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Archive for November, 2012

LDI 2012 attendees experience 16,000 lumens of dazzling imagery


Atlanta, GeorgiaDigital Projection International (DPI) and booth partner AV Stumpfl USA displayed two-piece live-entertainment solutions at the recent Live Design International (LDI) tradeshow and conference for live design professionals in North and South America. From October 19-21, 2012 in Las Vegas, LDI attendees witnessed astoundingly bright, color accurate imagery on a 9′ x 12′ AV Stumpfl professional screen, courtesy of the 16,000 lumen TITAN Quad WUXGA 3D projector.

LDI’s pre-show estimates expected over 8,000 attendees working in theater, concerts, houses of worship, corporate presentations, clubs, theme parks, and other live venues to attend from over 70 countries. Additionally, per LDI’s estimates, more than 300 exhibiting companies were expected to engage attendees with live demos and face-to-face discussions about a multitude of lighting, sound, projection and special effects equipment on display.

Frank Genovese, DPI’s rental & staging manager, and Paul Gomes, DPI’s pacific southwest sales manager, demonstrated the TITAN Quad throughout the three-day event. Stagers, designers and end-users alike from live event-oriented industries such as theater, corporate events, indoor entertainment facilities, museums and the hospitality industry took the time to experience the TITAN Quad in action.

ABOUT DPI’S TITAN QUAD PROJECTOR
DPI announced the complete reinterpretation of the advanced 3-chip display with the new, 16,000 lumen TITAN Quad product line in late 2011. Incredibly compact for its lumen performance, the TITAN Quad platform incorporates DPI’s active 3D connectivity, advanced image Warp and Blend capabilities, Intelligent Lens Memory, a wide variety of native resolutions, and a host of professional features to suit almost any commercial or live staging application imaginable.

- ENDS -

For further information and story photography, please contact:

Michael Bridwell, Director of Marketing
Digital Projection Inc.
T: (770)-420-1350
E: mbridwell@digitalprojection.com

About Digital Projection International

Founded in 1989, Digital Projection International (Digital Projection) has been instrumental in the development and application of Digital Light Processing™ technology by Texas Instruments for projection systems. Digital Projection International introduced the world’s first 3-chip DLP® projector in 1997, and has since delivered expert system engineering and world-class customer services, thus maintaining its position as a digital imaging pioneer.

Digital Projection International’s groundbreaking projection research and development has garnered the admiration of industry professionals around the world. This has earned the company many awards, including two Emmy® Awards for Outstanding Achievement in Engineering Development by the Academy of Television Arts and Sciences. Digital Projection remains the first and only projector manufacturer to win the coveted award.

Today, Digital Projection International manufactures and distributes an extensive line of ultra high-performance 3-chip and single-chip DLP® projection systems. These projectors are the reference standard for demanding applications such as large-venue, live-event staging, fortune 5000, education, medical and scientific research, command and control, digital cinema, commercial entertainment, worship and elite home cinema.

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Digital Projection’s TITAN Quad projectors enable architectural mapping at InfoComm 100 event

Atlanta, Georgia – The annual InfoComm100, a cross-section of 100 dignitaries within and outside the audio/video industry, met in Reston, Va. on October 11-12, 2012. The topic of this year’s event was “The Smart Building Imperative.” As in 2011, Digital Projection International (DPI) was the proud projector sponsor for this event, and four of DPI’s 16,000 lumen TITAN Quad projectors displayed presentation materials more

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KARA Hits the Road with The Book of Mormon

Sound designer Brian Ronan specifies L-ACOUSTICS for touring productions

LOS ANGELES — The Book of Mormon, the recent Broadway smash that absolutely dominated the awards ceremonies by winning nine 2011 Tony Awards, five 2011 Drama Desk Awards and a 2012 Grammy Award, is now taking the show on the road with two North American touring productions, both of which are using KARA loudspeaker systems supplied by East Rutherford, NJ-based L-ACOUSTICS Certified Provider Masque Sound. more

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RMB Audio Finds New Solutions With MLA Compact At NC State Fair

Raleigh, NC––RMB Audio has provided audio for the J.S. Dorton Arena at the North Carolina State Fair for 21 years, and even though they’ve used Martin Audio throughout that time, this year marked their first deployment of the MLA Compact system.

Dorton Arena is the venue for evening performance concerts held during the State Fair with performers such as Michael W. Smith, Brian McKnight, local hero and American Idol Winner Scotty McCreery and other artists over 11 nights.

A historic 7,610-seat arena built in 1952 that features an unusual parabolic shape with an elliptical outer wall; Dorton was listed in the national register of historic places in 1974. Though unique in its design, the venerable hall presents significant audio challenges according to RMB Audio owner, Cooper Cannady.

“It’s a beautiful space, but the arena is very difficult for sound engineers,” Cannady explains. “It’s not a symmetrical room by any means and there’s a lot of concrete, glass and open space; it’s kind of like providing sound coverage over a Pringle surface. Plus it’s tough on the audience because in the elevated seating left and right of the stage, your seat faces the middle of the room so you have to turn from 30º to 60º to face the stage.”

Over the years, Cannady and RMB Audio have solved problems with carefully tuned Martin Audio loudspeaker systems. This year they decided to deploy the new MLA Compact and benefit from its software-driven approach to overcome any issues encountered with the arena.

The system consisted of 12 MLA Compact enclosures and six DSX218 ground-stacked subs per side, along with twelve W8LM boxes per side for outfill “which can generate 117 db alone without having it sound unpleasant,” adds Cannady.

Given the demand for MLA Compact, Cannady and his crew at RMB had to get an early start familiarizing themselves with the system: “Starting in May we’d been working up schedules to have the MLA Compact rig in that would match the timeline for the fair and also have the integrated training for MLA Compact. Somehow, we got all those things worked out. The third day of our training class, normally how you fly it, position it, design the room––all of that occurred on the day we would normally install the system.

“The training went well and we had Ferrit Rowe (Martin Audio MLA technical support specialist) who held over for the first performance night, which featured the local North Carolina University a Capella groups. And a Capella singing has taken on a whole new platform with soloists, background voice instruments, rhythm percussion voices and all things that fall into the category.

“The wonderful part was having Roger Dennis who’s been A1 audio for the Fair with us for 21 years, and that was the most I’ve seen him smile since I’ve known him. All of which had to do with the articulation from the MLA Compact loudspeakers that was so well defined with so little room reactivity.

“Because of the MLA Compact’s controllability via the software, we did a lot of design to avoid the room aberrations. At the back of room you have the PA, which has to clear a certain height to have no visual interruption for the seating, so we take a slice at that point and 180 feet in front of that is glass and two big 18 ft. load-in doors that are huge reflectors. In our programming, we designed it so the sound would stop 10 feet in front of the doors.

“We really enjoyed working with MLA Compact,” Cannady continues. “I liked the sophistication of it, especially the audience to speaker cabinet theory the designers Jason (Baird) and Ambrose (Thompson) had formulated this whole cabinet concept based on the close proximity between driver components and mathematically quantifying the box to box interference and/or enhancement that is corrected through algorithms that formulate sound direction to the start and stop positions. The speaker optimization software function has nothing to do with what the room’s reverb time or acoustic benefits and deficiencies. The software algorithms do all of the work to direct sound at the specified SPL that can be louder in the back than at the front if needed.”

“It all comes down to having good input dimensional data of the space to generate the design and then just input where the system will be located. Input where you want sound to start and stop and specifically where you do not want sound, specifically on stage, which is something I really love about it. You run the room design through the step-by-step operation of the system, allow the software to do its optimization, take a look at that and right out of the box you can mix off the console without doing a lot of outboard major EQ for the room.

“And they’ve done a fabulous job with the components in the speakers. When I first saw the specs, I had a lot of questions. But when I heard the rig I thought it sounded like any other Martin Audio rig that’s been fine-tuned, EQ’d and properly positioned. On first listen it sounded like a system where we’d spent three hours doing SMAART.”

Asked about reactions to the MLA Compact, Cooper concludes, “The touring engineers coming through were really impressed and in some cases, this was the first time they’d mixed with MLA Compact. The ones who didn’t have any preconceptions about the system and listened well before affecting their artistic EQ changes to the audio path did not make any changes after they heard it. Many of them wanted to hear MLA Compact in a much better sounding room. They were pleased enough to say, ‘I really want to hear this again.’”

Photos provided by Tobias Cannady
For more about Martin Audio, please click to www.martin-audio.com.

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CORE Brands To Introduce More Than 25 New Products At ISE 2013 In Amsterdam

Demonstrating the breadth and scope of its combined product development and marketing capabilities, CORE Brands LLC, a division of the Nortek Technology Solutions Segment, will introduce more than 25 new audio, control and power management products and system solutions at ISE 2013 in Amsterdam. The introductions will be made by the group’s BlueBOLT®, ELAN®, Furman®, Niles®, Panamax®, Proficient®, SpeakerCraft®, Sunfire® and Xantech® brands at two different exhibits in the Amsterdam RAI Centre.

According to Paul Starkey, CORE Brands Senior Vice President of Marketing, the number of new product introductions speaks directly to the group’s ability to offer dealers and integrators a line of integrated audio, control and power management solutions that are unmatched by any other manufacturer. “In every market segment, and at wide-ranging price points, CORE Brands offers a solution that delivers the very best performance value,” Starkey said today. “We believe this to be unique for dealers at a time when operational simplicity and profit are top of mind.”

Leading the parade of new introductions are SpeakerCraft’s TV speaker system and multi-room wireless audio solution, ELAN’s Android and Door Locks App, as well as streaming content and drivers, Niles’ System Integration Amplifiers, mini-subwoofers and garden speakers, Xantech’s groundbreaking new line of IR and IP connectivity solutions, Panamax’s MR Series of power management solutions that combine form and function for today’s home theater environments, Furman’s Contractor Series CN-15MP MiniPort that extends SmartSequencing™ Technology to components outside the equipment rack, the first BlueBOLT-enabled product in the MD family of direct plug-in devices—the MD2-ZB, Proficient’s Zero wireless additions, soundbar & TV speaker along with various in wall/in ceiling releases, and Sunfire’s new shockingly small and powerful ATMOS subwoofer and HRSIW8 in-wall suboofer with the company’s patented StillBass anti-shake technology.

“And these are just the highlights of what our brands will be offering customers at ISE 2013,” Starkey emphasized. “The addition of these products to an already rich portfolio of over 1,000 active CI channel products gives dealers a range of choices with unprecedented association to each other.”

“It is difficult to find a dealer who is not using one of these brands today, and our goal is now to have each dealer using five or more of our brands,” he added. “Product development is the key initiative for our brands in the next year.”

The full range of CORE Brands products and solutions can be seen at the group’s two ISE 2013 exhibits. ATON, ELAN, Niles, Sunfire, and Xantech will be exhibiting in Stand 1N80. BlueBOLT, Panamax, Furman, SpeakerCraft and Proficient will be exhibiting in Stand 1N62.

Headquartered in Petaluma, California, CORE Brands is a division of the Nortek Technology Solutions Segment (www.nortek-inc.com). CORE Brands combines the product and marketing strengths of ten iconic audio, power management and control brands into a single business unit that includes the ATON®, BlueBOLT®, ELAN®, Furman®, Niles®, Panamax®, Proficient®, SpeakerCraft®, Sunfire® and Xantech® brands. CORE Brands has more than 190 years of combined experience in the residential, commercial and professional markets and over 4,300 direct customer accounts in multiple distribution channels in the United States and around the world.

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NanoLumens Announces New Latin American Partnership With Integration Firm NC4U

NanoLumens® today announced a strategic alliance with São Paulo, Brazil-based technology integrator NC4U to support its rapidly growing Latin American market. The partnership was formed after the companies worked together on Latin America’s largest-ever digital signage installation project for São Paulo’s new Metro Line 4. According to Almir DeCarvalho, NanoLumens‘ VP of International Sales, this is an important step in the company’s expansion into international markets.

“Retailers, sports arenas, convention halls and public transportation hubs all over the world are recognizing the incredible benefits of NanoLumens LED displays,” DeCarvalho said, “and our new partnership with NC4U gives our technology the representation it deserves in the Latin American market. High quality digital signage installers and systems integrators will play an integral role in NanoLumens growth as they increasingly spec our products and help us grow public visibility.”

NC4U is a full-service company that specializes in digital signage applications, utilizing today’s most advanced display technologies to merge advertising, promotions, media, engineering and technology to meet every client’s digital signage and advertising needs.

According to NC4U’s Edgard Bueno Junior, NanoLumens’ LED display technology gives Latin American advertisers and business owners a unique and powerful new medium to deliver their digital messaging to the masses.

“In a fiercely competitive field like digital signage, NanoLumens has made a name for itself by offering a product that no other manufacturer can match. The NanoLumens displays we are installing at São Paulo’s new Metro Line 4 stations are the digital centerpiece of the project, and we’re excited to be a part of bringing the company’s breakthrough LED displays to the Latin American market.”

NanoLumens displays are extremely slim, ultra-lightweight, energy efficient, and feature a bright, seamless, high resolution picture quality that can be viewed from any angle throughout the display horizon without color shift or image distortion. The company’s patented display technology, which allows customers to select from 4mm up to 10mm pixel pitch (depending on the model), promises to transform the way marketers engage their customers in every type of trade show, retail, hospitality, stadium, arena, transportation and public event environment.

NanoLumens displays are designed and engineered with the environment in mind, and consume significantly less energy per square foot than conventional digital displays. Further emphasizing their commitment to eco-friendly technology, NanoLumens displays are composed of up to 50 percent reclaimed materials, and are completely recyclable. What’s more, some NanoLumens displays can be serviced from the front, making maintenance easier than ever before possible.

Designed and assembled in the United States, NanoLumens displays are offered in standard configurations as well as design-specific configurations to fit virtually any size, shape or curvature in both the NanoFlex line of flexible displays and the NanoSlim line of fixed frame displays.

The company’s technology has been named ‘Best LED Product’ of the year by Rental & Staging magazine in its 2012 INFOCOMM Product Awards Program, as well as being recognized by Entrepreneur magazine as a 2011 future-proof tech trend and cited by The Wall Street Journal in its 2010 Technology Innovations Awards. NanoLumens’ technology also received the 2011 Breakthrough Technology of the Year Award at the American Technology Awards. Digital Signage Magazine awarded the NanoLumens NanoFlex a 2011 DIGI Award for “Best New Display Device – Non-LCD or Plasma.”

About NC4U:
NC4U delivers turn-key digital signage solutions across all Brazilian territory, including content design and distribution, monitoring, media checking, installation, maintenance and technical support, either directly or through its clients in more than 200 retail stores and supermarkets. The company has more than 2,800 exhibition points installed throughout Brazil. NC4U specializes in POS digital signage solutions featuring full service interactive displays and content design, and software development including e-mail, social networks interfaces, printing, audience metering and voice recognition.

About NanoLumens:
Headquartered in Norcross, Georgia, NanoLumens, Inc. (www.nanolumens.com) is a privately held corporation engaged in the research, product development, marketing and sales of unique flexible and fixed large-format LED display solutions in any size, shape, or curvature, that address a yawning technology gap in the $14 billion digital display industry. Since its founding in 2006, NanoLumens has built a portfolio of more than 20 international families of issued and filed patents on its flexible display technology that effectively address the commercial market void between relatively small flat-panel displays and huge, limited application LED boards. NanoLumens technology is not constrained by standard sizes and shapes, or by the weight, noise and cost issues traditionally associated with commercial LED products.

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Stampede Expands Unified Communications Product Marketing Program

Calling it one of the industry’s most important strategic new opportunities for long-term growth, Stampede Presentation Products, Inc. today announced an expanded Unified Communications product marketing initiative and promoted two of its best seasoned executives to lead the sales effort. According to an announcement made today by Stampede President & COO Kevin Kelly, effective immediately Peter Hurley and Kevin Welling assume the positions of, respectively, Eastern and Western Vice President of Sales of the Unified Communications Integration Group.

“Unified Communications is on the verge of becoming a major new growth opportunity for our dealers in virtually every vertical market, but in particular in corporate, government, and education,” Kelly stressed today. “Over the last two years, we have worked diligently with our manufacturing partners to assemble a veritable menu of unified communications product offerings, covering every need from dedicated enterprise-wide video conferencing systems to software based, PC-attached solutions. There is no company more ready to exploit the opportunities this new field offers. We have integrated Unified Communications throughout our organization and, today, I am announcing the sales team that will lead this group.”

Assuming the position of Eastern Vice President of Sales, Unified Communications Integration Group is Peter Hurley, who has served as a Stampede Director of Sales for the last seven years. Prior to joining Stampede, Hurley served as the Distribution Manager for Sharp Electronics from 2002-2005. Prior to this he was the Sales Manager for Ingram Micro, Inc. Hurley received a Bachelor of Arts degree in English Literature and Business from Canisius College before earning a Certificate in Management Development from the Harvard Business School Club of Buffalo, New York.

Kevin Welling has also served as a Stampede Director of Sales from 2009-2012. Before joining Stampede, Welling served as Southwest Senior Territory Manager at Electrograph from 2006 through 2009. Prior to this, he was the Midwest Account Manager at Activelight from 2005-2006, the Midwest Distribution Manager at Projector Wholesale Supply from 1999-2005, and he worked as the Midwest Account Manager for Boxlight Corporation, after earning his Bachelor’s Degree in Business Administration from the University of Washington.

According to Kelly, Stampede’s Unified Communications Sales Specialists will now report to Hurley and Welling, and Stampede is looking to expand the team in 2013, as the company expects that both its sales and the strength of its Unified Communications initiative will continue to grow.

About Stampede
Known for its value-added distribution, Amherst, New York-based Stampede is the leading distributor of presentation equipment including LCD /DLP projectors and flat panel displays. Stampede provides a complete range of brand name presentation equipment to a variety of audio/video, computer, and home theater resellers and integrators in the United States, Canada and Latin America. These resellers rely on Stampede for value-added services in distribution, marketing and solution- based sales. Stampede annually produces the “Big Book of AV,” an 816-page catalog and companion website (www.BigBookofAV.com) providing hundreds of sales, installation and spec tips for Stampede’s dealers in addition to product details on more than 5,000 SKUs. For more information on Stampede, log onto www.stampedeglobal.com.

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Firehouse Productions and HARMAN’s JBL VTX Line Arrays Help Global Citizen Festival Raise Poverty Awareness

NORTHRIDGE, California – The Black Keys, Foo Fighters, Neil Young and Crazy Horse and many others rocked out recently in New York City’s Central Park for the Global Citizen Festival, a free concert highlighting the effort to combat poverty around the world. New York-based Firehouse Productions provided the live sound reinforcement system for the event, which featured HARMAN’s JBL VTX line arrays.

While the Global Citizen Festival was free, the estimated 60,000 concertgoers were only allowed to attend after accumulating points by watching videos on globalcitizen.org about various issues dealing with poverty. In addition to the musical performances, celebrities including K’Naan, John Legend, Katie Couric and economist Jeffrey D. Sachs delivered speeches during equipment changes.

For the main PA system, Firehouse provided 36 (18 per side) JBL VTX V25 fullsize arrayable line array loudspeakers, 32 (16 per side) VERTEC® VT4880A fullsize arrayable subwoofers, with two VT4888 midsize line array loudspeakers for front fills. In addition, 48 (four clusters of 12) VT4889 fullsize line array loudspeakers provided delay fill along with 24 (12 per side) VT4880A subwoofers. Crown I-Tech HD 12000 amplifiers powered the entire system.

“This event was straightforward from a sound design standpoint, as with outdoor concerts many of the obstacles of filtering sound are eliminated, since there are no columns or walls that we have to worry about,” explained Mark Dittmar, Lead Design & Integration Engineer at Firehouse Productions. “The VTX line arrays continue to give us the sound quality and smooth coverage that we rely on and we’ve never had a problem.”

“The light weight of the VTX made the load-in and setup process a breeze,” Dittmar added. “The combination of VTX with the Crown I-Tech HD amplifiers is the best solution out there for live sound applications of all sizes and scopes.”

For more information on Firehouse Productions, please visit: http://www.firehouseproductions.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,900 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

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DPA Captures The Drama Of The Tango

Richard Galliano, a musician widely regarded as the world’s greatest living accordionist, is currently touring the world with a quintet of musicians to celebrate the life and works of his mentor, Astor Piazolla.

In order to deliver the true acoustic feel of Piazolla’s acclaimed tango music, the tour’s sound engineer Rémi Bourcereau has chosen eight DPA d:vote™ 4099 Instrument Microphones, which his is using for Galliano’s accordion and bandoneón and also for the violins, viola, double bass and cello played by Galliano’s quintet. For the piano, Bourcereau is using two DPA 2011C twin diaphragm cardioid microphones, which are positioned on a stereo bar. All of these microphones were bought from DPA’s French distributor Audio².

“I first used DPA microphones a year ago on a different tour and was delighted with the results they gave me,” Bourcereau explains. “For this tour, we wanted the audience to feel as acoustically close to the instruments as possible and that is why I chose DPA. In close miking conditions they deliver a very natural sound, which is exactly what this type of music requires.”

Richard Galliano, who was born in 1950 of Italian/French parentage, was taught to play the accordion by his father when he was just four years old. In 1983 his musical talent was recognised by Argentine tango composer and bandoneón player Astor Piazolla, a man whose ability to integrate classical, modern and jazz music influences had elevated tango music to concert hall status and earned him the title of the ‘King of Tango’.

Piazolla invited Galliano to be the bandoneón soloist at the Comédie Française where his original music was being used to accompany William Shakespeare’s comedy A Midsummer Night’s Dream. This was the starting point of their decade-long friendship that lasted until Piazzolla passed away in 1992.

Galliano’s current tour, which is designed to mark the 20th anniversary of Piazolla’s death, has already taken him to numerous concert halls in the USA, Canada, South America and Europe. Most recently he has been in China where he performed a number of concerts in Guangzhou, Changsha, Shanghai, Wuhan, Xi’an, Beijing and Shenzhen.

“We have attached the DPA d:vote 4099s to Richard’s accordion and bandoneón using magnetic piano holders with scratch tape wrapped around the clips for added security,” Rémi Bourcereau says. “Richard is really enjoying the sound he is getting from the DPA microphones and, because they are now his regular microphones, he is finding that he can always get the dynamic that he wants.”

The other musicians in the quintet also appreciate the audio quality delivered by their DPA microphones – and the fact that having the same microphone in every venue means they know exactly how they are going to sound and don’t face any nasty surprises.

“The d:vote 4099s are very easy for the musicians to use because they simply clip onto their instruments – something that is really helpful when you are on tour,” Bourcereau says. “From my point of view, I’m really happy with the sound the DPA microphones are delivering, especially with the strings. The d:vote 4099s have a good sounding off axis response and this brings a lot of acoustic coherence on strings.”

Richard Galliano’s Piazolla tribute tour will continue into 2013, taking in more European dates. DPA microphones are now a permanent feature of this tour, ensuring the highest possible audio quality in every venue.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

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Jünger Audio Appoints Oliver Harms In The Far East

Dynamics processing specialist Jünger Audio is delighted to announce the appointment of Oliver Harms, who has joined the company to handle Technical Sales for the Asia region.

Harms has extensive experience in audio and hardware development, having previously worked for Native Instruments, GSP-Audiotechnologies and Formac. He also has a thorough knowledge of Asian culture and speaks and writes fluent Mandarin.

Peter Poers, Managing Director of Jünger Audio, says: “We have noticed a significant increase in sales to countries in Asia, in particular China, and this appointment reflects the importance we place on further developing our business in this region. Oliver’s experience in audio and hardware solutions, along with his impressive communication skills, will help our customers integrate Jünger Audio’s Level Magic™ Loudness control into their broadcast workflow in a simple and effective way.”

Oliver Harms adds: “I am very happy to be working for Jünger Audio and to have this opportunity to channel my audio and hardware experience into the new and challenging environment of technical sales. It is also a delight to be working with such a great team.”

Harms will primarily be based in Jünger Audio’s head office in Berlin but will be making regular trips to the Far East to support sales activity in the region.

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.junger-audio.com

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