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Archive for April 8th, 2013

Celebrate National Lawn and Garden Month with a SunBriteTV All-Weather Outdoor TV

THOUSAND OAKS, California April 8, 2013 – April is National Lawn and Garden month, so take the next step in living a true outdoor lifestyle by adding a SunBriteTV all-weather television to your outdoor living space. Ranging from 32- to 65- inches, Signature Series SunBriteTVs transform any outdoor space into a unique entertainment area.

“Social interaction is a huge part of outdoor viewing,” said Tom Dixon, Vice President of Marketing, SunBriteTV. “Indoor viewing typically means that everyone crowds around a small space and anchors themselves to a couch. When consumers place our TVs in their outdoor living spaces, the SunBriteTV inspires social interaction among friends and family. Game days and award shows become event days in your backyard.”

All SunBriteTV models withstand temperatures from -24°F to 122°F and completely resist rain, humidity, salt corrosion, dust, and insects. Anti-glare screens are specially designed to deliver bright high-definition images in any outdoor climate, any time of day or night.

Every SunBriteTV, one of the last U.S.-based television manufacturers, includes a two-year warranty, a weatherproof remote, and 20 watt built-in speakers. Optional accessories include a variety of wall-, ceiling- or pole-mount installation solutions, dust covers and FM Radio.

The SunBriteTV Signature Series is currently available at $1,495 (32”), $2,795 (46”), $3,995 (55”) and $6,995 (65”).

For more information on SunBriteTV please visit www.sunbritetv.com.

About SunBriteTV
SunBriteTV’s all-weather televisions have been time-tested in home installations, outdoor sports arena, restaurant and hotel patios and even on military vehicles participating in field operations. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.sunbritetv.com.

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GC Pro Is There with the Right Products and Advice for Five Horses Tavern

— Boston-area pub had a problem with noise, and GC Pro had the solutions right at hand to allow the owner and his patrons to hear themselves talk again —

WESTLAKE VILLAGE, CA, April 3, 2013 — It’s one of the oldest quandaries in the restaurant business: you want your bar or restaurant to resonate nicely with the interlaced sounds of music, televised sports and people having a great time. But at some point, a sonic arms race begins, pitting tables against other tables and P.A. audio. It’s one of the greatest challenges in the installed sound business: getting that balance right for each restaurant. It’s a challenge that the experts at Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, have successfully faced many times, most recently for Five Horses Tavern, in the Boston suburb of Somerville.

Five Horses Tavern is built on craft beers from around the world and offers 37 rotating drafts and over 130 bottles. The pub’s kitchen emphasizes locally sourced modern American comfort food with many vegetarian options. It’s the kind of place people want to be – a lot of them, and especially on weekend nights. Owner Dylan Welsh realized that between the talking and the music, the din was crossing the tipping point. “We were having a huge problem with noise inside,” he recalls. “We’d have 150 people in there, and the room has reflective wood and glass and high ceilings, and it would just get overwhelming sometimes. Something needed to be done.”

Welsh heard about GC Pro through a friend and contacted Senior Account Manager PK Pandey, who has designed and installed AV systems in numerous restaurants around the Boston area for years for GC Pro. Pandey stopped by and assessed the situation. “There were a lot of hard, reflective surfaces, and that was amplifying the sound in there,” he explains. “They are surface-mounted speakers, so moving them wasn’t an option. The solution was absorption, but the trick was placing it correctly to make the most effective use of it, and where it wouldn’t interfere with the interior décor.”

Pandey specified a combination of products, including Auralex®’s Studiofoam® Pro Class A acoustical foam, and Acoustical Surfaces’ Sound Silencer™ Porous Expanded Polypropylene acoustical wall and ceiling tile panels. Then, drawing on his extensive experience in solving noise issues in these types of environments, Pandey directed Welsh, who had decided to do the application process himself to reduce costs, where to best place the acoustical treatment products. That included affixing them to the underside of certain tables and chairs, to reduce upward reflections. “PK also had me put some of the materials on the ceiling beams, where they really worked well reducing reflections but aren’t at all visible, which really helped keep the look of the place together,” says Welsh. “Now that we’ve done that, the difference is huge – we still have big crowds on weekend nights, but no one is screaming at the top of their lungs to be heard by someone else at that same table. And the music sounds better, clearer.” Welsh is planning on opening another eatery in Boston’s South End neighborhood later this year and says consulting with GC Pro will be at the top of his list. “They’re true professionals,” he says. “They know how to make it work.”

For more information, please visit www.gcpro.com.

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Aphex® Names Jim Bailey General Manager

— Appointment helps to position Aphex® for next phase of growth —

Aphex®, a leader in professional audio technology for more than 35 years, announces the appointment of Jim Bailey to the position of General Manager. The announcement was made by Aphex Chairman and CEO David Wiener and underscores the company’s ongoing expansion. Bailey’s extensive experience in product development, illustrated by the recent debuts of such groundbreaking and acclaimed Aphex models as the USB 500 Rack and USB Microphone X, along with his management talent, combined with Wiener’s leadership and creative expertise, will see the company poised for unprecedented success in 2013 and beyond.

Wiener stated, “Aphex is firing on all cylinders. We have worked really hard over the last two years, adapting, evolving and expanding our Burbank and Salt Lake City operations to position us for the next phase of growth. A key step is putting Jim in the position of General Manager, where we can fully utilize his unique skill set in leading the product and operations teams.”

After many years as a successful engineer, producer and studio operator in Los Angeles, riding the transition from analog to digital, Bailey ultimately came into pro audio manufacturing to put that experience into new products. His motto of “get the sound that’s in the artist’s head” has resulted in numerous award-winning products. Prior to joining Aphex as Director of Product Development, Bailey held product management positions at TASCAM and Avid, where he acted as the glue between the customer, the sales force, the marketing team and engineering. With his new appointment as General Manager of Aphex, that glue is becoming stronger than ever.

For more information please visit http://www.aphex.com.

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GC Pro Appoints Derek Snyder to the Position of Director, Western Region

— Promotion of longtime GC Pro employee reflects the division’s ongoing growth —

Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, announces the appointment of Derek Snyder to the position of Director, Western Region. The announcement was made by GC Pro Vice President Rick Plushner and reflects the division’s ongoing success and expansion.

Plushner stated, “Derek has been a tremendous asset to GC Pro. He has provided guidance on starting our installations program; assisted in opening various commercial product lines; developed key post production and film accounts; and much more. His personal knowledge of equipment and strong relationships with the vendor community acquired over decades of doing business in our industry have translated into success for his staff and our division. He has a great understanding of the marketplace and our competition, and he operates with the utmost integrity. We look forward to continuing to work with him in this enhanced role.”

Derek Snyder stated, “I have been blessed to work for GC Pro over the last several years, and I am proud to see my role in the organization grow. I have a strong passion for this industry, and getting to serve the market working with major industry figures is a treat. I look forward to continuing my journey with GC Pro.”

For more information, please visit www.gcpro.com.

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Audio-Technica to Hold Presentations from Industry Veterans at NAB

— Broadcast audio veteran Dr. Fred Ginsburg, TV audio engineer Robert Bigelow and Audio-Technica’s Steve Savanyu will impart practical information on broadcast recording and microphone techniques —

This year at NAB, on Monday, Tuesday and Wednesday (April 8-10, 2013), Audio-Technica’s booth C1711 will host five 30-minute audio instructional sessions throughout the day.

Dr. Fred Ginsburg, renowned industry veteran and specialist in production sound recording for motion pictures and video, will conduct two sessions each day. The first session will focus on microphone techniques and applications used for episodic television with a focus on multi-track recording, and the second session will be about techniques for rigging and attaching lavalier microphones to actors for film and video production.

Robert Bigelow, audio engineer for HBO’s Tremé, will also present two sessions. First he will share his experiences of recording live music for broadcast on Tremé, and later provide a better understanding of Mid-Side stereo recording.

Steve Savanyu, Audio-Technica Director of Educational Services, will offer instructions on selecting and using microphones with DSLR cameras, including single- vs. dual-system recording.

These Audio-Technica instructional sessions will be held in NAB booth C1711 all three days (April 8-10, 2013) as follows:

10:00am—10:30am
Microphone Techniques for Episodic Television and Features
By Dr. Fred Ginsburg —
Microphone techniques and applications used for television with a focus on multitrack recording.

11:00am—11:30am
Microphone Techniques for Digital SLR (single lens reflex) Cameras
By Steve Savanyu —
Selecting and using microphones with DSLR cameras, including single vs. dual system recording.

1:30pm—2:00pm
Rigging Lavaliers and Wireless Microphones for Film and Video Production
By Dr. Fred Ginsburg —
Techniques for rigging and attaching lavalier microphones to actors.

2:30pm—3:00pm
Recording Live Music for Broadcast
By Robert Bigelow —
Robert Bigelow, audio engineer for HBO’s Tremé, shares his experience.

3:30pm—4:00pm
Mid-Side/Stereo Miking Demystified
By Robert Bigelow —
Get a better understanding of Mid-Side stereo recording.

For more information, please visit www.audio-technica.com.

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Digital Vision Announces Technology Partnership with MTI Film; Unveils Slate of Advanced Image Processing Tools

A History of Innovation, Collaboration, Integration in the Spotlight at NAB 2013

NAB 2013, Stand SL14518 / Chairman’s Room, Renaissance Hotel

(London, UK) In keeping with its 25-year history of advancing creative technology, Digital Vision is proud to announce a technology partnership with MTI Film that will include the integration of MTI’s Cortex::Control Dailies with the award-winning Nucoda grading platform. In addition, Digital Vision is unveiling exciting new developments for their Nucoda and Phoenix product lines during NAB.

Cortex::Control Dailies is part of MTI Film’s on-set/near-set and facility dailies solution for playback, color, synchronization, metadata and transcoding. The integration of Cortex with Nucoda will support the setting of looks and exporting of stills with complete CDL and metadata for set-through-post coherency. It will also allow for complex data to be shared between Nucoda and Cortex, including CDL, LUT and Camera RAW settings. Integrated into Nucoda, Cortex brings production color choices directly into the final color process, moving on-set preferences dailies through final color easily.

Other new features in Nucoda and Phoenix include an updated DVO Stereo fix tool and updated stereo tools, including two new Warping tools as well as a tool to fix camera lens distortion.

Kelvin Bolah, President, Digital Vision, said, “MTI has been our collaborator, customer, and technology partner for many years, and this integration is the result of an in-depth look at how we can better support our customers. Working closely with MTI, we know how good Cortex is, and this integration into Nucoda unleashes powerful color management and on-set capabilities. This means an accessible, ACES compatible, color pipeline that serves our clients exceedingly well.”

Larry Chernoff, CEO and Founder of MTI commented, “We have worked closely with the team at Digital Vision for many years, and they consistently bring an unparalleled sense of experimentation and ingenuity to the process, which is evident in their outstanding product line. As Cortex becomes more integrated into the Nucoda toolset, we expect to see customers reap wide benefits.”

The Nucoda 2013 product line enhancements include expansion and refinement of the ACES workflow, as well as extension to the ASC CDL. Other products in demonstration at NAB include Thor, a soon-to-be-released dedicated hardware for advanced image processing; Phoenix restoration software, whose latest release includes tools to fix Chromatic Aberration, a Color Component Align tool, and the much anticipated DVO De-Warp, a fully automatic system for repairing warped film, and the Golden Eye archive scanner, which forms an element of the Vintage Cloud Archive workflow solution.

About Digital Vision
Digital Vision is the supplier of the world’s best colour grading, restoration and film scanning solutions for the broadcast, film, commercial and archive industries. Founded in 1988 in Stockholm, Sweden, Digital Vision has offices in London, Los Angeles, New Zealand, and Linköping in Sweden. Digital Vision’s Emmy award winning technology and products include Nucoda and Phoenix colour grading, finishing, mastering and restoration solutions that are used to create much of the worlds’ high profile television, film and commercials media broadcast and distributed today. In addition to the Nucoda and Phoenix ranges, Golden Eye film scanners and the Vintage Cloud solution provide innovative tools to create the industry recognized highest quality in scanning, film digitization, preservation and archiving.

In April 2011, Digital Vision acquired Image Systems and is now a division of the Image Systems group of companies.

For more information, visit www.digitalvision.se

All trademarks used herein, whether recognized or not, are the properties of their respective companies.

About MTI Film
Since 1997 MTI Film has provided award winning software applications to the post-production industry with a focus on technology for digital film restoration and digital dailies. With strong ties to our customers and an in-house services arm providing real-world, real-time development experience, MTI Film offers the most advanced, efficient and user-friendly applications on the market. MTI Film products include Correct DRS(tm) Control Dailies and Convey, and introducing the Cortex family – a simple, powerful and coherent digital workflow solution from pre-production through post-production.
For more information, visit www.mtifilm.com.

# # #

Digital Vision Marketing Contact:
Patrick Morgan
patrick.morgan@digitalvision.se
Tel: +44 (0) 20 7734 8282 | Mobile +44 (0) 7917674711

Digital Vision PR Contacts:
EMEA
Dawn Egerton
Bubble & Squeak
dawn@bubblesqueak.co.uk
Tel: +44 (0)7887 627764

USA
Chris Purse
ignite strategic communications
chris@ignite.bz
Tel: +1 818 980 3473

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Sennheiser Extends Free Trial Program for its Tourguide 2020-D Guided Tour System

OLD LYME, Conn. –Audio specialist Sennheiser announces an extension of the free trial program for its Tourguide 2020-D system. Interested organiza-tions can request a risk-free trial by visiting www.sennheiserusa.com/tourguidetrial. A Sennheiser representative will respond to all demo inquiries and arrange shipment of the system.

The Tourguide 2020 series is the first digital RF wireless tour guide system, offering excellent audio quality and extremely reliable, interference-free communication. Desi-gned for easy setup and operation, this system offers a high degree of flexibility with six available audio channels, making it an ideal choice for almost any guided tour appli-cation.

System components include your choice of a handheld or bodypack transmitter with a headset microphone; lightweight stethoset or bodypack receivers; and the portable, convenient EZL2020-20L storage carry case with charger.

Premier auto manufacturer BMW recently chose Tourguide 2020-D. Since the beginning of 2013, the BMW production plant in Dingolfing, Germany has used Sennheiser Tour-guide 2020-D systems for their factory tours. The behind the scene tour impresses up to 20,000 guests from all over the world every year.

Hyundai Motor Manufacturing Alabama (HMMA) automobile plant recently upgraded to the Tourguide 2020 system for their guided tours. The plant, which manufactures the company’s Elantra and Sonata automobiles, has been using Sennheiser’s Tourguide headsets since the tour program began in October of 2005.

Features of the Tourguide 2020 System
• High-quality, crystal clear wireless audio
• Reliable digital communication
• Easy set-up and operation
• Up to six concurrent tours possible
• All-in-one, comfortable headset for listeners
• Hands-free communication for tour leader
• Convenient case for charging, transporting and storing system components

To learn more about the promotion, please visit http://www.sennheiserusa.com/tourguidetrial.

About Sennheiser
Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sci-ences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com or by contacting:

Jeff Touzeau
Public Relations
Hummingbird Media, Inc.
(914) 602-2913
jeff@hummingbirdmedia.com

Rachel Smolin
Public Relations
Sennheiser Electronic Corporation
(860) 434-9190, Ext. 180
rsmolin@sennheiserusa.com

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JD PRODUCTIONS TO INSTALL 32-CHANNEL API LEGACY PLUS IN NORTH CAROLINA STUDIO

SANFORD, NORTH CAROLINA – APRIL 2013: A new API Legacy Plus Console with Vision automation will find a home at JD Productions in Sanford, North Carolina later this year. The 32-channel console is being built by API with many custom features for the Raleigh-area space. The recording studio’s design is being overseen by the legendary Wes Lachot of Wes Lachot Design for well-known producer John Davenport.

John Davenport grew up in Sanford, where his passion for music soon took him to New York, where he learned the recording business from the ground up. When he began in the late 70s at Secret Sound Studio, he learned the craft from some of the best engineers and producers of the times.

John spent the 80s as a recording engineer at the iconic Hit Factory in New York where he worked with a variety of impressive acts such as the Rolling Stones, Bruce Springsteen, John & Yoko, Cindy Lauper, Judy Collins, and Little Steven. He received Platinum Album awards from the United Nations for Little Steven’s Sun City, where he was chief engineer. Now returning to his hometown, it seems John has come full circle, in more ways than one.

Aside from returning to his old stomping grounds, it appears as though John will also be returning to his analog roots. Being a former staff engineer at the Hit factory, John was trained on analog consoles exclusively. After a period in digital, he will connect with his analog past using the API Legacy Plus.

“The smile on my face is because, after three decades of working at professional and makeshift studios, I finally have the opportunity of building my own dream studio,” he says. “It didn’t take long to select my choice of console. API, the sound and workmanship, is like no other. Thank you, Dan Zimbelman (of API), Wes Lachot Design, and the craftsmen at API making my dream possible.”

John’s recording studio is located along the Deep River in North Carolina where he continues to develop artists and produce films. His skills as an engineer, producer, and artist developer have led him to the title of Co-Founder and Vice President of Music of JD Productions.

The studio will be built from the ground up as a 1,300 square foot space designed by Wes Lachot of Wes Lachot Design. “I can say that I recommend API consoles to my clients because they represent the very best in analog design and sound quality and always make the room sound the best,” said Lachot. “Very best sounding rooms are nothing without the best sounding gear.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Wohler to Showcase Flexible, Intuitive MADI Audio Monitoring Unit at 2013 NAB Show

Compact and Easily Configured, New AMP1-MADIe Makes MADI Infrastructure Implementation an Easy Decision

SAN FRANCISCO — April 7, 2013 — Wohler Technologies today announced that it will feature the new AMP1-MADIe in-rack, portable MADI unit with Ethernet control and configuration at the 2013 NAB Show. Ideal for sports productions and other live broadcasts, the new system can be connected in series with a 56- or 64-channel MADI stream for individual volume adjustment and audible monitoring of any eight selected MADI channels at once.

“The AMP1-MADIe allows users to enjoy all the benefits of working with MADI infrastructure while taking advantage of Wohler’s industry-leading audio monitoring technology,” said Don Bird, chief marketing officer at Wohler. “By enabling the intuitive selection and monitoring of multiple MADI channels just like any other audio stream, the AMP1-MADIe makes incorporation of MADI into OB trucks and production facilities an easy call. With this compact MADI unit at their disposal, broadcasters and production companies can dramatically reduce the cost and complexity of high-volume audio signal monitoring.”

Designed specifically for users requiring unique functionality equivalent to a MADI audio hot-mic mixer, Wohler’s new AMP1-MADIe simplifies rapid selection and monitoring of MADI signals in fast-paced, live-to-air production environments. Measuring fewer than 5 inches deep, the AMP1-MADIe monitoring unit is an exceptionally compact solution. It is available in two models, providing support for either multimode (AMP1-MADIe-MM) or single-mode (AMP1-MADIe-SM) fiber connections. As a result, users can establish MADI cable runs of virtually any distance. Both models also support standard copper on BNC, accepting and converting between optical MADI signals and BNC I/O.

For operators and production teams undertaking multiple events and shows in short succession, the easy configurability of the AMP1-MADIe is a tremendous time-saver. Installed systems can be configured remotely over a LAN or Internet connection via a PC-based software configuration tool at a central engineering position. Alternatively, on-site users can store and retrieve system presets via USB.

“The AMP1-MADIe was really defined by our customers, who needed a very simple, intuitive, and low-cost solution for their production studios and OBs,” added Bird. “The resulting product speaks volumes about the relationship between Wohler and our valued customers. The AMP1-MADIe is an example of what Wohler can achieve when working as an extension of our clients’ engineering teams — delivering the right solution at the right price.”

The AMP1-MADIe will be featured in the Wohler booth, N3729, at the 2013 NAB Show. Further information about Wohler’s entire product line is available online at www.wohler.com.
# # #

About Wohler Technologies Inc.
Wohler’s tradition of innovation began with the creation of the industry’s first in-rack audio, video, and data monitoring category, and continues today through its development of signal management and monitoring solutions for video, audio, captioning, and loudness applications. Wohler’s 2012 acquisition of RadiantGrid Technologies extends this award-winning product line to include the Wohler RadiantGrid(TM) Intelligent Media Transformation Platform for efficient file-based content creation and distribution, quality control, and faster-than-real-time transcoding and standards conversion. This new offering, combined with the company’s proven, cost-effective confidence monitoring, compliance recording, and content management solutions, ensures high-quality media production across any platform and delivery to any device. More information about Wohler is available at www.wohler.com.

Photo Link: www.wallstcom.com/Wohler/AMP1-MADIe.zip
Photo Caption: AMP1-MADIe Audio Monitoring Unit

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Wohler to Feature WohlerCaption at 2013 NAB Show

Turnkey Appliance Solution Offers Simple, Low-Cost Solution for Multiplatform Delivery of Captioned Content

SAN FRANCISCO — April 7, 2013 — Wohler Technologies today announced that it will showcase the new WohlerCaption(TM) appliance at the 2013 NAB Show. This turnkey, closed-caption translation solution leverages Wohler’s RadiantGrid technology to extract closed captioning from media sources and insert closed captioning back into the transcoded output file. As a result, broadcasters can easily and cost-effectively update content with caption data prior to delivery via traditional broadcast services or on new services and platforms.

“As broadcasters and other content providers deliver higher volumes of media over a greater variety of platforms, they face a greater challenge in ensuring that content incorporates closed-caption data in the appropriate structure,” said Don Bird, chief marketing officer at Wohler. “With support for a broad array of caption standards, WohlerCaption offers a straightforward solution to this challenge.”

WohlerCaption offers the ability to handle the insertion of SCC or other aligned caption data files into the VANC or VBI space, or produce new ancillary outgoing files like SMPTE-TT or SAMI. Caption insertion and conversion can be done with or without transcoding of the video essence when using compatible video containers. Further, WohlerCaption offers both the capability to extract closed captioning from video containers and essences, and to insert closed captioning back into the transcoded output file. The solution provides ancillary data management that supports a variety of formats including: EIA-608, EIA-708, SCTE-20, SMPTE 328M, SMPTE 360M, VBI Line 21, SMPTE 334M, SMPTE 436M, XDS/Bar Data, CGMS-A, AFD, SMPTE-TT, SAMI, HCC, SCC, DFXP, and CaptionXML(TM).

Wohler also makes RadiantGrid technology available in other application-specific appliances including WohlerConverter(TM), WohlerCoder(TM), and WohlerLoudness(TM). WohlerConverter leverages Cinnafilm’s award-winning Tachyon(TM) technology to power the industry’s most robust transformation engine for file-based standards conversion and frame-rate conversion while transcoding. WohlerCoder is the intelligent file-based solution that performs grid-enabled transcoding with faster-than-real-time results, and WohlerLoudness(TM) offers file-based loudness correction with Linear Acoustic(R) AERO.file(R) technology. These Wohler solutions deliver an optimal balance of performance and speed to support multiplatform transcoding, transwrapping, and loudness correction for high-volume workflows while maintaining the highest-quality standards.

WohlerCaption will be featured in the Wohler booth, N3729, at the 2013 NAB Show. Further information about Wohler’s entire product line is available online at www.wohler.com.
# # #

About Wohler Technologies Inc.
Wohler’s tradition of innovation began with the creation of the industry’s first in-rack audio, video, and data monitoring category, and continues today through its development of signal management and monitoring solutions for video, audio, captioning, and loudness applications. Wohler’s 2012 acquisition of RadiantGrid Technologies extends this award-winning product line to include the Wohler RadiantGrid(TM) Intelligent Media Transformation Platform for efficient file-based content creation and distribution, quality control, and faster-than-real-time transcoding and standards conversion. This new offering, combined with the company’s proven, cost-effective confidence monitoring, compliance recording, and content management solutions, ensures high-quality media production across any platform and delivery to any device. More information about Wohler is available at www.wohler.com.

Photo Link: www.wallstcom.com/Wohler/WohlerCAPTION.zip
Photo Caption: WohlerCaption(TM)

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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