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Archive for December 17th, 2012

HARMAN’s Studer Compact Remote Bay Gets Its Maiden Voyage at Colorado Sound Recording Studios

The Studer Compact Remote Bay in action.

WESTMINSTER, Colorado — Colorado Sound Recording Studios is one of the finest facilities in the state. The studio and its remote truck have recorded artists including Norah Jones, Eminem, Steve Miller, Dave Matthews and many others. Recently, the HARMAN Soundcraft Studer truck rolled into Colorado Sound with the new Studer Compact Remote Bay and its latest Virtual Vista software for its first-ever use at a recording session.

The Compact Remote Bay allows access to a Studer Vista digital mixing console’s settings from anywhere in a venue. A little larger than a laptop, the unit has 12 P&G faders, 40 rotary controls and a 19-inch touchscreen running Studer’s Virtual Vista software. In addition to remote operation, the bay may be used to extend the main console’s control surface for a second operator, for monitor mixing or for other functions.

“We used the Compact Remote Bay to record a studio session band to allow Colorado Sound and HD NET and the Mobile TV Group who were also at the session to put the Compact Remote Bay through its paces,” said Rob Lewis, Director of US Sales for Studer. “We put the Compact Remote Bay in the recording studio’s tracking room and interfaced it with the Vista 9 console in the truck to record the piano, bass and drums session band.”

Three stereo headphone mixes, a 5.1 surround and a stereo control room mix were created, all going to the Vista 9 and the Compact Remote Bay with a Studer Stagebox connecting the recording studio feed to the truck via fiber cable.

“As we were getting recording and headphone levels, we tweaked the musicians’ headphone levels with the Compact Remote Bay. Of course everything was really being adjusted via the Vista 9 on the truck, but the Compact Remote Bay made things a lot easier since we could get immediate comments from the musicians and tweak everything right in the room without the need for talkback from the control room in the truck,” Lewis noted. “It worked flawlessly.”

“After we tracked the band we just moved the Compact Remote Bay from the tracking room into Colorado Sound’s main control room and patched in the stereo mix,” Lewis continued. “This allowed the engineers to use the bay and have a feel for the setup’s overall sound quality, dynamics, EQ and so on from the comfort of their control room using their main studio monitors. They were astounded by how we were able to do this without effort, and how easy it was to make patch changes and snapshots without missing a beat.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,900 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

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Broadcast Pix Simplifies Multi-Camera Production for Finland’s Sámi Cultural Centre Sajos

Billerica, Massachusetts – Broadcast Pix™ today announced the Sámi Cultural Centre Sajos in Inari, Finland, is using a Granite™ 1000 Video Control Center™ for live event production. Built to preserve and develop Sámi culture and business, the modern facility was completed in January and has hosted a variety of events, including seminars, workshops, and concerts.

“Granite is a good solution because of the powerful features and because it is a cost effective HD video control system,” said Mikko Juntunen, systems specialist, production and post, for Mediatrade in Helsinki, Finland, the systems integrator that installed the system. “The integrated switcher and clip server – and options such as Panasonic camera control – were also important issues in planning the system integration.”

Sajos offers several venues for events, from small and medium-sized conference rooms to a main hall that can accommodate up to 430 people. Multi-camera productions have been streamed on the Internet, recorded for event organizers, distributed on the facility’s internal television channel, and used to provide I-MAG (image magnification) for live audiences. Juntunen said the facility uses a variety of Granite’s built-in workflow tools, including the Fluent™ Clip Store, Harris Inscriber CG, customizable Fluent-View multi-viewer, and chromakey. Granite may also be used as the clip server for all screenings during Skabmagovat 2013, an upcoming film festival, according to Juntenen.

“Granite is an all-in-one package,” said Joonas Saari of the Sajos Centre. “It has made the multi-camera tasks, such as live streaming and video projection projects possible.”

About Broadcast Pix
The leader in live video production systems, Broadcast Pix was founded in 2002 and has customers in more than 110 countries. Its Video Control Centers™ combine an integrated switcher, clip server, CG, and device control software with patented control panels, unique touch-screens, and exceptional displays that enable operators to create with confidence. That confidence is further enhanced with rock-solid stability, patented technologies to maintain lip sync, and great technical support. Systems range from compact systems controlled by touch-screen or voice automation to sophisticated 2 M/E control panels. Customers include leading broadcast, corporate, education, religious, government, webcast, entertainment and mobile studios. Learn more at www.broadcastpix.com.

Broadcast Pix, Fluent, Granite, and Video Control Centers are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

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Berklee Opens World-Class Recording/Teaching Studio Complex At New Valencia International Campus

VALENCIA: December 17, 2012 – Berklee College of Music, the world’s premier learning lab for contemporary music, and Walters-Storyk Design Group, renowned for their work on studios for Jimi Hendrix, Alicia Keys, and Bruce Springsteen, today announced the completion of a cutting edge recording/teaching complex at Berklee’s Valencia campus. Berklee’s new state-of-the-art campus is located at the Palau de les Arts Reina Sofia in Valencia, Spain. The studio facility is the final element of Berklee’s first international campus, which recently launched its master’s programs.

The audio production and teaching complex is comprised of five inter-related components. The 1600 sq. ft. scoring stage/studio – Studio K – includes an 860 sq. ft. live room with 15-foot ceilings and boasts variable acoustic wall treatments developed for diverse recording configurations. The studio’s windows provide fantastic views of the Palau and allow the public to view Berklee’s music activities. Supporting the live room is a 500 sq. ft. control room, two 250 sq. ft. ISO/overdub booths, and an isolated machine room. The aggregate advantages of the control room configuration fully supports Berklee’s primary teaching mandate. Each aspect of the studio coalesces to form an indisputably world-class recording complex.

“Our master’s students and visiting artists will benefit from an extremely sophisticated studio environment. This is an extraordinary educational tool, expressly designed to prepare them for their transition from student to music professional,” explained Guillermo Cisneros, Berklee Vice President for Global Initiatives, and Executive Director, Berklee in Valencia.

“The studio complex needed to make a statement in a design-conscious country, and be technically and acoustically capable of representing a desirable destination for professional work,” said Carl Beatty, Berklee Chief of Staff, who has headed the project since the beginning of the Palau de les Arts renovation. “We decided to employ Avid/Euphonix controllers to take advantage of their Eucon protocol that allows seamless migration of projects across the facility, all the way up to the flagship System 5. Additionally, when we install an identical console in Boston, we will be doing real time joint sessions between the two locations via Internet 2 technology.”

The entire facility is configured through a central machine room for speed, ease of turnaround, and high interconnectivity between rooms, including the Palau de les Arts’ concert halls. The System 5 has 48 channels, with 128 channels of I/O, and 176 mic lines. There is a broad selection of analog processing with plenty of room for additions should the need arise.

Monitoring in the production suites is all Genelec – 5.1 surround in Studio A, and 2.1 stereo in Studios B, C, and D. The control room in Studio K features the Meyers Acheron 7.1 surround monitoring system, an acknowledged industry standard. The room also includes Griffin G2B Active main stereo monitors. “These monitors are impressive. Along with their dual 15″ subwoofers, the use of ribbon tweeters gives the speaker a very impressive transient response and high-mid articulation,” said Beatty. “There are also mid field monitors available- ProAc’s and Yamaha NS-10′s. Additionally, the room has been designed to Dolby specifications and readied for the new Dolby Atmos(tm) Cinema Sound monitoring protocol. This facility is an integral component of the comprehensive, modern Music Technology Complex developed for Berklee’s Valencia campus.”

Commenting on the new complex, architect/acoustician John Storyk remarked: “Berklee’s new Valencia recording/teaching studio raises the benchmark for European audio education. We have been the designers for dozens of educational recording environments around the world and are incredibly proud of our tenure at Berklee, both at the Valencia and Boston campuses.”

Impressed by the quality of the recording studio at the Berklee campus, visiting master class instructor and former Fox Music President, Robert Kraft commented, “The recording studio is an amazing asset to have in Valencia, and has the potential to be even more of a reason for students and professionals to come to the Berklee facilities.”

“The recording studios and production suites at Berklee Valencia are simply sublime,” said composer and visiting professor, Laura Karpman. “In the studios I was able to compose, record, and mix a film for Sony/Lifetime with a very fast turnaround. The results were fabulous. It was a pleasure to make music there.”

In addition to designing and constructing recording studios for Berklee College of Music in both Valencia and the $100 million + new building at 160 Massachusetts Ave. in Boston, Walters-Storyk Design Group is renowned for its work on studios for Bruce Springsteen, Celine Dion, Def Jam Records, ESPN, Jay-Z, Jazz at Lincoln Center, MTV Latin America and the 2012 TEC Award-winning Jungle City Studios.

View the YouTube video tour of the studios:

Photo Captions:

1. Berklee Valencia Studio K Live Room
2. Berklee Valencia Studio K Control Room
3. Berklee Valencia Studio A Control Room
4. Berklee Valencia Campus

Photos by: Mercedes Herrán

-end-

About Berklee College of Music:

Berklee College of Music was founded in 1945 and for more than 65 years has evolved to reflect the state of the art of music and the music business. The college’s belief i that the best way to prepare students for careers in music is through contemporary music education. The college was the first in the U.S. to teach jazz, the popular music of the time. It incorporated rock ‘n roll in the 1960′s, created the world’s first degree programs in film scoring, music synthesis, and song-writing, and, in recent years, added world music, hip-hop, electronica and vide game music to its curriculum. With a diverse student body representing over 80 countries, and alumni that have received over 270 Grammy and Latin Grammy Awards, Berklee is the world’s premier learning lab for the music of today – and tomorrow. Notable alumni include Quincy Jones, Diana Krall, Branford Marsalis, Aimee Mann, Roy Hargrove, Gillian Welch, Miguel Zenon, Susan Tedeschi, John Scofield, Bruce Cockburn, Arif Mardin, BT, Alan Silvestri, John Mayer, Howard Shore and Gary Burton.

About Berklee In Valencia:

Berklee in Valencia is the first international campus established by the renowned Berklee College of Music – and its first campus outside of Boston. Located in the iconic building of the Palau de les Arts Reina Sofia in Valencia, Spain, the magnificent 3,600 square metre campus has been designed specifically for music and is equipped with state-of-the art technology. Berklee in Valencia aims to provide a hub to launch the careers across the globe for the most musically talented international students. Offering a unique curriculum, as well as an International Career Center to assist students in their transition from student to music professional, the campus presents Berklee College of Music’s first master’s degree programs in contemporary music (Scoring for Film, Television and Video Games; Contemporary Studio Performance; and Global Entertainment and Music Business;) launched in September 2012. In addition, Berklee in Valencia offers a Global Studies Program for Berklee students from Boston to study for a term at Valencia, Summer and Special Programs, as well as a new way for musicians around the world to join the global music community – as performers, as practitioners, and as leaders.

About Walters-Storyk Design Group:

Walters-Storyk Design Group has designed over 3000 media production facilities in the U.S., Europe, the Far East and Latin America. WSDG credits range from the original Jimi Hendrix Electric Lady Studio in Greenwich Village to NYC’s Jazz At Lincoln Center performance complex, broadcast facilities for the Food Network, CBS and WNET, over twenty teaching studios for The Art Institutes around the U.S. and corporate clients such as Hoffman La Roche. Recent Credits include Jungle City, NY’s major new destination studio, private studios for Green Day, Jay-Z, Timbaland’s Tim Mosley, film composer Carter Burwell, Acrosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk, Beth Walters and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG is a seven-time winner of the prestigious TEC Award for outstanding achievement in Acoustics/Facility Design, including 2012 for Jungle City. WSDG maintains offices in NY, SF, Miami, Argentina, Brazil, Beijing, Germany, Mexico City, Spain and Switzerland

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Haivision at ISE 2013

ISE 2013
Jan. 29-31 | Amsterdam
Haivision, Stand 10-K114

Haivision at ISE 2013:

Haivision is bringing several important innovations to ISE 2013. Anchoring the company’s end-to-end solutions is the new Makito(TM) X2 HD H.264 high performance encoder. The company will also present a unique and low-cost approach to IPTV, coupling its Torpedo(TM) DVB to IP gateways with Amino set-top boxes (STBs). Noteworthy for CoolSign(TM), a digital signage system that integrates with live IP video, is its new interface, enabling administrators to manage content segments and regions along with a new low-cost signage player. Additionally, Haivision will highlight Internet media delivery technology and a new free performance media player, along with new streaming and recording appliances. more

RTI Appoints Clint Forberg as Eastern U.S. Sales Manager

SHAKOPEE, Minn. — Dec. 17, 2012 — Remote Technologies Incorporated (RTI) today announced that it has named Clint Forberg as the company’s eastern United States sales manager. Forberg had served as RTI’s director of training for the last six years before being promoted to his new role with the company, where he is responsible for the sales and marketing activity of RTI’s control solutions in the eastern U.S. more

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Token Creek Mobile Television Acquires a Dozen New FUJINON Lenses

Wayne, N.J. – FUJIFILM North America Corporation, Optical Devices Division announces the recent sale of 12 of its lenses to Wisconsin-based Token Creek Mobile Television. The mobile broadcast production company acquired four XA88x8.8BESM Telephoto Field lenses, six ZA12x4.5BERM Super Wide Angle ENG/EFP lenses, and two XA101x8.9BESM Super Telephoto Field lenses. Nine of the lenses are being used in Token Creek’s newest HD mobile unit, Chippewa, while the others have been outfitted in two of their other mobile trucks, Varsity and Hiawatha.

“We’ve been a customer of FUJINON lenses for a long time, and have been continually pleased with the quality of their products,” said John Salzwedel, President of Token Creek Mobile TV. “When rolling out our newest HD production truck, it was an easy decision for us to include FUJINON HD lenses. We’ve been particularly happy with the cost of their lenses and the company’s excellent customer service.”

The FUJINON XA101x8.9 lens features a combination of wide angle and 101x zoom range, and the XA88x8.8 offers the industry’s widest angle in class with an 88x zoom range. Both telephoto field lenses feature FUJINON’s exclusive anti-fogging design to minimize lens fogging and reduce downtime due to climate change. The FUJINON ZA12x4.5BERM ENG lens features a 2x range extender and Digital Quick & Cruise Zoom. All three of the lenses boast exclusive FUJINON technology, including the DIGI POWER digital servo control system, EBC coating, and built-in F.I.N.D. diagnostics.

The Chippewa HD mobile unit was first used for a Thanksgiving Day parade telecast in Detroit. The next day, the truck was used for production of the Chicago Public School City Football Championship Game at Soldier Field, home of the NFL’s Chicago Bears. Chippewa is also set to be used for NBA game coverage, and is expected to be in high demand for many upcoming live sporting events.

Other equipment in Chippewa includes: Grass Valley LDK-8000 HD Elite cameras, Grass Valley Kayenne 4 M/E switcher, PESA routing system, EVS XT-3 servers, Calrec Artemis audio console, and a Chyron Hyper X3 Graphics system.

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of five operating divisions and one subsidiary company. The Imaging Division sells consumer and commercial photographic products and services including film, one-time-use cameras, online photo services and fulfillment, digital printing equipment and service. The Electronic Imaging Division markets consumer digital cameras. The Motion Picture Division provides motion picture film, and the Graphic Systems Division supplies products and services to the printing industry. The Optical Devices Division provides binoculars, and optical lenses for closed circuit television, videography, cinematography, broadcast and industrial markets. FUJIFILM Canada Inc. markets a range of Fujifilm products and services. For more information, please visit www.fujifilmusa.com/northamerica, or go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 16 companies around the world granted U.S. patents in 2010, and in the year ended March 31, 2011, had global revenues of $25.8 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

* At an exchange rate of 86 yen to the dollar.

All product and company names herein may be trademarks of their registered owners.

FUJIFILM Optical Devices Division, 10 High Point Drive, Wayne, New Jersey 07470. Phone: 973-633-5600. Fax: 973-633-5216. Web site: www.FUJINON.com

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Martin Audio Installed In New Chicago Mega Sports Bar/Nightclub


Encompass Technologies just completed a major sound and video installation for the sizeable new restaurant/sports bar/nightclub, John Barleycorn River North in downtown Chicago.

The fast-growing integrator had worked on a host of other venues for owners Sam Sanchez and Michael Gonzalez. As Tim Pickett, principal for Encompass, explains, “There are four John Barleycorns and we’ve been involved with all of them, two from the ground up and two complete rehabs. Sam and Michael also own two Moe’s Cantina clubs that we worked on.

“For John Barleycorn River North, they definitely raised the bar several notches with a substantial budget of $285,000,” adds Pickett. “Unlike the club in Schaumburg where there was a focus on live sound, John Barleycorn North functions as a sports bar and restaurant during the day and becomes a nightclub with a DJ upstairs that can hold up to 1500 people on Friday and Saturday nights.

“The audio system had to be very versatile so they can turn it up late at night for that nightclub sound and feel while providing more controlled sound levels for the sports bar patrons so that everybody can hear it the same way.

“Martin Audio was the obvious choice,” Pickett continues, “because the owners had the speakers in their other clubs and were very happy with the sound and performance. We used 32 AQ28 cabinets throughout the club along with six AQ212’s, four AQ215’s, three F12’s and Martin Audio MA 4.8Q and 6.8Q amplifiers. Two Symetrix Jupiter 8 systems provided turnkey audio processing.
I also want to acknowledge Jack Alexander who tweaked and EQ’d the site to help make it sound even better.”

John Barleycorn North replaces a two-story antique store that was completely gutted and outfitted with new furnishings, audio and a 72-screen video system including five video walls. According to Pickett, “part of the décor includes a glass roof that’s about 50 feet long and 20 feet wide and because they’re located in downtown Chicago, you can look up and see nothing but skyscrapers all around you. It’s a very impressive venue.”

Designed to provide the ultimate in sports viewing, the video system includes 12 Cima 46” LCD and 24 Tovis 46” LCD Ultra Narrow Video Wall Panels, 35 Samsung 60” Plasma Panels, two Samsung 46” LED Panels and a Sharp 80” LED Panel. The complex video switching system for both floors includes one Knox Chameleon 16X64 HD Matrix upstairs and one Knox Chameleon 16X32 HD Matrix downstairs with a Knox Touchscreen control system that functions via iPad.

The whole project took about fourteen months from start to finish and the club has been up and running for about three weeks. Asked about the installation, owner Sam Sanchez commented, “I’ve always been really impressed with Martin Audio. We’ve been using the brand since 2008 at our locations. What’s great is, that at any level, the sound is clear and intelligible. It works if you’re watching the game, or partying the night away. Encompass has done a great job installing the systems and making them just right. I really love that I can call them 24 hours a day any day for tech support.”

Concludes Pickett, “I’ve been very happy with Martin Audio over the years. They have really helped us by providing the right products for our clients’ needs along with excellent customer service. They are a great partner and make a really good product.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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HARMAN’s Crown Amplifiers Provide Power and Flexibility In Dale Horton Auditorium at Pensacola Christian College

ELKHART, Indiana – Located at Florida’s Pensacola Christian College, the Dale Horton Auditorium (DHA) recently underwent a complete audio system upgrade featuring HARMAN’s Crown CTs series amplifiers with PIP-BLU programmable input processor cards. The DHA, one of the largest performing arts venues in the Southeast, has a seating capacity of 3,500 and features a stunning interior that artfully blends angular and curved surfaces, fabric and wood and multi-level seating and houses a full working stage and orchestra pit.

“The Dale Horton Auditorium is an absolute gem – with one glaring exception,” said John Fuqua, vice president of Pensacola commercial audio and lighting contractor All Pro Sound. “The sound system was the original one that was installed when the Dale Horton Auditorium was built in 1986. It needed to be completely replaced.”

The facility needed a system that was versatile and could accommodate its wide variety of activities including theatrical and musical productions as well as the college’s own productions, lectures, and worship services. The college uses the DHA continuously for all types of events.

When it came to specifying the amplifiers Fuqua’s team knew they didn’t simply need raw power – they needed flexibility and control. “Crown CTs Series amplifiers with BLU-Link cards were ideal for this application.” Crown CTs amps feature programmable input processor cards that provide BLU-Link functionality. In addition to multiple digital audio bus channels to and from the amplifier, the PIP-BLU card offers an RJ-45 Ethernet jack for remote configuration, control and monitoring and analog input and output connectors.

Twenty Crown CTs 3000, 10 CTs 1200 and seven CTs 600 amplifiers, all with PIP-BLU cards are installed in the auditorium. The amps operate in conjunction with two BSS BLU-160 signal processors with digital audio bus, two BLUCARD-IN input cards, six BLUCARD-OUT output cards and two BLU-BOB2 break-out-boxes.

“The Crown CTs Series amplifiers with BLU-Link cards have remote monitoring and control capability, so we can operate, control power sequencing and configure them from a central location,” Fuqua noted. “We’re using the BSS Audio Soundweb London platform because we already have it deployed in several other areas on campus including the Crowne Centre auditorium, which is another large facility. Using BSS throughout Pensacola Christian College ensures compatibility and familiarity with the equipment and programming by everyone who uses it.” In addition to the Crown and BSS components, a Soundcraft Vi6 digital mixing console is used in the Dale Horton Auditorium for front of house mixing.

“The Crown amplifiers and BSS components work flawlessly together. Actually, the biggest challenge in the DHA installation was the fact that it was labor intensive – we had to completely replace the existing 26-year-old system and put in a new one that was ready to go in the space of five weeks. The result was worth it – the new system is far superior in overall sound quality and speech intelligibility, and the amps are much more adaptable to whatever kind of program they want to hold in the DHA, from a single lecturer to a complete theatrical production,” added Fuqua.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,900 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

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Analog Way introduces exciting new generation of high-end AV processors

December 2012 – Analog Way is pleased to announce the introduction of a brand new generation of high-end innovative systems for signal processing and distribution, based on their new state-of-the-art LiveCore platform. Two products of this new generation, NeXtage 16 and SmartMatriX Ultra, will be unveiled as a world premiere in Analog Way’s booth #11-F58, during Integrated Systems Europe 2013 from January 29-31 in Amsterdam, The Netherlands.

In the process of an ambitious corporate overhaul, Analog Way has initiated deep changes over the last three years. The goal: To reach the next level of innovation and quality, and to better serve customers. The company has made strong investments in Research & Development and has worked to optimize processes to offer the finest quality in design and production.

As a result of these improvements, today Analog Way proudly introduces a new generation of high-end AV processors dedicated to the System Integration and Rental & Staging markets. NeXtage 16 and SmartMatriX Ultra, the first LiveCore-based new generation systems, will be unveiled as a world-premiere during ISE 2013 in Analog Way’s booth #11-F58. They were conceived and designed based on careful analysis of customers’ needs and suggestions. They offer both highly innovative functionalities and first-rate quality of manufacture and design.

Adrien Corso, Analog Way’s CEO, explains: “The design of the LiveCore platform was the biggest Research & Development project ever undertaken by the company so far. It showcases Analog Way’s expertise in true-live AV processing technologies and underlines our ambition to remain at the forefront in this field. Our new LiveCore-based systems should be of great value to our customers in the forthcoming years.”
Franck Facon, Analog Way’s Marketing & Communications Director, adds: “Our customers have been pressing us for a long time to complete our offering with high-end processors above our well-established Di-VentiX series. The team took the time to put the company in perfect order before taking up that challenge. We’re now excited to bring LiveCore and this new generation of processors to the market: it feels like writing a new page in Analog Way’s history.”

NeXtage 16 is a powerful Seamless Switcher with dedicated live processing, based on Analog Way’s new LiveCore platform, designed with rugged hardware and reinforced chassis for demanding live events. Equipped with 8 true seamless inputs and 2 outputs, it offers 28 input plugs: 4 x HDMI, 6 x DVI-D, 2 x DisplayPort, 8 x 3G-SDI and 8 x Universal Analog.
NeXtage 16 offers 16 Scalers and state-of-the-art 100% digital processing, making it an exciting way to create impressive shows. It includes 4 independent true seamless layers per output, as well as an independent Native Background layer included for Soft Edge Blending or individual screen modes.

SmartMatriX Ultra is a high-end 12×4 Scaled Native Matrix, based on Analog Way’s new LiveCore platform, with rugged design for optimized durability. It offers versatile AV connections for any setup through 12 true seamless inputs and 42 plugs: 6 x HDMI, 9 x DVI-D, 3 x DisplayPort, 12 x 3G-SDI and 12 x Universal Analog.
With 2 independent true seamless scaled layers per output, SmartMatriX Ultra provides dedicated live processing for demanding presentations. Two units can be linked, with inputs and outputs shared and added, resulting in an impressive 24×8 Scaled Seamless Matrix.

Layers, individually controllable on both systems, can display either a live image or a still picture, all resizable. Inputs are simultaneously available on multiple layers.

Both devices provide a Full Preview with all PIPs available, as well as customizable Live Source Mosaic Monitoring on an independent output.

With the new user-friendly and intuitive web-based Remote Control Software, NeXtage 16 and SmartMatriX Ultra can be easily controlled via Internet or the front panel.

For more information, follow us on:

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Case Study: The “Golden Arches” Gets TecPodium Interactive Lecterns

A recent installation at the new corporate training facility included TecPodium Interactive Lecterns.
After having operating difficulties with the existing Audio-Visual equipment at the training center, Ronald said “enough is enough”.
The waste of training time, and money spent on technician hours, were issues managers and lecturers dealt with on daily basis.

TecPodium installations at the new training facilities were quick and clean as all cables and wiring were already in place.
Now all trainers and instructors feel more comfortable to use all audio-visual equipment, and can easily concentrate on the content instead on delivery.

One of the new rooms is the multi-purpose cafeteria hall where the TecPodium lectern controls the AV equipment, projector, motorized projection screen and more.
We look forward to expanding to other training centers, and to serve as an example in other corporate environments.

www.tecpodium.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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