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Archive for April 8th, 2013

HARMAN’s AKG DMM12 BC Improves Installed Broadcast Mixing Capabilities

LAS VEGAS, Nevada – In addition to its recently launched digital automatic microphone mixing units, DMM6 and DMM12, HARMAN’s AKG announces its DMM12 BC at NAB 2013. The 12-input mixer’s highly sophisticated algorithm offers a high signal-to-noise ratio to minimize the number of open microphones in a mix and offers the ability to create a different mix per each output.

The DMM12 BC unit is scalable up to 10 units and each unit’s inputs are individually routable to numerous outputs – two stereo line outs, one stereo record output and an AES-EBU output. The professional-grade unit offers numerous DSP functions included in the 19-inch, 1HU device.

Managing level, bass, low cut, limiter, compressor, auto-mixing, priority, pam/balance, routing to receiver, routing to output 1, routing to output 2 and delay adjustments can be made quickly with the intuitive, easy-to-use interface.

“With DMM12 BC installed in a broadcast facility, managers have easy control over audio functions – similar to users with an analogue device, but with all of the advantages of digital,” stated Thomas Giczy, Business Development Manager, Installed Sound, AKG. “The DMM series will be a substantial addition to any broadcast or backroom installed sound rig as its quality, reliability and user-friendliness meet the needs of the mixing professional on numerous levels.”

When in use, all inputs are active, but attenuated to a level that equals the level of one “active microphone.” If one or more inputs receive relevant input signals, their amplification is increased to a level, which allows overall output to equal one “active microphone,” resulting in an absolute feedback-stable system.

Working to deter noise pickup, the DMM series senses numerous sonic activities to monitor and diminish unwanted sound. If a signal is picked up over a long period of time, the mixers understand that it may be an air conditioning unit or other unavoidable noise. When a large number of microphones pick up the same signal and all mics are active, the DMM system will recognize applause and not react. When two microphones are receiving the same signal, the mic with the slightly higher level gets priority, while the other one is attenuated.

For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

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HARMAN’s AKG B48 L Battery Power Supply Offers More Than 20 Hours Of Condenser Mic Performance

FRANKFURT, Germany – Evolving its legendary list of recording and live sound equipment, HARMAN’s AKG launches the successor of its B18 condenser microphone battery power supply with the introduction of the B48 L. With its very low noise level, a frequency response of 20Hz – 24Hz and an inverse polarity protection feature against incorrect battery insertion, the B48 L Battery Power Supply provides users with more than 20 hours of use on only two AA batteries.

When phantom power for a condenser is unavailable from a mixer, the B48 L phantom power supplies microphones with 48V and meets the P48 phantom power standard. Additionally, B48 L’s mini-XLR audio output and included mini-XLR to mini-XLR connection cable supports a direct connection of condenser microphones to all AKG bodypack transmitters. A low battery LED light illuminates if phantom power drops below 40V.

“We’ve designed B48 L to replace our original B18, which required two expensive 9V batteries and didn’t support P48 standards,” stated Wolfgang Fritz, Product Marketing Manager – Tour Sound, AKG. “Many of our more advanced microphones, including the C414 do not allow for voltage lower than the P48 standard. Now, we can be sure to accommodate all users so their AKG microphones have proper power and provide the quality and reliability we strive to offer professionals around the world.”

For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

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SMPTE, EBU, and VSF Form Joint Task Force on Networked Media

Task Force Aims to Enable New Business Opportunities Through Standardized Exchange of Professional Media Across Networks

LAS VEGAS — April 7, 2013 — The Society of Motion Picture and Television Engineers (SMPTE), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced the formation of the Joint Task Force on Networked Media (JT-NM) in collaboration with the European Broadcasting Union (EBU) and Video Services Forum (VSF). The JT-NM will engage manufacturers, broadcasters, industry standards bodies, and trade associations to map out a strategy for developing a packet-based network infrastructure for the creation, storage, transfer, and streaming of professional media.

Peter Symes, SMPTE director of standards and engineering, will join Hans Hoffmann of the EBU and Brad Gilmer of VSF in leading the task force. Representing and leading industry, users, and standards bodies, the task force will apply a phased approach to meeting its primary objective: ensuring interoperability in packet-based systems (networking, equipment, and software) for professional media.

“SMPTE already has partnered with the EBU and VSF in the creation of standards for video over IP, and we are delighted to be collaborating once again in forming this new task force,” said Symes. “Recognizing that the industry is moving quickly toward a fully networked environment, the Joint Task Force on Networked Media will facilitate coordination of user requirements among all of the stakeholders. This work will not only help us to identify additional SMPTE standards needed by the industry, but also facilitate a more efficient and timely standards-development process.”

The JT-NM will define an agile, on-demand, packet-based network infrastructure designed to support a variety of distributed, automated professional media (file- and stream-based) workflows for local, regional, and global production. By supporting any standards-based format, the infrastructure will assure the interoperability necessary to facilitate new workflows, reduce total cost of ownership, and speed content time-to-market.

The task force will pursue this objective in three phases:
- Phase 1: Define the business-driven use cases and requirements
- Phase 2: Define the framework and reference architecture
- Phase 3: Define and coordinate the tasks to realize the output of phases 1 and 2

Further information on the joint task force is available by email to JT-NM@smpte.org.

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About the Society of Motion Picture and Television Engineers
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers (SMPTE), a professional membership association, is the worldwide leader in developing and providing motion-imaging standards and education for the communications, technology, media, and entertainment industries. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the broadband, broadcast, cinema, and IT disciplines. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 600 standards, recommended practices, and engineering guidelines. SMPTE members include motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students from around the world. Information on joining SMPTE is available at www.smpte.org/join.

Photo Link: www.wallstcom.com/SMPTE/Centennial.zip

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SMPTE Launches Centennial Predict-the-Future Contest

Entries Being Accepted Now; Winners Identify State of TV and Cinema Technology in 2016, Centennial Anniversary of SMPTE’s Founding

LAS VEGAS — April 7, 2013 — The Society of Motion Picture and Television Engineers (SMPTE), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced the launch of its Centennial Predict-the-Future Contest. Participants’ projections regarding the state of television and cinema technology in 2016, the 100-year anniversary of SMPTE’s founding, will be collected from April 7 to Nov. 1, 2013, and the winners — identified by renowned analysts — will be recognized during the Gala SMPTE Centennial Event in 2016.

“In 1916 C. Francis Jenkins filed the SMPTE founding papers, establishing our organization and its commitment to advancing theory and development in the motion-imaging field,” said Peter Ludé, past president of SMPTE. “Over the past century, SMPTE’s pioneering work has helped to guide the development and implementation of motion-imaging technologies and systems. The Centennial Predict-the-Future Contest celebrates this achievement by looking ahead to further advances in an exciting and dynamic industry.”

“Over the past 100 years, the hundreds of standards, recommended practices, and engineering guidelines developed by SMPTE have shaped all areas of motion imaging, from television production, filmmaking, digital cinema, and audio recording to information technology and medical imaging,” said Charles Jablonski, chair of the SMPTE Centennial Committee. “The Centennial Predict-the-Future Contest offers anyone the opportunity to express their expert opinions about the state of motion-imaging technology as the organization moves forward into its next century of innovation.”

Open to all interested participants, the Centennial Predict-the-Future Contest asks 15 questions about the future of television and cinema technology. The list of questions, compiled from SMPTE member suggestions, is available at www.smpte100.org. At the contest entry deadline on Nov. 1, 2013, the answers submitted will be sealed until 2016 when a select group of analysts and their firms will identify the correct answers to the contest questions and determine the winners. Prizes will be awarded to those who answer questions correctly.

Participants are invited to complete the list of questions to be found at www.smpte100.org. Contest terms and conditions are also available from that URL.

The Society is currently planning other events to celebrate its 100th anniversary, including a gala banquet event. Stay tuned to the SMPTE website to learn of further developments.

More information about SMPTE and its many programs and resources is available at www.smpte.org.

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About the Society of Motion Picture and Television Engineers
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers (SMPTE), a professional membership association, is the worldwide leader in developing and providing motion-imaging standards and education for the communications, technology, media, and entertainment industries. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the broadband, broadcast, cinema, and IT disciplines. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 600 standards, recommended practices, and engineering guidelines. SMPTE members include motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students from around the world. Information on joining SMPTE is available at www.smpte.org/join.

Photo Link: www.wallstcom.com/SMPTE/Centennial.zip

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Snell Announces Migration of Its Award-Winning Image Processing Tools to Virtualized Environments With 2013 NAB Show Launch of Snell On Demand

First Snell On Demand Product, Alchemist OD, Makes Best-in-Class Standards Conversion Available on Commodity IT Infrastructure

READING, U.K. — April 5, 2013 — Snell today announced its Snell On Demand platform, a completely new media processing framework designed to provide on-demand access to Snell’s award-winning image processing algorithms in file, virtualized broadcast, and digital media environments.

The launch of the Snell On Demand framework is a bold step that marks the beginning of the company’s migration of its image-processing tools from dedicated hardware platforms to software-based applications that can be elastically provisioned in file, cloud-based, and virtualized infrastructures.

By taking advantage of advances in cloud computing and virtual machine technologies, the Snell On Demand framework enables immensely scalable solutions, from a single computing instance to a cloud-computing environment delivering a service over a network. Snell On Demand allows users to deploy processing solutions on reliable, cost-effective commodity IT infrastructure rather than employ dedicated hardware for discrete processing operations. By providing access to Snell’s world-class signal-processing algorithms and tools as flexible, highly efficient software implementations, Snell On Demand enables users to differentiate their service offerings for their clients and end users.

“Snell On Demand offers the broadcast and media industry the opportunity to take a major step forward in service innovation and workflow efficiency,” said Simon Derry, CEO at Snell. “With Snell On Demand, Snell is putting the cost/benefit equation fairly and squarely into the hands of the customer. It’s very simple — customers can choose to buy as much or as little processing resource as fits their business model secure in the knowledge that Snell products derived from the Snell On Demand framework will give them the best possible quality results from world-leading media processing tools.”

Users can scale Snell On Demand according to their needs. To increase performance, users may add acceleration hardware or commercially available off-the-shelf products such as graphics processing units (GPUs), or they may choose to distribute processing applications across multiple virtual machines or server farms. The framework assures ease of integration with cloud providers, thus supporting delivery of Snell product solutions as a service on a network.

The first Snell On Demand product, which will be demonstrated at the 2013 NAB Show, is Alchemist OD, a software-based frame-rate converter that offers rapid conversion of media files. For international program delivery or integration of international content into domestic schedules, Alchemist OD will provide the world’s best quality frame-rate conversion. The initial product implementation will support broadcast standards from SD to 3G 1080p, with frame-rate and format conversion between common broadcast file formats.

Snell On Demand standards conversion software can be deployed on a single server node, with optional GPUs. To further improve efficiency, the user may run parallel conversion jobs on a server farm. Because Snell offers OpenStack compatibility, the software may be implemented in either a public or private cloud.

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About Snell:
Snell is a leading innovator in digital media technology, providing broadcasters and global media companies with a comprehensive range of solutions for creating, managing, and streamlining the distribution of content for today’s multi-screen world. Specializing in TV Everywhere and Live TV applications, Snell provides the necessary tools to transition seamlessly and cost-effectively to 4K UHDTV, file-based, and 3Gbps operations, while enabling broadcasters to monetize and deliver their media assets across multiple distribution platforms. Headquartered in the U.K., Snell serves more than 2,000 broadcasters, post facilities, and global media companies in more than 100 countries through its worldwide team of sales

All trademarks mentioned herein are acknowledged as property of their respective owners.

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Bexel’s Extensive Fiber Optic Infrastructure Supports the Oscars(r)

Celebrating 12-Year Partnership in Evolving Fiber Network, Bexel Transports High Volume of Communications Signals from the Heart of Hollywood

(HOLLYWOOD, CA) Bexel, a unit of the Vitec Group‘s Services Division and a leading worldwide provider of broadcast services and solutions, recently celebrated its 12th year supporting the global live broadcast of the Academy Awards(r) with its largest effort to-date – connecting every major component of the 2013 show’s broadcast together at the Dolby Theatre. Working with the Academy of Motion Picture Arts and Sciences, including Engineer in Charge Tad Scripter and Hollywood & Highland management company CIM, Bexel implemented a comprehensive fiber optic network connecting key production locations such as Hollywood & Highland, Dolby Theatre, Loews Hotel and the domestic and international television compounds behind the El Capitan Theater on Hollywood Blvd.

“With all the complexities involved in a live program, Bexel did a great job with no malfunctions!” said Michael B. Seligman, supervising producer of the 85th Academy Awards(r).

For the Oscars, Bexel deployed more than 17 miles of temporary fiber. This is in addition to the four miles of permanent multi-strand fiber optic cables utilized to successfully transport HD/SD video, audio, data and communications signals for live simultaneous broadcasts of the Red Carpet pre-shows, the Oscar ceremony, backstage press interview and photo rooms and the Governors Ball, the Academy’s official celebration following the Oscars.

“The technical complexity of this project in connecting so many different elements of the show has continued to grow since we first installed the permanent fiber network into the Hollywood & Highland and Dolby Theatre complex back in 2001,” said Bexel’s Craig Schiller, vice president of engineering and operations. “We continue to enhance the fiber optic network, as it is the backbone that allows us to make point-to-point connections and the reason we are able to service all of our customers so effectively.”

In order to pull off a live event of this magnitude, Bexel’s credentialed staff of more than 40 skilled fiber engineers and support technicians were onsite for 15 days. The team enabled the transport of 275 video signals, 180 audio signals and 150 intercom signals over fiber for the Academy’s domestic and international broadcast partners.

Still photographers were provided with 40 fiber connections from the Red Carpet, Orchid Court and the Dolby Theatre. They were also equipped with sufficient bandwidth to connect to their workrooms in the Loews Hotel, enabling immediate delivery of still images to media and photographic services worldwide.

In addition, Bexel once again deployed its RF-Over-Fiber antenna system to enable all of the exciting action during the official Red Carpet pre-show. Bexel’s RF-Over-Fiber system provided unprecedented wireless communications coverage not previously available with a conventional wireless system. Bexel’s RF base camp was located at the 90-degree turn of the Red Carpet, and was used as the head-end position. Four small RF fiber-site boxes were established along the Red Carpet and enabled connection for up to six antennas to ensure there was no loss of signal and that none of the evening’s star-studded arrivals were missed.

“Oscar(r) weekend is without a doubt the most fiber-intensive event we do and the fact that it continues to flourish and continues to be such a success is a testament to the hard work and dedication of the professionals at Bexel,” added Schiller.

The 86th Academy Awards will take place on March 2, 2014.

About Bexel
Bexel is the pre-eminent worldwide provider of broadcast services including video and audio equipment rentals, fiber services, new audio sales, used equipment sales, and repairs/maintenance. Bexel provides brilliantly designed and flawlessly executed systems and solutions to all customers – including producers of the biggest and most important televised events in the world. For more information, visit http://www.bexel.com.

About the Vitec Group:
Capture the moment(tm)

For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Service provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.

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Antelope Audio’s Orion32 Interface Now Features Automatic Notification and Updating Capability and Zero Latency 32×2 Mixer

Santa Monica, CA, April 2, 2013 – Antelope Audio announced that its Orion32 interface, the world’s first 32-channel AD/DA converter and audio master clock in a 1U rack unit, now includes another groundbreaking feature: the ability to notify users on firmware updates directly from the control panel and automatic updating at the user’s request.

The Orion32, which supports both MADI and USB interfaces and is clocked by Antelope’s renowned 64-bit Acoustically Focused Clocking (AFC) technology, automatically runs a software assessment at startup and can initiate any required software updates at the push of a button.

“Updates and user tips from the control panel and other new features we are announcing will enhance our customer’s experience even further,” commented Marcel James, director of sales & marketing, Antelope Audio. “With these and other new updates, the Orion32 packs a host of features never before seen on a pro audio device including its massive channel count per square inch and unmatched USB performance.”

Other recently updated features to the Orion32 — which is already being used by top recording artists such as Rihanna, Skrillex and Beyonce — include a zero-latency 32×2 mixer, news feed links to ‘how-to’s’ and helpful videos as well as other performance enhancements and general bug fixes.

Orion32: Unmatched Audio Quality and Clocking in an Interface

The Orion32 allows 192 kHz I/O streaming of up to 32 channels through its custom-built USB chip, which provides seamless connectivity to any USB-enabled DAW or computer. The converter also provides 32 channels of 96 kHz audio through its Fiber Optic MADI I/O connections, making it perfect for capturing audio in live sound environments and many other applications. When using the MADI interface, the Orion32 can handle 16 channels of 192k audio.

Orion32 is also an audio master clock, employing Antelope’s proprietary 4th generation of AFC and oven controlled oscillator — both technologies that made Antelope Audio clocks an industry leader for accuracy and reliability in recording, mastering and post-production facilities around the world. The four word clock outs, together with the 10 MHz input, make Orion32 ideally suited to be in the center of any project or high-end studio.

Orion32 is packaged in a 1U enclosure with an eco-friendly power consumption of only 15 Watts. In addition to saving rack space and having very low heating levels, Orion32 comes with an extremely reasonable pricing even for small home studio, launching with a street price of only $2,995.

Orion32: Key Features

- Zero latency 32×2 mixer
- Firmware update notifications at startup
- Antelope Audio precise AD/DA conversion technology
- Up to 192 kHz on 32 channels I/O via custom-built USB chip
- 32 channels I/O via Fiber Optic MADI I/O connections
- Eight D-SUB 25 connectors for AD and DA
- 16 channels on 4 ADAT input and output connectors
- Antelope’s renowned 64-bit Acoustically Focused Clocking with Atomic input
- Antelope’s proprietary Oven Controlled Oscillator for supreme clocking stability
- Four word clock outputs and one word clock input
- Five presets for fast and easy recall of favorite setups
- 1U rack size with power consumption of 15 Watts and very low heating levels
- A user friendly desktop application available for both Windows and OS X

About Antelope Audio

Antelope Audio is the brainchild of Igor Levin who has more than 20 years’ experience and a number of innovations in digital audio and synchronization technology. The company is widely acknowledged as the leading manufacturer of audio master clocks.

In 2009 Antelope Audio launched its product line of high-resolution USB D/A converters, being among the pioneers designing a 384 kHz DAC. Antelope’s DACs employ their renowned 64-bit clocking and jitter management technologies and custom-designed circuits, achieving unprecedented precision and sound clarity.

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All brands and trade names are the property of their respective owners.

Contact information:

Jeff Touzeau
Public Relations
Hummingbird Media, Inc.
Phone: (914) 602-2913
E-mail: jeff@hummingbirdmedia.com

Georgi Lazarov
Marketing Communications
Antelope Audio
Phone: +44 20 8133 8113
E-mail: pr@antelopeaudio.com
Twitter: @AntelopeAudio
Facebook: http://www.facebook.com/AntelopeAudio

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Matrox Launches World’s First Live Streaming Appliance Under $1000 that Simultaneously Records a Blu-ray Quality Video File—Matrox Monarch HD

Matrox® Video today announced Matrox Monarch HD™, a small, easy-to-use video streaming and recording appliance priced at just $995. Matrox Monarch HD is designed for professional video producers who need to simultaneously stream a live event and record a Blu-ray quality version for post-event editing. It overcomes the limitations of today’s content delivery networks that only allow recording and archiving at the lower quality available while streaming by providing two independent delivery channels in an integrated unit.

From any HDMI input source such as a camera or switcher, Matrox Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Matrox Monarch HD simultaneously records a high-quality MP4 file to an SD card, a USB drive, or a network-mapped drive. Matrox Monarch HD is remotely controlled using any computer or mobile device with a web browser.

Matrox Monarch HD

“Matrox Monarch HD is the latest product that exemplifies what Matrox Video does best—provide high-quality, technologically-advanced tools for video professionals that combine multiple functions in a single cost-effective product,” said Alberto Cieri, senior director of sales and marketing at Matrox. “This is the first time that simultaneous streaming and high-quality recording can be achieved so easily and inexpensively.”

Matrox Monarch HD will be demonstrated at the 2013 NAB Show in booth SL4616, April 8-11.

Price and availability
Priced at $995 US (€799, £750) not including local taxes and delivery, Matrox Monarch HD will be available in June 2013 through a worldwide network of authorized dealers.

About Matrox Video
Matrox Video is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

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Matrox Announces Support for the Next Version of Adobe Professional Video Editing Tools

Matrox MXO2 family of I/O devices and Matrox Mojito MAX I/O card will be tightly integrated with the next version of Adobe Premiere Pro and Adobe SpeedGrade, including the Adobe Mercury Transmit feature, to offer rock-solid deck control for tape-based workflows

Matrox® Video today announced support for the upcoming release of Adobe® professional video editing tools, including Adobe Mercury Transmit for Adobe Premiere® Pro and Adobe SpeedGrade™, with the Matrox MXO2™ family of I/O devices and the Matrox Mojito MAX™ I/O card. The award-winning Matrox I/O products provide broadcast-quality video and audio input, output and monitoring to enable traditional tape-based workflows including deck control for frame-accurate batch capture and print-to-tape. They are also the only I/O solutions on the market that let users encode H.264 files for delivery to the web, iPad® and iPhone® up to five times faster than software alone without sacrificing quality. In addition, MXO2 devices provide cross-platform Mac® and Windows® support and are still the only solutions that connect anywhere, Mac and PC, via Thunderbolt™, PCIe® or ExpressCard/34®—with the same versatile unit. WYSIWYG support for Adobe After Effects® and Adobe Photoshop® will also be provided.

Matrox MXO2 Family and Mojito MAX

“At NAB we’re revealing the next version of Adobe Premiere Pro which provides incredible performance enhancements for all aspects of video production,” said Simon Williams, director of strategic relations at Adobe. “Having support for Matrox I/O devices offers our customers very reliable, high-quality and top performing video options including the new device control engine for accurate and reliable tape-based workflows.”

“Broadcasters worldwide have standardized on Matrox I/O solutions for use in the studio, in OB vans, and on set,” said Alberto Cieri, senior director of sales and marketing at Matrox. “Our customers have come to expect tight integration and stability from our hardware plug-in for Adobe software and we will deliver that to them again, including native support for the next version of Adobe Premiere Pro deck control and Adobe SpeedGrade output using Mercury Transmit playback.”

Matrox I/0 products will be featured at the 2013 NAB Show in the Matrox booth SL4616.

At NAB, Adobe is previewing the next generation of its professional video and audio products (NAB Booth SL3910). Learn more about the next versions of Adobe’s pro video and audio tools at: www.adobe.com/go/nab_reveal. More information about Adobe’s upcoming new video tools will be unveiled at Adobe MAX, The Creativity Conference, May 4-8 in Los Angeles, CA.

Price and availability
Matrox MXO2 devices are priced starting at $449 US (€382, £338) not including local taxes and delivery. Matrox Mojito MAX is priced at $995 US (€799, £749). Matrox products are available through a worldwide network of authorized dealers. Drivers for the next version of Adobe Premiere Pro will be available to registered Matrox users as a free download from the Matrox website after the next version of Adobe professional video editing tools are available.

About Matrox Video
Matrox Video is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

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Matrox Introduces 4K Video Monitoring Card for Adobe Premiere Pro — Matrox Mojito 4K

Post-production professionals see every pixel of every 4K frame in real time to craft breathtaking content

Matrox® Video today announced Matrox Mojito 4K™, a quad 3G-SDI, 4K video monitoring card for use with the upcoming release of Adobe® professional video editing tools on Windows® platforms. Matrox Mojito 4K enables realtime monitoring and output of video footage at resolutions up to 4096 x 2160 and at frame rates up to 60 fps (4Kp60).

Matrox Mojito 4K

“Native realtime 4K editing and monitoring will become a reality in 2013,” said Daniel Maloney, technical marketing manager at Matrox. “Along with new codec, CPU and display technologies, the Matrox Mojito 4K card is one of the innovations that will make it happen.”

Matrox Mojito 4K will be featured at the 2013 NAB Show in the Matrox booth SL4616 and in the Sony booth C11001. The realtime 4K editing demonstrations will showcase the Matrox Mojito 4K card in a workstation-class Windows computer running Adobe Premiere® Pro and driving a Sony PVM-X300 reference monitor.

Key features of Matrox Mojito 4K
• 4K (4096 x 2160), QFHD (3840 x 2160), 2K(2048 x 1080), HD and SD output resolutions
• 60 fps frame rate support, even at 4K resolutions
• SD, HD and 3G-SDI connectivity per SMPTE 259, 292 and 424/425M Level A and Level B mapping
• 8- and 10-bit YUV output at all resolutions and frames rates
• 16 channels of SDI embedded audio support
• Bi-level and tri-level genlock input
• Five full-size BNC connectors directly on the card bracket
• Highly optimized Adobe Transmit plug-ins for Adobe Premiere Pro and Adobe SpeedGrade™
• WYSIWYG support for Adobe After Effects® and Photoshop®

Matrox Developer Products for 4K
Matrox also offers 4K solutions for OEMs. Matrox DSX™ Developer Products include 4K input and output hardware powered by a feature-rich SDK, a selection of codecs up to 4K resolution, extensive file format support and tools for quick app development.

Price and availability
Matrox Mojito 4K, priced at $1995 US (€1795, £1495) not including local taxes and delivery, will be available in May 2013 through a worldwide network of authorized dealers. Matrox 4K OEM products are available now by contacting video_oem.info@matrox.com.

About Matrox VideoMatrox Video is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

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