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Archive for March, 2013

High Resolution Systems’ UDC Stays Cool at a Redferno

It may have been a Redferno but things stayed cool on the media front with High Resolution Systems’ UDC (Universal Device Controller) on the scene. Redferno 2013, the annual national meeting of full-service real estate brokerage Redfin, was held in Palm Springs, California where UDC was a powerful and flexible solution for the gathering’s multimedia needs.

Production company Function Inc. hired Daniel Barry as head video engineer for the event. Barry wore multiple hats for the occasion acting as engineer, projectionist, tape operator, shader and screen switcher. With so many roles to fill, “I wouldn’t even have considered the show if I didn’t have UDC,” he declares. “It was a simple show, but I still would have crashed if I was trying to do rolls and take screen switches from their native control surfaces.”

Barry was faced with juggling myriad sources: three playback machines, four Ki Pros, two Image Pros, four Encore VPs, eight projectors, several downstage monitors and a live camera. “In that typical situation I would pile a bunch of tables around myself, sit on a spinning chair and try to control everything at once from their own control surfaces,” he explains. “But with UDC I could build a custom controller on my iPad and run everything on that at the same time. With the whole control system on my iPad, I was able to perform all the video positions with a single control surface.”

A fan of UDC, Barry uses it for every show he does. “I can build a custom interface with the client’s logo and colors – the executives can see that and think it’s very cool! But more importantly, I wouldn’t be able to do shows like Redferno without it.”

About High Resolution Systems
High Resolution Systems, a member of the Society of Broadcast Engineers is a company with a strong systems engineering and applications background. Its founders have decades of experience in the audiovisual rental and staging industry, broadcast applications, A/V installations and system design. This combined experience allows them to provide the highest possible quality solutions to its customers in the most efficient manner. For more information, visit www.hrscontrol.com.

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San Lorenzo High School Sounds Off With New Technomad Turnkey PA System

Bay Area systems integrator chooses Technomad for high quality, durability and ease of installation

BOSTON, March 4, 2013San Lorenzo High School, part of the San Lorenzo Unified School District in the Bay Area of California, has installed a new Technomad Turnkey PA System to electrify sports and special events in its outdoor campus stadium. The complete solution, including four weatherproof loudspeakers and a complete, pre-wired signal processing equipment rack, will deliver superior audio quality to up to 1,500 spectators come spring.

The new audio system is the first of its kind at the high school. The timing of the installation ensures the system will improve public address quality for this year’s graduation ceremony, and will otherwise inject new life into home athletic events.

“This installation represents a significant milestone for San Lorenzo High School, as it had no real PA system previously in place and was relying on outdated field horns for use during sporting events,” said Rick McKinney, owner and president of the Hayward, California-based Lloyd F. McKinney Associates, which managed the installation.

San Lorenzo High School sought a versatile, great-sounding solution that covered the entire stadium and could remain outdoors year-round. The local climate produces heavy rains and winds in the winter months, and the school wanted to avoid the costs of replacing damaged equipment.

“We knew Technomad was the perfect match for this project when we heard their requirements,” said McKinney. “We’ve worked with Technomad many times, and we knew the superior clarity, versatility and fully weatherproof design of their loudspeakers were right in line with the school’s needs. The audio is crisp and clear, and if they get soaked it won’t make a difference in sound quality.”

McKinney chose Technomad Noho weatherproof loudspeakers, noting that they generate a very broad and smooth response, with plenty of power to cover the entire field. He mounted two on the home side and two on the visitor’s side to provide more flexibility for music and band-related productions. The complete solution includes the pre-wired signal processing rack, with an amplifier and mixer; and all required cables and connectors for the loudspeaker installation.

Despite some rain delays, McKinney had the system up and running in a few weeks. “Rain softened the ground, so we had to install plywood to keep the scissor lift from sinking into the new grass,” he said. “Once secured, we quickly mounted the loudspeakers, attached the cables, plugged in the mixer and amplifier, and turned on the system. It was seamless.”

McKinney notes that the input connector for an iPod and Mp3 player in the signal processing rack is a favorite feature. He added a wireless solution for field-level iPod control for special events.

“Features like this are important for good sound quality,” he said. “We live in a highly connected, audio-rich environment, and today’s adolescents expect the same audio quality from pre-show and halftime music that they get from their iPods and Mp3 players. The Technomad system delivers on this, and the Nohos reproduce the full musical range, with plenty of high end and very good lows and mids.”

McKinney is planning another Technomad installation at Arroyo High School in the same school district this spring. In the meantime he is relishing the success of this project for good reason.

“My children and my wife were educated through the San Lorenzo Unified School District, and I attended from the fifth grade,” McKinney said. “I’m honored to have directed this installation.”

ABOUT TECHNOMAD

Technomad LLC, founded in 1995, designs and manufactures loudspeaker systems for the professional audio and security/military technology industries. The company invented the first reliable full-range weatherproof loudspeaker and now offers nine models ranging in power from 60-watt loudspeakers to 1250-watt subwoofers — most available in Turnkey PA System packages featuring amplifiers, mixers and other signal processing equipment in pre-wired racks. The company also manufactures a variety of audio infrastructure and communications equipment including playback and recording systems, weatherproof power amplifiers and turnkey remote audio systems. Contact Technomad at 617-275-8898 or visit www.technomad.com for more information.
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Boettcher Gets Better with L-ACOUSTICS

Denver symphony hall in the round benefits from ARCS II and KIVA systems

DENVER, Colorado — Denver Performing Arts Complex’s Boettcher Concert Hall, home to the Colorado Symphony Orchestra, was built in 1978 as the first U.S. symphony hall in the round. While the 2,634-seat performance space’s unique layout continues to remain enduringly contemporary, the venue’s previous PA system has not fared quite so well, recently prompting a full audio system retrofit that included an L-ACOUSTICS amplifier and loudspeaker package. more

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Optical Devices Division of FUJIFILM Showing New Range of Lenses and Upgrades at NAB 2013

Wayne, N.J. – FUJIFILM North America Corporation, Optical Devices Division will show a variety of new lenses and upgrades at this year’s NAB at the Las Vegas Convention Center. On display within Booth C7525 will be FUJINON lenses for broadcasting, sports, digital cinematography and production applications, including an enhanced version of the Emmy-Award winning “Precision Focus Assist” technology and the latest in PL Mount, EFP, Studio, and ENG lenses.

Two high-performance lenses, the Premier PL 85-300 Cabrio lens (model ZK3.5×85) and the XA99x8.4 UltraWide field production lens, will make their NAB debut this year. While the PL 85-300 is similar in size and weight as the PL 19-90mm Cabrio (Model ZK4.7×19), its longer focal length makes it ideal for shooting documentaries, nature and wildlife, and commercials. The PL 85-300 offers a focal length of 85-220mm at T2.9 and 300mm at T4.0, with 200-degree focus rotation.

Designed using the latest optical simulation technology, the PL 85-300 Cabrio not only offers exceptional optical performance in the center of the image but in the corners of the frame as well. Like the highly acclaimed PL 19-90 Cabrio, the PL 85-300 is equipped with the same indispensable features including flange focal distance adjustment, a MOD of 1.2m, a macro function for objects as close as 97mm (3.8-inches), and covers a 31.5mm diagonal sensor size.

The digital servo’s 16-bit encoding assures operators that all lens data output—such as the position of the zoom, iris, and focus—is extremely accurate and the lens supports Lens Data System (LDS) and /i metadata formats. Like the PL 19-90, the new PL 85-300 Cabrio features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-style lens. And the PL 85-300 can be controlled using cinema industry standard wireless controllers as well as existing FUJINON wired and wireless units.

The entire range of Premier PL 4K+ cine lenses will be in the booth. The 14.5-45mm T2.0, 18-85mm T2.0, 24-180mm T2.6, and 75-400 mm T2.8-T3.8 will all be on display.

The new XA99x UltraWide lens is ideal for producing live sports and entertainment events. An XA99xPF will also be on display with an enhanced version of Precision Focus Assist (PF), marking the first time this model has incorporated PF technology. Precision Focus Assist automatically adjusts focus, ensuring fast and accurate focus of HD images under varying conditions. The XA99x UltraWide offers a zoom range of 99x, a focal length of 8.4 to 832mm, and MOD of 2.9m. The XA99x is f1.7 to 341mm and f4.2 at 832mm. Like other lenses in this product line, including the XA77x9.5, XA88x8.8, XA88x12.5 and the XA101x8.9, the XA99x8.4 offers FUJINON’s DIGI POWER digital controls, offering high accuracy, flexibility and a host of production features.

The XA99x8.4 features a newly developed, patented image stabilization technology for rock-steady performance, which is critical for long-distance HD shots. High-resolution 16-bit encoders are standard, making it suitable for virtual, robotic, and digital signage, among other applications. FUJINON’s exclusive GO-TECHnology improves image resolution and reduces chromatic aberrations at all focal lengths.

An addition to the 1/3-inch eXceed line is a new version of FUJINON’s 1/3-inch XT17sx4.5 lens. The new XT17sx4.5BMD lens features full remote control, for videoconferencing, weather cams, educational, and studio robotic applications.

Other NAB highlights include lenses in the Premier Series of high-performance ENG lenses for 2/3-inch cameras – the HA19x7.4, the HA14x4.5 super wide angle and the HA16x6.3 lenses. And the ZA Select Series lenses will be on display in telephoto, remote control, and with and without 2X extender versions.

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of five operating divisions and one subsidiary company. The Imaging Division sells consumer and commercial photographic products and services including film, one-time-use cameras, online photo services and fulfillment, digital printing equipment and service. The Electronic Imaging Division markets consumer digital cameras. The Motion Picture Division provides motion picture archival film, and the Graphic Systems Division supplies products and services to the printing industry. The Optical Devices Division provides binoculars, and optical lenses for closed circuit television, videography, cinematography,broadcast and industrial markets. FUJIFILM Canada Inc. markets a range of Fujifilm products and services. For more information, please visit www.fujifilmusa.com/northamerica, or go towww.twitter.com/fujifilmus to follow Fujifilm on Twitter. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials, and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 10 companies around the world granted U.S. patents in 2011, and in the year ended March 31, 2012, had global revenues of $27.8 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

* At an exchange rate of 79 yen to the dollar.

All product and company names herein may be trademarks of their registered owners.

FUJIFILM Optical Devices Division, 10 High Point Drive, Wayne, New Jersey 07470. Phone: 973-633-5600. Fax: 973-633-5216. Web site:www.FUJINON.com

NEW YORK’S ALTO NYC BELIEVES IN THE METRIC HALO PRODUCT AND SERVICE PHILOSOPHY

NEW YORK, NEW YORK: Alto NYC is Alto Music’s New York-based professional audio retailer that truly nurtures a reciprocal relationship with the studio owners, musicians, composers, producers, and engineers who list among its clients. Its Manhattan showroom would be better described as a fully-functioning control room, complete with structural isolation, acoustic treatment, and almost every piece of gear imaginable – all just a patch away from a test drive or shootout in a real working environment. Alto NYC treats its clients to a one-on-one experience, with working professionals serving as audio gurus to help guide clients to their ideal, situation-specific solutions. The company sells a wide range of audio converters, and the Metric Halo ULN-8, LIO-8, 2882, and ULN-2 converters have found favor among clients looking for high-end sound and tremendous flexibility.

“The starting point is always obtaining a clear understanding of what exactly a client hopes to achieve,” said Shane Koss, Alto NYC’s audio guru. “Are they building a home studio? A public studio? What are the inputs? The outputs? And of course, what is the budget? I find that a lot of people come in because they have read about this or that magic solution in an online forum or review, and they think that getting it will solve some large issue problem they’re having. Sometimes that’s true and sometimes it’s not. Although it’s probably counterproductive to my bottom line, I often recommend against particular purchases because I honestly don’t believe the gear they’ve set their sights on will address the issue.”

Koss keeps one foot in the retail business and the other foot in the activities that led him to the retail business in the first place: writing music for TV and movies, working with bands, and producing/engineering projects. “Along with my schooling, that real-world working experience has been, and continues to be, invaluable for the work I do at Alto,” he said. “I wouldn’t be able to do what I do if I didn’t actually use the stuff. Background is critical.” Koss recognizes that many aspects of professional audio are irreducibly subjective, but that there is also a large degree of objectivity in the way professional audio equipment is made and priced. “Unless you’re a total cynic and believe that a $4,000 piece of gear is designed and manufactured in the same way that a $500 piece of gear is designed and manufactured, then there is some objective difference between them,” he said. “So the question becomes, ‘what is that difference and is it worth the money?’”

He continued, “Metric Halo converters excel in situations where audio transparency and configuration flexibility are paramount. I have clients come in who need a converter that can do A, B, and C all of the time, D and E when they’re on the road, and F on Tuesdays! Once they learn Metric Halo’s MIO Console, that kind of extreme flexibility is not only possible, it’s easy to implement.” Alto Music sells all of Metric Halo’s interfaces, from the flagship ULN-8, with eight channels of latest-generation preamps and converters, to the original 2882 (updated to accommodate current operating systems and communications protocols, of course).

“The fun part of my job is working with clients to meet their needs,” Koss said. “The unpleasant part is working out the behind-the-scenes details – finding out, for example, why this or that didn’t ship, when such and such will be in stock – that kind of thing. Fortunately, I never get that with Metric Halo. Although they’ve moved to Florida, they still have that New York attitude that I appreciate. It’s no BS – get it done right and get it done fast. Metric Halo is one of those companies that makes a solid product that I believe in – and that’s easy to work with.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

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BROOKLYN-BASED KEMADO RECORDS INSTALLS 32-CHANNEL API 1608

BROOKLYN, NEW YORK: Kemado Records is the latest studio to install a 32-Channel version of API’s popular 1608 console. Kemado, long known for bringing national attention to innovative artists spanning the spectrum from indie rock to heavy metal, choose the 1608 to complement its recent plans for expansion, which included the creation of two new labels (Mexican Summer and Software), a brick-and-mortar record store, and a recording studio in 2009.

Kemado’s founders Andrés Santo Domingo and Tom Clapp are happy to report that the recording studio has seen near continual use and offers clients over 1,000 square-feet of tracking space. Kemado’s new 1608 is housed in the larger of two separate control rooms.

Deciding what would replace the existing console became increasingly clear as the choices were analyzed and rejected, explained Clapp. “We figured that if we were going to replace a classic vintage console, we had to replace it with something in the same respected sonic family. But at the same time, we wanted to avoid the near-constant servicing required of some older consoles. So we decided we wanted something new but still classic, which made the 1608 the perfect fit; it’s a classic console with a classic sound. Plus it’s designed to be in constant use, and the modular design ensures that it can be serviced when that time comes. The other options we looked at were not in the same sonic league with the 1608, nor were they built for the long haul.”

Clapp and colleagues burned the midnight oil and installed the new console in just three days, and synched the 1608 into a fully-decked Pro Tools HD rig with 48in/48out, a Studer 827A tape machine, and a Studer A80 VU mix-down deck. And with so many engineers coming through the door, part of the 1608’s allure was its straightforward topology and signal flow, as was its gain structure. “The 1608 definitely has a modern gain structure, in contrast to many of the choices we reviewed,” said Clapp. Choosing that classic API sound was, in Clapp’s words, a “no-brainer”.

“I’ve worked with API gear before, and I love the fast transients and headroom,” he said. “We even tried 500-series modules from a range of high-end manufacturers to fill out the 1608’s API 500-Series slots, but we kept coming back to the API sound.” To date, eighteen of the available 32 slots have been filled with API 550b 4-band and API 560 graphic EQs. “We’re going to slowly fill the rest of the slots with API EQs down the road,” Clapp promises.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY PROCESSORS AND AMPS EARN AN ENCORE

COLUMBUS, OHIO: Encore is a new, high-spirited nightclub located in the Crosswoods neighborhood of Columbus, Ohio. Its strategy for success is to show patrons such a fantastic time that they quickly return to enjoy an encore. Tasteful bar food, a wide range of drinks, and elegant décor and lighting provide the perfect frame for Encore’s daily upscale party. But the heart of the party resides in an articulate, high-SPL, bass-rich sound system designed and installed by local A/V integrator Demmer Audio Video Solutions. Two Ashly 3.6SP Protea digital speaker processors and six Ashly KLR Series amplifiers drive the sound system – and thus Encore’s enthusiastic patrons – nightly.

The new club occupies approximately 2,500 square-feet on a single floor, with a large main room and dance floor complemented by a handful of smaller rooms that are available for private functions. “The owners were looking for a very reliable sound system with solid fidelity and bass,” said Ken Demmer, owner of Demmer Audio Video Solutions. “Moreover, they wanted to be able to come in, turn it on, and know that it would work as expected. They didn’t want to worry about adjusting this or that, and they wanted the minimal access necessary to simply plug in a DJ, select a source, and adjust the volume. That’s it.”

Inputs to the system include a DISH Satellite interface, a cable interface, an iPod dock, a computer media player, and, of course, a DJ input. Because the owners requested it based on their familiarity with systems at their other establishments, Demmer installed a DBX ZonePRO processor for input selection and volume control. However, the meat of the processing at Encore resides within two Ashly 3.6SP Protea digital speaker processors.

“The Ashly Protea processors have excellent sonic quality,” Demmer said. “They’re very clean, the equalization is smooth, and the conversion is nice. The programming software is easy to use, and I can save the configuration program on my laptop, load it via a straightforward USB connection, and lock out the front panel of the unit so that no one fiddles with the settings. That’s a big selling point for my clients – it protects their investment.”

Six Ashly KLR-2000, two Ashly KLR-4000, and three Ashly KLR-5000 amplifiers power the system. Six Community S-3294 three-way twelve-inch speakers, four Community VLF212 dual twelve-inch subwoofers, and six Community VLF118 single eighteen-inch subwoofers comprise the new sound reinforcement system for the dance floor. Existing distributed ceiling-mounted loudspeakers contribute to even coverage throughout the establishment.

“When I first heard of the Ashly KLR Series, the price seemed too good to be true,” Demmer said. “But I still see classic Ashly amps still running day-in and day-out in the field. They build things to last. So I bought a pair of KLR-5000s to power some subwoofers, and they were beat to death. But they held their own, and now I’m happy to install them to deliver high-performance systems on a budget. In addition, they are lightweight and energy-efficient, which are both great selling points.”

Demmer once had a service issue with an Ashly amplifier. “I understand that even well-made things break every so often,” he said. “What impressed me was how great and speedy Ashly’s service was. They turned it around immediately and got it back to me in a matter of a few days.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

SYMETRIX ARC-WEB USER CONTROL INTERFACE AND JUPITER APP-BASED TURN-KEY DSP CLINCHES THE TITLE FOR SAM’S SPORTS GRILL

NASHVILLE, TENNESSEE: Sam’s Sports Grill opened in 2000, and Nashvillians have voted it the Best Sports Bar in the city for ten years in a row. Clearly, Sam Sanchez and his team know how to deliver a great sports bar experience. Food created from scratch (with gluten-free options!), dozens of beers on tap, and a whopping 70-inch flat screen TV with all the major sports packages, make Sam’s Sports Grill a winner. However, like any establishment, Sam’s Sports Grill had room for improvement. Recently, Sam chose Darrin Fabish, account manager at Nashville’s Audio Electronics, Inc. (AEI), to overhaul the existing sound system at the Hillsboro Village location. The overhaul resulted in replacing all the speakers and adding a Symetrix Jupiter 8 App Based Turn-Key DSP. The Symetrix Jupiter 8 DSP delivers multi-zone content with user control achieved through Symetrix’ forward-thinking ARC-WEB interface for smartphones and other Internet-connected devices.

Sam’s Sports Grill’s Hillsboro Village location (there are three others in Hendersonville and Murfreesboro, TN and Florence, AL) is just a short walk from the AEI offices. “I meet some friends there for lunch regularly,” said Darrin. “As sometimes happens, I was talking to them about upgrading another client’s sound system when Sam overheard me. Although the bar has a great visual setup with plenty of high-definition screens, the audio system lacked zoned audio. Although they could have different games on at the bar and on the patio, the whole place had to listen to one or the other – or music.”

After determining that AEI could give Sam’s Sports Grill a fresh start, Darrin suggested replacing components of the old system. “Eight-ohm speakers were wired for 70-volt and vice versa,” he said. “Residential and commercial components were mixed. This system really needed attention.” Darrin retained the original inputs to the system, two DirecTV receivers, a jukebox, and a music source, and added a microphone input for use on bar trivia night. In addition, a pair of TOA amplifiers and the existing equipment rack were repurposed in the new system.

With eight mic- or line-level inputs and eight outputs, a Symetrix Jupiter 8 DSP forms the core of the new system and leaves a few inputs and outputs for the bar to grow into. “The Jupiter 8 has all of the necessary processing facilities, including easy zone management,” said Darrin. “And given everything that it can do, it’s very competitively priced.” Three zones now comprise the system so that the patio, bar, and seating areas can all have different input sources and volumes. When music is selected, the background music source plays unless a customer plays the jukebox, in which case the background music is muted until the jukebox song is finished. A Bose FreeSpace 3 combined subwoofer/full-range system provides output for each of the zones, and Bose DS-100 surface mounted speakers in the patio lure customers from the sidewalk outside.

“Symetrix’ ARC-WEB technology was a huge selling point at Sam’s,” said Darrin. “Both the owner and the manager are running ARC-WEB from their phones. There’s really something to the fact that these guys can just walk over to a zone and adjust the input and volume right then and there. No more adjusting the volume and then walking over to see if it’s loud enough (or too loud). They seem to really like it. I’m starting to pitch this Symetrix-based solution at other locations. A lot of the owners are young and hip, and they love the ARC-WEB technology.” For those rare occasions when the owner or manager isn’t around, staff can still make necessary adjustments from a hardwired Symetrix ARC-2e wall panel remote.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

DANLEY UPS THE SPLS ON ITS SH SERIES OF SYNERGY HORNS

GAINESVILLE, GEORGIA: Not content to rest on its laurels, Danley Sound Labs announces improvements to many of its already highly-regarded SH-Series full-range loudspeakers. The new versions are identified by the suffix “HO,” which stands for “high output.” For example, the if one wishes to get the most performance out of the Danley SH-96 they should order the Danley SH-96 HO. The new designs use a more powerful two-way high frequency. As a result, the low- and mid-frequency drivers can now be driven to their full potential while still maintaining Danley’s characteristic frequency response, phase response, and fidelity. In conjunction, the new designs use a new crossover and have additional options for bi-amping and for changing the low-frequency impedance. Because the cabinets themselves haven’t changed, the new versions retain the coverage and frequency loss patterns of the originals. The new models include the SH-95 HO, SH-96 HO, SH-64 HO

“The original versions can be easily modified to become the new ‘High Output’ versions,” explained Ivan Beaver, lead engineer at Danley Sound Labs. “It just takes the new high frequency driver, a new crossover, and a new switch panel.” In addition, the midrange drivers are also wired a little differently, which is incorporated as part of the new crossover wiring harness. “There are two options on the new switch panel,” said Beaver. “First, there’s a biamp/passive switch. In passive mode, the new cabinets run pretty much like the old versions, except that the mid/high section will be relatively louder than the woofers, assuming the woofers are running at 8ohms.”

He continued, “And that’s the second option. Users can select a woofer impedance of either 2ohms or 8ohms. Some people do not like to run at 2ohms, whereas others may need the additional output when using smaller amplifiers. The wire run should also be considered when choosing the impedance. With a 2ohm load there will be more loss across the wire. How much loss will depend on the size of the wire and the length of the run. An 8ohm load will have a higher damping factor than a 2ohm load, and it is of course easier to bridge an amp into an 8ohm load than into a 2ohm load.” In biamp mode, the mid/high section takes the crossover circuitry and the low section thus has no built-in crossover.

Because the new switch panel cannot be expected to operate reliably if left exposed to the elements, weatherized versions of the new High Output loudspeakers must be pre-ordered with specified biamping and impedance settings.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

Digital Projection announces huge support and service partnership in Western U.S.

Atlanta, Georgia – 3/1/2013 – Digital Projection International (DPI), an Emmy® Award-winning manufacturer of high-performance projection systems, announces another major expansion of its customer sales and support network. Effective immediately, Anew Communications Technology, Inc. (Anew C.T.) will work on behalf of DPI’s headquarters, clients, end-users and industry partners across the Western U.S. This news follows DPI’s January 2013 announcement of their recent manufacturer’s rep expansion across the Central and Eastern regions of the country. DPI’s rep firms are an integral part of the robust line of communication that exists between each DPI customer and the U.S. headquarters in Atlanta, Georgia.

Anew Communications Technology, Inc. (Anew C.T.)
Anew C.T. is a sales and marketing manufacturer representative firm concentrating on the Commercial Audio Visual Market and Digital Signage applications. Founded in 1999, Anew has represented numerous high-profile AV manufacturers throughout their history. Anew C.T. will help with the sales and training of dealers and integrators in the western US, as well as help expand DPI’s resonance in that region. Anew C.T. will cover the following states: CA, AZ, NM, CO, WY, MT, WA, OR, ID, NV, UT, HI. Anew C.T. has numerous offices throughout the west, and contact information can be found by clicking here.

Chuck Collins, VP of sales for DPI, remarked, “Anew has an excellent reputation in their region, and we couldn’t be happier about confirming the relationship. Between the factory sales and support teams already present in the Western U.S. and the addition of Anew’s multi-faceted team, DPI’s commercial customers in the west are in very capable hands.”

 

- ENDS -

 

For further information and story photography, please contact:

Michael Bridwell, Director of Marketing
Digital Projection Inc.
T: (770) 420-1350
E: mbridwell@digitalprojection.com

About Digital Projection International

Founded in 1989, Digital Projection International (Digital Projection) has been instrumental in the development and application of Digital Light Processing™ technology by Texas Instruments for projection systems. Digital Projection International introduced the world’s first 3-chip DLP® projector in 1997, and has since delivered expert system engineering and world-class customer services, thus maintaining its position as a digital imaging pioneer.

Digital Projection International’s groundbreaking projection research and development has garnered the admiration of industry professionals around the world. This has earned the company many awards, including two Emmy® Awards for Outstanding Achievement in Engineering Development by the Academy of Television Arts and Sciences. Digital Projection remains the first and only projector manufacturer to win the coveted award.

Today, Digital Projection International manufactures and distributes an extensive line of ultra high-performance 3-chip and single-chip DLP® projection systems. These projectors are the reference standard for demanding applications such as large-venue, live-event staging, fortune 5000, education, medical and scientific research, command and control, digital cinema, commercial entertainment, worship and elite home cinema.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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