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Archive for August, 2012

Bob Ludwig Platinum Panel To Address ‘Mastered For iTunes’

Mastering Pros To Clarify Misunderstood Initiative

SAN FRANCISCO: The Mastered For iTunes initiative, one of the most significant, yet misunderstood innovations developed for the ubiquitous music distribution format will be the subject of an essential Special Event planned for the 133rd AES Convention. Scheduled for October 26 – 29 in SF’s Moscone Center, the Convention will provide 20,000+ music industry pro’s with timely and definitive information on a plethora of creative and technical issues. Convention Special Events Chair, Christopher Smith. reports, “One of our most important presentations is this year’s Platinum Mastering event. Long-time moderator Bob Ludwig has developed a panel discussion to assess and clarify the relevance and value of this vital new Apple iTunes process. Attendance at this Special Event should be required by every pro engineer who hopes to keep current with critical innovations.”

MASTERING APPLE INC.’s “MASTERED FOR iTUNES” INITIATIVE – THE SCIENCE, THE PROCEDURES AND THE RESULTS: Moderator, Gateway Mastering President, Bob Ludwig (Springsteen, Stones, Radiohead, Mumford & Sons), will helm a vital discussion with leading mastering engineers including Eric Boulanger (Colby Caillat, Chris Botti, The Bravery). Other panelists tba – Apple’s iTunes Store is the world’s largest music vendor. Last year, with the introduction of Colbie Caillat’s All of You download, they began selling higher fidelity AAC encodes at no additional cost to consumers. Some mastering and recording engineers have misunderstood this process. Additionally, a surprising amount of misguided press about what it does and does not do has been generated. Considering Apple’s market share, every mastering engineer should understand this vital new procedure. The Apple “Mastered for iTunes” initiative is based on 100% solid science and it can yield AAC encodes so close to the 44kHz/24 bit PCM encode masters that many have failed an A-B-X listening test. A Q&A will follow this timely discussion.

Photo: AES Platinum Mastering Panel Moderator, Bob Ludwig

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

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FOR-A Announces Plans for SET Broadcast & Cable Show in Brazil

Fort Lee, N.J. – FOR-A Corporation of America, a leading manufacturer of video and audio systems for the broadcast and professional video industries, is set to participate at the upcoming SET 2012 Broadcast & Cable Show. The company will demo a variety of their popular solutions in their own stand (Booth D11), as well as within the booth of Brazilian systems integration partner, Line Up. The conference will take place next week at the Centro de Exposições Imigrantes in Sao Paulo, Brazil from August 21-23.

“Participating at this year’s SET Broadcast & Cable Show is a great opportunity for us,” explained Pedro Silvestre, Sales Director, FOR-A Corp. of America. “It’s the premiere Latin American conference for broadcast and video production professionals, and FOR-A is excited to have its own booth for the first time at the show. Brazil is one of the fastest growing markets for FOR-A, and we’ve made it our mission to be highly active in this region. Through our Brazilian road shows and a recent technical seminar for our Latin American dealers, and now our involvement at SET Broadcast & Cable, we’re showing our total commitment to this region. FOR-A is looking forward to showcasing its product line and connecting with current and potential customers in Sao Paulo.”

Among the products on display at the SET Broadcast & Cable show will be the FA-9500 3G/HD/SD Multi Purpose Signal Processor. The unit provides frame sync and video and audio conversion tools. Two channels of HD/SD-SDI and one channel of analog composite video I/O come standard, and it is expandable up to five channels. With SDI inputs, two channels are synchronously coupled independently for seamless switching between channels. The FA-9500 also provides A/D and D/A conversion, as well as up/down/cross/aspect conversion. It offers conversion between HD and SD, as well as 1080i and 720p.

Also to be demoed at the show is FOR-A’s award-winning VFC-7000 Super Slow Motion Camera, a compact, lightweight, all-in-one self-contained unit. The camera offers high-speed play-out and recording in HD at variable frame rates from 24 to 700 fps. It features a high-sensitivity CMOS color sensor and electronic high-speed shutter that can operate as fast as 1/200,000 of a second for filming fast-moving events and subjects without blur.

FOR-A will also display one of its popular storage solutions at the SET show – the LTR-100HS Video Archiving Recorder, which features LTO-5 technology and offers HD/SD-SDI input/output. The LTR-100HS makes file ingest workflow more efficient and reduces archive space requirements. Equipped with a high quality MPEG-2 codec, the LTR-100HS includes an MXF wrapper/un-wrapper, so MXF files recorded to LTO-5 tape can be used directly by many NLE systems. LTO-5 tape cartridges can store approximately 50 hours of programming recorded at 50 Mbps.

Products from FOR-A’s selection of frame rate converters will be shown, including the UFM-30FRC modular based HD/SD Frame Rate Converter. This unit can perform a wide variety of format conversions, including 1080/59.94i, 1080/50i, 720/59.94p, 720/50p, 525/60, and 625/50. The FRC-8000 HD/SD Frame Rate Converter, based on FOR-A’s highly successful FRC-7000 with motion compensation technology, will also be on display. The FRC-8000 is a multi-format frame rate converter for HD and SD. In addition to HD format conversion, the new image processing board in the FRC-8000 also enables SD format conversion. Up converter, down converter, and cross converter functions are also provided.

Introduced earlier this year at NAB 2012, the HVS-390HS Video Switcher will be featured in the FOR-A booth. Available in 1 M/E or 2 M/E sizes, this compact, cost-effective switcher includes 16 HD/SD-SDI inputs and 8 outputs, with frame synchronizers for all inputs. FOR-A will also display its HVS-4000 Series Digital Video Switcher. Packed with features that enable it to be the core device in a video production system, the HVS-4000 is available as a 2 M/E, 2.5 M/E, or 3 M/E switcher.

Other FOR-A products to be shown are the MV-42HS Multi Viewer, the MV-1610HS40 Multi Viewer, and the MBP-100SX MXF Video Clip Server.

FOR-A’s dedication to supporting its customers and developing new relationships in Latin America is further exemplified by their recent participation at TecnoTelevision Congress and Expo 2012, an event which focused on emerging technologies impacting DTV and other distribution platforms. The show took place July 25-26 in Bogota, Columbia, and marked the third year that FOR-A exhibited with its regional partner, Advanced Television Group SAS.

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 201-944-1120 or visit our web site at www.for-a.com.

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Vaddio Releases IP Camera Control Upgrade to ClearVIEW HD-USB PTZ Camera Systems

Vaddio, the global leader in robotic PTZ cameras and camera control systems, today released a major software update to its USB Camera line. The free Version 1.1 software update allows ClearVIEW HD-USB PTZ camera users the ability to control the camera from any computer or mobile device that supports a web browser.

“When we launched our EasyUSB camera systems we knew that our customers would demand a more sophisticated control approach than a traditional IR Remote Control,” explains Vaddio CEO, Rob Sheeley. “By connecting to the camera’s Ethernet port, users can now browse to the embedded web server built into the camera and have complete control of the camera by using the preconfigured web page user control panel.”

Internal web pages within the camera allow control of the HD-USB camera via Internet connection through a standard web browser. Users can now adjust pan, tilt, zoom and home controls, as well as pan, tilt and zoom speed controls; switch video sources, and store and recall six camera presets. Administrators have the additional ability to control security passwords, change the IP address, view diagnostics, access firmware upgrades and Help settings. The IP address will be displayed onscreen out of the composite, analog component (YPbPr) and the USB video output.

For more information on the ClearVIEW HD-USB camera upgrade please visit the Vaddio website at www.vaddio.com.

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PROFESSIONAL WIRELESS SYSTEMS PROVIDES ROCK-SOLID RF COVERAGE AT LOLLAPALOOZA 2012 Three-Day Festival Continues Amidst Storm, Evacuation

CHICAGO, AUGUST 14, 2012—For the second year in a row, Professional Wireless Systems (PWS), a Masque Sound Company and experts in supplying and supporting wireless systems for live and broadcast events, has been hired to handle frequency coordination for the wireless microphones, in-ear monitors and communications for all of the performance stages and media at the annual Lollapalooza music festival in Chicago’s Grant Park. Despite severe weather and the delays it brought along with it, careful preparation ensured the team could successfully coordinate three days worth of performances.

PWS’ crew of five was responsible for managing 400 frequencies per day between the eight stages and on-site media at the festival. To help coordinate all these activities, PWS worked closely with the production company C3, the media organizers and stage managers.

“Chicago is the third largest broadcast market in the United States, making this one of the most challenging environments from an RF point-of-view besides New York City and Los Angeles,” says Brooks Schroeder, project manager, PWS. “With the location of the festival between Willis(Sears) and Hancock Towers, there is not a lot of bandwidth. Add 300 bands into the mix, along with all of the media present for Lollapalooza, and we really have our work cut out for us. Pre-planning an event of this size is critical to its success, especially in the case of this year’s unexpected delays and cancellations due to the weather and necessary evacuation.”

To ensure proper frequency coordination, PWS sent out coordination forms to the Lollapalooza stage managers and media reps one month prior to the festival. The stage managers and media reps then forwarded the forms to all the entities attending the event. According to Schroeder, “We try to get as much information about the RF needs of the performers and media ahead of time. This minimizes the potential for problems. It’s a challenging event, but our team of experts has extensive experience in coordinating large events and does a fantastic job.”

In addition, the company’s Helical Antennas were utilized by PA companies 8th Day Sound and Crossroads Audio. PWS’ Dome Antennas were also utilized by many of the bands to reduce the risk of drop-outs and guarantee the strongest possible signal for microphones and in-ear monitors.

Lollapalooza is an annual music festival featuring popular alternative rock, heavy metal, punk rock and hip-hop bands, dance and comedy performances and craft booths. It hosts more than 100,000 people per day of the three-day event. Lollapalooza has helped expose and popularize such artists as the Beastie Boys, Coldplay, Stone Temple Pilots, Depeche Mode, Foo Fighters, Red Hot Chili Peppers, Pearl Jam, The Cure, Rage Against the Machine, The Strokes and many more.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies” and “Once” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

For further information contact:
Nicole Rosen
D. Pagan Communications, Inc.
631-659-2309, ext. 22
nicoler@dpagan.com
www.dpagan.com

Stephanie Hansen
General Manager
Masque Sound & Recording
201-939-8666
StephanieHansen@masquesound.com
www.masquesound.com

Jimmy Van Winkle
General Manager
Professional Wireless Systems
407-240-2880
JimmyV@ProfessionalWireless.com
www.professionalwireless.com

David Yurman Celebrates New Fall Line With The Help of a NanoLumens® NanoFlex Display

When high-end jewelry designer David Yurman introduces its new line of jewelry, it requires a launch party that is as glamorous as its products. When the company asked Coloredge, their visual communications provider, to find a video display for a roof-top celebration in New York City, they decided to use a NanoLumens® display to help kick off the fall line. NanoLumens, the pioneering Norcross, Georgia-based company that introduced the world’s first large format flexible LED display technology, provided Coloredge with a NanoFlex™ display that was used to showcase the jeweler’s new Fall 2012 ad campaign.

According to Kerry Fitzgibbons, Manager of Strategic Partnerships and Recruiting at Coloredge, they found everything they were looking for in NanoLumens. “Our client tasked us with finding a video display that could shine bright against the brilliant sunset over the New York City skyline. After doing some research, we decided that a display created by NanoLumens was the ideal solution. Not only are their displays beautiful and economic, but they provide a clear, seamless picture that maintains its radiance, regardless of the ambient light.”

Coloredge found that the lightness and flexibility of the NanoLumens screen was the perfect technology for the sparkling event. They rigged the display on trusses and built a 12-foot by 12-foot custom frame to enclose the NanoFlex. The display was used throughout the night to display David Yurman’s new ad campaign, the brand guide, behind-the-scenes glimpses into the ad campaign, and a photo slideshow.

“To have a NanoLumens display featured at a David Yurman event only makes sense,” said Will Amos, Director of Retail Sales at NanoLumens. “David Yurman represents the best in high-end jewelry, while NanoLumens represents the best in digital display technology, so this was a perfect match. Our displays are easy to set up, and are able to produce a brightness of up to 5,000 nits, making it so that party-goers can enjoy our unmatched picture quality even when set against the backdrop of an amazing sunset.”

NanoLumens displays are extremely slim, ultra-lightweight, energy efficient, and feature a seamless, edge-to-edge picture quality (up to a brightness of 5,000 nits) that can be viewed from any angle or any distance without color shift or picture drop-off. The company’s patented display technology, which allows customers to select from 4mm up to 10mm pixel pitch (depending on the model), promises to transform the way marketers engage their customers in every type of trade show, retail, hospitality, stadium, arena, transportation and public event environment.

NanoLumens displays are designed and engineered with the environment in mind, and consume significantly less energy per square foot than conventional digital displays. Further emphasizing their commitment to eco-friendly technology, NanoLumens displays are composed of up to 50 percent reclaimed materials, and are completely recyclable. What’s more, some NanoLumens displays can be serviced from the front, making maintenance easier than ever before possible.

Designed and assembled in the United States, NanoLumens displays are offered in standard configurations as well as design-specific configurations to fit virtually any size, shape or curvature in both the NanoFlex line of flexible displays and the NanoSlim line of fixed frame displays.

The company’s technology has been recognized by Entrepreneur magazine as a 2011 future-proof tech trend and was cited by The Wall Street Journal in its 2010 Technology Innovations Awards. NanoLumens’ technology also received the 2011 Breakthrough Technology of the Year Award at the American Technology Awards. Digital Signage Magazine awarded the NanoLumens NanoFlex a 2011 DIGI Award for “Best New Display Device – Non-LCD or Plasma.”

About NanoLumens:
Headquartered in Norcross, Georgia, NanoLumens, Inc. (www.nanolumens.com) is a privately held corporation engaged in the research, product development, marketing and sales of unique flexible and fixed displays that address a yawning technology gap in the $14 billion digital display industry. Since its founding in 2006, NanoLumens has built a portfolio of more than 20 international families of issued and filed patents on its flexible display technology that effectively address the commercial market void between relatively small flat-panel displays and huge, limited application LED boards. NanoLumens technology is not constrained by standard sizes and shapes, or by the weight, noise and cost issues traditionally associated with commercial LED products.

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RTI Celebrates 20 Years of Innovation in the Control and Automation Industry

SHAKOPEE, Minn. — Aug. 14, 2012 — Remote Technologies Incorporated (RTI) today announced that the company is celebrating its 20th anniversary. Founded in 1992 by John Demskie out of a one-room apartment in Minnesota, RTI has grown from humble beginnings into a world-leading control system manufacturer known for introducing affordable control products that offer the state-of-the-art features and functionality often reserved for higher priced solutions. more

The PA People Call on HARMAN’s JBL Loudspeakers to Deliver High-Impact Audio at Ausgrid Stadium

The PA People recently provided Ausgrid Stadium with a new, state-of-the-art audio system featuring a variety of JBL loudspeakers. Photo Credit: Neil Dallimore

NORTHRIDGE, California – Ausgrid Stadium in Newcastle, Australia (formerly Energy Australia Stadium), home to the Newcastle Knights, has undergone a dramatic facelift with the redevelopment of its Western Grandstand. This state-of-the-art facility provides Newcastle and the Hunter Valley with a sporting facility to rival any across the country. Ausgrid Stadium boasts a brand-new audio system, designed and implemented by The PA People, using the proven formula of HARMAN’s JBL Application Engineered (AE) loudspeakers with weatherized treatment for external use (WRX) as well as JBL Control® 29AV-1 and Control 25AV loudspeakers. All speakers are driven by Crown CTS amplifiers fitted with the latest Crown DSP card—Crown IQ PIPUSP4/CN. Overlay processing and control is via BSS London BLU systems.

Loudspeakers for the stands consist of six clusters of spaced elements mounted close to the leading edge of the roof and a quantity of fill speakers to cover areas shadowed from the main clusters. Each of these six clusters utilizes a JBL AM5212 and AM4315 loudspeaker to cover the grandstand upper seating and one JBL AM4315 loudspeaker to cover the grandstand lower seating.

Both loudspeaker models feature rotatable horns that allowed them to be installed horizontally. Careful selection of the horn coverage pattern and orientation allows the grandstand upper seating to be serviced by a single enclosure while maintaining SPL variation of within the target +/- 3dB. Servicing the grandstand upper seating with a single enclosure has the added advantage of virtually eliminating interference effects such as comb filtering which occurs when arraying loudspeakers to cover a common zone.

The JBL AM4315 is operated as a passive 3-way and is driven from a dedicated channel of Crown CTS2000 amplification which also provides over 6 dB of headroom. The multi-band Progressive Transition™ mid-high frequency waveguide provides increased sensitivity in the critical midrange vocal region between 500 Hz and 2.8 kHz. The JBL AM4315 also has extended bandwidth and a well-controlled coverage pattern.

Open arena viewing areas are covered by using the long-throw JBL PD5212/95-WRX weatherized loudspeaker. JBL Precision Directivity™ (PD) loudspeakers are well regarded by professional sound operators for their excellent pattern control down to 250 Hz.

A total of 72 JBL Control 25AV speakers and 24 JBL Control 29AV-1 speakers are deployed for coverage to the grandstand infill areas.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

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Clay Paky Sharpys Hit the Road with Dave Matthews Band

After taking last summer off, the Dave Matthews Band is back on the road with a North American tour previewing their upcoming album, “Away From The World,” due for release in September. The tour features 16 Clay Paky Sharpy fixtures specified by the band’s longtime lighting designer Fenton Williams and supplied by Theatrical Media Services Inc. of Omaha, Nebraska.

“Sharpys are new to the market so the units we have were all purchased brand new for this tour,” says Pete Franks of Theatrical Media Services, who serves as system crew chief on the road. “Everybody really likes the unique look of the Sharpys. They are evenly distributed and mounted vertically on the video screen surrounds upstage of the band – part of the scenic elements instead of hung on a conventional horizontal truss. They replaced all of the ACL-type lights we used in the past.”

Franks says the complement of Sharpys is holding up well on the busy tour schedule. “They are rock solid and working great,” he reports. “The guys really like the narrow beam angle the Sharpys produce.”

A.C.T Lighting is the distributor for Clay Paky in North America.

Francesco Romagnoli, Clay Paky Area Manager for North and Latin America, adds, “Yet another summer rock and roll tour that our Sharpys have helped define the look for. It’s gratifying to see so many great lighting designers and lighting professionals as excited as they are about our little light.”

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BlueVolt Brings Learning Management System to CEDIA Expo for the First Time

BlueVolt (www.BlueVolt.com), the leading provider of online Learning Management Systems (LMS) for the construction, manufacturing and service industries, will make its debut at CEDIA Expo 2012 by showcasing the many benefits of its online training platform. Attendees to CEDIA Expo 2012, held Sept. 5-8 in Indianapolis, Ind., and the BlueVolt booth (#3500) will gain a first-hand understanding of how the company can vastly improve the training efficiencies of manufacturers and suppliers.

With a focus on understanding the unique needs of tradespeople, BlueVolt built its award-winning platform from the ground up to fulfill multiple training needs in the marketplace. Since 2002, BlueVolt has bridged the gap between manufacturers and the people that sell and use their products – distributors and skilled service providers, including professional systems integrators.

BlueVolt’s LMS provides an elearning platform that offers an extension of many company’s classroom training programs and allows dealers and installers access to a robust category of online courses and supplemental materials from any internet-connected computer, tablet or smarthpone, at any time. Many programs feature interactive videos, quizzes and are optimized for learning on the go.

Select course materials are also eligible for continuing education units (CEU) through organizations such as CEDIA.

Unique to the BlueVolt LMS is the company’s innovative $BlueBucks™ program, a pay-for-performance rewards system that recently earned a Brandon Hall Gold Award for excellence in technology. BlueVolt users can redeem $BlueBucks for virtual gift cards at hundreds of retailers nationwide, apply the rewards towards the price of future courses, or donate their $BlueBucks to charity. Since the program’s launch, BlueVolt learners have earned over 2 million $BlueBucks.

For more information on BlueVolt, please visit http://www.BlueVolt.com.

<strong>About BlueVolt
Portland, Oregon-based BlueVolt is the leading provider of online Learning Management Systems (LMS) for the manufacturing, construction and service industries. BlueVolt’s LMS for the extended enterprise delivers easy-to-use training across an entire company and its suppliers, sales channel, associations and customers. The LMS delivers affordable training, verifies knowledge and reports results all in one place. BlueVolt’s unique approach to online training encourages learning with its proven reward program that is valuable to those offering and participating in learning. As of July 2012, BlueVolt has delivered more than 1,360,000 courses to over 223,000 registered users. BlueVolt has won a Gold Excellence in Technology award from Brandon Hall, a Learning Leader award from Bersin & Associates for Vendor Innovation in Learning and Talent Management and also was named to the TrainingIndustry.com Learning Portal Companies Watch List for its innovative approach to learning. For more information, visit www.BlueVolt.com

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Rome Selected As Host City for 134th AES Convention

May 4-7, 2013 At The Roma Eventi – Fontana di Trevi Conference Centre

ROME, ITALY: “We take great pleasure in announcing that the 134th Audio
Engineering Society Convention will be held in Rome, May 4-7, 2013,” reports AES
executive director, Bob Moses. “Set in the heart of the ‘Eternal City’ at the new Roma Eventi – Fontana di Trevi Conference Centre, the Convention will be chaired by Umberto Zanghieri, vice president of the AES Southern Europe Region,” Moses adds.

Recently opened in the heart of Rome, a stone’s throw from the Quirinale Palace and, its namesake the Trevi Fountain, the very modern, Roma Eventi – Fontana di Trevi Conference Centre is situated in a magnificent neoclassical palace, built by Guido Barluzzi in 1930. Designated by Benedict XV as home to the Gregorian University, the Conference Centre covers almost 30,000 square feet, and consists of 15 meeting rooms able to accommodate over 1,000 participants.

The 134th AES Convention will bring together audio engineers from around the world to ‘Listen, Learn, Connect’ and, share the latest knowledge in audio research, development and applications. More details will follow shortly. This marks the first time an AES Convention will be held in Rome.

The 133rd AES Convention will be held in SF’s Moscone Center, Oct. 26 – 29, 2012

Photo: The Roma Eventi – Fontana di Trevi Conference Centre

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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