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Archive for March, 2013

Industry Leaders Unite to Support The Recording Academy® Producers & Engineers Wing® GRAMMY® Week Event

Audio Industry Leaders Gather for the Sixth Annual GRAMMY® Week Celebration at The Village Studios in West Los Angeles Honoring Music Producers Quincy Jones and Al Schmitt

SANTA MONICA, Calif. (Mar. 4, 2013) — On Wednesday, Feb. 6, 2013, The Recording Academy® Producers & Engineers Wing® kicked off GRAMMY® Week with its sixth annual event, “An Evening of Jazz,” honoring 27-time GRAMMY winner and multi-talented music producer Quincy Jones and 18-time GRAMMY-winning engineer and producer Al Schmitt for their commitment to excellence in audio and ongoing support for the art and craft of recorded music. The event was held at The Village Studios in West Los Angeles. GRAMMY Week culminated with the 55th Annual GRAMMY Awards on Sunday, Feb. 10, 2013.

The event was held with the support of leading companies within the musical instrument and professional audio markets. Premiere sponsors included Astell & Kern (www.astellnkern.com), Avid® (www.avid.com), DTS® (www.dts.com), HARMAN® Professional brands (AKG® Acoustics, JBL® Professional and Lexicon®) (www.harman.com), Iron Mountain (www.ironmountain.com), Louisiana Entertainment Commission (www.louisianaentertainment.gov), Music Marketing (www.musicmarketing.ca), PMC, Ltd. (www.pmc-speakers.com), PreSonus (www.presonus.com), Shure Incorporated (www.shure.com), and Ultimate Ears by Logitech (www.ultimateears.com).

Other sponsors included Argosy® (www.argosyconsole.com), Capital Bauer Insurance (www.capitalbauer.com), Focusrite Novation (www.focusrite.com, www.novationmusic.com), Guitar Center Professional (GC Pro) (www.gcpro.com), Guitar Center www.guitarcenter.com, iZotope (www.izotope.com), Lurssen Mastering (www.lurssenmastering.com), OraStream (www.orastream.com), SoundExchange (www.soundexchange.com), Vintage King (www.vintageking.com) and Westlake Pro (www.westlakepro.com).

Producers & Engineers Wing Senior Executive Director Maureen Droney said, “The evening was a huge success, and once again we take the opportunity to offer a sincere thank you to all of our sponsors. It’s a simple fact that we couldn’t have done it without them. Quincy Jones’s and Al Schmitt’s careers represent powerful moments in music history, and it is especially gratifying that so many leading high quality brands joined together and shared the night with us. We all look forward to next year.”

Representatives from several of the sponsors also weighed in on the evening’s festivities:

David Atkins, President/CEO, Argosy Console, Inc., stated, “We were thrilled and honored to be with so many of our friends and industry heroes and proud to support activities at the P&E Wing event of GRAMMY Week.”

Jim Odom, Co-founder and CSO, PreSonus Audio Electronics, Inc., added, “Supporting The Recording Academy Producers & Engineers Wing is a no-brainer for us at PreSonus; they’re our people! I’m a voting member of the Academy, and with other members of our team in the P&E Wing, we couldn’t imagine a better way to spend an evening during GRAMMY Week than to pay tribute to two of our heroes, Quincy Jones and Al Schmitt.”

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GC Pro Offers Financing Package and Custom Patch Bay for Neve Genesys Console

— GC Pro, exclusive U.S. Genesys distributor, makes getting a Genesys easier than ever before —

WESTLAKE VILLAGE, CA, March 4, 2013 — Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, is pleased to announce, along with AMS Neve, the latest news regarding the Neve Genesys (www.gcpro.com/genesys.html), a custom-crafted, expandable digitally controlled analog recording console that incorporates digital workstation control.

First, GC Pro, the exclusive Genesys distributor in the U.S., is offering a new aggressive financing package on the console, making it easier than ever for users to make the Genesys the centerpiece of their recording studio. All Media Capital will offer 100% financing plus any applicable sales tax, and the customer will only have to make two advance payments upon execution of the loan documents.

Second, GC Pro is offering a new custom patchbay system for the Genesys, created by Horacio Malvicino of Malvicino Design Group, a GC Pro Affiliate Program member. The system, which includes seven TT-96 point and two sixteen-input mic panels/foldback as well as one tie line Interface, provides maximum flexibility and full connectivity for all analog inputs and outputs available on the console frame, plus basic user connections for added outboard and external gear.

The system uses digital-ready patchbay kits from Audio Accessories with five contacts jacks for normalizing, along with oxygen-free analog ultra-flexible multipair audio cables and Neutrik connectors. All parts are hand crafted, by the Malvicino Design Group staff, in their facilities; all connections are made with silver solder for enhanced connectivity, reduced signal degradation and low noise while increasing durability; and all cables and snakes are clearly labeled for easy identification and easy installation. Every system is individually tested at the Malvicino Design Group facility in New York City. A complete engineering handbook with schematics will be provided with each system. Additionally, services offered by the Malvicino Design Group include providing Neve Genesys customers with a “one on one” system engineering and integration service. On site installation and commissioning will be available.

Please click this link to find out more info or connect directly to a GCPro Account Manager: www.gcpro.com/genesys.html.

About the Neve Genesys
With its unmistakable Neve qualities of exquisite design, peerless craftsmanship and legendary Neve sound, the Genesys is a comprehensive, cost-effective solution to the challenges of audio in the digital age. The base configuration offers 16 channels of mic/line preamps, 16-channel DAW monitoring, 32-channel analog summing at mixdown, Total Reset, DAW control for Pro Tools, Logic, Nuendo and more, 8 auxiliary buses, 8 group buses, 2 main outputs, 4 effects returns, comprehensive metering, 5.1 mixing on each channel strip, 5.1 monitoring, 2 cue mixes, talkback services and an internal power supply. What sets the Genesys apart is its remarkable combination of features and affordability — an affordable Neve analog console with Neve’s legendary sound and digital control at a cost of less than $50,000 enables the widest possible range of professionals to make a genuine Neve console the heart of their studios. Furthermore, the Genesys has the ability to upgrade as studio owners’ requirements change — it can be expanded to over 60 channels in a straight or articulated frame, with options including motorized fader automation, recall, mastering-grade A/D and D/A converters, digitally controlled EQ and dynamics, remote mic amp control and much more.

For more information, please visit www.gcpro.com.

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Diavolo Delivers Optimum Martin Audio Dance System For Vee Lounge


Fort Worth, TX––The mission for Diavolo Systems owner Tim Hannum was “to build a top-of-the-line dance floor sound system and light show in a combination restaurant/lounge, and not have it look like you’re walking into a cavernous nightclub.”

A real challenge since the 13,434 square foot venue for Vee Lounge that formerly served as a live club for cover bands is located on the main floor of a parking garage. The space wasn’t designed for acoustics and suffered from significant acoustic challenges like a sloped roof higher on one side of the room than the other.

The plan for owner Rick’s Cabaret International—a longstanding Diavolo client–– was to create a high-end Tapas restaurant that could easily transition into a full on dance club featuring local and well-known national/international touring DJs playing Electronic Dance Music on weekends.

Hannum, who named his company in part based on the expression, “the devil’s in the details,” approached the challenges implicit in the Vee Lounge project with his customary mix of thoroughness, precision and creativity.

“We put in a reinforced wood DJ stage built out of cabinet-grade lumber instead of metal studs and covered it with a 3/8” recycled rubber floor normally used for workout facilities,” he explains. “With the custom steel Vee Lounge performance stage from Red Bull, we end up with a really nice EDM performance stage.

“In front of the DJ booth, we put in a really huge custom oval shaped dance floor made out of hard oak and raised with enough clearance off the ground to make you feel more of the low end through your feet,” Tim continues.” When it comes to sound, we designed a true left-right speaker system with three Martin Audio Blackline H3H+ enclosures on each side at different heights to reach every corner of the room. You can hear the system pan left and right and, overall, the system is very clean, precise and oh so sexy.”

According to Hannum, “in addition to four S218+ subs, we floor-mounted two of Martin Audio’s new high-powered X15+ subs as monitors at either side of the booth on yokes so DJs can position them any way they want. The X15s are separately powered and processed with their own DSP in the booth.

“As it turns out, the setup transforms pretty well from controlled restaurant sound allowing lower volumes from the perimeter speakers to a high impact club system running full on from the mains. We have plenty of horsepower with the Martin Audio. And as difficult as the room is, the sound is really good, that’s all I can say.”

Vee Lounge also features a sophisticated LED-based lighting system by Chauvet Professional, which Hannum says is “very effects-driven and all operated from Martin Professional’s Light Jockey. The video system is run via Mac Minis with Arkaos video software where we can access different background imagery for all the displays in the room which includes the new 90” Sharp TVs on either side of the DJ booth.”

Underscoring his out-of-the-box approach, Tim explains, “I used a plethora of inexpensive lighting effects that people wouldn’t normally think of for a big club but I’m using them differently for stuff like an expanded ceiling effect that’s very sexy. In fact, it’s a very sexy room with all of the round columns and rounded curvatures of the bar and faciae of the drop-down ceiling pieces. Everything is very curved and sexy, like the sound system.”

Open just over a month after a grand opening featuring an extended hour and a half set by Australian DJ Havana Brown of “We Run the Night” fame, Vee Lounge is rapidly becoming a essential component of Fort Worth nightlife.

Asked about the reaction to the sound system, Hannum concludes, “The owners expect the best and that’s what they get with Martin Audio. The regional DJs were absolutely floored by the sound on the floor and in the booth. When they’re in the booth, they’re immersed in a blanket of sound, so anybody can mix anything at any time. Everything about it helps the DJ do his or her job better and it really sounds good. That works for me.”

For more about Martin Audio, please click to www.martin-audio.com.

For more about Diavolo Systems, please click to www.diavolosystems.com

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Almo Professional A/V Hosts Five AV Snacks in March

Almo Professional A/V Hosts Five AV Snacks in March

Engaging 15-Minute Webinars Held Every Friday; March Theme is Higher Education; Hosted by Almo and Led by Chief, Canon, C2G, Hitachi and Mitsubishi

Philadelphia, PA — March 6, 2013 — Almo Professional A/V, the nation’s fastest growing audiovisual distributor, has begun its weekly interactive mini-webinar series “AV Snacks” for March, which focuses on the theme of Higher Education. AV Snacks are designed to provide relevant industry trends, application examples and more to busy AV professionals, presented in a 15-minute snack-style webinar format every Friday at 2:00 p.m. E.S.T. The March schedule includes information from Chief, Canon, C2G, Hitachi and Mitsubishi.

The sessions offer a “taste” of a particular topic each week in a format that is lively and engaging, with a five-question quiz that attendees can take to earn specific prizes. The following mini-webinars are in place for March:

Theme: Higher Education

3/1 Chief: “Transform Rooms with Interactive Ingredients” (Available On Demand)
Research shows that presentations conducted with interactive technology enhance audience engagement and retention, encourage participation, and deepen the overall learning experience.
Chief’s new interactive AV solutions make integrating interactive technology easy. This revolutionary range of tools combines Chief’s industry-leading mounts with interactive eBeam™ technology from Luidia, Inc., instantly transforming existing projectors and displays into dynamic, interactive platforms. Adding to Chiefs capabilities is the DaLite IDEA (Interactive Dry Erase Application) Screen, which offers its own revolutionary dual-purpose projection screen and writable marker board combination.
Prize: Chief Road Show T-Shirt

3/8 Canon Projectors: “Image Quality as the Main Ingredient”
Putting together a projection system is all about the picture, both in size and quality. There are several different variables, the least of which is the projector itself. With the focus on cheap lumens in many of today’s projector lines, has image quality been taken off the table? Canon’s focus on lens construction, light path engineering, and superior LCoS technology provides the best image you can get on screen. Join us to learn how Canon projectors make a difference in education environments.
Prize: iTunes Gift Card
Register

3/15 C2G: “Video Walls: Transition from Analog to Digital Video”
Learn how digital video is eating up the higher education space. Utilizing C2G’s AOC technology, you’ll provide optimum performance every time. With many options to choose from, AOC technology has enticing features that will make you come back for seconds!
Prize: Starbucks Gift Card
Register

3/22 Hitachi: “A Wireless Four Course Meal”
Have you heard of educators struggling to integrate books, video, internet all into one lecture? With Hitachi, effortlessly switch between your devices from one system that can be controlled from a single source (i.e. iPad). Better yet, with a contacted wireless document camera, you can also incorporate in-person supplements to the lecture. From beginning to end, Hitachi makes it easy to serve you a four course meal!
Prize: Gift Card
Register

3/29 Mitsubishi: “Serving Brilliant Color & Seamless Excellence”
Provide quality and service with Mitsubishi’s 7000 and 8000 series projector models. Perfect for lecture centers and large rooms, the image quality is as sharp as a knife. Even simple text from a PC to a Blu-Ray DVD, the clarity is unmatched. See how we’ve transformed spaces that will be sure to leave your mouth watering for more!
Prize: Almo Drawstring Backpack
Register

All of the AV Snacks sessions are recorded and archived for access after they run. AV Snacks is the latest program in Almo Professional A/V’s extensive line up of industry education and training resources for its partners. Other ongoing programs include full-length webinars, streaming Tech Tips and the company’s popular traveling E4 AV Tour, which is a free one-day program with an intense educational focus that allows partners to earn valuable InfoComm International CTS RUs while networking with the industry’s top manufacturers.

# # #

About Almo Professional A/V
Almo Professional A/V is the nation’s fastest growing distributor serving the needs of professional audiovisual integrators, dealers and consultants. With a highly skilled sales team, reseller education programs, 10 distribution centers across the U.S. and product lines for the Pro A/V channel, Almo Professional A/V provides customers with the full distribution experience on a local and a personal level. Almo Professional A/V is a division of Almo Corp., the nation’s leading independent distributor of consumer electronics and major appliances. For more information about Almo Professional A/V, please call 410-560-2890 or go to www.almoproav.com. Almo Professional A/V can also be followed on Twitter at http://twitter.com/almoproav and on Facebook at www.facebook.com/almoproav.

*All product and company names herein may be trademarks of their registered owners.

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Extron Announces VNS 104 Multi-Stream Decoding Software

Extron VNS 104Extron Electronics is pleased to introduce VNS 104 Multi-Stream Decoding Software. This new software decodes and presents one or four video sources and one associated stereo audio source streamed from VN-Matrix® 225 or 200 Series Encoders and VN-Matrix Recorder. VNS 104 multi-stream decoding software includes text overlay and status messaging features, which are valuable for distinguishing between AV sources during operation and system commissioning.

“VN-Matrix streaming systems often manage many sources, creating requirements for presenting multiple source streams on display systems,” says Casey Hall, Vice President of Sales and Marketing for Extron. “VNS 104 provides an efficient, cost-effective method for decoding and monitoring one or four streams on a single display.”

VNS 104 multi-stream decoding software operates on Windows PCs and is managed as a part of a system by a VN-Matrix Enterprise Controller. It offers aspect ratio management for VN-Matrix streams, including FILL, FOLLOW, and a 1:1 mode, which can be applied independently to each decoded source. VNS 104 provides an effective method for monitoring multiple streaming sources in a variety of environments including command and control, after action review, training and simulation, and medical or geological visualization.

Visit our Web site at www.extron.com for more information.

Clay Paky Alpha Beam 700s Light Up Stone Sour-Papa Roach World Tour

American alternative metal band Stone Sour and rockers Papa Roach are co-headlining a world tour, which features Clay Paky Alpha Beam 700s in a prominent role.

The bands began their tour in Europe last year, are currently playing dates across the U.S. and will finish in Australia. Stone Sour released its fourth album, “House of Gold & Bones – Part 1,” last fall and Papa Roach is hot off its eighth studio record, “The Connection.”

Lighting designer/programmer/operator Michael Smalley was a fan of the Alpha Beam 700 from the last tour he did for electronic musician Bassnectar. “I love the fixtures. They’re a really punchy light,” he says.

Clay Paky’s Alpha Beam 700 is the first and original 700W beam moving light on the market. It was conceived as an automated ACL to create parallel light beams, visible even in the brightest scenes. Its small, lightweight, quick-moving body contains the most advanced technology for generating a bright beam that can be colored and shaped as desired for amazing dynamic mid-air effects and other innovative options.

For the Stone Sour-Papa Roach tour Smalley is working with a “really clean stage with no backline – a big, white backdrop that communicates with color and patterns.” He has positioned 12 Alpha Beam 700s on six towers, the tallest points of the ground rig.

“They give an upstage washy look, a new school techno approach,” he says. “I like to do geometric patterns, and the Alphas are really capable of finishing out those lines. They provide the geometry of the look.”

Smalley reports that the Clay Paky fixtures are working well on the road. “They have a tight, narrow beam, a nice soft frost filter and the color mix is really flexible – like a photon torpedo,” he says. “They’re great!”

A.C.T Lighting is the exclusive North American distributor for Clay Paky.

Francesco Romagnoli, Clay Paky Area Manager for North and Latin America, adds, “this is a very interesting tour and the Alpha Beam 700 is the perfect light for it. I’m glad that Mr. Smalley had gotten such great effects from them.”

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MuxLab Launches New CCTV Power-Thru Converter Balun

MONTREAL, CANADA — MuxLab Inc. is pleased to announce the launch of the newest addition to its CCTV family; the CCTV Power-Thru Converter Balun (500024-CNV). The balun allows video and remote power to be transmitted via one Cat 5e/6 cable therefore eliminating the need to install multiple cables in analog security and surveillance environments.

The 500024-CNV converts 24V AC to DC in order to allow 12V DC cameras to be remotely powered from a central 24V AC CCTV power supply. The CCTV Power-Thru Converter Balun is installed at the camera side and works in conjunction with MuxLab’s CCTV Power-Thru Balun (500024), Passive CCTV Power Integrator Hub (500136), or Passive CCTV Hub (500130) for a complete cabling solution.

“MuxLab’s goal is to provide complete cabling solutions to our users and this new balun works in conjunction with some of our existing products to provide just that” said Marc Bohbot, MuxLab’s Director of R&D.

The balun supports video up to 2,200 ft (670m) via Cat 5e/6 UTP, and transmits 24V AC up to 795 ft (242m) @ 400mA max.

About MuxLab

MuxLab Inc. is a leading designer and manufacturer of connectivity solutions that allow CCTV and Audio-Video equipment to be connected via cost-efficient Cat5e/6 copper twisted pair in the structured cabling environment. For over 25 years, the MuxLab brand has been synonymous with quality, performance and reliability. MuxLab solutions streamline cabling by reducing material, space and installation costs. Even after installation, MuxLab products help save time and money by facilitating moves, adds, and changes.

 

###

For more information;

www.muxlab.com

videoease@muxlab.com

514-905-0588

MuxLab's new 500024-CNV

MuxLab's new 500024-CNV

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BenQ Combines Performance and Affordability in ‘M6 Series’ Projectors Release

New Entry-Level Projector Line Brings 13000:1 Contrast Ratios, Up to 3,500 ANSI Lumens of Brightness, and SmartEco(TM) Technology to the Business, Education, and Home Space

IRVINE, Calif. — March 5, 2013 — BenQ America Corp., an internationally renowned provider of digital lifestyle innovations and global DLP(R) projector leader, today introduced its new M6 Series of advanced business, education and home projectors. The product line comprised of the MS616ST, MX618ST, MX662, and MW663 models feature superior contrast ratios of 13000:1, up to 3,500 ANSI lumens of brightness, and BenQ’s world-leading SmartEco” technology to cut energy consumption by up to 70 percent. In addition to high-performance features, the projectors include wireless connectivity options, mobile device integration when paired with BenQ’s Qpresenter app for the iPhone(R) and iPad(R), hassle-free maintenance and security, and short-throw capabilities (MS616ST & MX618ST) to provide flexible setups in any setting.

Designed for corporate, classroom, and personal spaces, the MS616ST and MX618ST short-throw projectors combine installation flexibility with multimedia performance to bring quality video to rooms of all sizes. With SVGA (MS616ST) and XGA (MX618ST) native resolutions, 10W speaker sound, and wireless connectivity for “Bring Your Own Device” (BYOD) scenarios, the projectors are the simplest way to create immersive content with full-out A/V control. For more brightness in classroom and boardroom settings, the MX662 provides 3,500 ANSI lumens of light while the MW663 shines at 3,000 ANSI lumens with widescreen WXGA native resolution for larger-frame projections. more

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Visionary Solutions Teams Up With Bally Technologies to Deliver IPTV Content to the Gaming Industry

SANTA BARBARA, Calif. — March 5, 2013 — Visionary Solutions, Inc. today announced that Bally Technologies — a leader in slots, video machines, casino-management, interactive applications, and networked and server-based systems for the global gaming industry — has deployed Visionary Solutions’ AVN422, AVN441, and AVN443 encoders for customized delivery of IPTV content for multiple casinos and hotels around the world. Leveraging the flexibility of Visionary Solutions’ AVN encoding platform, Bally Technologies can cost-effectively stream high-quality HD, 1080p resolution video and audio content to gaming areas and hospitality suites. more

MASQUE SOUND BRINGS ALIVE THE SOUND OF THE BEATLES FOR BACKBEAT

MASQUE SOUND BRINGS ALIVE THE SOUND OF THE BEATLES FOR BACKBEAT
Custom Audio Solution Amps up Sound for Smash Hit Play about the Birth of the Band

LOS ANGELES, MARCH 6, 2013—When Sound Designer Richard Brooker was tasked with creating an unforgettable, authentic audio experience for Backbeat, a play chronicling the rise of the Beatles as one of the most beloved rock bands of all time, he turned to Masque Sound, a leading theatrical sound reinforcement, installation and design company, for the equipment he needed to turn his vision into a reality.

Backbeat made its United States premiere at the Ahmanson Theatre at the Music Center in Los Angeles on January 20, after playing to sold-out crowds at Toronto’s Royal Alexandra Theatre this past summer. Co-written by Iain Softley and Stephen Jeffreys, it is based on the 1994 Universal Pictures film by Softley, Michael Thomas and Stephen Ward. Five-time Tony Award nominee David Leveaux is the play’s director.

Backbeat marks the third time Brooker has worked with Masque Sound on a project. “Masque Sound did such a great job for me on the musical Chess, so there was no question I wanted them again for Backbeat,” says Brooker. “The main thing is that they’re a very professional and skilled outfit that provide not only the equipment and technical services that I require, but also offer what I find to be a unique level of support.”

In designing the sound for Backbeat, equipment selection was critical. According to Brooker, “Backbeat is an unusual show. I don’t consider it a musical but rather a play with live songs. This creates an interesting sound dynamic. The dialogue is less amplified, requiring us to reinforce the actors with sound gear to ensure the audience can hear them, but then the rock ‘n’ roll music the Beatles are playing in the clubs of Hamburg is very loud.”

In order to accommodate these varying sound levels and tones, Masque Sound provided a custom audio package featuring 24 Sennheiser SK5012 mics, a DigiCo SD10 console with Mac computers running the Q-Lab system for Sound Effect, Meyer M’elodies speakers for the main system, a Meyer M1D center cluster and Meyer UPM1P delays and front fields and Meyer 600-HP subs as well. The setup includes a large drop of M’elodies stage left and stage right and a slightly smaller drop of M’elodies on the sides covering the upper circle of the theater.

One of the challenges Brooker faced was establishing and maintaining the authentic feel of late 1950s-early 1960s Liverpool for the show. “We wanted to deliver a very raw, live sound to the music, as it would have sounded in a small European club at that time,” he says. “It wasn’t so much a sophisticated sound but rather something with raw guitar amps that were quite noisy and harsh and not as beautifully produced as music is now these days. In the sound design I was trying to create that feel and capture that moment at that time and make it sound edgy without making it sound horrible—that was an interesting challenge. Masque Sound was instrumental in pulling this off.”

In trying to keep the show as authentic to the time period as possible, the show also used vintage guitar amplifiers and some slightly non-traditional microphones for vocals. “Since it is very difficult to get a hold of the actual equipment that was used back in the 1950s and 1960s, that was a fairly unique challenge for this show. Masque Sound was once again extremely helpful in coming up with creative solutions to help overcome that issue.”

Brooker says he wouldn’t be able to accomplish what he did on Backbeat without the people who worked with him to implement his ideas and designs into the show. “My associate sound designer, Poti Martin, and production sound engineer, Raf Rutgeerts, do a fantastic job. Also, the support of Masque is incredible. Scott Kalata from Masque Sound is always readily available on the other end of the phone or via email and usually comes out to visit the site as well. Masque Sound really provides great audio equipment, great backup and support and ideas as well. They are a great company and I look forward to continuing my relationship with them.”

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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