iavi.com or call (888) 999-6564.

###

 ABOUT IAVI
With headquarters in Fort Lauderdale, FL, IAVI employs a devoted team of Display Technology Specialists focused on the Pro AV marketplace. To discover the solutions IAVI can offer your business to help improve its competitive advantage, contact IAVI toll free at 888-999-6564 or visit the company online at www.iavi.com.

ABOUT DIGITAL PROJECTION INTERNATIONAL
Founded in 1989, Digital Projection International (Digital Projection) has been instrumental in the development and application of Digital Light Processing™ technology by Texas Instruments for projection systems. Digital Projection International introduced the world’s first 3-chip DLP® projector in 1997, and has since delivered expert system engineering and world-class customer services, thus maintaining its position as a digital imaging pioneer. Today, Digital Projection International manufactures and distributes an extensive line of ultra-high-performance 3-chip and single-chip DLP® projection systems. These projectors are the reference standard for demanding applications such as large-venue, live-event staging, fortune 5000, education, medical and scientific research, command and control, digital cinema, commercial entertainment, worship and elite home cinema.

 

FOR MORE INFORMATION PLEASE CONTACT:
Bill Woodard
VP Purchasing
Phone: +1 (954) 315-3340
billw@iavi.com

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Australian Rock Legend Cold Chisel Benefits From HARMAN’s new JBL VERTEC(r) V5 Presets

NORTHRIDGE, California – After legendary Australian rock band Cold Chisel rapturously received industry accolades for best-of arena shows of last year, the band recently played at the Festival Hall in Melbourne where sound engineer Greg Rosman utilized the venue’s in-house HARMAN JBL VERTEC(r) line array system, installed by JPJ Audio. For these shows, Rosman had a powerful new weapon in his arsenal: JBL V5 VERTEC presets courtesy of the new Crown VRack, a complete power amplifier and digital signal processing management rack system solution. The VRack features three built-in Crown I-Tech IT 12000HD amplifiers, immediately providing an easy-to-configure, plug-and-play solution that eliminates the need to build amplifier racks.

“The VRacks have made a big difference to the sound of VERTEC,” commented Rosman. “They allow us access to the new JBL VERTEC V5 presets and with V5 it’s like having a new VERTEC system all over again!”

The VERTEC V5 DSP presets offer significant improvements in horizontal coverage due to the use of higher order, asymmetric filters, and improved sound quality via phase linearization. The presets also offer improved system response to equalization, far-field summation and throw, and inter-array interaction/summation and stereo imaging.

“The VERTEC V5 DSP is the next step forward in delivering the best sound possible,” Rosman added. “We found that the high end was much smoother and the low-end response was great. Paul Bauman, Senior Manager, Tour Sound for JBL Professional, has done a great job of tidying up their presets to make the VERTEC sound significantly better. There’s no denying that JBL has really got it right with the V5.”

The PA system in the Festival Hall consists of two strips of six VT4889 full size line array cabinets and side hangs of two strips of three VT4889, plus sub bass and front fill.

“Really they’ve had a noticeable performance upgrade without buying new equipment!” Rosman concluded. “The software upgrade was done really quickly-V5 is great value for anyone who uses VERTEC.”

For more information on JPJ Audio, please visit http://www.jps.com.au/

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

One party to rule them all at InfoComm 2012

There’s one party to rule them all at this year’s InfoComm on the projectiondesign Booth N1351, Thursday, 14 June at 3-5pm.

Live music and ‘We Will Rock You’ themed entertainment!

See http://www.projectiondesign.com/corporate/news-events/event-calendar/infocomm-2012 for more info!

MDG Hazers, Clay Paky Sharpys and grandMA Take to the Road with Bruce Springsteen

The Boss is back on tour in support of his 17th studio album, “Wrecking Ball,” with an electrifying series of concerts featuring a number of technical innovations to enhance the experience. Las Vegas-based Morpheus Lights is providing MDG AtmosphereAPS hazers, Clay Paky Sharpy fixtures and a grandMA lighting control platform for the US and European tour of Bruce Springsteen & the E Street Band. A.C.T Lighting is the distributor of MDG, Clay Paky and grandMA products in the U.S

Morpheus Lights worked closely with Springsteen’s lighting designer, Jeff Ravitz, of Los Angeles based, Intensity Advisors, to meet his specifications for the look The Boss likes to present to his sold-out audiences. But for this tour the look took some new directions.

“For years we have avoided atmospherics – we were told that Bruce didn’t want them and didn’t like the idea,” says Paul Weller of Morpheus Lights. “But this year, with the addition of Clay Paky Sharpys to the lighting inventory, the question of haze came up. One of the main reasons to use haze is to enhance the effect of the Sharpy fixtures. You really can’t see the beams of the Sharpys unless you have somthing that helps them “paint” the air.”

Ravitz agrees that haze “allows for lighting to have a little more tangible quality. But hazers have never been permitted because of the vocal issues, and that has forced us into a particular style of design. Nevertheless, over the years Bruce has done shows in misty rain and smoky arenas and we could see the advantages: The haze makes for interesting visual compositions. So when we put the Wrecking Ball Tour together, the management asked me to use haze subtly.”

Weller talked to MDG about the benefits of its AtmosphereAPS hazer, which has become the industry standard in haze generators. Atmosphere is known for is extremely quiet operation and long hanging times. It produces continuous or momentary haze emission, has a DMX interface and features an exclusive Automatic Purging System to prevent build up and clogging.

“The Atmosphere is a mineral oil-based hazer that puts out very fine particles, comparative to other units” Weller explains. “The smaller particle means that the haze “hangs” longer so you need to put less of it into the air, and that means the performers are affected less. We’re told that the MDG Atmosphere is more singer-friendly than glycol-based hazers which can dry out the throat and affect the performers voice.”

“It was crucial that the haze be voice friendly,” Ravitz emphasizes. “Bruce gives his voice a very thorough workout on stage. Research showed that MDG hazers were considered tried and true equipment on Broadway where the voice is so important. So we brought them into rehearsal and set them pretty far from the stage to fill the arena in a very even way. They enhanced what we had done; we weren’t using them as a crutch. Bruce and the other performers didn’t object to the MDG Atmospheres and, in fact, recognized the hazers were taking a well-composed show to another level.”

Weller calls the Atmosphere “a very solid unit that’s performed very well. The Automatic Purging System means there’s no heavy maintenance.”

The hazers are used in tandem with 28 Sharpys – 16 positioned below the stage shooting up through plexiglass windows that replace part of the deck on the custom-built Tait Towers stage plus 6 Sharpys each on two vertical side trusses shooting from left and right.

“Historically, the show’s design had been oriented very horizontally to allow for maximum sightlines from every angle,” Ravitz points out. “We decided to add some Sharpys in a vertical “stack” so we could play around with something we never really had before. We found positions to place two twenty-foot vertical trusses that give us a very dynamic look. And now that we’re adding haze, the Sharpys really pay off.”

Ravitz notes that Springsteen’s look is still about subtlety, however. “We’ve forced ourselves to be minimal, but we’re still having a lot of fun with the Sharpys. Sometimes they’re used with no color, sometimes with deep color, and sometimes we ballyhoo them. We feel we’ve found the right balance.

“The crew tells me that the Sharpys are pretty bulletproof and are working great every day,” he adds.

The grandMA continues to perform loyal service to Springsteen’s tours, acting as the automated lighting control console for the Wrecking Ball concerts.

About A.C.T Lighting

A leading importer and distributor of lighting products, A.C.T Lighting, Inc. strives to identify future trends and cutting-edge products, and stock, sell and support their inventory. The company provides superior customer service and value for money to all of its clients.

For more information call 818-707-0884.

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Norway’s projectiondesign® to partner with BOI Solutions, Inc. at InfoComm 2012

See projectiondesign at InfoComm 2012, Booth N1351, 13-15 June, Las Vegas Convention Center, Las Vegas, NV

Ohio-based integrator to provide 16-channel projected visualization solution with diverse market applications

The migration of immersive displays to the worlds of enterprise conferencing and collaboration will be a key theme for projectiondesign® at this year’s InfoComm 2012 show, as the Norwegian manufacturer teams up with BOI Solutions, Inc., to showcase its F22 projectors integrated in a 16-channel visualization solution on its booth in Las Vegas.

“We use projectiondesign projectors with our top customers ranging from Procter & Gamble (P&G) through to Starbucks, NFL Films, Honda and the U.S. Military. BOI Solutions designs research simulators and high-end conference rooms using the highest levels of video and audio systems engineering. Based in Ohio, the firm has pioneered the convergence of immersive displays with corporate meeting-room systems, even designing a unique conference-room concept – known as the Business Sphere – around a curved screen for which it co-holds a patent with P&G,” says Bill Othick, vice-president of BOI.

“Our company is a think-tank that designs working spaces, as opposed to a typical audio-visual firm that installs equipment in certain kinds of rooms,” adds Bill Othick. “When you make data really visual, it is quicker and easier to process than if it simply sits on a spreadsheet or a PowerPoint presentation.”

By applying techniques more commonly used in product visualization – such as the edge-blending and warping of multiple projected images and high-quality, multi-channel surround sound – to meeting rooms, BOI helps enterprises change the way they think about business, bringing market reports and strategies to life in the same way that a new product or landscape can be viewed from any angle in an industrial or military simulation environment.

Such an approach requires BOI to stay at the forefront of audiovisual technology, and Othick says he could not ask for a more responsive partner than projectiondesign.

“Our success is driven by our ability to integrate technologies of higher and higher performance capabilities, and we’ve used projectiondesign in many jobs for clients such as P&G and NFL Films,” adds Othick. “The resolution of the projectors is excellent, their imaging is ultra-dependable, and the service and support we receive from the company is second to none.

“We’re excited about being part of projectiondesign’s InfoComm exhibit plans and look forward to meeting current and future end-customers while they are literally right in front of our unique approach to visualization.”

Anders Løkke, Marketing Director, projectiondesign, adds: “The InfoComm show always delivers a strong mix of international integrators and end-users, and we believe our 16-channel projected display, designed and built in partnership with BOI, will inspire both communities to see how visualization displays are moving from niche markets into everyday enterprise communication.”

Set up and alignment of all projectors in the BOI Solutions 16-channel visualization wall at InfoComm is achieved using Scalable Display Technologies’ software and expertise.

www.projectiondesign.com

Sound Works Productions Supports Northwestern’s PhilFest

BUENA PARK, Calif.—Big Daddy Love and Paper Thick Walls performed at the Northwestern University (Evanston, Illinois) 2012 Philfest held in mid-May. The annual bluegrass concert, co-sponsored by A&O Productions and Students for Ecological and Environmental Development (SEED), is held in memory of Phil Semmer, a SEED member who passed away while studying abroad. The event raises money for the Rocky Mountain Institute; an organization that researches more effective use of resources and that Semmer aspired to join after graduation.

Sound Works Productions of Frankfort, Illinois, not only staffed the event (Eric Lindholm at Front of House, Daniel Nickleski at Monitors and Kevin Flasza as Stage Tech), but also provided a NEXO GEO S line array for the main PA along with a Yamaha M7CL-48 digital console for FOH and LS9-32 for monitors.

The NEXO GEO S12 was configured as eight GEO S1210s, two GEO S1230s for mains, two PS10s used for front fills, four RS18 Ray Subs, and three 4×4 NXAmps.

“Every time our GEO S12 rig goes out it never ceases to amaze our clients,” says Nickleski. “The versatility, ease of set up, and the consistent sound quality are what keeps our clients coming back.”

For more information on Sound Works Productions, visit www.soundworkspro.com.

For more information on NEXO and Yamaha products, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. The company is the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

What to do with my TV now that’s it’s already on the wall.

It’s all in the trend of living room decor. More and more people are realizing that it’s not enough to mount their TV on the wall. They want something more. There are 3 popular option, TV mirror, TV frame, roll up TV art. But which is the right option for me?

First TV mirror, cost $2,000 and up, practicality low. It’s great when you don’t use your TV at all, but if you do. You will quickly realized that the glare produce by the tv mirror is causing you to want to smash it with a hammer. No way by any mean should you get a TV mirror if you are planning to use your TV, plus the fact that it cost 4 times the price of your TV, should keep you a million miles away from it.

Then you have the motorized TV art. Cost? $1,500 and up. Benefit? not much except it look real cool when you are not watching TV.

TV FRAME WWW.LCDFASHION.COM

TV picture frame? cost? $300 and up. Benefits? makes your TV look cool (whether you’re watching or not), compliment your current decor, allow you to used it as a digital picture frame, or to display your favorite artwork. By far the most practical, beautiful, and cost efficient.

Chyron and Cell Journalist Team Up To Integrate User-Generated Content Into News Graphics

New Partnership Uses Open Standard MOS Redirection to Move Assets Across Platforms

MELVILLE, N.Y. — May 30, 2012 — Chyron today announced that it has integrated the company’s CAMIO graphics asset management server with the Web-based Cell Journalist application to streamline the incorporation of user-generated video content into a news rundown. This integration enables producers to locate Cell Journalist content through the Associated Press ENPS interface and quickly move it to the CAMIO server for playout to air. With this capability, broadcasters can maximize the value of user-generated content — such as media captured and uploaded by a field journalist or just a person off the street — which proves particularly useful during live breaking news and severe weather coverage.

“In the past, an integration of this sophistication would have been costly both in terms of development time and money,” said Jim Martinolich, vice president of integration technology at Chyron. “Now, however, we have been able to leverage MOS Redirection, part of the open-standard MOS communications protocol, to simplify the sharing of content among systems. In doing so, we make it easy for producers to access unique or timely user-generated content through the same ENPS interface they use to create their news stories. This is a simple solution with a huge benefit — namely, a more relevant and visually rich news product, without added workflow complexity.”

Cell Journalist is a comprehensive platform that allows users of mobile devices to upload, view, and share images and videos with a news station in seconds. Through the integration of Chyron’s CAMIO and Cell Journalist, a producer working in ENPS can locate uploaded stills and video hosted by Cell Journalist and then simply drag and drop them into a Chyron template and into the newsroom rundown.

“Chyron and AP ENPS share our vision of breaking down silos and making content available to the entire newsroom. This integration will help stations win the big story by providing real time access to content submitted by audience and staff alike,” said Parker Polidor, president of Cell Journalist.

“This is an excellent example of how MOS and Open Standards can be used to build a completely transparent bridge from a cloud media source to a local production channel,” said Mike Palmer, director of design and integration strategy for AP ENPS. “Chyron and Cell Journalist have remarkably simplified the journalist’s job by hiding the complex operations normally required to manually download, transcode, and copy media from one source to another. This ultimately makes the journalist significantly faster, more competitive, and more efficient.”

Further information about Chyron and its live graphics content creation solutions is available on the Chyron website at www.chyron.com.

# # #

About Cell Journalist
Cell Journalist LLC is based in Nashville, Tenn. The company’s Cell Journalist application is the leading application of its kind for media outlets seeking images and videos of breaking news, weather, and community events. Clients include Cox, Scripps, Raycom, Belo, Barrington, ABC, and Fox. More information about Cell Journalist is available at www.celljournalist.com.

About AP ENPS
ENPS is the world’s most advanced, reliable, and widely-used news production system. It is used by more than 60,000 reporters, writers, editors, and producers in 800 newsrooms in 60 countries. www.enps.com

About Chyron
Chyron (NASDAQ: CHYR) is a leading provider of Graphics as a Service for on-air and digital video applications including newsrooms, studios, sports broadcasting facilities, and corporate video environments. An Emmy(R) Award-winning company whose products have defined the world of digital and broadcast graphics, Chyron’s graphics solutions include the Axis World Graphics online content creation software and order management system, on-air graphics systems, clip servers, channel branding, and graphics asset management solutions, all of which may be incorporated into the company’s BlueNet(TM) end-to-end graphics workflow. More information about Chyron products and services is available on the company websites: www.chyron.com and www.axisgraphics.tv. The company’s investor relations information is at www.chyron.com via the “Investors” link.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

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