A virtual press conference from Sound & Video Contractor

Archive for November, 2012

New Sound System is Music to Sisters’ Ears

Renowned Domed Chapel Gets Major Upgrade

Sinsinawa, WI – November 2012…  Sinsinawa is said to be a Native American term for “rattlesnake,” or “home of the young eagle.” But Sinsinawa Mound, Wisconsin is better known as the home of the Congregation of Sinsinawa Dominican Sisters. Since 1847, more than 3,200 women have ascended the “Hill of Grace” to take their vows as Sinsinawa Dominicans. Today the village is still home to their worldwide headquarters, including more than 600 current and retired sisters of the Order.

In 1964 the campus, with its 1850s-vintage fort, was expanded with the construction of an 800-seat crown chapel, replete with massive 45-foot dome and transept wings. The building’s marble and plaster interior creates an acoustical environment that works magnificently to enhance the Order’s celebrated pipe organ. But as their needs have changed over time, those same acoustics have created a whole new set of challenges.

“It’s a beautiful facility that has always been renowned for its musical acoustics,” explains Scott Wright, President of Platteville, WI-based Lifeline Audio Video Technologies. “But in today’s world they’re using it more and more often for spoken word and piano-vocal recitals, and it simply wasn’t designed for that.”

“It’s a very large room, with a reverb time of more than four seconds,” adds Lifeline VP Mike Mair, “and as they’ve been doing more spoken word and piano-oriented services, vocal intelligibility has become more of an issue.”

To be fair, the room was not completely without sound reinforcement. But the original decades-old speaker system had never been adequate for the space. “The reverb time was markedly longer in the middle of the room, where the dome is higher,” Mair explains, “and as a result many of the sisters were seating themselves around the edges near the transepts, where they could hear a bit better, and leaving the center of the room pretty much empty.”

sinsinawa“They had talked to many contractors over the years in an attempt to find a solution, and everyone wanted to convince them to hang large speaker clusters and treat the room acoustically,” says Wright. “That just wasn’t going to happen. This is not your typical 1000-seat church – it’s a very special, very unique environment. Altering the aesthetics of the place was not open to discussion. It’s a beautiful, majestic space, and there’s simply no way you could hang a cluster of loudspeakers from this ceiling. From a structural perspective, it would have been problematic, to say the least. But beyond that, there’s simply no way they would have allowed it.”

One of the biggest challenges in designing an audio system for the space was the need to retain the room’s reverberant character. Acoustical treatment was simply not an option. “People from all over the world come to play organ recitals in this hall, and they were not willing to compromise the room’s acoustics as an organ recital facility,” says Wright. “But the majority of daily use for the space is really spoken word, and some choral singing with piano and organ. So we needed a very controllable, highly intelligible system that would address the room’s reverb issues without altering its character. The bottom line was, if we were going to achieve any intelligibility in that space at all, we had to control where the sound went.”

Lifeline’s solution was a simple and elegant one – a pair of Renkus-Heinz Iconyx IC24-R digitally steerable array loudspeaker systems. The Iconyx arrays, mounted on either side of the altar, addressed virtually all of the chapel’s long-standing issues.

“We’ve used Iconyx in a number of previous projects, and have always been successful with them,” Wright says. “They are without a doubt our choice for a steerable array, and we feel they are the best one on the market.”

A demo was arranged via Carl Schwartz of rep firm Frequency Sales. “We arranged a demo for about 70 people,” says Wright. “They were definitely skeptical, since they’ve tried so many systems over the years. But we’ve done a few projects with them in the past, and the results have always been successful, so they trusted us.”

“We just plugged a mic directly into the Iconyx, with flat EQ,” says Mair. “The results were remarkable. You could see eyes popping open all over the room. They were just astounded.”

“I got up at the lectern and read a few things, and they still couldn’t believe what they were hearing,” says Wright. “At first, several of the sisters were saying, ‘oh, it’s just because he’s got a very booming, male voice.’ So we had Sister Priscilla Wood get up and do a reading, and they all said, ‘yes! That’s what she sounds like.’ After that, the next question was whether we could we get it installed by Thursday.”

A Biamp Nexia presentation mixer provides microphone inputs for their wireless, pulpit and choir mics. “They’re very happy with the simplicity of the system,” says Mair. “It’s very easy for them to run.”

“They had waited many, many years to find the right solution,” says Wright. “Essentially, they waited until technology caught up with their needs. Finally, with Iconyx, we found a solution that really worked for them. They weren’t looking for a minor improvement; they were looking for a night-and-day difference. And that’s exactly what they got.”

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

DPA Tackles A Medieval Fantasy

To ensure that his original recordings were as pristine as possible, Emmy Award winning Production Sound Mixer Ronan Hill employed DPA 4071 lavalier microphones to capture the on-location dialogue while filming the third series of HBO’s medieval fantasy television series Game of Thrones.

“As someone who was brought up to “get it on the boom” and only use radio mics when there was no other way, I have become a convert to them when used with DPA’s 4071 lavalier microphones,” he says. “The DPA 4071 is great when used outside. They give really good isolation from environmental conditions, while still retaining a natural vocal quality. They are also good when recording inside as they offer reinforcement to the boom. It is a rare occasion when they aren’t included in the mix. The DPA 4071 microphones have really helped to keep ADR on Game of Thrones to a minimum and have contributed to the show receiving a Primetime Emmy for Best Sound.”

Game of Thrones, an adaptation of George R. R. Martin’s fantasy novels A Song of Ice and Fire, was created for HBO by David Benioff and D. B. Weiss. The plot revolves around a violent dynastic struggle among several noble families for control of the Iron Throne. Since first airing in 2010, the show has been a huge critical success and has won numerous awards for the quality of its production.

“The show is filmed in many remote and hard to get to locations – and in all kinds of weather conditions,” Ronan Hill says. “In Series One we were shooting in temperatures of -17º C, while in Series Two we had to contend with a hurricane. Every day is an adventure in sound.”

Replacing poorly recorded dialogue during post production may be an intrinsic part of making a film or television programme, but it certainly saves production companies time and money if ADR can be kept to a minimum. DPA’s 4071 mics became the lavalier microphone of choice on Game of Thrones at the start of Series Two having been recommended by supervising sound editor Stefan Henrix.

“You soon appreciate how good they sound” Hill explains. “They are available with well thought out accessories to aid fitting, and we fitted them to all cast with dialogue. Thankfully, the cast appreciate that the costumes are difficult for sound so they are tolerant to tweaks that will save the need for ADR.”

With three series of the programme now under his belt, Ronan Hill still maintains that his favourite shooting experience was Blackwater (Episode 9 in Series Two).

“With large battle scenes in addition to the great dialogue, it had real potential for sound,” he explains. “There was so much texture to record and then the challenge to isolate the dialogue from it. Game of Thrones has a character count of over 300. Scenes can have more than 10 principal characters speaking and there is always the professional pressure to capture the dialogue on location and keep ADR to a minimum. I wanted to give a presence to the big action scenes and burst the old myth that no scripted dialogue means no sound. I also tried to ensure rehearsal for any songs to be sung live.”

Hill’s familiarity with DPA microphone technology has, to date, been limited to DPA 4071s but he hopes to expand on this in the future.

“As a result of my good experiences with the DPA 4071s and the positive feedback I have heard about DPA’s other microphones, I can’t wait to try more of them,” he says.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Digital Rapids Selected as One of Greater Toronto’s Top Employers

November 23, 2012 — Markham, Ontario: Digital Rapids – the trusted provider of innovative media transformation and workflow solutions for bringing video content to wider audiences — has been selected as one of the Greater Toronto Area’s top employers for 2013.

Now entering its eighth year, Greater Toronto’s Top Employers is an annual competition organized by Mediacorp Canada Inc., Canada’s largest publisher of specialized employment information. This special designation recognizes the Greater Toronto employers that lead their industries in offering exceptional places to work. Criteria include physical workplace; work atmosphere and social programs; health, financial and family benefits; vacation and time off; employee communications; performance management; training and skills development; and community involvement. Employers are compared to other organizations in their field to determine which offers the most progressive and forward-thinking programs. The winners were announced earlier this week in a special editorial supplement published by The Globe and Mail newspaper.

“We’re proud to be selected as one of the region’s best companies to work for,” said Brick Eksten, President and CEO of Digital Rapids Corporation. “Since our inception, we’ve recognized that our goals are achieved through the talent and dedication of our employees. We’ve strived to create an organizational culture and environment that both foster and reward those attributes, and this recognition shows that we’re succeeding.”

Digital Rapids provides market-leading media processing and workflow solutions, technology and expertise that empower the world’s leading media organizations to reach wider audiences more efficiently, more effectively and more profitably. Digital Rapids’ flexible hardware and software manage and perform the transformation of video and audio into the multiple formats required by applications ranging from production and archive to multi-screen viewing on platforms from PCs, tablets, mobile phones and game consoles to broadcast television and ‘smart’ TVs. Digital Rapids solutions have been adopted by thousands of customers worldwide — from leading broadcast networks, motion picture studios, cable television operators, telcos, online content portals and post production facilities to corporations, government agencies, schools and churches.

For more information about Digital Rapids, please visit www.digitalrapids.com.

About Digital Rapids Corporation — Digital Rapids provides market-leading content transformation and workflow solutions that empower the world’s leading media organizations to reach wider audiences more efficiently, more effectively and more profitably. Recipients of more than two dozen prestigious awards for company and product excellence, Digital Rapids combines innovative technology with proven expertise and visionary insight to help our customers expand their audiences, increase their revenues, and reduce their costs. Digital Rapids Corporation (www.digitalrapids.com) is headquartered in Ontario, Canada with offices in the United States, the United Kingdom, Hong Kong, Australia and Argentina.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Company Announcements, News |

Advanced Systems Group Examines Large Raster Acquisition Workflows at Free Annual Workshop

EMERYVILLE, CALIF. – Advanced Systems Group (ASG), a leading West Coast video and film integration firm, will discuss large raster acquisition workflow challenges during 4K Workflow 2012, its annual workshop, on Tuesday, Dec. 4, at the New People Cinema at the New People building in San Francisco. The free workshop begins at 10 a.m. and lunch will be served.

“4K is already being called ‘the new HD’ in some circles. It is certainly becoming a viable acquisition and distribution format, but there are still a number of challenges associated with adopting this technology,” said Dave Van Hoy, ASG president. “4K Workflow 2012 will explore options at every point in the production process, including how to manage 4K file-based workflows.”

The workshop will include a 4K overview led by veteran director of photography and industry consultant Suny Behar. The session will address technical specifications, particularly 4K acquisition and camera technologies. Jordan Livingston, an independent filmmaker and digital imaging technician who serves the Hollywood and Bay Area markets through his company, DIGILOID, will discuss DIT and DAM, file-based workflows for high-resolution camera systems, and workflows for on-set color, dailies, and transcoding.

Westernized Productions, a San Francisco-based design firm specializing in animation and visual effects, will present “Compositing and Motion Graphics in the Large Raster World.” Other sessions will include “Color Correction and Color Management” and “Deliverables and the Delivery Process.”

Registration is free for 4K Workflow 2012, but space is limited. Please visit http://www.asgllc.com/?p-2835 to register or www.asgllc.com for more information.

About ASG:

Advanced Systems Group LLC of Emeryville, Calif., with offices in the Bay Area and Southern California, has provided engineering, systems, integration, support and training to the broadcast, film, creative, and corporate video markets since 1997. With unmatched experience in Apple-based newsroom systems, shared storage, archiving, editing, finishing, and VFX systems, ASG has become one of largest installers of post production and shared storage systems on the West Coast. The ASG team is highly focused on customer success, and has installed and supported more than 185 SANs, production, and post production systems over the last six years. For more information, visit www.asgllc.com or call 510-654-8300.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Events, News, Training |

Christie MicroTiles Earn Top Grade At Texas Tech University’s Rawls College Of Business

When staff at Texas Tech University’s Rawls College of Business visited a trade show and saw Christie® MicroTiles®, they knew they found the solution for their flagship classroom’s digital display wall. Located in Lubbock, Texas, the college has six areas of study – Accounting, Energy Commerce, Finance, Information Systems and Quantitative Sciences, Management, and Marketing – in addition to dual programs in conjunction with architecture, agriculture, foreign languages, law, medicine, and environmental toxicology.

Installed at a 15-degree angle pointing down at the audience for better viewing, the 12 units wide by 9 units high Christie MicroTiles array features educational content and, via a Christie Spyder X20 video processor, displays multiple pictures and videos simultaneously for instruction with a customized structure holding the display securely in place.

Christie MicroTiles, used with a Christie Spyder X20 image processor, are also a flexible and easy-to-use solution for the instructors who use the display. Instructors can show multiple images and easily change them. The tiles’ brilliant color and excellent resolution make the display — even detailed images from spreadsheets or graphs — viewable from any angle or distance in the amphitheater-style classroom.

“Our goal was to have a ‘wow factor’ and something that stood out on the cutting edge of technology,” said Kathryn Suchy, associate director/computing, Texas Tech University. “This Christie MicroTiles installation definitely accomplished that goal and when people see the MicroTiles and are told of their capabilities, they are blown away.”

Consultant and Integrator Serve Key Role in Leading Project to Completion
Serving as consultant on the intricate project was DataCom Design Group, of Houston, Texas, a solution-based firm focusing on filling client needs.

“The school wanted something that stood out when you walked into the classroom,” said Richard Brink, associate principal, DataCom Design Group. “The school really took to the MicroTiles and wanted as large a wall as was feasible.

“It was important for the school to have an additional recruiting tool for both students and faculty; something that really made a statement,” Brink continued. “Besides the physical practicalities of such an installation, keys to their decision were what content would be displayed and how they would utilize the screen itself. We asked them, ‘In your wildest dreams, how many images do you want to see for both special events and regular use?’ and similar questions. With the size, resolution and capabilities they wanted, the solution was Christie MicroTiles.”

Christie MicroTiles combine both DLP® projection and Light Emitting Diode (LED) technology to produce brighter images and a wider color palette than conventional LCD or plasma displays.

Jon W. Litt, account executive at Whitlock, project integrator, explained to the decision makers at the school that Christie MicroTiles were the correct choice.

“The school wanted a state-of-the-art statement piece and the MicroTiles dovetailed into that very, very well,” said Litt. “You basically put the MicroTiles wall up and allow it to do what it needs to do for many years. As a result, the school maximized the return on its investment.”

One design challenge the installation team faced was ensuring the custom bracket could support the weight of the array and leave enough space to keep it cool. The architect, structural engineer, mechanical engineer, and Litt worked together to design a bracket that could support the video wall – which had no other support but the ceiling bracket – and allow for sufficient airflow behind the wall without creating a wind tunnel effect and whistling sound. Litt said the team did “a lot of engineering on air velocity. It was a real advantage that Christie MicroTiles don’t burn very hot.”

Instructors select the sources of information or data to display and the Christie Spyder X20 image processor does the rest of the work of getting the selection displayed. “The [Christie] Spyder and [Christie] MicroTiles is a natural match,” said Litt.

“Christie MicroTiles have more resolution than any other solution available in the market. Color reproduction is great and the university really liked the overall low cost of ownership, because the tiles wouldn’t need a lot of maintenance and replacement compared to other solutions,” Litt continued. “That maximizes their return on investment.”

With more than 200 students sitting in the auditorium classroom and multiple images, spreadsheets, graphs and financial content displayed onto the Christie MicroTiles simultaneously, ultra high resolution and superior colors are vital.

“The color, saturation and brightness made the school so happy with the installation and the final product,” added Litt. “The reaction of people has been incredible. You walk in and see this massive video wall and people say, ‘wow that is so cool.’ Texas Tech wanted a statement piece — something state-of-the-art — and [Christie] MicroTiles really fit into this story.”

“There is no question that the MicroTiles video wall is a wonderful tool for recruiting high end faculty talent,” concluded Suchy. “If you have high-end faculty, the students will come and the Christie MicroTiles contribute to that end. We are very thrilled with the installation and you can see how classy the entire setup looks.”

Peter Jackson Selects Christie HFR Projection for World Premiere of “The Hobbit”

The technology on display at the premiere of “The Hobbit: An Unexpected Journey,” presented by Warner Bros. Pictures, Metro-Goldwyn-Mayer Pictures (MGM), and New Line Cinema, represents years of effort and a bold step forward in the ultimate cinema experience. To do justice to Academy Award-winning director Peter Jackson’s vision, Christie has been chosen to supply the digital cinema/HFR projection technology for the world premiere, to be held at the Embassy Theatre in Wellington, New Zealand, on November 28, 2012.

Two top-of-the-line Christie Solaria CP2230 series digital projectors will flood the screen for the highly anticipated film premiere with more than 12 foot lamberts (ft-L) brightness, revealing astonishing detail in the scenery, costumes and expressions of the characters. The current standard for 3D light levels on screens is 3 to 4.5 ft-L, while 2D light levels are standardized at 14 ft-L. The Christie Duo integration kit combines the intensity of the dual CP2230 projectors.

Peter Jackson's "The Hobbit" Premieres on Christie HFR Projector

Peter Jackson's "The Hobbit" Premieres on Christie HFR Projector

“With Christie’s support, our Wellington Premiere will present ‘The Hobbit: An Unexpected Journey’ at its full technical potential – in vibrant, bright High Frame Rate 3-D. I thank Christie for helping us push the boundaries and give audiences a glimpse into the exciting future of cinema presentation,” director Peter Jackson said.

Jack Kline, president and COO, Christie Digital Systems USA, Inc., was equally enthusiastic. “Endorsements from industry leaders like Peter Jackson and Warner Bros. Pictures, MGM and New Line Cinema compliment Christie’s leadership position in the visual technology world, which we’ve achieved by consistently delivering what exhibitors and audiences want.”

Christie’s digital projectors, installed by its Xebex cinema partner, will also play a leading role in the Tokyo premiere of “The Hobbit: An Unexpected Journey,” taking place at the Toho Cinemas in Roppongi Hills on December 1st, with Mr. Jackson in attendance.

Christie, Park Road See Fruits of Joint Research
Christie signed a technology co-operation agreement with Park Road Post Production Ltd. (“Park Road”) and Weta Digital Ltd. (“Weta”) in April 2012 to work together to advance the state of the art of digital cinema production and projection, with an emphasis on high frame rate (HFR) delivery.

As part of that agreement, Park Road and Weta upgraded their facilities with Christie projectors and provided Christie with review, testing and feedback on new hardware and software developments related to high-bandwidth interfaces and HFR technology, as well as sample movie content (consistent with the content owner’s permission) for Christie to use in testing its projectors and integrated media block (IMB) units.

“The success of our joint research and knowledge exchange has led to the creation of the most reliable high frame rate IMB/projection solution available and this will be evident to all at ‘The Hobbit: An Unexpected Journey’ premiere and beyond,” said Cameron Harland, General Manager, Park Road, “and using the world’s first totally integrated and commercially available dual-projection system, we are anticipating a stunning rendition of the film.”

Park Road
Park Road is a premier post production facility located in Wellington, New Zealand. Visit http://www.parkroadpost.co.nz/.

Christie’s Commitment to HFR
The two main goals of Christie’s HFR activities are to help the industry develop the best HFR content and the best delivery system for HFR content. The first goal involves assisting leading-edge filmmakers and post-production companies in perfecting HFR movie creation, so the industry has the most engaging, entertaining content possible. The second goal is to assist exhibitors in showing these 3D HFR movies in all their glory. To these ends, Christie is helping create the standards for 3D HFR movies through formal and informal technology-development alliances with major producers and directors, post production facilities, studios and technology partners. On the exhibitor’s front, Christie provides one stop shopping for all the hardware, software and services that enable exhibitors to deliver a filmmaker’s vision in stunning 3D HFR quality. For more information visit http://www.higherframerates.com.

Next Stop for HARMAN’s Soundcraft “Mixing with Professionals” Series: Portland, Oregon

PORTLAND, Oregon — HARMAN’s Soundcraft continues its successful “Mixing with Professionals” (MwP) series with two sessions in Portland, Oregon on Tuesday, December 11. Hosting the sessions will be James Lawrenson, front of house engineer for Foster the People and a Soundcraft Vi6 user.

Lawrenson will provide formal training on the Soundcraft Vi Series consoles while discussing his experiences working with Soundcraft equipment. Participants will be given a USB stick so they can save their settings and take them on the road for their next gig, or continue working on their settings using the Soundcraft Virtual Vi offline editor, which is available free on the Soundcraft website.

“The Vi6 has been a pleasure to work with on this year’s Foster the People tour, as the product’s top-notch performance, combined with Soundcraft’s dedicated customer support, made it a perfect fit,” Lawrenson said. “I look forward to sharing my impressions of the Soundcraft Vi Series with the attendees at this MwP session, and hope that I can also provide a valuable educational experience in the process.”

The MwP sessions will be held on December 11 at Pro Sound & Lighting on 3511 SE Belmont, Portland, OR 97214.

Two time slots will be available from 9:00 am to 12:00 pm and from 2:00 to 5:00 pm. The course is free to attend but registration is required and space is limited. Details are available at usa.soundcraft.com and participants can register via e-mail at Soundcraft-usa@harman.com.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,900 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

New MuxLab Digital Audio Converter Supports 5.1 Channel

MONTREAL, CANADA — MuxLab Inc. is pleased to announce the launch of the newest addition to its A/V family; the Digital Audio Converter, 5.1 Channel (500081). The 500081 converts one 5.1 Channel encoded coaxial or optical digital audio signal to a standard left/right analog audio output, thereby allowing a digital audio source such as a DVD or CD player without RCA analog audio output to be connected to a legacy audio-video receiver or TV. One of the unit’s key features is a switch that selects between TOSLink and S/PDIF inputs. The TOSlink cable is also included to ease the installation process.

“Ideal for applications such as commercial and residential AV systems, classroom video systems, and boardroom systems, this product really has no limit” said Marc Bohbot, MuxLab’s Director of R&D. “We are looking forward to expanding the success of the 500080 with the 500081”.

The 500081 is also designed to be used with the MuxLab mounting accessories, and was carefully engineered for an easy and smooth installation.

About MuxLab
MuxLab Inc. is a leading designer and manufacturer of connectivity solutions that allow CCTV and Audio-Video equipment to be connected via cost-efficient Cat5e/6 copper twisted pair in the structured cabling environment. For over 25 years, the MuxLab brand has been synonymous with quality, performance and reliability. MuxLab solutions streamline cabling by reducing material, space and installation costs. Even after installation, MuxLab products help save time and money by facilitating moves, adds, and changes.

###

For more information;
www.muxlab.com
videoease@muxlab.com
514-905-0588

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Red TX Partners With CTV To Capture The Broadcast Audio For Strictly Come Dancing’s Live Wembley Arena Show

Strictly Come Dancing’s one-off glitterball spectacular, which was broadcast live from Wembley Arena on Saturday November 17th in aid of Children In Need, involved an enormous effort backstage to ensure that the audio reflected the quality of the on-stage performances.

Behind the scenes two Outside Broadcast vehicles belonging to Red TX and CTV were working in tandem to provide BBC Studios and Post Production sound engineers Tony Revell, Andy Tapley and Richard Sillitoe with all the facilities they needed to capture and broadcast the audio in stereo and 5.1 surround sound.

Red TX, which has extensive experience of delivering live sound for broadcast, provided its RED II truck for this project, while CTV provided its main OB9 scanner.

Andy Tapley, who manned the Studer Vista 8 digital mixing system on board RED II, says: “It was a complex project that involved a lot of inputs to capture the sound from the audience, the presenters and judges, the dancers, the orchestra and the guest acts – Kylie Minogue and Girls Aloud. Usually Tony and I sit next to each other at the same console, but for this show we were in separate vehicles and had to coordinate our mixes using the technical infrastructure provides by Red TX and CTV.”

The two trucks were linked using a combination of MADI and MIDI interfaces. This allowed Andy, who was in charge of the audio from the orchestra and the dancers, to work in unison with Tony, who was handling the audio from the audience, presenters, judges and guest performers to create the main mix.

Red TX’s RED II truck is designed to cater for 3D and 7.1 surround sound productions and is ideally suited to complex live broadcast projects because it offers simultaneous mixes to a variety of different formats.

RED II also incorporates an additional production/overdub and video gallery room at the rear of the vehicle. For this project it was equipped with a Yamaha DM2000 console, which was also linked to the CTV truck and used by Richard Sillitoe to create the surround sound mix.

Red TX Director Ian Dyckhoff, who along with Red TX engineer Ollie Nesham was present on the night to support the BBC sound team, says: “This is the second year running that we have worked on the live Strictly show from Wembley Arena and we consider it an honour to be involved in such a prestigious project. Live shows are always nerve wracking and, although we weren’t manning the controls this time, we saw it as our responsibility to ensure that technically everything ran smoothly so that Andy, Tony and Richard could relax and get on with the job.”

Andy Tapley adds: “The RED II truck is a dream to work in and is, in my opinion, the best on the market for capturing broadcast audio, especially when it’s going out live. I particularly like the Studer Vista 8 console and we made good use of its snapshot function to fire cues through to Tony on the CTV truck. Ian and his team were incredibly hospitable and gave us masses of support. When you are doing a show like Strictly live from Wembley Arena you need the technical infrastructure and the reliability that Red TX and CTV can provide.”

More than 6,500 Strictly fans packed Wembley Arena to watch the live show – and millions more watched at home. Highlights of the show included live performances from Kylie Minogue and Girls Aloud, who performed their Children In Need fund raising single Something New.

-ends-

About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD. It is headed by Ian Dyckhoff and Tim Summerhayes, both of whom have extensive experience in delivering high-quality audio for broadcast. www.red-tx.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Case Studies, News |

Sonnox Signals 2nd Annual ‘Black Friday’ Sale

50% Discount On Elite, Essential and Enhance Plug-in Bundles

OXFORD UK: Continuing their support of the spirit of Thanksgiving shopping bargains, Sonnox has re-introduced their irresistible “Black Friday Sale.” As a nod to America’s massive Thanksgiving holiday discounts, beginning at 12:01 PST on Thursday, Nov. 22nd, 2012, and continuing until 11.59 pm PST Friday, Nov. 23rd, plug-in shoppers will enjoy 50% Off List Price on the following bundles (Native or TDM):

* Sonnox Elite, Sonnox Essential, Sonnox Enhance

For more details and to take advantage of the Sonnox Black Friday Sale, visit: http://bit.ly/BLFR50

Photo: The Sonnox Elite bundle includes: the Oxford TransMod,Inflator, Dynamics, SuprEsser, EQ, Reverb and Limiter Plug-ins

###

For detailed information on Sonnox Oxford Plug-ins please visit: www.sonnox.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

November 2012
M T W T F S S
« Oct   Dec »
 1234
567891011
12131415161718
19202122232425
2627282930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication