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Archive for March 20th, 2013

MultiDyne(R) Reduces Fiber Count With New FS-18000 Fiber-Saver, Ideal for 4K

The FS-18000 Fiber-Saver Transports up to 18 Optical or SDI Signals Over a Single Fiber, Simplifying Transmission in Remote Locations

LOCUST VALLEY, N.Y. — March 20, 2013 — MultiDyne(R), a leading provider of fiber-optic-based video and audio transport solutions for broadcast and pro A/V applications, today unveiled a powerful new CWDM remapper/multiplexer — the FS-18000 Fiber-Saver. Capable of transporting up to 18 digital optical or SDI signals over a single fiber, the FS-18000 Fiber-Saver dramatically simplifies the transport of additional signals in remote locations where there is an insufficient amount of available fibers, potentially lowering a user’s transmission costs. MultiDyne will display the FS-18000 Fiber-Saver at the 2013 NAB Show, at booth C10339. more

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ACIR Professional Assists Masters of Illusion Live at The Basie Theatre

EGG HARBOR TOWNSHIP, New Jersey—Whether in Las Vegas or on television, magic has never been hotter. There are more television specials and series involving magic than ever before, and now the hit television show, Masters of Illusion: Impossible Magic, is out of the box and into live theatre. Masters of Illusion: Live is one of the greatest magical touring shows in history, bringing the art of stage illusions live in real time to audiences full of magic fans.

In a recent stop at the Count Basie Theatre in Red Bank, New Jersey, ACIR Professional (Egg Harbor Township) provided engineer Stephen Bonamassa with a Yamaha CL5 and two Rio3224-D input/output racks for use at front of house.

“My work consists of 90% corporate work and about 10% music and entertainment work,” states Bonamassa. “I will say that the CL5 sounds better than other digital Yamaha boards I have used. Features like the touch screen made patching and routing a whole lot easier. I also liked being able to color code input and output channels on the surface.” Bonamassa said another cool feature was being able to assign the right-most bank of eight faders to different presets on the fly. “Having the same option, but different presets, available on the center eight is cool as well. The functionality of the graphic EQ’s on the center eight faders, and the way the input layers flip on the console, independent of what you have punched up on the center and right set of faders are also some helpful features.”

In addition to the CL5, ACIR brought in an entire audio production system including 14 d&b Audiotechnik Q1 Line Array Speakers, two Q Subs, D12 amps’ four Yamaha T3n amplifiers; and Shure SM58s and ULXS4 wireless systems.

For more information on ACIR Professional, visit www.acirpro.com.

For more information on the Yamaha CL Digital Console, visit www.yamahaca.com.

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Matrox to Unveil Matrox Monarch HD Professional Video Streaming and Recording Appliance at the 2013 NAB Show

At the 2013 NAB Show (Las Vegas, April 8-11, booth SL4616), Matrox® Video will demonstrate Matrox Monarch™ HD, a small, easy-to-use video streaming and recording appliance designed for professional video producers who need to simultaneously stream a live event and record a Blu-ray quality version for post-event editing.
Matrox Monarch HD
From any HDMI input source such as a camera or switcher, Matrox Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Matrox Monarch HD simultaneously records a high-quality MP4 file to an SD card, a USB drive, or a network-mapped drive. Matrox Monarch HD is remotely controlled using any computer or mobile device with a web browser.

“Live event producers have been looking for a way to overcome the limitations of today’s content delivery networks that only allow recording and archiving at the lower quality available while streaming,” said Daniel Maloney, technical marketing manager at Matrox. “Matrox Monarch HD solves this problem by providing two independent delivery channels in a single, robust, reliable box, at an unprecedented price.”

Price and availability
The price and availability date for Matrox Monarch HD will be announced on April 8 at the 2013 NAB Show. To be notified when this product become available, visit our website.

About Matrox
Matrox Video is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

Vizrt Presents View of the IP-Based Newsroom of the Future

Bringing the IP future of Broadcast News into focus

The creation, distribution and on-air display of broadcast graphics are perhaps the most complex, labor and time intensive parts of the news production process. That’s why it’s important for news department staff to work collaboratively and in many cases simultaneously to get the story out before the competition does.

The key is a fully networked operation that leverages the benefits of the Internet Protocol (IP) to send files in a highly deterministic and reliable way. An IP infrastructure also costs less to deploy and often necessitates less manpower to do so.

After extensive field research and invaluable customer feedback, Vizrt has now embarked on a new product roadmap for its next-generation Viz Engine—the core of its real-time compositing technology—that takes into account all of the advantages of IP while conserving spacing and processing capacity. If new producers want to get the story first, and with the most comprehensive graphics support, they have to move to a workflow that requires the least amount of effort and the most flexibility. Vizrt will display this technology at NAB 2013 in Las Vegas.

Petter Ole Jakobsen, Vizrt’s Chief Technology Officer, said that the industry needs to migrate to a platform that can do more with the same resources. IP is the most enabling part of the puzzle.

Yet Jakobsen has even bigger ideas for IP across the product line. The IP-based Viz Engine requires only a network connection and IP input/output. He envisions a day when IP triggers are used to control a media server to play out a rundown of stories, complete with complex transitions, without the need or a traditional production switcher. Vizrt’s timeline editor application is used to place desired graphics and video clips on a timeline. Users then drag the video and graphics elements that are built as MOS objects over to the playlist in Viz Trio—all from within such popular newsroom computer systems.

This process saves significant time and manpower while getting the story to air faster. And using this strategy often times results in less on-air technical errors. For news stations, it’s a veritable win-win all the way around. And since this dedicated server easily fits as a component within a facility’s existing IP-based workflow, there’s no need to interface the unit with the station’s routers, SDI cabling, or other SDI infrastructure. The IP-based Viz Engine can also work in a hybrid mode, SDI in and IP stream out, providing simultaneous output to air as well as to online and mobile environments. The time saving combined with a look that, until now, has not been available for IP productions is thus a fact.

“The idea is to save cost while bringing the reporter and producer closer to their final story, that way the story is conveyed in the most comprehensive way,” Jakobsen said. “We are looking at ways to make our software tools very easy to use and very task-specific so that teams of people can be as efficient as possible.”

Indeed, Vizrt’s IP strategy also allows reporters to edit clips on-site and transfer them back to the station using any IP-enabled transmission device. That could be an expensive mobile production truck or a handheld cell phone. It also supports the tight integration of third-party products alongside the wide array of Vizrt production tools — such as a new Adobe integrations with Viz Media Engine and Viz World as well as the Viz Trio character generator (CG) and Viz Content Pilot. Again, this saves time and resources and gets news to air faster.

Yet the strategy is more than just about speed.

The IP-based Viz Engine handles streaming media and audio and video clips while compositing the graphics in real-time into an IP stream. The IP-based Viz Engine and the Viz Media Engine media asset management (MAM) solution represents a complete, end-to-end solution that allows broadcasters to manage all of their content—from ingest to distribution. This workflow enables them to increase speed and volume, and adapt content for delivery to multiple platforms.

Harnessing the full power of IP, journalists and producers of live newscasts can search for and access Vizrt graphic templates and media content from Viz Content Pilot that open up within a newsroom computer system. Graphics templates are created using the Viz Artist 3D design software and transferred as files across an IP network. Journalists access the Viz Content Pilot template interface from within the newsroom computer system, and then use Viz Media Engine to retrieve the content they want from a Vizrt or third-party media asset management system.

It’s clear that today broadcasters have to work smarter and faster in order to support all of the various distribution platforms (TV, Internet, Mobile video) that are now used to consume news content. Vizrt is determined to help its broadcast news customers leverage the benefits of IP and all of the cost efficiencies and flexibility it brings.

With this capability, the news team can create an unlimited number of graphics where the selected video clips play in pre-designed graphics templates, and streamline production in the process. The maturity of IP technology components and a change in attitude towards video as an IP file has helped broadcasters see what their future in a whole new light. Vizrt’s Jakobsen said the emergence of IP is an evolution that is a long time coming.

It will also be possible to use the systems to produce any number of different graphics (based on any parameter – geography, time of day, weather etc) – which again opens up the door for regionalized sponsorships/commercials allowing for a easily accessible new revenue stream for customers.

“I think the industry has reached a point where it does not deny the benefits of an IP infrastructure anymore and is looking for ways to implement it with the least amount of effort,” he said. “At Vizrt, we’re focused on making deployments easy, fault tolerant and future proof. We really believe that our engineers are working on the IP future of broadcast news today.”

Vizrt will display the IP-based Viz Engine and the Viz Media Engine at NAB 2013, booth SL3305.

About Vizrt:

Vizrt provides real-time 3D graphics and asset management tools for the broadcast industry – from award-winning animations & maps to online publishing tools. Vizrt’s products are used by the world’s leading broadcasters and publishing houses, including: CNN, CBS, Fox, the BBC, BSkyB, ITN, ZDF, Star TV, Network 18, TV Today, CCTV, NHK, The Globe and Mail, Times Online, The Telegraph, and Welt Online. Furthermore, many world-class production houses and corporate institutions such as the Stock Exchanges in New York and London use Vizrt systems.

Vizrt is a public company traded on the Oslo Main List: VIZ, ISIN: IL0010838154. For further information please refer to www.vizrt.com

Martin Burkhalter / CEO / +41 22 365 75 01 / MBurkhalter@vizrt.com

Tomer Wald / CFO / +47 5351 8040 / TWald@vizrt.com

Håvard Myklebust / EVP Products & Marketing / +4791845602 / HMyklebust@vizrt.com

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Related Topics: NAB Newslink, New Products, News |

Annual Telethon to Aid Poverty Stricken Uses Yamaha CL5 Consoles

BUENA PARK, Calif.—An annual telethon broadcast by the Canadian Broadcasting Corporation’s French Public Television Network enlisted the services of L’Audi-C Sonorisation of Trois-Rivieres, Canada for the live to broadcast 54th telecast of the Noel du Pauvre fundraiser to aid poverty stricken, and held at the Salle J.Antonio Thompson Theater in Trois- Rivières.

Under the direction of company président, Daniel Hardy, L’Audi-C Sonorisation brought in three Yamaha CL5 digital audio consoles, one each for monitors mixed by Patrice Gagnon, front of house mixed by Nicolas Ouimet, and for the stereo mix sent to the CBC mobile TV truck mixing by engineer Daniel Savoie. Two Rio-3224D input/output boxes were used, fully redundant, using the Dante network at front of house. The CL5 at the monitor position was used for “Master Gain Recall” using only the physical outputs of the Rio rack and sent to the stage monitors as well as in-ear monitors. “This set up allowed us to have the same sound quality on stage as in the house,” states Paul Ricard, systems engineer, L’Audi-C Sonorisation.

Ricard said that once soundcheck was complete, they were using the CL’s gain compensation in order to have the best ratio signal to gain without changing the monitor sends. “Each console engineer could use their own digital gain for trimming every input as needed, which worked very well and is essential for this type of system set up. The creation of a multicast group on the network allowed us to issue a single source to multiple receivers.”

For more information on L’Audi-C Sonorisation, visit www.laudi-c.com.

For more information on Yamaha CL consoles, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

RTW Brings German Engineering to the U.S.

New East Coast Location, U.S. Team Supports Company’s Commitment to U.S. Market

LANCASTER, PA, MARCH 20, 2013 — As part of its expansion into the U.S. market, RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is proud to announce today the opening of its new facility in the United States. RTW’s U.S. branch, RTW International, Corp., is officially open for business in Lancaster, Pennsylvania. The new office is the first U.S. location launched by the Cologne, Germany-based RTW, offering further proof of the company’s continued dedication to supporting its customers and dealer networks in the U.S.

You’ve got to trust your meters. A user needs to trust in the device he is using for measuring and, therefore, trust its manufacturer. RTW has been a reliable source of innovative audio measurement tools for more than 45 years, bringing its pedigree of precise German engineering to each of its innovative solutions. Along with the company’s ground-breaking products comes a commitment to service. RTW has a longstanding reputation of working with its customers to ensure their experience with RTW products is a positive one.

Over the years, countless audio engineers and mixers have relied on RTW products to meet critical audio standards all over the world. With the advent of the CALM Act, RTW has recognized a clear need in the U.S. marketplace for its loudness metering tools and has now, based on that need, planned to further expand its operations and customer reach in the United States. RTW prides itself on providing the best customer service it possibly can and recognizes the importance of location to its customers, which is why the company has opened its Lancaster, Pennsylvania office.

The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers, further reducing product delivery lead times. To lead the office, RTW has hired Christopher Spahr to be its new U.S. Director of Sales and Operations. In this new role, Spahr will oversee all brand, sales and market development in the United States. In addition, Werner Haase, from the RTW development team in Cologne, will join Spahr in Lancaster, overseeing product service and final assembly.

To view a video interview with Christopher Spahr, please visit RTW’s YouTube channel via the following link: http://www.youtube.com/watch?v=uMD8SY5_1UM&feature=youtu.be

“Our U.S. customers are very important to us,” says Andreas Tweitmann, CEO, RTW. “The goal for the new production facility in Lancaster is to focus our efforts on the U.S. market. Not only does this help us support our growing network of dealers, led by Group One, but ultimately, it benefits our end users, as we will be able to provide them with the best services and availability of products possible. With Christopher heading up RTW’s U.S. team, we will be able to stay in close contact with all of the dealers in this network, helping them to understand and anticipate current and future needs of the North American market so that we can produce devices specifically for U.S. needs.”

Guided by its thorough research, knowledge and commitment to quality, RTW has produced a range of products for the professional audio community that are reliable, easy-to-use and compatible with a variety of leading audio equipment available in today’s marketplace. Over the last few years, it has significantly expanded its product offerings with the successful TouchMonitor series of audio meters. Its award-winning TouchMonitors, the TM7 and TM9, debuted in 2010; since then, RTW has introduced updated versions of those products, as well as the latest additions to this family including the TMR7 for radio stations, and the TM3, which is the entry-level device of the TouchMonitor series.

The unique operating concept behind the TouchMonitor family is based on a 16:9 touch-sensitive screen, allowing a user to simply swipe a finger to interact with the graphical user interface. It offers not only a built-in online help function, but also allows for monitoring separate signal groups using multiple instruments at the same time.

All TouchMonitor meters are built from a state-of-the-art hardware platform. Depending on the user’s preferences, he can choose a device with analogue or digital connectors, or both, including 3G. In addition to the standard versions featuring desktop enclosures, external power supplies and an integrated stand, RTW also offers OEM versions that can be integrated into mixing-console surfaces.

The modular software concept of the TM7 and TM9 provides excellent value for money. Based on a user’s specific needs, he can purchase only those features that are necessary. Some of these options include Loudness meters, the Surround Sound Analyzer and VU meters (the addition of other available instruments that a user may be interested in, is always possible). The user can then individualize his view on the display to see only those instruments he needs in the size and arrangement he prefers. Both in terms of measuring devices and view, the TM7 and TM9 are entirely customizable.

The success of the TouchMonitor series has broadened RTW’s market reach, providing connectivity solutions to numerous professional markets. Now with a stronger presence in the United States, RTW plans to further that reach, supporting the professional audio community with its stellar German engineering, expertise and customer service.

ABOUT RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s ranges of products currently includes the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130.

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Indian Institute of Technology- Bombay’s Convocation Hall Gets High-Tech Sonic Upgrade with a HARMAN Professional Audio System Solution

POWAI, India — The Indian Institute of Technology Bombay (IIT-B) recently completed a major renovation of its 1,500-seat Convocation Hall. The venue’s new interior spaces were designed by Mumbai architects Sandeep Shikre and Associates. Mumbai- based systems integrator ADJM Technologies was contracted to provide expert consultancy on the A/V system upgrade, which included HARMAN’s AKG microphones, BSS signal processing, Crown power amplifiers, JBL loudspeakers and a Soundcraft console.

The IIT-B is recognized as a worldwide leader in the field of engineering education and research, and is known for the quality of its faculty and the outstanding caliber of students and alumni who are successful entrepreneurs, scientists and leaders in multi-national companies. The IIT-B campus is situated in picturesque surroundings at Powai, Mumbai and extends over 200 hectares. In the recent past, the IITB has expanded to now include more than 584 major buildings, including a Convocation Hall, which recently had the honor of being inaugurated by India’s Prime Minister, Dr. Manmohan Singh.

The primary use of the Convocation Hall is for graduations and convocation, and the hall also hosts audiences on a regular basis for presentations, training programs. It can also be configured for use as a theater for viewing movies, and serves as a focal point of faculty and student activity.

“As an institution that has been the hallmark of technology and innovation, our mandate for the A/V systems upgrade at the auditorium was to achieve crystal-clear, high-quality sound with ease of operation and maintenance,” said Prof. N. Venkataramani, Dean (IPS), Infrastructure, Planning & Support, IIT-B. “After a thorough study of the market, we were convinced that a Harman high quality audio system, as a first choice among other brands, supported by expert consultancy from ADJM Technologies, was the right choice, thus fulfilling our audio requirements in an integrated manner that is befitting of the institution’s reputation and infrastructure”.

“IIT–B management was very clear on the requirement for Convocation Hall to have an audio and video system that was world-class,” said Anand D. Mistry, CEO of ADJM Technologies. “After evaluating the needs with the technical support of our local HARMAN dealer, those involved in the decision agreed that an all-HARMAN system would best meet the requirements and provide the highest levels of performance and flexibility. The project needed not just individual products, but an integrated system design to ensure that the system’s output would be optimal for all applications – be it presentations, theatre or training programs.”

Mistry continued, “We didn’t just want to upgrade the Convocation Hall A/V system – we wanted it to be future-proof for at least 10 years. In addition to using high-end audio components from HARMAN, we designed the video and control systems using the very latest digital technologies. The system’s infrastructure design is so elegant that a single Cat-6 cable was specified for distribution of video and control signals throughout the entire hall.”

Once system design parameters were established by ADJM Technologies, the entire renovation including installation of the audio and video components, switching, control systems and wiring, took the project 60 days to complete, from start to finish,” Mistry noted. “Since everything in the system is so well-designed and works so well together, the installation itself went quite smoothly and we did not encounter any loopholes or difficulties, ensuring the project was complete well within the stipulated time.”

The Convocation Hall system includes six JBL SRX725 loudspeakers, four SRX712M stage monitors and two SRX728S subwoofers, selected on the basis of high performance and simplicity in installation and for their ability to deliver powerful bass for both cinema sound and live sound applications in the auditorium. The speakers are driven by Crown CDi 1000, XLS 2000 and Crown XTi 6002 power amplifiers. The multipurpose auditorium’s complex audio matrix requirements are managed by a BSS Soundweb London BLU-100 signal processor. Two AKG PCC-160 boundary layer mics and a Soundcraft FX16ii 16-channel mixing console complete the installation.

Mistry also explained that support from the HARMAN team throughout the design, specification and installation phase was excellent. “They came immediately to the site when we informed them that we had the go-ahead for the project, even though we let them know at the last moment! Ultimately, the staff at IIT-B is very impressed by the overall performance of the system,” Mistry concluded.

Commenting on the continuing success of key audio installations in the institutional segment, Prashant Govindan, Sales Director, Harman Professional India, said, “ It is a matter of great pride for HARMAN to be able to meet the audio requirements of a prestigious institution like IIT–Bombay. The requirements of the institute and the short timelines were seamlessly met by our Harman Professional team led by Karan Kathuria, National Sales Manager (Installed sound), working directly with ADJM. The proof is the crystal-clear audio now being enjoyed by the students and the entire campus community in the auditorium. Harman’s high-definition product range and technical capabilities, coupled with ADJM’s expert support, have proven to be a winning combination.”

Other similar projects recently undertaken in India by the HARMAN team include the Guwahati Medical College Auditorium and Chettinad Medical College Auditorium in Chennai. Worldwide, HARMAN has a rich heritage as the sound solutions partner for numerous, prominent auditorium, theatre and performance venues, including 10 stadiums at India’s 2010 Commonwealth Games and the 55th annual GRAMMY® Awards in Hollywood, CA.

HARMAN (www.HARMAN.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

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Related Topics: Large Venue, Loudspeakers, New Products, News |

WorldStage Purchases Riedel’s Artist 64 Digital Matrix Intercom System

WorldStage, the new brand for Scharff Weisberg and Video Applications, Inc., has acquired Riedel Communications’ Artist 64 Digital Matrix Intercom system.

“It was time to move to a digital intercom so we chose Riedel, which is an industry standard and recognized as one of the best digital intercom systems available,” says WorldStage engineer Geof Gibson. “Riedel intercoms were used on the Olympics in London and Beijing.”

The Riedel Artist line is a true network infrastructure based on highly-modular matrix mainframes. Individual Artist matrix mainframes can be equipped exactly as needed; not only the mainframes are modular and expandable but also the system’s distributed architecture. The scalability and expandability of the Artist make it a secure long-term investment.

The Artist 64 has a maximum matrix size of 1024×1024 and a maximum of 64 ports per frame. It features hot swap of all modules, redundant power supplies and redundant node controller.

Digital matrix intercoms offer numerous advantages, including high-quality audio; increased flexibility, functionality and reliability; and nearly infinite scalability. In addition, digital matrix intercoms have the ability to interface with a wide array of both digital and analog industry-standard intercom systems.

“The Artist 64 gives us superior audio quality and has incredible flexibility today and moving forward,” Gibson notes. “We have already used our new system for Mercedes at the Detroit International Auto Show and at the Intel Sales Management Conference in Las Vegas.”

WorldStage Inc., the company created by the merger of Scharff Weisberg Inc and Video Applications Inc, continues a thirty-year legacy of providing clients the widest variety of entertainment technology coupled with conscientious and imaginative engineering services. WorldStage provides audio, video and lighting equipment and services to the event, theatrical, broadcast and brand experience markets nationally and internationally.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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