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Archive for November, 2012

DiGiCo SD9 Rack Pack Shakes the Cage at All-Star Opening of Mick Fleetwood’s Hawaiian Venue

fleetwoods-on-front-street-maui.jpgDiGiCo rocked the house at the grand opening celebration of Mick Fleetwood’s new restaurant and club, Fleetwood’s on Front Street, in the heart of downtown Lahaina, Maui. The four-night musical celebration boasted a star-studded roster of performers. Night one kicked off with the Grammy-nominated Mick Fleetwood Blues Band, featuring guitarist/singer Rick more

WorldStage Helps Transform the High Line into a Virtual Runway for Project Runway

Strollers on a portion of the Chelsea Market passage of the High Line got to strut their stuff, pose and collect nods of approval as they walked a virtual runway to celebrate the 10th anniversary of Lifetime’s “Project Runway.” WorldStage, the new brand for Scharff Weisberg and Video Applications, Inc., facilitated the installation of a dynamic, 20-foot long interactive videowall, which used innovative human tracking technology to mix the realtime virtual emotions of show host Heidi Klum, mentor Tim Gunn and judges Michael Kors and Nina Garcia as they reacted to the fashion sense of passersby seeking their moment on the runway.

The interactive installation was conceived by US-based Civic Entertainment Group and UK-based Nexus Interactive Arts. The videowall, just the second of its kind in the world, was in place for four days on the High Line between West 15th and 16th Streets; it was launched with a private, red-carpet event for VIPs.

WorldStage provided the 24 NEC X462U LCDs, which comprise the display, and designed the ground-supported truss structure. Media was driven by three Power Mac Pro towers, supplied by WorldStage, using custom software designed by Nexus Interactive Arts.

“As walkers came in view of the wall, they were greeted by the panel of celebrities from the show,” says Tony Rossello, director of events/venues at WorldStage. “Behind them was a webcam that captured them entering the video field; the webcam was monitored by a curator located in the area of the videowall. The curator cued the video to react to the walker – standing, clapping, gesturing if the walker took a turn on the runway. There was also an audio component so people could hear the panel’s reaction; we installed a pair of Meyer UPM speakers on the floor behind a draped wall.”

The content for the videowall was entirely live action. Nexus Interactive Arts filmed each of the celebrities in a greenscreen studio so programmers could capture their emotions, idle states and transitions from one mood to another. The programmers interpolated between bored, pleased and ecstatic emotions so it appeared that the panel was interacting among themselves – gossiping with the person next to them one minute then delivering a standing ovation the next. The result looked as if the “Project Runway” celebrities were behind the monitors’ glass, looking walkers up and down and appraising their looks with encouraging nods and cheers or a sign that they could do better.

Rossello notes that the NEC LCDs in the videowall performed above and beyond expectations. “We chose the product for its resolution and the proximity of the audience. The monitors were not designed to work outdoors in inclement weather and high humidity. We had both – a torrential rainstorm, although the videowall was covered, and humidity beyond the product specs. But we pushed the envelope and were very successful with them.”

At Nexus Interactive Arts, Evan Boehm was the project’s Director, Ulla Winkler was Senior Interactive Producer and Luke Ritchie was the Executive Producer.

For WorldStage, Fred Liberatore was the video engineer, freelancer Jason Nerenberg the lead LCD technician and freelancer Jeff Wong the rigger.

WorldStage Inc., the company created by the merger of Scharff Weisberg Inc and Video Applications Inc, continues a thirty-year legacy of providing clients the widest variety of entertainment technology coupled with conscientious and imaginative engineering services. WorldStage provides audio, video and lighting equipment and services to the event, theatrical, broadcast and brand experience markets nationally and internationally.

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Oxygen DCT Launches A Next Generation Premium Quality 7.67″ OLED Field Production Monitor

Following extensive market research and product development, Oxygen DCT has launched a new ‘next generation’, premium quality 7.67″ OLED (organic light emitting diode) field production monitor for studio, outside broadcast, satellite news, engineering and field production.

Picture quality derived from the propriety CM (colour management) technology engine gives outstanding rich colours, deep black detail and a colourimetry closely emulating legacy CRT monitors. As part of the company’s highly successful Evolution Pro P3 production monitor series, this latest introduction has the largest OLED screen (7.67″), the highest resolution display with 1280×800 pixels and widest colour gamut of 110% thus achieving premium level status. Whilst it has exceptional features and facilities it is priced highly competitively at £1721, which is 35% lower cost than other equivalent models available today.

The new monitor has been designed to fulfil a wide range of applications for sports broadcasting to studio based production and field shooting. It therefore incorporates the widest range of connectivity with two 3G/HD/SD-SDI and HDMI input for up to 1080 50p and 60p signals and both composite, YUV analogue inputs. There are also audio inputs and outputs, together with a headphone socket for on screen audio metering.

In today’s world with an ever increasing and diverse range of cameras, it has become important to be able to accommodate the individual needs of each cameras set up. This Evolution Pro P3 monitor addresses these with luminance exposure checking, video range check, peaking for focus assist, waveform and vector display in addition to histogram and multiple zoom functions with pixel to pixel native HD signal display for checking back focus. There are 6 recording and playback modes for Sony, Canon and Nikon DSLR cameras and a unique, integrated HDMI to SDI converter, allowing a DSLR to be viewed on larger picture monitors. The automatic luminance control adjust the brightness of the monitors display according to the location’s light levels and a proximity sensor aids shot framing.

Additional practical facilities include a V lock battery mount, a battery level indicator which warns when the battery is about to run out and horizontal and vertical flip modes mean that this monitor can be mounted in the most acute positions. Whilst robustly contracted for field use, the Evolution Pro P3 OLED is also one of the lightest at just 1.3kg.

There are 10 different models in the Evolution Pro P3 production series monitors, from 5″ to 17″ including models with on board recording to SD-HC cards. This latest model capitalises on Oxygen DCT’s experience and user feedback with premium picture quality, large screen and premium facilities yet is one of the most affordable 7″ models available today.

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About Oxygen DCT:
Oxygen DCT is a broadcasts systems solutions provider with a deep knowledge and understanding of the broadcast and professional media markets. This dynamic organisation has amassed in just over five years, a very extensive and comprehensive products portfolio of over 3000 carefully designed broadcast and production products that represent the pinnacle of engineering excellence. Oxygen DCT was the first company in the broadcast industry to fully implement online facilities for its customers and its unique, comprehensive online ordering facility automatically configures equipment systems for customers, saving time and provides industry professionals with the convenience of immediate online pricing. The ‘one-stop-shop’ website caters for the smallest requirements whilst also allowing users to prepare their own quotes and place orders online with immediate order confirmation. Oxygen DCT also provides advice, support and expertise as part of its ‘life cycle’ care scheme, ensuring that customers are fully serviced throughout their career life cycles.

DPA Helps China Find Its Voice


DPA Microphones’ new hand held d:facto™ Vocal Microphone made its debut on Chinese television this summer when it was used extensively during the production of The Voice of China, a show produced and screened by Zhejiang Satellite TV that topped the nationwide ratings.

Based on the same concept as NBC’s The Voice, the Chinese show featured four judges/coaches who used blind auditions to identify teams of singers they wanted to work with during the series. The prize for the winning artist, Liang Bo, was a recording contract.

Heading up sound production for the show was Mr Jin Shao Gang, a famous sound designer and one of China’s most important sound engineers. During an extensive and illustrious career, Mr Jin has worked with many of the country’s top recording artists and was also heavily involved in the opening ceremony for the Beijing Olympics in 2008.
Mr Jin used two DPA d:facto Vocal Microphones for the singers and also specified them for the judges when they sang with their teams.

He says: “I knew that DPA microphones were among the best in the world so I was very keen to try the new d:facto microphone. We tested two d:facto capsules with our Wisycom wireless systems and I was so satisfied with the results that I decided to use them for this show. The sound quality was exceptional – clean, natural and with splendid high frequency response and awesome ambient noise restriction. I was very happy with their performance.”

The show judges included renowned musician Liu Huan, who sang the Beijing Olympics theme song You and Me with Sarah Brightman; pop diva Na Ying; top Chinese artist Yang Kun and Harlem Yu, a singer-songwriter from Taiwan. DPA’s d:facto was also used by Taiwanese singer A-Mei, who was the guest artist in the show’s finale.

Pike Xin, Product Manager at DPA’s Chinese distributor DMT Pro that supplied all of the DPA microphones used during the show, says: “As professional musicians, the judges are familiar with many different microphones but they all really liked working with the d:facto. Indeed, Na Ying was so impressed that she went on to use a d:facto for her own concert, Na 20 Years, while Yang Kun has expressed an interest in buying one.”

To comply with Zhejiang TV’s brief to deliver the best sound quality, Mr Jin also specified DPA cardioid headset microphones for the judges to wear while they were making their comments on the artists’ performances.

Pike Xin adds. “Mr Jin also specified a number of DPA d:vote™ 4099 Instrument Microphones which were used to mic piano concerts by two of the artists taking part, Lang Lang and Li Yun Di. He was very impressed with these and plans to use them again in the future.”

The Voice of China finals were broadcast live and in 5.1 surround sound. To ensure that the excitement of this spectacular finale was transmitted to the viewing public, Zhejiang TV audio engineers used a DPA 5100 Mobile Surround microphone, which was positioned in the middle of the audience so that it captured the entire ambience.
The Voice of China was so successful that it grabbed higher rating than any other Chinese music show this year, and even managed to beat foreign format shows like American Idol and You’ve Got Talent. Part of this success was down to Zhejiang TV, which upheld the principle of selecting really good voices and keeping a friendly and sober tone, which attracted viewers.

Chinese commentators are now hoping that The Voice of China will lead the way for more Chinese adaptations of popular western TV shows – and ultimately a successful home-grown reality/talent show format.

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

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Case Study: Tecom TecPodium Presenter at Magnitogorsk State Technical University

Recently one of Tecoms’ Russian system integrators has successfully completed the installation of TecPodium Presenter lecterns across the classrooms at Magnitogorsk State Technical University. Ilya Mukhin, Tecom Rep in Russia noted “I must say that this project was one of the most complex and interesting for us in recent years. Installing the lecterns and projectors in a classroom with a ceiling height of 12 meters was quite a challenge!”

At the heart of each classroom is the TecPodium Presenter. The ergonomic lectern is virtually a vandal proof workplace for the instructor and contains everything required during a presentation. The integrated interactive pen display is ideal solution for technical universities. Professors at the University remarked “Writing formulas during a lecture directly on the screen is far more convenient than using an interactive whiteboard, and the more traditional blackboard and chalk. Moreover, all my notes can be easily stored in a digital format and can be used in a similar lectures next time”.

As the integrator was faced with the unusual construction and ceiling height, there was no adequate ceiling mount for the projectors nor could short-throw projectors be used. A custom made 3meter floor pedestal was manufactured for the projectors with a special lockable cage, enabling easy access for projector maintenance while still keeping it secured and protected. Each classroom was also equipped with 4 wall mounted speakers, special sound amplifiers in metal protective case and large projection screens.

The University reports that the lecturers are very pleased with the outcome – they no longer have to struggle with the audio visual equipment or set up the video projector, laptop and screen, connect, and configure all the equipment …Now, a click of button at the TecPodium Presenter and all the equipment is automatically turned on, saving time and effort.

Winning the “Best Classroom Product Award”, the TecPodium Presenter offers a compact stylish, height adjustable lectern, a 19″ LCD interactive display – enabling “on screen” annotation, conveniently located controls, built-in high-end computer, front USB connectors and accessible DVD drive. The Presenter comes equipped with electronically controlled hydraulic lift for height adjustment. With the press of a single button, you can easily adjust the height to suit the lecturer’s physical requirements.

Mukhin concluded: “Magnitogorsk is the third University in the region, after Yekaterinburg and Chelyabinsk Ural city, standardizing on our TecPodium Presenter. We look forward to continued cooperation with the University and wish faculty and staff a pleasant, efficient and interesting work with our unique classroom AV solutions”.

See the Video introduction of TecPodium Presenter

Read more on TecPodium Interactive

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Bose® PowerMatch™ 8500/8500N Configurable Power Amplifier Selected for Large-Scale Installation at The Villages Golf Community in Central Florida

The Villages and other projects benefit from the Bose PowerMatch PM8500’s Class-D efficiency and up to 4 kW of pure, clean power

Framingham, Massachusetts, October 18, 2012 – Some projects are inarguably massive. They cover an enormous amount of ground and need the power to deliver music and other critical audio across areas measured in acres instead of square feet. That’s why AV systems integrators are turning to the PowerMatch™ PM8500 from Bose Professional Systems Division . Such is the case with a recent audio systems project where power, reliability and sound quality are critical across very large amounts of space, and the Bose PowerMatch amplifier is proving to be the best choice.

The Villages is a master-planned retirement community located in central Florida about midway between Ocala and Orlando, with a population of over 90,000 residents living on over 26,000 acres. With a focus on golf – boasting 504 holes, on both executive and championship courses, including courses designed by Arnold Palmer and Nancy Lopez. Installing landscape sound for The Villages is a big job – the new downtown area, Brownwood, has 240 light poles, each will have Bose® DS 40SE full-range, surface-mount loudspeakers mounted to them. All of these will be powered by just six Bose PowerMatch™ PM8500/8500N amplifiers, covering an area up to a half-mile in all directions from the town’s central square. In addition to the PowerMatch PM8500, the area also includes Bose Panaray® MA12EX full-range modular line array loudspeakers and MB24 modular bass loudspeakers for the town square’s live stage for music performances, as well as 12 Bose ControlSpace® ESP-88/ESP-00 engineered sound processors, digital signal processors to control audio throughout The Villages. Going forward, Bose PowerMatch amplifiers will also be used in a forthcoming movie theater in the downtown area and other applications.

“There’s really no place like it on the planet,” says Steve Brown, Eastern Regional Business Manager, Bose Professional Systems. “And just as The Villages are all about quality of life, they are a whole community built around Bose audio because Bose is all about quality of sound. The Villages are about great golf as far as the eye can see and great sound as far as the ear can hear. It’s an amazing project, and the Bose PowerMatch offers them the ability to power a huge amount of sound over an enormous amount of space and do it cost effectively.”

The Bose PowerMatch PM8500/8500N is a configurable professional power amplifier delivering concert sound quality for fixed installation sound reinforcement systems. Building on the ruggedness proven by 20 years of experience building Class-D power amplifiers for the automotive market, the PM8500/8500N adds numerous new Bose patented technologies to simultaneously provide class-leading power, efficiency, sound quality and reliability.

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A-List Retailers At The Santa Monica Place Mall Get Top-Flight Sound And Staging Through GC Pro

— Upscale mall adds live music and event capability with technology supplied by GC Pro —

WESTLAKE VILLAGE, CA, October 17, 2012 — The Santa Monica Place has the stores, the views, the food and the fresh, open-air design – a shopping and dining destination that’s just right for this iconic beach city. Included are a custom-designed Bloomingdale’s made for the beach-chic lifestyle, a brand new Nordstrom, and a collection of A-list retail names, topped by a rooftop Dining Deck with six chef-driven restaurants and gorgeous views of the city, the mountains and the Pacific. And now Santa Monica Place has one more aspect that will draw and entertain shoppers: A new stage with an extensive sound system and lighting truss, all supplied by Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users.

GC Pro provided just about everything that Santa Monica Place needed to make its atrium into a performance venue. That included a JBL VRX line array system with 12 VRX932 enclosures and two MRX518S single-18 subwoofers and an MRX528S dual-18 subwoofer, four Crown XTi power amplifiers, a Soundcraft Vi1 console, AKG IVM4500 in-ear monitoring systems and dbx DriveRack® 4800 system processor. The Global Truss 24′ x 16′ stage and truss system has its own runway for fashion shows, with a Lex Pagoda power distribution system. A Telex BTR-24 multichannel radio communications system with eight headsets and beltpacks keeps everyone in the loop.

The entire collection of equipment, including the stage, is designed to be stored when not in use and set up as needed. This, says GC Pro Account Manager Josh Dawkins, who specified the products and handled the sale, gives the mall’s operation management more flexibility and offers them the opportunity to recoup some of the capital cost of the equipment through rentals. “They can rent the space and the sound system as a package, which makes it very attractive to potential users,” he says.

Dawkins says that HARMAN’s sales representatives were very helpful in choosing which systems and products best fit the needs of the mall’s management. “That’s one of the things that GC Pro brings to customers like this,” says Dawkins. “We have such depth of resources throughout the pro audio, lighting, video and staging industries that we can count on being able to access all of the expertise that the brands we represent can offer. That’s something that a commercial client like Santa Monica Place really appreciated.”

Mike Schoen, National Accounts Sales Manager, Harman Professional Group, stated, “We are very pleased that GC Pro chose a wide selection of Harman Professional products for the Santa Monica Place Mall. Working closely with Josh Dawkins, we were able to put together a comprehensive package that suited the venue’s needs.”

For more information, please visit www.gcpro.com.

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Audio-Technica Mics Continue to Capture Sound for Presidential Debate Series at October 16th Town Hall Event

STOW, OH, October 17, 2012 — Audio-Technica, currently celebrating “50 Years of Passionate Listening,” supplied microphones used on both candidates, the moderator and audience participants at the third debate in the 2012 presidential campaign on October 16 at Hofstra University in Hempstead, New York. Larry Estrin, of Best Audio in Studio City, CA, who serves as Audio and Production Communications Director for the Commission on Presidential Debates (CPD), chose A-T for each of the four debates in the series. A leading audio resource for high-profile broadcast events, Audio-Technica has provided a host of microphones from their comprehensive product line to pick up crisp, intelligible audio and cover the diverse needs of each debate.

Products used included A-T’s 5000 Series wireless with AEW-T5400a condenser handheld transmitters and AEW-R5200 receivers for President Obama and Governor Romney (allowing the candidates to freely roam while answering the evening’s questions); AT898cW Subminiature Cardioid Condenser Lavalier Microphones with AEW-T1000a body packs (doubled for redundancy) for moderator Candy Crowley; AE6100 Hypercardioid Dynamic Handheld (wired) microphones, connected to Audio-Technica’s AT-MX351a SmartMixer® Five-Channel Mixers, for audience members asking questions of the candidates; and BP4071 Line + Gradient Condenser Microphones for room ambience. Candidate backup mics, required for redundancy, were additional AT898cW units with AEW-T1000 body packs and AEW-R5200 receivers.

For more information, please visit www.audio-technica.com.

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M3 (Music Mix Mobile) Partners Again with Waves Audio to Make Barbra Streisand’s Return to Brooklyn Even More Memorable

— The legendary diva returns to her Brooklyn roots with two shows at the new Barclay’s Arena with long-time engineer and mixer David Reitzas working in the Music Mix Mobile Eclipse remote truck and relying on plugins from Waves Audio to assure a great recorded result —

TEL AVIV, ISRAEL, October 15, 2012 — Barbra Streisand has come home to Brooklyn – the legendary diva is the second artist to headline at the newly opened Barclay’s Arena in the borough’s Prospect Heights neighborhood, barely a mile from where she grew up, in the Williamsburg section of Brooklyn. And these two highly anticipated shows, on Oct. 11 and 13, were recorded by M3 (Music Mix Mobile), a New Jersey/California-based remote-facilities company combining the talents of award-winning production professionals and state-of-the-art audio solutions. M3 had its East Coast-based Eclipse remote truck on site at the Barclay’s Arena for rehearsals and for both evenings’ performances, which were recorded by Streisand’s long-time engineer, GRAMMY® and EMMY® award winner David Reitzas, noted also for his work with artists including Madonna, Seal, Andrea Bocelli and Guns N’ Roses. There was also another collaborator on this momentous project: processing plugins from Waves Audio, a leading provider of audio DSP solutions for professional, broadcast, and consumer electronics audio markets.

Reitzas utilized M3’s extensive array of Waves plugins, including the Renaissance Vox, the Renaissance Axx, the Renaissance Compressor, the MV2 Dynamics Processor, TrueVerb and the H-Delay. Waves plugins were applied to many of the 190 inputs that Streisand’s orchestra, band and 60-member choir required on Barclay’s stage to thrill those filling the new Arena’s 19,000 seats.

“This is an amazing show by an amazing artist,” states Joel Singer, Engineer-In-Charge at M3, which was also on hand to record select shows on Streisand’s 2007 tour. “Ms. Streisand is using all live musicians – there will not be one single tape track at these performances. And we’ll be using Waves plugins on many of the inputs, from the 18 vocal microphones we’ll have on the choir to the string and horn sections. It will be processed by Waves, because Waves is that good.”

Asked why M3 has been so committed to Waves over the years, Singer replies, “Because Waves understands the comfort zone we all look for when we embark on a high-profile audio project like this. We know what we want things to sound like and Waves gets us there. You know when you walk into a control rooms and see certain things, like a familiar set of monitors, that you’ll be in your comfort zone and will be able to do your best work. That’s what Waves does for us.”

Visit www.waves.com for more information.

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GUITAR CENTER OPENS NEW WILLISTON, VERMONT STORE

— 237th Guitar Center location features on-site lessons and repair services, along with GC’s vast inventory selection —

Westlake Village, CA (October 15, 2012) – On the evening of Thursday, October 11, 2012, Guitar Center held the grand opening of its new location in Williston, Vermont, located at 21A Hawthorne St., Williston, VT 05495. The Williston store is Guitar Center’s 237th retail location.

Guitar Center Williston’s grand opening introduces customers to a vast selection of products and a dedicated staff with unparalleled musical knowledge and experience. To celebrate the store opening, Guitar Center hosted a Grand Opening Weekend celebration featuring exclusive savings, gear giveaways and free events. Guitar Center’s Williston location features showrooms equipped with the latest products for musicians – from guitars, amplifiers, percussion instruments and keyboards to live sound, DJ, lighting and recording equipment and more.

The store features Guitar Center Studios, an in-house, state-of-the-art lesson facility, which is already creating unrivalled opportunities for Williston musicians of all ages and skill levels. Guitar Center Studios provides music lessons from beginner to advanced featuring certified instructors teaching world-class curriculum as well as one-on-one courses on Pro Tools, Logic Pro and GarageBand. Guitar Center Studios will be the most modern lessons facility in the area. Guitar Center Williston also features GC Garage, Guitar Center’s on-site guitar repair service.

As part of Guitar Center’s initiatives designed to educate and inspire artists nationwide, Guitar Center Williston will offer unique opportunities for musicians to craft their skills, maintain their instruments and experience many other aspects of the music industry first-hand. Musicians interested in learning about the industry will be able to come to the store to interact with and pick the brains of several industry leaders.

Williston shoppers are also able to enjoy Guitar Center’s new multi-channel “endless aisle,” which includes multiple combinations of product options to conveniently choose from. Not only does the “endless aisle” include Williston inventory, but it also provides easy access to Guitar Center’s $400 million in new and used inventory located in hundreds of GC stores and warehouses nationwide. Customers have the ability to combine a variety of in-store, online and phone options to purchase music equipment from anywhere they may be, allowing for a personalized and convenient shopping experience.

In addition to special programs at the new Williston store, Guitar Center offers nationwide programs designed to spearhead creativity and highlight the nation’s most promising undiscovered talent. Williston residents will now be able to participate in these ongoing national events from their hometown:

Guitar Center On-Stage is an annual competition that provides unsigned artists the chance to open for established artists such as Motley Crüe, KISS and Jane’s Addiction.
Guitar Center Singer-Songwriter is an artist discovery program that aims to find the nation’s best unsigned singer-songwriter. Last year’s winner received a career-altering prize package which has included recording 3 songs with accomplished Grammy® Award-winning Producer John Shanks, recording time at Converse Rubber Tracks studio and $10,000 cash.
Guitar Center’s Battle of the Blues is a nationwide amateur guitar skills competition with the goal of finding the next great undiscovered blues guitar player. This year’s winner, Daniel “Boscoe” France, performed alongside Grammy Award-winning Producer Pete Anderson at the Grand Finals in LA, and won an incredible prize package valued at over $50,000.
Guitar Center’s Drum-Off, entering its 24th year, is the nationwide search for the next great undiscovered drummer. Drummers from across the nation compete in the world’s largest drum competition, vying for thousands of dollars in prizes and the coveted title of Guitar Center’s Drum-Off Champion. The grand prize package is valued at nearly $50,000.

Guitar Center Williston is open seven days a week. Store hours are 11:00 a.m. – 7:00 p.m. Monday-Friday; 10:00 a.m. – 7:00 p.m. Saturday; and 12:00 p.m. to 6:00 p.m. Sunday.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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