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Archive for March, 2013

Extron Introduces New TeamWork Digital Collaboration System

Extron Teamwork SystemExtron Electronics is pleased to introduce TeamWork™, a simple and intuitive collaboration system that supports groups of four to six users. TeamWork 400 and TeamWork 600 Digital Collaboration System packages are pre-configured for ease of installation with virtually any furniture system, new or currently in use. The TeamWork system also works with most flat panel displays, laptops, and tablets. For added flexibility, TeamWork is scalable and can be easily tailored to meet specific requirements with the addition of mounting hardware, support for legacy analog sources, and other optional accessories. The TeamWork system is ideal for corporate and education applications that require a reliable, easy-to-use collaboration system that adapts to evolving needs.

“The proliferation of laptops, tablets, and other mobile devices has revolutionized the way people come together to work on projects, with multiple, smaller collaboration spaces taking the place of traditional meeting rooms or classrooms on corporate and college campuses around the world,” says Casey Hall, Vice President of Sales and Marketing for Extron. “We designed the TeamWork system to provide AV integrators with highly flexible, pre-configured digital collaboration systems that can be quickly installed in new or existing furniture systems, with the performance, reliability, and low cost of ownership typical of all Extron products.”

The TeamWork system is designed for simple, intuitive operation with a minimum of training. Users simply connect their laptop or tablet to a TeamWork “Show Me” cable to start the system, then press the “Share” button to display their content on the presentation display. When done, users simply disconnect and walk away, and the TeamWork system automatically turns itself off and is ready for the next collaboration session. The TeamWork collaboration system is HDCP-compliant and supports full resolution, full frame rate digital video up to 1080p/60 and analog computer-video up to 1920×1200. Each TeamWork system package is complete and ready for installation, and includes HDMI “Show Me” cables, a switcher, a system controller, a Cable Cubby® enclosure with four US AC outlets, and other necessary system cables. TeamWork supports legacy analog computer sources with the optional TeamWork VGA Kit. Mounting hardware is also optionally available to facilitate different collaboration table or work surface designs.

Visit our Web site at www.extron.com for more information.

NAB2013: IDC to Introduce Next Generation Laser Platform for Targeted Ad Insertion

Solution helps broadcasters increase ad revenues and reduce costs by delivering targeted local ad insertion and satellite reception in one edge device

Ottawa, ON – International Datacasting (TSX: IDC), a global leader in digital content distribution for the world’s premiere radio and television broadcasters, will launch the next generation of its LASER Targeted Ad Insertion Platform at the 2013 NAB Show, April 8 – 11 at the Las Vegas Convention Center (Booth SU3711). The LASER platform provides targeted local ad insertion and DVB-S/S2 satellite video reception in a single edge device.

Globally, broadcasters and service providers lose millions of dollars in ad revenues every year because of licensing, regulatory and copyright issues specific to certain regions throughout the world. With the LASER solution, operators can provide regionalized ad insertion and blackout management for satellite delivered content – from one cost-effective platform. The solution’s blackout capabilities ensure that the broadcaster can safely sell and distribute any network-wide ad, even if it is not permitted or suitable for the entire distribution footprint.

“With the LASER platform, television networks and content redistributors can capture a greater share of ad revenue,” said Del Lippert, Chairman of the Board and Interim CEO at IDC. The LASER platform provides greater flexibility for broadcasters to offer advertisers both dynamic ad targeting and flexible ad footprints, enabling the best possible brand experience.”

“We believe the LASER platform solves crucial broadcasting needs at an attractive price-point,” Lippert added. “This next generation product has passed extensive testing by an international broadcaster and is well on its way to helping broadcasters open new doors to maximizing their advertising inventories and revenues.”

About International Datacasting Corporation:

International Datacasting Corporation (TSX: IDC) is a global leader in digital content distribution for the world’s premiere broadcasters in radio, television, data and digital cinema. IDC offers a broad portfolio of advanced solutions including the STAR Pro Audio solution, LASER targeted ad insertion platform, and the Digital Tattoo DTH over IP gateway. The company’s products and solutions are in demand for radio and television networks, targeted ad insertion, digital cinema, 3D live events, satellite news gathering, sports contribution, VOD, and IPTV. IDC is headquartered in Ottawa, Canada, with regional offices in Arnhem, the Netherlands and in San Diego, California. The company has installations in over 100 countries and service offices in Thailand and Singapore, with an international network of value-added partners and resellers. For more information visit: www.datacast.com.

Forward-Looking Statements:

This press release contains forward-looking statements reflecting IDC’s objectives, estimates and expectations that may involve risks and uncertainties, including statements about expected revenue impacts. IDC’s actual results, performance, achievements and developments may differ materially from the results, performance, achievements or developments expressed or implied by such statements. Factors that might cause actual results to differ materially include, but are not limited to, competitive developments; risks associated with IDC’s growth; any difficulties with integrating acquired product lines into IDC’s business and/or manufacturing procedures; any difficulties or disputes with IDC’s subcontractors, contract manufacturers and suppliers; IDC’s dependence on the development and growth of the satellite datacasting market; a lengthy and variable sales cycle for IDC’s products and services; IDC’s reliance on a small number of customers for a large percentage of its revenue; regulatory risks and intellectual property infringement. IDC assumes no obligation to update these forward-looking statements to reflect events or circumstances after the date hereof, except as expressly required by applicable law. Forward-looking statements are provided to assist external stakeholders in understanding IDC’s expectations as at the date of this release and may not be appropriate for other purposes. Readers are cautioned not to place undue reliance on such statements. More detailed information about potential factors that could affect IDC’s financial and business results is included in the public documents IDC files from time to time with Canadian securities regulatory authorities and which are available on SEDAR at www.sedar.com, including, without limitation, IDC’s Annual Information Form dated April 29, 2011.

Pennsylvania Independent FunTime Cinemas Goes Digital With Christie Solaria One

Quality and cost appreciated as owners get ready for the end of 35 mm film

The FunTime Cinemas, a specialty exhibitor with three cinemas in Pennsylvania, has completed its conversion to digital projection at its Kendig location using the Christie® Solaria One, an all-in-one DLP-Cinema® solution designed especially for independent and community-owned theatres.

“All six Kendig Square screens have Christie Solaria One projectors and the reaction from customers has been fantastic,” says Ronda Fitzsimmons, president of FunTime Cinemas Inc. of Kendig, PA. “They love the picture and sound improvements and were relieved that we had made the change and will remain in business in their area.

“We were already having some delays in getting film prints, and many prints were coming in badly scratched, so we were requesting replacement films more often. Digital format fixes this problem, and in any case we knew film prints would be phased out completely by the end of the year,” she added.

With cinemas in Kendig Square in Willow Street, South York Plaza York and Colonial Park Mall Harrisburg, FunTime Cinemas specialize in youth and family movies at economy prices. The company also offers private screenings and parties, a customer newsletter and advertising opportunities for local businesses, which are easier to include with digital.

The Solaria One was installed by Integrity Entertainment Systems, LLC. “We recommend the Christie Solaria One for smaller screens because it is the most cost-effective choice for quality screening, adaptability and reliable support options,” says Gary Engvold, president of Integrity. “With features such as the built-in media block, the Solaria One can be easily upgraded to show high frame rate (HFR) movies. Overall, the Solaria One gives smaller exhibitors everything they need in a single purchase, backed up with long-term support.”

The exhibitor was very pleased with Integrity’s customized service and expertise. “The Integrity people are really wonderful to work with, and our representative bent over backwards to help me understand the things we absolutely had to have for digital to run, plus advised me as to what extras made the most difference” says Fitzsimmons. “Integrity’s installer was super helpful in guiding us through the new setup. I’m pleased with everything they’ve done for us, and plan to use them in the future for the remaining locations we have to convert.”

Craig Sholder, vice president, entertainment solutions at Christie, says that Christie is committed to helping the independents enjoy the same quality solutions as bigger exhibitors. “We want them to be able to achieve top quality digital projection at a price they can afford. Our Solaria One projector, our global network of first-rate installation partners such as Integrity and our participation in industry programs to help them finance the change are just some of the ways we’re serving this important market sector.”

The best possible movie-going experience is achieved by arming exhibitors, particularly those tens of thousands of smaller, independent and community theaters worldwide that have not yet converted from film to digital projection, with an ‘all-in-one’ solution and the Christie Solaria One fits the bill perfectly. Whether it’s alternative content or packaged, feature film content in 2D or 3D, Christie’s product is a safe, secure and DCI-compliant choice – the easy choice – for exhibitors intent on delivering awesome experiences to their customers. And it can be easily upgraded to show high frame rate (HFR) movies as well, using its built-in Christie IMB (Integrated Media Block).

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Laser Projection Demonstration Lights Up G.I. Joe: Retaliation at AMC Theatres®’ Burbank 16, Using Christie Technology

Christie®, a global leader in cinema projection, is pleased to present Paramount Pictures’ highly anticipated G.I. JOE: RETALIATION on March 28 at AMC Theatres’ (AMC) Burbank 16’s ETX theatre. Christie is joining forces with AMC using laser projection technology to project the 3D movie at brightness levels of 14 foot lamberts (ft-L) – a “first” in the world of commercial cinema projection – on a 65-foot wide screen. This technology test will last for a two-week period and will be the first time that the average moviegoer will be able to enjoy compelling, immersive 3D images delivered at 2D light levels.

Paramount, Metro-Goldwyn-Mayer Pictures (MGM) and Skydance Productions, in association with Hasbro®, will release G.I. JOE: RETALIATION in digital 3D theaters across the U.S. and Canada beginning March 28.

“As a leader in innovation in the movie exhibition industry, AMC Theatres continues to push the envelope, looking for new ways to improve the movie-going experience for our guests,” said Dan Huerta, vice president, Digital Systems, AMC. “We are delighted to enlist a technology leader like Christie to provide a sneak peek at a major advance in movie-illumination levels that is on the horizon.”

Mark Christiansen, EVP of World Wide Operations for Paramount Pictures said, “We fully support the advancement of cutting edge technologies to further enhance the theatrical presentation for moviegoers. Laser projection provides incredible brightness, making each film look all the greater, but its impact on 3D is startling.”

Noted Dr. Don Shaw, senior director, Product Management, Christie Entertainment Solutions, “Audiences will be impressed with 3D shown at 14 foot-lamberts, which is much brighter than current technology produces on most screens. This test of our laser technology will demonstrate how spectacularly a moviemaker’s vision can be realized when shown at light levels normally only possible for 2D movies. Audiences who attend the AMC Burbank 16 during the laser demonstration will see a 50 percent increase in the typical contrast ratio for 3D on a crystal-clear 4K projector and we’re confident that the average moviegoer will relish this new level of immersive experience.”

Christie Laser-Projection Juggernaut Gaining Speed, Building on Previous Successes
Commenting on the laser projector test, Dr. Shaw said, “This is not the first time that Christie has employed laser technology to stretch the boundaries of digital cinema projection. Last year, Christie also showed select exhibitors in Asia how 72,000 Lumens could be achieved, in a demonstration of our prototype laser projector in Beijing.

“And at IBC 2012 Amsterdam this past September, I was pleased to preface the showing of Hugo 3D – the first CPG (Cameron Pace Group) certified movie – along with noted stereographers, Demetri Portelli and Corey Turner (‘Transformers: Dark of the Moon’), which was then projected using Christie’s laser-light projector prototype.”

Christie hosted its first laser projector demo for cinema industry luminaries including Douglas Trumbull, Gordon E. Sawyer Academy Award winner, at its High Frame Rate Summit held in its manufacturing and engineering headquarters in Kitchener, Ontario in April 2012.

Mahajak Trio Supplies HARMAN Studer OnAir 2500 to RTB Tutong Studio

BANDAR SERI BEGAWAN, Brunei — Radio Televisyen Brunei (Radio Television Brunei or RTB), the state broadcaster of Brunei, runs five radio networks from its base at Bandar Seri Begawan—these are National FM, Pilihan FM, Pelangi FM, Harmoni FM and Nur Islam FM. Recently a HARMAN Studer OnAir 2500 fixed frame console, configured with 18 faders, became the de facto choice for its regional studio in the Tutong district. Previously the broadcasters had been using a Studer 916 for their on-air studio for the past 15 years, and according to the operators, superior sound quality, reliability and the user friendly interface were the main factors in continuing to specify Studer.

According to Mahajak Trio Senior Manager, Sales and Project, Lee Chin Kah, the station had been looking for a reliable, fully flexible and cost-effective solution. The tender was awarded to AFS Engineering Kuala Lumpur for the complete integration and the console was supplied by the HARMAN Malaysia distributor, Mahajak Trio Electronic Sdn Bhd.

A spokesman for the RTB engineering team was equally positive. “We needed a console that was reliable, well supported from the supplier and the manufacturer, fully featured and sufficiently flexible to meet our workflow needs. Furthermore, no advance programming skills are required.

“The OnAir 2500 has all the features available in Studer’s complete range of OnAir consoles and provides a fully scalable platform of solutions to broadcasters.”

All Studer OnAir consoles are fully customisable in workflow requirements, and although stand-alone in configuration, the OA2500 can be fully integrated into a Studer ‘Relink’ control and audio networking environment, as required.

HARMAN (www.HARMAN.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

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grandMA and Clay Paky Sharpy Join National Arena Tour Co-headlined by Three Days Grace and Shinedown

American rock bands Three Days Grace and Shinedown are on the road with grandMA and Clay Paky Sharpy fixtures helping to light up their tour. A.C.T Lighting is the exclusive distributor of grandMA and Clay Paky products in North America.

Three Days Grace and Shinedown are coheadlining a national arena tour, which commenced in February. “Transit of Venus,” the new album from Three Days Grace, debuted at Number Five on the Billboard 200 and includes the Number One Active Rock single, Chalk Outline. Shinedown’s most recent album, “Amaryllis,” produced a pair of chart-topping Active Rock singles.

“Using Sharpy is almost mandatory these days,” reports Mike Filsinger, the lighting designer for Three Days Grace. “It’s an advanced light – pretty much the only technological advancement in lights lately: Clay Paky has really done the R&D to make better fixtures and is now reaping the rewards.”

Bandit Lites supplied 28 Sharpys in the main package and two full-size grandMAs. A primary lighting rig serves both shows; each band also has a supplemental rig. Three Days Grace has eight additional Sharpys in its package; Filsinger’s Sharpys are the dominant light in the rig and are used in the air and on the floor. Shinedown has 24 additional Sharpys, which are used to achieve a variety of moves.

“The band really likes Sharpy’s look and beams – they’re known for being beamy and bright,” says Carter Fulghum, Shinedown’s lighting designer. “The gobos give you great breakups, too. But the Sharpy is so bright that you have to be careful of what other lights you use because Sharpy will overpower them.”

grandMA was also a unanimous choice for the lighting designers. “I’ve been using grandMA forever,” says Filsinger, who also serves as Three Days Grace’s programmer. “It’s definitely the console of choice – it’s the best out there, reliable and versatile. I won’t use any other console these days. I really count on grandMA.”

Fulghum has also been using the desk “for years. I switched over in 2005 and have been with it ever since. You can set up the views the way you want and that makes programming really fast.”

He notes that “we are something on this tour that we’ve never done before: triggering the Catalyst system for the video with the grandMA and using timecode to get things started in sync with the song. It’s a very neat trick.”

Fulgham concludes, “It was great working with Mike [Filsinger], who is so easy to work with on this co-headlining tour. Also great were Aron Altmark, Esteban Caracciolo, Mario Collazo and Bob Gordon for all there help and support through the years.”

At Bandit Lites Brent Barrett is the development officer. “With the increase this year of so many new Sharpys and MA products, Brian Dowd and the whole team at A.C.T has done a great job in several difficult logistical situations for us. They always seem to be one step ahead of any our needs. It really provides us with a level of confidence that makes our job so much less stressful,” Barrett concludes.

About A.C.T Lighting

A leading importer and distributor of lighting products, A.C.T Lighting, Inc. strives to identify future trends and cutting-edge products, and stock, sell and support their inventory. The company provides superior customer service and value for money to all of its clients.

For more information call 818-707-0884.

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SAMMY HAGAR’S RED ROCKER STUDIO CONTINUES TO ROLL OUT THE PROJECTS WITH ITS API 1608

JESSUP, MARYLAND – MARCH 2013: The original plan was simply to upgrade Sammy Hagar’s project studio – Red Rocker – so that he and his super group Chickenfoot could deliver decent-sounding demos, but in consultation with his engineer, John Cuniberti (Stevie Wonder, Dead Kennedys, Joe Satriani), Hagar ended up purchasing a 16-channel API 1608 analog console. They recorded Chickenfoot’s first demo on the 1608 several years ago, and, owing to the magic of a few takes and the sonic integrity imparted by the 1608, several of those demo recordings made it to the album. Inspired by what they could accomplish at Red Rocker, they did the entire recording for the ironically-named follow-up album, Chickenfoot III on the 1608. Currently, Hagar is tracking on the 1608 for an as-yet unnamed solo project.

“We’re an old school bunch, it’s true, and we wanted the feel and sound of an analog console for Red Rocker,” said Cuniberti. “We weren’t going to go so far as to roll in a two-inch tape machine – we’re not that old school! We appreciate the virtues of digital recording and editing when it’s handled properly. But a nice analog console would tie things together with a workflow and a sound that we were all comfortable with.”

Cuniberti has spent over three decades behind vintage consoles of all stripes. “They have their charms, of course, but they’re also a pain in the ass,” he said. “You really need full-time maintenance. I didn’t want to burden Sammy or myself with that level of investment. We wanted something new, and I was therefore happy that API released the 1608. API is one of my favorite console manufacturers of all time, but I don’t think we could have justified the jump to one of their large-format consoles. It turns out that the 1608 was an excellent choice. In four years, we’ve never had a single issue with it – not even a burned out light! Having spent so many years dealing with unreliable vintage consoles, it’s nice to know that when I show up to the studio, everything will be working.”

Cuniberti finds the sound of the API 1608 meets the high expectations he had from his previous work on other large API consoles. “It’s classic API,” he said. “It has clarity and punch, and it’s very pleasant sounding. I don’t want to say it’s transparent; I just want to say that it has a great sound. It passes signal like nothing I’ve ever heard. It has tons of headroom. You can abuse it and it still sounds great.”

The 1608’s architecture allows Cuniberti to maximize his productivity with just sixteen channels. “API worked hard to optimize the flexibility of the 1608’s signal path,” he said. Its modular design allows one to swap 500-series processors to suit the needs of a project, and Cuniberti replaced the four stock API 560 graphic EQs with four API 550b four-band sweepable EQs. Because it’s been such a pleasure to work on, Hagar and Cuniberti are currently contemplating adding a 16-channel expansion unit for their 1608 to bring Red Rocker up to 32 channels.

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Shotoku’s NAB 2013 Exhibition Plans Target Sports, Studio, VR & Field Production Applications

Visit Shotoku at NAB Booth # C9032

Torrance, CA • Shotoku Broadcast Systems, a well-established leader in manual and robotic camera support, and virtual reality tracking, has announced plans to exhibit a mix of new and established products that target sports, studio, virtual reality, and field production applications at NAB 2013 in Booth C9032. The Company, known for technologically advanced and sturdy pan & tilt heads, will highlight its latest models, including a VR Tracking EFP head, and a new X-Y Tracking VR Dolly Crane System for Virtual Studios.

SX-300 Pan & Tilt Head
Shotoku’s ergonomically designed SX-300 is a robust state-of-the-art pan & tilt fluid head perfectly suited for field production, OB and studio use. The unit’s high capacity 38kg (83 lbs) payload and wide-balance capability supports a vast variety of cameras, lenses and accessories. The 300 head will accommodate flat base or 150mm ball. Operators can expect top class performance and reliability from the SX300’s VISCAM technology for smooth and adjustable pan & tilt drag with reinforced torque.

SG-900 Pan & Tilt Head

Shotoku’s SG-900 manual pan & tilt head offers vibration-free speed in an ergonomically designed sturdy package. Ideal for OB and studio production with Teleprompters or box type lenses, the SG900 supports 90 kg (198 lbs), and features single knob balance adjustment. The unit incorporates the VISCAM ultimate fluid drag system to control smooth pan & tilt movement and REULAUX perfect balance system for maintaining the camera’s center of gravity. The SG-900 is suitable for various pedestals including Shotoku’s TP-200 lightweight, 2-stage pneumatic pedestal and both the TP-80 and TP-90 studio models.

SX-300VR Virtual Tracking EFP Head
For VR studio applications, Shotoku’s new SX-300VR offers precise tracking and uncompromised operation. Drawing on decades of extensive VR experience, the ergonomic design features a robust, reliable platform for a wide range of camera and lens configurations. The SX-300VR provides high-accuracy, real-time data output with absolutely no loss in manual performance. Like all Shotoku VR systems, the unit combines with the Serial Position Interface (SPI) for frame-synchronized high-resolution data tracking, compatible with all leading VR graphics systems. The VISCAM Fluid-Leaf Drag System supplies smooth continuously adjustable pan & tilt drag with enhanced torque and unparalleled levels of operator control. Capable of supporting payloads up to 38kg (83 lbs.) and available in 4-Bolt, M70 Mitchell, or 150m-ball mount, the SX300VR is an extremely flexible option for a range of studio configurations. The head may be simply mounted on a tripod, or for real-time full 3D tracking, one of Shotoku’s VR pedestals such as the TP-90.

TK-53LVRII / TK-53VRII VR Dolly Crane Systems for Virtual Studio
Shotoku, the world’s only manufacturer of a X-Y tracking base for virtual reality cranes, will present its leading model VR crane to the American market for the first time at NAB 2013.

A unique set of VR features coupled with a sturdy twin arm structure provides vibration-free, high performance with a single operator. The VR Dolly Crane System allows any studio to be easily transformed into a virtual environment without the need for targets on the ceiling, floors, or walls, or infrared sensors. Reliable, accurate and immediate VR data, including pan/tilt, zoom, focus and X/Y camera date is sent to the graphic computer via RS422 cable. A Pan Bar control unit maximizes optimal pan & tilt operation.
The TK-53VRII also features Shotoku’s unique SPi-Touch 2 point calibration system for quick set-up.

Click on harriet@desertmooncomm.com to schedule an NAB booth visit with Shotoku!

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.tv
# # #
Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / Harriet@DesertMoonComm.com

Stephen Webber To Keynote AES 134th Convention In Rome

Internationally Recognized Professor of Music Production/Engineering & Star DJ

ROME: Stephen Webber, internationally recognized author, professor of music production & engineering, and star hip-hop DJ, will present the Keynote address at the 134th AES Convention. Scheduled for May 4-7 at the Fontana di Trevi Center in Rome, the Convention promises a rich program of educational Workshops and tutorials, research papers, standards and technical committee deliberations, and an incomparable environment for networking with the world’s audio elite. In making the announcement AES Executive Director Bob Moses remarked, “Stephen Webber personifies today’s AES membership. He combines a deep commitment to education with a high profile career as a creative DJ. An accomplished author and lecturer, Webber’s Keynote will provide a insightful bridge between the future and our legacy.”

Author of such successful books as Turntable Technique: The Art of the DJ, Stephen Webber is an international clinician who presents workshops, master classes and performance seminars on Production, Mixing Techniques, and Songwriting. An Emmy-winning composer who’s works include the Stylus Symphony, Webber was recently appointed Director of Music Technology Innovation at Berklee’s new campus in Valencia Spain. He addressed the Berklee Graduating Class of 2012, and has performed and lectured extensively in the US, China, Australia, Central America, and Europe. Webber is also an accomplished studio designer whose clients include actors Jack Black and Ben Stiller, and a producer/engineer who’s worked with NAS, Mark O’Connor, and DJ Premier.
Entitled “Inventing the Album of 2025,” Webber’s AES Keynote will seek to consider what is technologically, economically, and artistically possible, to decipher what the record album should look, sound, and feel like come 2025.

“We have high expectations for the 134th AES Convention,” Bob Moses concludes. “Attendees will find many opportunities to listen, learn and… connect with each other.”

Photo: AES 134th Convention Keynote Speaker, Stephen Webber

###

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

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Snell Launches Luna Series of High-Density Router Control Panels

New Panels Feature Ultra-Shallow Mount Depth and Flexible Power Options for OB Installations

READING, U.K. — March 21, 2013 — Snell today announced the launch of the Luna Series of 1RU router control panels, including four LED models and two LCD models. Featuring an ultra-shallow rack mount depth of less than 2 inches (50 mm), the Luna panels can be powered from an external +12V DC supply — making them ideal for OB trucks or other installations where space and power are at a premium.

“At a quarter of the depth of similar systems and with the industry’s most flexible power options, the new Luna Series is an important addition to Snell’s versatile family of control panels,” said Kim Francis, senior product manager at Snell. “Like our other panels, the Luna Series is designed to meet the exacting requirements for hardware control panels in simple or complex routing systems.”

Compatible with all current Snell routers and soft panels, the Luna Series offers maximum flexibility for broadcast operations and users. The LED panels in the Luna Series include a high-density version with 78 button keys, 72 of which can be configured as source or destination keys for increased flexibility. The LCD panels include a rotary encoder control knob for user-friendly “paging.”

With all Luna panels, users have the freedom to configure each keypad layout to match a specific application exactly, and each button can be color-coded to identify easily groups of buttons or specific functions — driving greater efficiency while saving both time and money.

Each panel in the Luna Series can be powered in one of three ways: mains power via a 12V DC external converter, direct from a 12V DC supply such as a battery, or POE (Power Over Ethernet), which is becoming more widely adopted because it reduces the number of cables required for the installation.

More information about the Luna Series and Snell’s full Broadcast Infrastructure product line is available online at www.snellgroup.com.

# # #

About Snell:
Snell is a leading innovator in digital media technology, providing broadcasters and global media companies with a comprehensive range of solutions for creating, managing, and streamlining the distribution of content for today’s multi-screen world. Specializing in TV Everywhere and Live TV applications, Snell provides the necessary tools to transition seamlessly and cost-effectively to 4K UHDTV, file-based, and 3Gbps operations, while enabling broadcasters to monetize and deliver their media assets across multiple distribution platforms. Headquartered in the U.K., Snell serves more than 2,000 broadcasters, post facilities, and global media companies in more than 100 countries through its worldwide team of sales and support personnel. More information is available at www.snellgroup.com.

All trademarks mentioned herein are acknowledged as property of their respective owners.

Photo Link: www.wallstcom.com/snell/lunapanels.zip

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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