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Archive for April 17th, 2013

METRIC HALO DONATES ULN-2 CONVERTER AND SPECTRAFOO SOUND ANALYSIS SOFTWARE TO THE WOMEN’S AUDIO MISSION (WAM)

SAN FRANCISCO, CALIFORNIA – APRIL 2013: The Women’s Audio Mission (WAM) is a San Francisco-based, non-profit organization “dedicated to the advancement of women in music production and the recording arts,” a worthy undertaking given women’s serious underrepresentation (less than 5%) in professional audio. To that end, WAM operates a professional recording studio staffed by women and intermixes its operation with collegiate-level classes for women, as well as introductory-level classes for girls. In addition, WAM sits at the center of an online network of aspiring and established women in the professional audio industry, which provides support and community to members around the world. Recently, Metric Halo, maker of boutique audio interface technology and professional audio software, donated a two-channel ULN-2 preamp/AD/DA interface and eight SpectraFoo Complete sound analysis software licenses to WAM in support of its mission.

“WAM exists to get more women and girls into audio because we feel that the more they have access to and participate in production, the more they can influence music, media, the Internet, and, ultimately, popular culture,” said Terri Winston, veteran musician, engineer, and producer, as well as Founder and Executive Director of WAM. “The more access our students have to high-quality production, the more prepared they will be to participate and the more successful they will be in professional audio. That’s why we’re excited to receive support from Metric Halo. We’re big fans of their gear and software, and our students will benefit from their exposure to the ULN-2 and SpectraFoo.”

The Metric Halo ULN-2 will be used within WAM’s studio environment for mic preamplification, as well as conversion into and out of Pro Tools. “Our students often ask, what’s the difference between the very inexpensive pro-sumer gear and the more expensive professional-grade equipment?” Winston said. “Rather than give them a theory, we say, ‘let’s listen to the difference.’ It’s important for them to gain exposure to as much as they can. Apart from being a useful high-end tool for our studio, the Metric Halo ULN-2 will serve as a reference for high-quality preamplification and conversion.”

In WAM’s classes, Metric Halo’s SpectraFoo sound analysis software will provide a visual reference for the audio manipulations that students are learning about. “A picture is worth a thousand words,” said Winston. “When students are equalizing a source, SpectraFoo shows them the effect of the equalization and cements the physical reality of what’s actually happening. It’s an eye-opener for them. They appreciate that there’s a science and a reality to what they’re hearing.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

Christie Launches Superior Performance Xenolite Lamp Series

CinemaCon demo to highlight improved brightness, power levels

Christie®, a global leader in cinema projection, today launched a set of four new Superior Performance Xenolite® lamps for its Series 2 Christie Solaria® projectors, ranging from 2kW to 6kW, at CinemaCon 2013.

The new Christie Superior Performance Xenolite lamps are designed specifically for the Christie Solaria® CP2220, CP2230 and the Christie 4K DLP Cinema® projectors. Designed to maximize the brightness and reliability of today’s digital cinema projection solutions, the Christie® Superior Performance Xenolite® lamp series uses the latest Xenon lamp technology to provide increased brightness, improved stability and a longer life span.

This increased brightness offers more captivating 2D and 3D experiences, with no reduction to overall lamp performance. In fact, Christie’s Superior Performance Xenolite lamps are not only brighter than previous models, they last 30 percent longer than comparable Xenon lamps while still offering the same extraordinary 99.999 percent in-theater uptime.

“Exhibitors want to use their lamps for longer periods of time while getting outstanding performance with the lowest possible operating costs,” said Jim Dukes, senior product manager for Christie’s Entertainment Solutions group. “With these new lamps Christie is offering better power and longer-lasting brightness with the cost-effectiveness that exhibitors demand, as befits the leader in cinema projection.”

More lumens for less money

Christie Superior Performance Xenolite lamps leverage the latest in Xenon lamp technology. The new series includes four new lamps: The CDXL-20SP (2kW) and CDXL-30SP (3kW) have an estimated average expected life of 3,500 hours and 2,000 hours and are designed for the Christie CP2220, CP2230, CP4220 and CP4230, with a maximum lumen output from 9,000 to 19,000 lumens. The CDXL-45SP (4.5kW) and CDXL-60SP (6kW) are expected to last for 1,500 hours and 1,100 hours respectively, and are designed to achieve light outputs of 24,000 to 34,000 lumens.

Lasting up to 30 percent longer than existing Xenon lamps, the new Superior Performance Xenolite lamp series offers 99.999 percent in-theatre uptime reliability, while maintaining brightness for longer periods than current lamps, resulting in a lower total cost of ownership. With warranties of up to 3,200 hours, exhibitors can increase their theatre’s overall profitability by postponing lamp replacements, benefiting from reduced lamp costs and fewer maintenance interruptions.

Christie Xenolite lamps deliver true representation of color in any cinema environment. They offer stable color temperature, a wide range of power levels, excellent color rendition and a long-lasting performance consistency, with excellent resistance to flicker, ignition difficulty and explosion. All Christie Xenolite lamps are covered under the Christie Xenolite Lamp Champion Warranty.

Ashly Audio Licenses Audinate’s Dante™ Digital Networking

WEBSTER, NEW YORK – APRIL 2013: Ashly Audio, maker of powerful, high-performance, cost-effective signal processors and amplifiers, have licensed Dante digital media networking solution from Audinate. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s range of signal processors and amplifiers.

Dante is built on IT standards, and is a complete media networking solution. Dante delivers a low-latency, tightly-synchronized, sample-accurate playback, while simplifying installation and configuration of A/V networks. Dante has become the leading solution of choice for a variety of professional applications as it demystifies audio networking.

“Ashly Audio is known in the industry as a leader in networked power amplification and signal processing, addressing multiple professional audio applications,” says Director of Sales at Audinate, Dave Anderson. “We are pleased that Ashly has recognized Dante as the most interoperable networking solution available, and look forward to a range of products as they come to market.”
Noted President, Ashly Audio, Mark Wentling, “Ashly is excited to be able to offer our customers yet another option in digital connectivity for our DSP processors and DSP enabled power amplifiers. Dante from Audinate currently brings the best in flexible, yet robust digital audio transport, to the pro-audio and commercial-sound installation markets.”

Audinate revolutionizes the way that A/V systems are connected, by transporting high-quality media over standard IT networks. Dante is robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO
Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE
Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected. www.audinate.com

Dante is a trademark of Audinate Pty Ltd, Audinate is a registered trademark of Audinate Pty Ltd.

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DPA Microphone’s d:facto II Vocal Microphone Delivers a Noticeable Difference

Jazz singer Claire Martin OBE says she can’t believe the clarity DPA’s d:facto II has given her voice, nor the benefits it has brought to her performance

OSLO, NORWAY, APRIL 12, 2013 – DPA Microphones’ new d:facto™ II Vocal Microphone has made internationally acclaimed jazz singer Claire Martin OBE very happy indeed. Since switching to the new microphone, Martin says she has never heard so much clarity in her voice and that the difference is so noticeable even her sound engineers are making positive comments.

“This is definitely the right microphone for me,” she says. “It picks up all the colors in my voice and I can hear every breath, which makes it easier to control phrasing. It almost makes singing easier as I can try out vocal ideas and actually hear myself changing the timber of my sound – something I felt was lost with other microphones. It also delivers great sound without my having to be right close to the mic. So, I can definitely play around with lower end notes by coming in a little closer for a bassier response. This works really well in ballads, I feel.”

Martin, who has been singing professionally for over 25 years, has garnered numerous awards and rave reviews for her work, including winning the BBC Jazz Award for Best Vocalist and six British Jazz Awards. She has released a total of sixteen albums, all on the Linn label, and has collaborated with various prominent musicians, including Martin Taylor, John Martyn, Stephane Grappelli, Kenny Barron, Sir Richard Rodney Bennett, Jim Mullen and Nigel Hitchcock. In addition to her singing career, she is also a co-presenter for Jazz Line Up on BBC Radio 3 which is now in its thirteenth year.

Martin’s decision to try DPA’s d:facto II Vocal Microphone was inspired by a sound engineer who was working with her at the Pizza Express Jazz club in London’s Soho.

“The engineer was raving about the mic and saying how it would suit my voice,” she explains. “Other singers, as well as my record company Linn Records, had often talked about the quality of these microphones, so at last I was able to try one out in an intimate club setting. I was immediately impressed by its lightness and handling.”

The d:facto II Vocal Microphone was supplied by DPA’s UK distributor Sound Network and after that initial try-out, Martin was hooked.

“The d:facto II captures every nuance of my vocal sound and, once I had worked out the direction handling, it actually made me feel very confident about my diction and tone. I also notice that I don’t lose any level when I give my sound more power and pull away from the mic. The sound is still clear, full and more rounded. You can hear the whole breath. As a jazz singer, this is the sound I’m after. This microphone certainly delivers what I want and I definitely feel I’m using the best microphone there is.”

Martin’s d:facto Vocal Microphone is now in use at every one of her concerts. Thanks to its ability to deliver high-quality audio she feels she can cope much better with whatever the PA system throws at her.

“In jazz clubs some PAs are better than others, and this microphone gives me a fighting chance of getting a great sound,” she says. “I also love how light it is.”

In June 2011, Martin was appointed Office of the Order of the British Empire (OBE) for services to music. She is currently touring with the Montpellier Cello Quartet, a Brighton-based cello group, showcasing new arrangements for voice and cello quartet by Sir Richard Rodney Bennett, Mark Anthony Turnage and Djano Bates. She plans to return to the recording studio later this year to begin work on her seventeenth album.

ABOUT DPA:
DPA Microphones A/S is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Extron UTS 100 Series Under Table Shelf System Now Shipping

Extron UTS 100 Series

Extron Electronics is pleased to announce the immediate availability of the new UTS 100 Series Under Table Shelf System. The Extron UTS 100 Series is a unique, self-supporting, half rack width shelf that is specifically designed for use in environments where a traditional equipment rack or cabinet cannot be located beneath a table top or other furniture surface. The compact, 1U modular shelf system mounts directly to the under-surface of the table top, without rack rails, and supports any combination of half, quarter, and eighth rack products. The UTS 100 Series·can be placed next to a table leg, in the center of the table, or within reach of the system user at the table’s edge.

“In today’s ‘AV Everywhere’ environment, integrators now face the daunting challenge of finding space to mount AV system hardware in places where it won’t conflict with room function or aesthetics,” says Casey Hall, Vice President of Sales and Marketing for Extron Electronics. “The UTS 100 Series provides a simple, elegant, and cost-effective solution by eliminating the need for rack rails or specialized cabinets to support AV electronics.”

The UTS 100 Series Under Table Shelf System leverages Extron’s expertise in half rack width shelf systems and is consistent with the current standardization efforts jointly sponsored with Middle Atlantic. Extron manufactures a wide range of half, quarter, and eighth rack professional AV integration products that are ideally suited for use in products that meet the proposed half rack width system standard.

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SunBriteTV is the Ideal Gift for Dads and Grads this Summer

THOUSAND OAKS, California April 17, 2013 – Graduation and Father’s Day are almost here and there’s no better way to reward both dedicated students and fantastic dads than with a SunBriteTV.

“Dads won’t find a better spot to watch the game with friends than the backyard or the deck,” said Tom Dixon, VP of Marketing, SunBriteTV. “And once the sun goes down, a SunBriteTV transforms hot summer nights into an outdoor family theater under the stars.”

What’s more is that the SunBriteTV Signature Series comes with a family-friendly price tag. The Signature Series starts at $1,495 (32”), $2,795 (46”), $3,995 (55”), and $6,995 (65”).

All SunBriteTV models withstand temperatures from -24°F to 122°F and completely resist rain, humidity, salt corrosion, dust, and insects. Anti-glare screens are specially designed to deliver bright high-definition images in any outdoor climate, any time of day or night.

Every SunBriteTV, one of the last U.S.-based television manufacturers, includes a two-year warranty, a weatherproof remote, and 20 watt built-in speakers. Optional accessories include a variety of wall-, ceiling- or pole-mount installation solutions, dust covers and FM Radio.

For more information on SunBriteTV please visit www.sunbritetv.com.

About SunBriteTV
SunBriteTV’s all-weather televisions have been time-tested in home installations, outdoor sports arena, restaurant and hotel patios and even on military vehicles participating in field operations. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.sunbritetv.com.

HARMAN’s Studer Sets Radio Roadmap for Rural Thailand

BANGKOK, Thailand – The Thai Government Department of Rural Roads is responsible for maintaining the roads that connect to the country’s main highways—this enables them to set up bypasses where necessary to improve traffic flow. To assist them in responding quickly to provide information across the vast network of roads, the Department has now set up its own radio station—initially for internal broadcasting before it becomes a full FM / AM broadcast channel, streaming digital information for the benefit of the general public. To help facilitate live broadcasts and flag up immediate alerts, HARMAN’s Studer’s Bangkok-based distributor 101 Technology (part of the Mahajak Group) has supplied a compact Studer OnAir 1500 production desk. Fitting a tight budget, the desk will be multi-functional, enabling the station to handle live broadcasts and record live sessions—while operating as a dedicated production mixer.

101 Technology reports that this is the first OnAir 1500 to be sold in the country. The company’s Wiboon Lertkultanon explains, “We put all the Studer OnAir 1500 launch information up online. The people involved in the radio station knew of Studer’s reputation and I was contacted immediately after they saw it on our website.”

In fact the OnAir 1500, configured with 12 faders, was designed to provide the versatile hybrid solution for radio broadcasting and production that the studio required … a compact and cost effective production room console. The additional integrated USB playback and record functions make the OnAir 1500 a highly comprehensive desk.

“After initial concerns about the budget they found they could do everything they needed with the OnAir 1500 and still have funding remaining for room decoration,” reports Wiboon. “The fact that the desk could double as a production mixer was a bonus since they don’t have the budget to build another production studio yet.”

The compact form factor provided another compelling reason for adopting this platform. Converted from a small meeting room, the studio measures just 4m x 3m and can accommodate a host and two guests. Notes Wiboon, “The idea of separating the surface from the DSP held the key to space saving. Also the ease of the flash drive plug and play is another highlight.”

Assigned to the faders are a host and two guest mics, solid state player, CD players, automatic play out, and two off-air feeds, a telephone hybrid and production workstation (plus GPIOs). The host microphone can also send out to record in the production workstation and the mixer takes the input from the production workstation back to the studio monitor.

The outputs feed: Internal broadcast; Radio broadcast; Internet Radio Streaming and Production workstation which runs Adobe Audition, enabling it to record and edit files.

Now up and running, the station is performing a valuable public service —spreading information to road users and enabling them to plot alternative routes. Conversely, drivers are able to phone in live reports to the station, flagging up road blocks, accidents and hold-ups.

In summary, Wiboon says, “The Studer name sells itself for the ease of use, reliability and sound quality. But its legendary quality has never come in such a compact box as this before. This, coupled with the 101 Technology support team, means that the OnAir 1500 is in safe hands.”

And one of the radio hosts added “The OnAir 1500 has met all expectations, showing that it can function as a production mixer within a tight budget.” And the sound remains top quality, even when playing MP3 sound files.

Further information from: HARMAN (www.HARMAN.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

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New Daisy Chain System from Gefen Extends 100 Displays by Daisy Chaining from one Display to the Next using Video over IP Technology

Digital connectivity solutions provider Gefen today announced the availability of its new Daisy Chain HD System, which creates a large infrastructure for wiring displays using CAT-5 cable. The system includes sender, splitter and receiver units—all interconnected in a daisy chain concept. All three units work together to extend 1080p full HD with RS-232 and IR control signals using the same CAT-5 cable.

Similar to a tree scenario, the system uses splitters to create new “branches.” Users can create up to ten branches each supporting ten displays. Individual displays can be mounted next to each other or up to 100 meters apart. Source video is sent to the sender then over a single CAT-5 cable to the splitter. The splitter outputs two signals: one that connects to a receiver and display; and another that connects to another splitter. Each splitter also provides one HDMI output for a local display connection. Alternatively, the Daisy Chain HD System can create a straight daisy chain to 30 displays from one splitter to the next splitter.

This new system works with all hi-def displays and video sources using HDMI supporting Blu-ray players, satellite set-top boxes and tablets. IR and RS-232 controls key features of the display, including powering displays on and off and switching source inputs.

“This is an evolutionary new daisy chain concept for many commercial applications, particularly digital signage-type video walls,” said Hagai Gefen, president, Gefen. “This solution uses Video over IP technology to route hi-def video to 100 displays and is a great fit for any commercial applications that use multiple displays such as airport terminals.”

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ASHLY AUDIO LICENSES AUDINATE’S DANTE™ DIGITAL NETWORKING

WEBSTER, NEW YORK – APRIL 2013: Ashly Audio, maker of powerful, high-performance, cost-effective signal processors and amplifiers, have licensed Dante digital media networking solution from Audinate. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s range of signal processors and amplifiers.

Dante is built on IT standards, and is a complete media networking solution. Dante delivers a low-latency, tightly-synchronized, sample-accurate playback, while simplifying installation and configuration of A/V networks. Dante has become the leading solution of choice for a variety of professional applications as it demystifies audio networking.

“Ashly Audio is known in the industry as a leader in networked power amplification and signal processing, addressing multiple professional audio applications,” says Director of Sales at Audinate, Dave Anderson. “We are pleased that Ashly has recognized Dante as the most interoperable networking solution available, and look forward to a range of products as they come to market.”

Noted President, Ashly Audio, Mark Wentling, “Ashly is excited to be able to offer our customers yet another option in digital connectivity for our DSP processors and DSP enabled power amplifiers. Dante from Audinate currently brings the best in flexible, yet robust digital audio transport, to the pro-audio and commercial-sound installation markets.”

Audinate revolutionizes the way that A/V systems are connected, by transporting high-quality media over standard IT networks. Dante is robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected. www.audinate.com

Dante is a trademark of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd.

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #335

UDC Timecode Makes its Debut at Tradeshows with Riverview Systems Group

Corporate event production company Riverview Systems Group Inc. of Milpitas, California has become the first company to utilize UDC Timecode, a new feature in the Protocol Translation portion of High Resolution Systems’ UDC Pro Plus package. UDC Timecode enables users of the popular UDC (Universal Device Controller) software to sync with external timecode or turn UDC in to a timecode generator itself.

Riverview often needs to automate video and lighting cues simultaneously at clients’ tradeshow booths. “A couple of systems would allow us to do that, but they required complicated programming and required significant resources to implement,” says Derek Ytreeide, technology specialist with Riverview Systems Group.

“We had worked with Drew and Mike Taylor at High Resolution before and became familiar with UDC,” he continues. “We had a client who needed a big video playback system at a tradeshow. We figured UDC would work perfectly to trigger the video, but we had to go further – we needed to trigger the lighting cues, too. We could stripe timecode on the video roll or use an external timecode generator. But UDC had an internal timecode generator already, so High Resolution explored programming UDC to send out a timecode signal, while using a Kiss-Box transceiver in between. Once High Resolution wrote the code, we tested the new UDC Timecode feature and decided to use it at the show.”

UDC Timecode made its debut at the RSA Security conference in San Francisco for Riverview’s client, Symantec. “Conference goers walked into the theater within the Symantec booth where three 90-inch and eight 40-inch displays played individual videos which were all synchronized simultaneously from five playback machines,” Ytreeide explains. “We needed to trigger a library of three videos and an interstitial loop simultaneously from Playback Pro, combined with six lighting cues from our grandMA2 system.”

An additional complication emerged when Symantec wanted to tailor the videos displayed on the screens to specific clients that walked into the theater. The videos would not play in a scheduled or random order.

“A lot of systems are timeline-based with scheduled events; few are cue-based using commands which are independent of each other,” Ytreeide notes. “UDC Timecode proved to be an amazing solution for us, allowing us to do what Symantec required.”

Riverview was so pleased with UDC Timecode that it decided to implement the software at the American Association of Orthopedic Surgeons (AAOS) conference in Chicago for their client Zimmer.

“UDC Timecode will act as central control software performing two different functions: generating timecode to control the grandMA2 lighting console in the main theater and generate timecode for two sub-theaters where videos are shown, but not on a set schedule,” he explains. “We’ll have absolute control of the house lights and videos and can trigger the videowall to funnel people from the theater to a hands-on demo experience.”

UDC Timecode is available now for customers who have a Protocol Translation license on UDC Pro Plus.

About High Resolution Systems
High Resolution Systems, a member of the Society of Broadcast Engineers is a company with a strong systems engineering and applications background. Its founders have decades of experience in the audiovisual rental and staging industry, broadcast applications, A/V installations and system design. This combined experience allows them to provide the highest possible quality solutions to its customers in the most efficient manner. For more information, visit www.hrscontrol.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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