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Archive for February, 2013

Blue Man Group Launches New Vegas Production With DiGiCo In The Mix

The creative forces of Blue Man Group (BMG) have been working for two years to bring an all-new production to the Monte Carlo Resort and Casino in Las Vegas. This international entertainment phenomenon—one of many adaptations around the globe from Berlin to Boston—comprises a trio of blue men and an electrifying combination of music and inventive technology celebrating the more

PROFESSIONAL WIRELESS SYSTEMS TACKLES COMPLEX FREQUENCY COORDINATION NEEDS AT SUPER BOWL XLVII

Wireless Management and Equipment Package Provides Interference-Free
Coverage for the Game’s Entertainment Segments

NEW ORLEANS, FEBRUARY 5, 2013—As football fans gathered at the Mercedes-Benz Superdome and in front of television sets around the world for Super Bowl Sunday, Professional Wireless Systems (PWS), a Masque Sound Company and experts in supplying and supporting wireless systems for live and broadcast events, was on location in New Orleans to provide its expert frequency coordination and RF management for referee microphones, as well as pre-game and halftime entertainment.

For the company’s 17th consecutive Super Bowl, PWS once again partnered with ATK Audiotek and Versacom for the big game. Recognizing that preparation is extremely important to ensure interference-free RF management on game day, PWS project manager Jason Eskew and his team began their work almost five months prior to the game. “I did a site survey at the Superdome in October and submitted our frequencies in November for approval,” says Eskew. “When doing so, I had to be sure to pick equipment that covers multiple manufacturers’ frequency ranges. Each performer has his or her equipment of choice, along with endorsement deals that require us to use a specific wireless system, so we needed to be able to easily adapt to this, along with any changes the scheduled performers might make on site.”

This year, Grammy Award-winning recording artist Jennifer Hudson was a late addition to the lineup, joining 26 students from Sandy Hook Elementary School in singing America the Beautiful during the Super Bowl XLVII pre-game show. “Thanks to the flexible plan I designed and the excellent bench skills of John Garrido, the team was able to accommodate her needs without any problems,” says Eskew. “The people over at Shure and Sennheiser once again did a good job providing the gear that supports the performers.”

In order to provide an interference-free show and ensure all wireless activities went off as planned, PWS utilized the Shure Axient Wireless, UHF-Rs and PSM-1000 series IEMs. In addition, the team employed 3732 receivers with 5200 transmitters, as well as a range of wireless gear from Sennheiser. An added benefit of the Axient system was its ability, in the body pack diversity mode, to provide automatic fail-over protection for the referees’ microphones. Versacom provided a mixture of wireless intercoms, including HME PRO850 and BTR800s from Telex, for the event.

PWS utilized its Domed Helical Antenna on the field. A new standard in wireless antenna performance and physical presence, the Domed Helical Antenna combines the highly successful circular polarization configuration pioneered by the company’s original Helical, but with the unit sealed within a unique new compact “domed” design. This provides robust and uncompromised multichannel wireless microphone, in-ear and intercom wireless connectivity. Constructed from rugged polycarbonate, PWS’ Domed Helical is designed to hold up to considerable abuse on the road. A combination of Domed Helicals and original PWS Helicals were used for all of the ATK wireless systems on the field.

In addition, PWS’ expert crew of Eskew, John Garrido and Brooks Schroeder were onsite to keep the high volume of RF signal usage in check and to ensure frequencies maintained solid signals. They were also available to troubleshoot any potential issues. “When faced with the clutter of several hundred frequencies in use, it is our job to stay on top of it and be ready with backup frequencies and equipment,” adds Eskew. “This year’s Super Bowl was bigger than ever and the crew at PWS once again did an incredible job making sure that the pre-game festivities, including the National Anthem, America the Beautiful and the incredible half-time show featuring Beyoncé, went off without any fumbles, even with the power outage. Thanks to our uninterruptible power supply (UPS), we were able to maintain power for the referee mics, which was still important at that time even though play was halted, until the rest of the power was restored within the Superdome.”

For more information about Professional Wireless Systems, visit http://www.professionalwireless.com.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies” and “Once” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

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Haivision at Digital Signage Expo 2013

Digital Signage Expo 2013
Feb. 26-28 | Las Vegas
Haivision — Booth 1713

Haivision at DSE 2013:

At DSE 2013, Haivision will showcase an exciting new lineup of products that integrate high-quality IP video with digital signage including: a new high-performance, low-cost, enterprise-grade, digital signage player to be unveiled at the show; fully integrated IP video and digital signage solutions with Furnace(TM) and CoolSign(TM) providing secure, scalable live and recorded IP video distribution with digital signage; and the latest CoolSign 5.0 digital signage solution with new features including secure IP video distribution and a simplified Web interface. more

New Smaller HARMAN Studer Vista 1 Debuts at ISE 2013

AMSTERDAM, The Netherlands — Launching at ISE, the compact all-in-one Studer Vista 1 console is now available in an even more compact 22-fader version, measuring just over 1 metre in width, and perfectly suited to small spaces such as found in OB vans. For smaller vans where the audio console fits into the cab area, the Vista 1 provides a comprehensive solution requiring no additional racks, including integral I/O, DSP and surround sound management including up and down-mixing. The low weight advantages of the new desk are immediately obvious.

The Vista 1 is based largely on the Vista 5, so existing Vista users will be immediately familiar with all the functionality of the Vistonics™ user interface plus features such as true broadcast monitoring, talkback, red light control, GPIO, N-x (Mix Minus) busses, snapshot automation and DAW control.

With an integral DSP engine of 96 channels, the Vista 1 can handle mono, stereo and 5.1 inputs with ease, and is provided with 32 mic/line inputs, 16 line outputs and four pairs of AES inputs and outputs on rear panel connections.

I/O can be expanded using the standard Studer D21m card slot on the rear, to allow MADI, AES, AoIP, ADAT, TDIF, CobraNet, Dolby E/Digital, SDI connections etc. A MADI link can connect to any of the Studer Stagebox range for XLR connectivity as well as other formats.

New to the Vista 1 is an integral jingle player, played from audio files on a USB jingle stick (such as station ID or background FX), and triggered by a series of eight dedicated keys in the master section.

The Studer Vista 1 also features a redundant PSU for peace of mind, and RELINK integration with other Studer Vista and OnAir consoles means the Vista 1 can easily share signals across an entire console network.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,900 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

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Extron Announces Upgrade to its H.264 Streaming Media Encoder

Anaheim, California (February 4, 2013) – Extron Electronics is pleased to announce an upgrade to the popular SME 100 encoder, enabling the support of additional network and streaming protocols. The SME 100 now supports push streaming in unicast or multicast applications applying native RTP or MPEG-2 Transport Streams. Session Announcement Protocol and Session Description Protocol are applied to manage push streaming sessions. These new network and streaming protocols make the SME 100 compatible with a greater variety of third party decoding devices and streaming configurations. Other new capabilities include HTTP tunneling and closed captioning support for the EIA-608B standard. These new features are included in all SME 100 units that are shipping, and this firmware upgrade is available as a free download for current users.

“Streaming encoders are used in many different applications and network configurations. This latest firmware update supports integration into a broader variety of streaming applications, and provides compatibility with a greater variety of H.264 devices including set-top box decoders,” says Casey Hall, Vice President of Sales and Marketing for Extron. “We have expanded our support of encoding, network protocols, and control features in the SME 100 to give AV professionals a broader set of tools for AV streaming applications.”

The SME 100 is available in two models, the SME 100 SD, which streams at resolutions from 166×120 up to 720×576, and the SME 100 HD, which streams at resolutions from 166×120 up to HDTV 1080p/30. Both models accept standard definition video and high definition video signals, including 1080p and computer-video signals up to 1920×1200 plus audio. Extron has developed the SME 100 feature set specifically to support the broad source, control, and processing capabilities that AV applications require.

Visit our Web site at www.extron.com for more information.

MHA Audio Installs MLA Compact In Lisner Auditorium

A fixture in Washington DC live entertainment since the Second World War, George Washington University’s Lisner Auditorium has hosted an eclectic mix of performers from Ingrid Bergman to Pink Floyd, along with leading world music artists, local opera and symphony companies and celebrated political dignitaries over the years.

The university recently decided to upgrade the venerable auditorium with special emphasis on the sound and lighting systems. MHA Audio, a successful local production company and integrator based in Hagerstown, MD, was tasked with installing the new audio system.

Discussing why he got involved with the project, MHA owner Mike Scarfe said, “We don’t normally do much installation work, but we have an outstanding relationship with Lisner and George Washington University based on doing live shows there for over 20 years, so this project made a lot of sense.

“It was also a perfect opportunity in terms of timing to bring Martin Audio’s new MLA Compact system into play and it all came together really well. The 1500-seat venue was the perfect size for the system. We put eight MLA Compacts per side with a center array of six DSX subs under the stage. The system was a natural choice because we’d had such a great experience with Martin Audio’s MLA touring system and this technology is definitely state-of-the-art.”

Discussing the University’s decision to modernize the sound and lighting systems, Executive Director of Lisner Auditorium and Partnership Development at GWU Maryann Lombardi explains, “We haven’t had a significant upgrade since the early forties and we needed to make the venue more competitive in terms of attracting high-profile talent.

“The environment for entertainment venues in the District of Columbia, Maryland and Virginia has changed dramatically in the last 20 years with more venues offering increasingly sophisticated capabilities. Our job is to become more competitive within that market. We’ve held a very prominent place in the past, but we really wanted to branch into other genres and better support our world artists.”

“In addition to a new sound and lighting package,” continues Lombardi, “the facility upgrade included a complete physical upgrade in terms of a new interior, seats, painting, carpet, stage floor, hanging points in the ceiling for lighting and sound, and a new heating and cooling system.”

Since the upgrade, Lisner has presented a series of popular and well-attended world music concerts by artists such as the Brazilian singer-songwriter Gilberto Gil and Acoustic Africa, as well as the sold-out debate between Fox’s Bill O’Reilly and the Daily Show’s Jon Stewart.

Asked about her impressions of the sound system since the MLA Compact system was installed, Lombardi enthuses, “I’m thrilled. It really has made an enormous difference in the sound quality. We’ve also gotten very good reactions from legacy clients such as the Air Force Band, Gilberto Gil, the Heritage Awards and artists using the equipment for the first time.

“We are now vetting performers and looking through their contract riders as we venture into new genres and it’s really cool to say we now have this sophisticated sound system in place that they can put to good use.”

Eric Annis, Production Manager and Technical Director for Lisner, is also enthusiastic about the new MLA Compact, “We think it’s fantastic and so do all the users who have come in since the installation.

“We’ve had several televised events in a row and maintaining the sightlines within the auditorium is wonderful,” adds Annis. “The shows have run the gamut from loud electrical music to a single mic bluegrass band, and the MLA Compact system has proved to be equally articulate and clear.”

For more about Martin Audio, please click to www.martin-audio.com.

About MLA™ (Multi-cellular Loudspeaker Array)
The result of many years of intensive R&D, MLA’s methodology replaces trial-and-error array design with intelligent numerical optimization of the array’s output based on a highly accurate acoustic model. The multi-cellular format has six individual cells in each enclosure, each with its own DSP and amplification.

With up to 24 enclosures, each MLA array has up to 144 cells — too great a number to optimize manually, or by ear. Instead, Martin Audio’s proprietary Display2™ system design software automatically calculates FIR DSP filters for each cell and a redundant-ring audio network (U-NET™) downloads the settings into each array enclosure. Martin Audio’s VU-NET™ software provides real-time control and monitoring of the system.

MLA delivers a frequency response and SPL consistency never before achievable; a very high system output (140dB peak, per cabinet @1m); Automatic optimization of the array, both physically (splay angles) and electronically (DSP); Computer control and monitoring of the entire system, and total control of sound system balance for engineers and sound technicians.

MLA is fully integrated, with Class D amplification, DSP and U-NET digital audio
network built into each enclosure. MLA complete systems are ready-to-use, with MLA, MLD and MLX enclosures, flying hardware, software, cabling and training all supplied. Everything needed is included. All ancillary items — from tablet PC and Merlin™ controller to network interconnects and mains distro — are also included in the complete system package. This ensures full compatibility worldwide, down to cabling and accessories.

Additional features include 90° x 7.5° dispersion; a compact size (1136mm wide x 372mm high x 675mm deep), one-box-fits-all (festivals to theaters) application range and a global voltage, power factor corrected power supply.

MLA’s compact size and very high output allows it to be shipped using smaller trucks, offering considerable savings and reduced carbon footprint. The system also includes the MLX powered, flyable subwoofer capable of an unprecedented measured peak output of 150dB @ 1m; MLD downfill cabinet, and Merlin 4-in/10-out system controller and network hub. Audio input is via analog, AES3 or U-NET.

By adopting these principles and system components MLA is optimized for every member of the audience — from a 2,000 capacity theater, to a 20,000-seat arena, to a 100,000-person festival site. It will deliver the engineer’s exact mix to every seat (up to over 150 meters) with precision, exceptional power and clarity.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

MuxLab Inc. Launches New Website with Dramatically Enhanced User Capabilities

MONTREAL, CANADA – MuxLab Inc., leading designer of value-added connectivity hardware and structured cabling solutions, today announced the release of the new and improved www.muxlab.com site to provide their customers with a more custom and interactive experience for viewing and researching their products and brand.

“MuxLab.com visitors are a mixture of our distributors, end-users, and new potential customers. We listened to requests and completely redesigned our site to provide a better online experience whether familiar with the MuxLab brand or not. The result is a fresh, new look with user friendly navigation and much more content,” said Lori Abramovitch, Marketing Manager at MuxLab.

The new MuxLab.com includes site enhancements such as improved search features, embedded videos company event and news updates, and much more. The new website’s look and feel also represents MuxLab branding across its products lines. The site has been available through a beta launch for the past month, receiving overwhelming positive feedback. The site will continue its evolution introducing new content and visual enhancements over time.

About MuxLab
MuxLab Inc. is a leading designer and manufacturer of connectivity solutions that allow CCTV and Audio-Video equipment to be connected via cost-efficient Cat5e/6 copper twisted pair in the structured cabling environment. For over 25 years, the MuxLab brand has been synonymous with quality, performance and reliability. MuxLab solutions streamline cabling by reducing material, space, and installation costs. Even after installation, MuxLab products help save time and money by facilitating moves, adds, and changes.

###

For more information;
www.muxlab.com
videoease@muxlab.com
514-905-0588

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HARMAN’s AKG Improved Stands Advance Functionality And Quality For Tabletop Settings

AMSTERDAM, The Netherlands – Underscoring its ability to provide the ideal solution for any live sound, conference or recording application, HARMAN’s AKG introduces a new line of tabletop microphone stands for all environments. The ST6 houses all AKG XLR-based mics, CGN321STS and CGN521STS and their programmable switch cater to gooseneck mics and STS DAM+ provides a base for DAM+ gooseneck modules and CS321/521 goosenecks.

ST6 is a heavy-duty table stand and due to its weight, absorbs shock and holds XLR microphones stable. Its internal cabling is well isolated to withstand EMC disturbances, including mobile phone frequencies.

The heavy-duty CGN321STS also keeps the microphones stable, while absorbing any shock. Its slim and elegant 30cm gooseneck holds a professional condenser capsule with cardioid polar pattern of 120 degrees. The switch is extremely rugged – put through more than 25,000 switching cycles in testing – and can be programmed for push-to-talk, push-to-mute, on/off or low cut on/off. An LED light square provides the user with the microphone’s status.

STS DAM+ features the same functions as CGN321STS, but is compatible with 4-pin DAM+ connector openings. This opens the possibility for numerous microphones, from the lower-end, cost-effective to studio quality models.

“AKG’s newest microphone stands provide a reliable base for all users, whether at a conference table or in the studio,” stated Thomas Giczy, Business Development Manager, Installed Sound, AKG. “The rugged build, combined with the quality and reputation of AKG over the past 65 years shows the full spectrum of our features and our ability to offer the best in sound reinforcement technology in the industry.”

For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.HARMAN.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

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Electrolux Dazzles Its Dealers With The Help Of NanoLumens NanoFlex Displays

When Electrolux, a global leader in appliances for households and businesses, needed a stunning display that would maximize the impact of its new brand messaging and product information at its recent 2013 Electrolux Partner Showcase in Toronto, they turned to Canada’s leading digital signage distributor, APG Displays for a solution. Immediately, the experts at APG knew that they need look no further than the head-turning, eye-popping NanoLumens® NanoFlex™ 112” display.

APG Displays provided Electrolux with four NanoFlex 112” displays that were hung above the venue in a curved configuration, making it possible for all of the video content to be seen from every area of the ballroom. Electrolux positioned the displays in the center of the room, creating a stunning centerpiece for all who attended.

“When Electrolux told us what kind of impact they wanted to achieve, we knew right away that the only solution was the NanoFlex display,” said David Weatherhead, Vice President of APG Displays, NanoLumens Canadian distributor. “Thanks to the flexible design of the NanoFlex, everyone in the ballroom was able to see the displays at all times, making for a great visual in the center of the room. Electrolux couldn’t have been happier with the result. Attendees were comparing the display configuration to the score board at the Air Canada Centre, home to the Toronto Maple Leafs, which is a very high compliment in Toronto.”

The APG rental division of APG Displays has a long history of success when it comes to providing the most innovative, high impact video display solutions. From two-hour events to two-month cross-country tours, APG has the solutions to meet any kind of display need.

According to Josh Byrd, Director of Marketing at NanoLumens, “There are so many advantages to using the NanoFlex in a venue such as this. Our displays are light, durable and are able to stand up against ambient light, which is critical in this type of environment. When a display can have all that, and be easy to setup and take down, there’s really no doubt that it’s the only choice.”

NanoLumens displays are extremely slim, ultra-lightweight, energy efficient, and feature a bright, seamless, high resolution picture quality that can be viewed from any angle throughout the display horizon without color shift or image distortion. The company’s patented display technology, which allows customers to select 4mm, 5mm, or 6mm pixel pitch, promises to transform the way marketers engage their customers in every type of trade show, retail, hospitality, stadium, arena, transportation and public event environment. 


NanoLumens displays are designed and engineered with the environment in mind, and consume significantly less energy per square foot than conventional digital displays. Further emphasizing their commitment to eco-friendly technology, NanoLumens displays are composed of up to 50 percent reclaimed materials, and are completely recyclable. What’s more, many NanoLumens displays can be serviced from the front, making maintenance easier than ever before possible.

Designed and assembled in the United States, NanoLumens displays are offered in standard configurations as well as design-specific configurations to fit virtually any size, shape or curvature in both the NanoFlex line of flexible displays and the NanoSlim line of fixed frame displays.

NanoLumens’ technology has been named ‘Best Large-format LED Display’ of the year by Signage Solutions magazine in its 2012 Product of the Year awards program, as well as being recognized by Entrepreneur magazine as a 2011 future-proof tech trend and cited by The Wall Street Journal in its 2010 Technology Innovations Awards. NanoLumens’ technology also received the 2011 Breakthrough Technology of the Year Award at the American Technology Awards. Digital Signage Magazine awarded the NanoLumens NanoFlex a 2011 DIGI Award for “Best New Display Device – Non-LCD or Plasma.”

About NanoLumens:
Headquartered in Atlanta, Georgia, NanoLumens, Inc. (www.nanolumens.com) is a privately held corporation engaged in the research, product development, marketing and sales of unique flexible and fixed large-format LED display solutions in any size, shape, or curvature, that address a yawning technology gap in the $14 billion digital display industry. Since its founding in 2006, NanoLumens has built a portfolio of more than 20 international families of issued and filed patents on its flexible display technology that effectively address the commercial market void between relatively small flat-panel displays and huge, limited application LED boards. NanoLumens technology is not constrained by standard sizes and shapes, or by the weight, heat, noise and cost issues traditionally associated with commercial LED products.

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HARMAN’s AKG Introduces Revamped Digital Automatic Microphone Mixers – DMM6 and DMM12

AMSTERDAM, The Netherlands – Adding to its family of microphone mixers, AKG proudly introduces its new line of digital automatic microphone mixers: DMM6 and DMM12. With an intuitive user interface, numerous DSP functions and high signal to noise ratio (S/N), the DMM series provides users with the highest quality in automatic mixing technology.

DMM12 offers 12 inputs, while easily adjusting the mic to line level. Its four line outputs (2x stereo) are individually assignable for each input. The stereo record outputs are individually assignable, while the headphone out port allows users to listen to each input and output individually.

DMM6 offers six inputs and two line outputs at 1x stereo.

When in use, all inputs are active, but attenuated to a level that equals the level of one “active microphone.” If two or more inputs receive relevant input signals, their amplification is increased to a level, which allows overall output to equal one “active microphone,” resulting in an absolute feedback-stable system.

Working to deter noise pickup, the DMM series senses numerous sonic activities to monitor and diminish unwanted sound. If a signal is picked up over a long period of time, the mixers understand that it may be an air conditioning unit or other unavoidable noise. When a large number of microphones pick up the same signal and all mics are active, the DMM system will recognize applause and not react. When two microphones are receiving the same signal, the mic with the slightly higher level gets priority, while the other one is attenuated.

“AKG understands the needs of the live sound professional and the updates to our line of rackable mixers underscores our goal of providing high-quality, reliable sound in all performance spaces,” stated Thomas Giczy, Business development Manager, Installed Sound, AKG. “DMM6 and DMM12 embody the technological advancements AKG delivered with its original analog 8-channel auto mixer, AS8 and its digital predecessors DMM4/2/4. DMM12 and 6 will be a tactical addition to any installed sound system to ensure proper sound.”

For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.HARMAN.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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