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Archive for February 12th, 2013

HARMAN’s Lexicon PCM Total Bundle Inspires Smooth Jazz Artist Jonathan Fritzén

SALT LAKE CITY, Utah – In just a few short years jazz pianist, multi-instrumentalist and composer Jonathan Fritzén has vaulted to the top of the smooth jazz charts. His latest release, Magical, has reached Number One on every major smooth jazz airplay chart. At turns easy-grooving, romantic, vibrant and always melodic, Fritzén’s music has captured the imagination of listeners worldwide. One of the most effective musical colors in Fritzén’s palette is the HARMAN’s Lexicon PCM Total Bundle, which includes 14 hallmark Lexicon Vintage Plate, Room, Concert Hall and other reverbs, and effects that run the gamut from Pitch Shift, Chorus and Dual Delay to unique sounds like Resonant Chords, which allows multiple delay voices to resonate on specific notes.

“I first became interested in Lexicon for a very important reason – the sound! As countless of my favorite records had Lexicon products as part of their sound, I wanted to find a way to incorporate them into my own recordings,” Fritzén said. “When the PCM Total Bundle became available it looked like the answer to my needs and I had to try it out.”
Fritzén finds that the Lexicon plug-ins offer musical capabilities available nowhere else. “They sound incredible – actually, I would say that these are the best-sounding reverb and delay plug-ins I’ve either used or heard, without competition. But more importantly, I also really like how creative I’ve been feeling in using them.”
“The flexibility and functions that the PCM Total Bundle provide inspire my artistic directions. The various plug-ins really feel like instruments in themselves, compared to other plug-ins that just feel like ‘plug-ins’ and don’t have the musical character that I prize in Lexicon.”
“In fact, in my experience the Lexicon reverbs and effects are inspirational in themselves,” Fritzén concluded. “This is something very rare when it comes to plug-ins.”

“We are very excited to be working with a musician of Jonathon’s caliber and to be an integral part of his sound,” added Noel Larson, Market Manager, Portable PA, Tour and Recording at HARMAN Signal Processing.

The Lexicon PCM Total Bundle is designed to work with popular DAWs like Pro Tools and Logic, as well as with any other VST®, Audio Unit™ or RTAS®-compatible platform. Compatible with Windows® Vista, XP and 7 and Macintosh® computers, it offers 14 unique Lexicon reverbs and effects, and hundreds of finely crafted studio presets. Its intuitive user interface provides control of key parameters with a graphical real-time full-color display and flexible sonic customization capabilities.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

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Deserving of a Distinguished Service Medal: HARMAN’s Crown Retires Its D Series Power Amplifiers

ELKHART, Indiana — HARMAN’s Crown Audio today announced that after 37 years of continuous production the company is discontinuing its D Series power amplifiers. In a run that’s unprecedented in the history of professional audio amplifiers, the Crown D Series became ubiquitous worldwide for its outstanding sound and unshakable reliability, and as the D Series era draws to a close, its legacy is embodied in every current Crown product.

“Little did the 1977 engineering development team know that the new D75 would turn out to be the longest running product of the company. During its lifetime over 100,000 were produced. Generations of dedicated assembly personnel have touched the D75 and contributed to its long life. It epitomizes the focus we have to do our best and satisfy our customers,” stated Tom Szerencse, Manufacturing Engineer, HARMAN Professional Amplifier Business Unit.

The Crown D Series evolved from modest beginnings. “In 1977 we developed the D Series from the Crown SA20-20, a one-rack-space 20 watt per channel solid-state stereo power amp that was an accessory to the Crown tape recorders of the time,” said Gerald Stanley, Director of Research, HARMAN Professional Amplifier Business Unit. “However, when mounted in a rack the tape recorders and their electronics left little room for accessories, which shaped the compact form factor of the D Series and the rack-mount-ability of Crown amplifiers ever after.”

The Crown D Series soon became ever-present. After 37 years these amps are everywhere, in the studio, on stage, in broadcast facilities, in fixed installations and even in homes. The odds are almost everyone has heard one. Models like the moderate-power D-75A and D-45 were ideal for applications like recording and broadcast studio near-field monitoring and small paging systems, and with more than 25 years of continual production, the DC-300 has attained legendary status.

“If any amplifier line should receive a lifetime achievement award, it’s the D Series, Stanley concluded.” The Crown D Series has outlived most amplifier companies, let alone most amplifier families.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

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RSI Rete Tre Bolsters Inventory with HARMAN Studer OnAir 3000 Console

LUGANO, Switzerland — RSI Rete Tre is the third Italian-language radio station from Radiotelevisione svizzera di lingua italiana (RSI), based in Lugano, Switzerland. Set up in 1988, it is aimed at younger viewers, broadcasting solely in Italian and featuring popular and alternative music. With its 25th anniversary approaching, the studio decided it was a perfect time to overhaul and upgrade its main studio and specified a HARMAN Studer OnAir 3000 digital broadcast console.

Although they had considered other options, the OnAir 3000 became their de facto choice to add to their many other Studer desks. It was supplied by Studer’s Swiss distributor, Dr. W.A. Guenther and is configured with 18 faders, multiple CAB system support, DJ and editorial monitoring, along with two master bus, recording bus, four aux bus and 16 N1 (mix-minus) bus.

The station’s principal criteria were ease of use, since their DJs need to manage multiple tasks when on air (such as computers and phone calls)—and integration with the existing Studer DigiMedia playout system.

Marco Strigl, Rete Tre’s Technical Support, said, “We already have several mixers from Studer, including OnAir 5000, OnAir 1000, OnAir 1500, OnAir 2500, Vista 7 and Vista 8, and past experience has shown us that they are very reliable—particularly the OnAir 3000.”

I/O on the desk include eight Mic/Line Inputs; eight Line Inputs; 24 AES/EBU Inputs; 64 MADI Optical Inputs; 16 ADAT Optical Inputs (for monitoring), eight Line Outputs; 24 AES/EBU Outputs; 64 MADI Optical Outputs; and 16 ADAT Optical Outputs (for monitoring).

“The Studer platform offers a very easy-to-understand user Interface, and for me the whole Configuration Tool is very flexible and powerful,” Strigl continued. “The fact that our DJs and technicians already know the philosophy behind these mixers makes it very easy to specify Studer products.”

HARMAN (www.HARMAN.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

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Extron Announces New DVI Signal Regenerator and Audio Extender with EDID Management

DVI 110 PlusExtron Electronics is pleased to introduce the DVI 110 Plus, a DVI signal regenerator and audio extender with EDID Minder. The DVI 110 Plus retimes and reshapes marginal or noisy DVI-D signals at the source, ensuring a strong, stable digital signal. It also accepts unbalanced computer stereo audio and converts it to balanced line level stereo audio, eliminating noise usually associated with unbalanced audio over long cable runs. The DVI 110 Plus features EDID Minder, which maintains continuous EDID communication with the source and ensures proper video output even if the display device is off. The DVI 110 Plus is available in Decora-style and AAP form factors, and is ideal for improving system performance by eliminating signal noise and reducing jitter at the output of the source.

“Maintaining the quality of digital signals throughout the signal path is an increasing challenge for AV system designers and integrators,” says Casey Hall, Vice President of Sales and Marketing for Extron. “With its compact, architectural-mount form factors, the DVI 110 Plus allows digital signal regeneration and EDID management to be placed where it’s needed most, on the wall, in a floor box, or in a tabletop or desktop surface.”

The DVI 110 Plus can be used in conjunction with an Extron DVI 101 or HDMI 101 Plus cable equalizer to ensure optimal picture quality on a long cable run. It can also be used with DVI or HDMI products equipped with input cable equalization, such as the Extron SMX HDMI and DVI Pro matrix boards, or DXP Series and DMS Series digital matrix switchers.

Visit our Web site at www.extron.com for more information.

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Haivision at the 2013 NAB Show

2013 NAB Show Preview
April 8 – 11 | Las Vegas
Haivision | Booth SL6605

New at the NAB Show

At the 2013 NAB Show, Haivision will introduce bold new solutions that allow users to capture, manage, and publish media content to Internet audiences. These new solutions are coupled with Haivision’s industry-leading encoding (Makito(TM)) and cloud transcoding (KulaByte(TM)) technologies, along with new Internet transport technologies. Haivision will also debut the Makito X series, the company’s next-generation, high-definition, H.264 encoding platform with dual-channel HD encoding capabilities.

With these new solutions, Haivision brings together performance streaming technology with on-premise and cloud-based media management systems. Anchored by the industry-leading HD H.264 encoding technology, including the new Makito X series, Haivision offers end-to-end workflow solutions for enterprise IPTV, secure channel monitoring, multichannel recording, and media management both on-premise and in the cloud.

Haivision helps organizations establish the most cost-effective streaming workflows and deliver both live and on-demand content to users anywhere. Haivision’s latest innovations offer the most complete, integrated, and simplified solutions so content producers can deliver content within and beyond the enterprise on multiple viewing devices.

Media Contribution | Extreme Encoding
Haivision’s next-generation, award-winning encoding technology

Makito(TM) X will make its debut at the 2013 NAB Show. Haivision’s next-generation, high-definition H.264 encoding platform with dual-channel HD encoding, Makito X2, delivers twice the quality at half the bandwidth of competing encoders. Makito X2 carries on the tradition of the Makito with only 55 milliseconds of encoding latency, an extensive feature set, and the ability to deliver multiple bit rates (MBR) from each source simultaneously. This low-latency encoder is available as a standalone appliance or in a rackmount enclosure, supporting up to 12 channels of HD-SDI 1080p60 encoding within 1RU, and delivering the highest channel density in the industry.

Image Link: www.ingearpr.com/Haivision/MakitoX.zip
Caption: Haivision Makito(TM) X2

Media Management and Delivery
Haivision’s new media management and cloud technology

Haivision blends expertise in live performance streaming with world-class media management solutions. At NAB, Haivision will introduce two new media management solutions: on-premise technology for capturing and sharing the most valuable user-generated content, and cloud technology to assure that content reaches a target audience in any format required.

Company Overview
Haivision delivers advanced technology for streaming, recording, managing, and distributing secure IP video and interactive media within the enterprise, education, medical/healthcare, and federal/military markets. Haivision is a private company based in Montreal and Chicago, with technical excellence centers in Beaverton, Ore.; Austin, Texas; and Hamburg, Germany. With a global sales and support organization, Haivision distributes its products through value-added resellers, system integrators, distributors, and OEMs worldwide. More information is available at www.haivision.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

PR Link: www.ingearpr.com/Haivision/NAB2013.zip

Visionary Solutions 2013 NAB Show Preview

2013 NAB SHOW EXHIBITOR PREVIEW

Visionary Solutions, Inc. — Booth SU6021

At the 2013 NAB Show, Visionary Solutions, Inc. (VSI) will showcase the latest advancements in its comprehensive portfolio of IPTV and Internet encoding products, designed to support a wide variety of applications. VSI will demonstrate a brand new decoder as well as showcase PackeTV(R) Mobile, a powerful HTTP-based media streaming solution that simplifies multiscreen video delivery. Also at the booth will be a new VSI bundle that combines PackeTV Mobile with the company’s flagship AVN encoders. more

NEP Takes Cobalt Digital To The Big Game

Click here to Visit Cobalt at NAB 2013 Booth N 4624

New Orleans, LA – Two of NEP’s fleet rolled into New Orleans equipped with a host of Cobalt Digital (www.CobaltDigital.com) terminal gear to cover the football championship game on Sunday, February 3.

NEP’s Supershooters / SS22 HD Production truck was on hand for game coverage, while the organization’s Denali California HD mobile unit handled the unique needs of the half-time extravaganza. Cobalt’s family of up/down/cross 3G/HD/SD-SDI converters populated both vehicles, as well as the Company’s distribution amplifiers, frame synchronizers, color correctors and remote control panels.

“Cobalt is proud to play a role in NEP’s coverage of the most watched sport event in the US,” said Chris Shaw, Cobalt EVP sales & marketing. “There’s no room for error when the whole country is watching, and our gear won’t disappoint. Reliability and support is key during such prestigious events”

# # #
ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

About NEP
With the world’s most advanced equipment, largest fleet of mobile units and global production studios to suit every genre, NEP enables its clients to execute, deliver, and display exceptional productions on any platform around the world. For more than 30 years, NEP has ensured its clients’ success by delivering superior service and building lasting relationships with a passion for continuous innovation. NEP’s talented staff is committed to acting with integrity and working as a team to deliver comprehensive solutions for remote production, studio production, video display, webcasting, and power generation that set the global industry standard. For more information, visit http://www.nepinc.com.

Company Contact: Chris Shaw, EVP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

Adaptive Technologies Unveils StarGrid Mounting System for Overhead Cinema Surround Speakers

Unique Speaker Grid Paves the Way for New Cinema Surround Sound Experience

SIGNAL HILL, CA, FEBRUARY 12, 2013 — Adaptive Technologies Group, comprised of Allen Products, ATM Fly-ware and Adaptive Video Walls and Displays, and a premier provider of state-of-the-art rigging and mounting solutions for a wide range of audio and video applications, is proud to introduce its StarGrid™ overhead mounting system, specifically developed for clustering ceiling-mounted cinema speakers. This new system, which supports the latest ceiling speaker formats found in movie theaters, is designed to reduce the cost of multi-channel surround sound installations.

With digital cinema and 3D exhibition becoming state-of-the-art, directors and studios have begun implementing new object-based surround sound technologies, such as the Atmos™ surround format from Dolby Laboratories™ and the Auro format from Barco, to compliment the enhanced visual experience. Recent examples of this include the films Brave, Life of Pi and The Hobbit: An Unexpected Journey, to name a few, as well as upcoming titles such as Star Trek: Into Darkness. Adaptive’s StarGrid system supports the adoption of such technologies with a safe, easy-to-install ceiling grid that reduces total installation costs and optimizes the installation of surround speakers.

Cinema exhibitors are taking advantage of the StarGrid system and quickly recognizing its impact on safety, ease-of-installation, as well as the confidence and predictability that Adaptive designs bring to each of its theaters.

“The engineering and design behind Adaptive’s StarGrid system has enabled us to complete our overhead installations quickly and confidently in order to meet our client’s ever-shrinking installation timelines,” says Adam Peterson, director of technical services, Universal Cinema Services. “While an auditorium is under renovation, it isn’t generating any revenue. The StarGrid allows us to get in and out of an overhead installation fast, in order to help the client get back to selling tickets.”

Proper placement and aiming of speakers in a cinema setting is vital to achieving the desired audio experience. Not every facility, however, is designed the same way. To address this, Adaptive has developed a complete beam-to-speaker design that allows the StarGrid system to be easily retrofitted into almost any theater’s space. This system comes with a variety of components that accommodate most building materials and structures, including trusses, beams, pipes and channels. Further design considerations take wire management, sound isolation and seismic conditions into account. Lastly, Adaptive offers a variety of adjustable speaker mounts that accommodate standard cinema speaker models, including those produced by Eastern Acoustic Works (EAW), Electro-Voice, JBL Professional, Klipsch, Meyer Audio and QSC Audio.

“With Adaptive’s StarGrid there is finally a structurally engineered ceiling speaker attachment method that’s perfect for cinema,” says Jim Kappus, director of sales and logistics, ACS Enterprises, Inc. “It is a safe and risk-free method for properly installing overhead speakers.”

For this customized solution, Adaptive can provide the installer with a complete ceiling grid design based on facility drawings that includes dimensioned drawings for installation, a bill of materials, working load and safety factors, as well as auditorium-specific recommendations. Theater owners need only provide Adaptive with the drawings (preferably CAD files) of the facility and the placement of any acoustic wall treatment. Adaptive then creates the installation design for installers to follow, detailing the exact location of the ceiling speakers and the grid components that support them. This can also provide support for the submittal of plans for approval.

“It is really exciting to once again be a part of another major cinema technology build-out,” says Paul Allen, CEO, Adaptive Technologies Group. “For decades we have worked with leading theater chains and speaker manufacturers to develop cinema specific surround mounts for walls. With StarGrid, we have created an easy way to safely and efficiently install ceiling surrounds in auditoriums, making the whole process more predictable and less costly for theater owners. Adaptive has had a long history of supporting sound innovations and we are happy to continue this tradition with this latest offering.”

    About Adaptive Technologies Group


Adaptive Technologies Group combines the talents and disciplines of Allen Products, ATM Fly-ware and Adaptive Video Walls and Displays, and offers state-of-the art rigging and mounting solutions for a range of audio and video applications. With its combined divisions, Adaptive is a full-service solution provider, by way of the design, development and manufacturing of professionally installed AV mounting and rigging equipment worldwide. Each brand offers its own standard and unique time-saving solutions, best safety practices and unlimited custom designs for any venue, size and application.

In addition to providing a wide selection of popular mounting and rigging solutions, Adaptive is a major resource for hundreds of commonly used and often hard to find rigging hardware and fastener items. Based in Signal Hill, California, all overhead products and parts are made and assembled in the USA. For more information, visit http://adapttechgroup.com.

Boogie Woogie Christmas with Yamaha CL5s

BUENA PARK, Calif.—The Brian Setzer Orchestra (BSO) recently completed their ninth annual Christmas Rocks! Extravaganza 26-show full of fan favorites performed by Setzer and his 18-piece orchestra off the Boogie Woogie Christmas album.

BSO boogied through the Christmas tour with two Yamaha CL5 Digital Audio Consoles and four Rio3224-D input/output boxes, provided by Sound Image of Escondido, California, who provided audio production for the tour.

James ‘Jimbo’ Neal mixed front of house using a Yamaha CL5 with two Rio3224-Ds, and Eric Scott used a second CL5 for the monitor mix along with a second pair Rio3224-Ds. “We ran the Rio boxes, which were in pairs at FOH and monitors, in redundancy through two custom-made switches from Sound Image with the assistance of Joe Lopez from Yamaha Commercial Audio Systems,” states Neal.“ The CL console sounds like nothing else from Yamaha, and I found it to be a little more forgiving with a warmer low-mid and a smoother high end. I love the Premium Rack with the Rupert Neve Designs compressor and EQ.”

Neal said he previously used Dante software and hardware with a PM5D and Cubase 6 on the Rockabilly Riot Tour, where he multi-tracked every show later used for a live CD release,” Live From The Planet ” on Surf Dog Records. “The integration between the CL, Dante software, and Nuendo Live is seamless, and has made my life much easier.”

“Using the CL5 on this run of the tour was an amazing experience,” adds Scott, sighting the custom fader banks as a favorite feature which, he said, really helped out when in flip fade mode. “The combination of the Sound Image MA112 monitor wedge and the CL5 gave us the cleanest stage I ever had for Setzer.”

For more information, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Luke Bryan Tour Uses PixelFLEX LED Curtain Video Wall to Enhance Show Visuals While Making Life Easier for Road Crew

Having already used PixelFLEX’s unique flexible and lightweight LED Curtain video wall system on tour since 2011, Luke Bryan is featuring a 60′ x 40′ 100mm Curtain with another 40′ x 30′ 18mm Curtain during his headlining tour in 2013 to provide an enhanced video experience for concert-goers. Both Curtain systems are custom-made by PixelFLEX.

Easy to operate and set up – videos and images can be sent to the screen using any computer with a DVI-D connection – PixelFLEX LED Curtains are available from low resolution to high resolution, allowing users to demonstrate simple effects or elaborate videos. Given the high-quality video and visual effects the solution has produced for Bryan’s production team during previous tours, the artist’s production manager is confident that expanding the use of the Curtain for the 2013 tour will offer fans an even better live show experience with minimal impact on the road crew.

“The PixelFLEX solution is a great product for a number of reasons,” said Pete Healey, production manager and front-of-house mixer. “It’s durable, flexible and lightweight, which makes it easy to set up, tear down and pack on the truck in a compact fashion. At the end of the night, we bring the truss in and the Curtain folds right into a case, which then gets stacked three high in the truck.”

Flexible in all directions, PixelFLEX LED Curtains are able to bend and shape around structures for a more creative display.

“The flexibility of the Curtain gives us creative freedom in how we use it in different venues,” Healey continued. “As a support act last year, we didn’t have access to all of the headliner’s video product. So, we wrapped the PixelFLEX system around cylinders to make sure that fans sitting side of stage or upstage had a view of the show’s visual elements. We couldn’t have done that with a hard product.”

An industry veteran, Healey believes that production should be invisible – the main focus needs to be on the performer. Still, he understands that production plays a vital role in the concert experience for fans.

“With our headline tour this year, we are using the PixelFLEX Curtain in a way that provides a big ‘WOW’ factor for our audience,” Healey remarked. “Whereas most acts use a 60′ x 40′ stardrop on tour, we’ve decided to use PixelFLEX’s 100mm Curtain with a lo-res backdrop and hi-res big screen in front. At first, it might look like another stardrop, but once we start mapping our content through it the difference will be drastic.”

For more information on PixelFLEX and its growing line of lightweight LED video screens, visit www.LEDCurtain.com. Follow PixelFLEX at www.Facebook.com/PixelFLEXUSA and @LEDCurtain.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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