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Archive for April, 2013

DPA Microphones Wins A Prestigious mipa Award

DPA Microphones d:facto™ II Vocal Microphone has been awarded a prestigious mipa (Musikmesse International Press Award) in the Live Microphone/IEM category.

The award was presented to DPA’s CEO Christian Poulsen at a special mipa Awards Ceremony held during Musikmesse/Prolight + Sound on Thursday, April 11th 2013.

Widely regarded as the “Grammys” of the Musical Instrument/Pro Audio industry, the mipa Awards are voted for by editors of over 100 magazines from around the world. The 2012/2013 Awards had over 40 categories covering musical instruments and audio equipment.

Commenting on the Award, Christian Poulsen says: “We are absolutely delighted that our d:facto II Vocal Microphone has been recognised as a ground-breaking product, and that we were able to beat off stiff competition from other well-known and respected microphone brands. We spent three years developing this microphone and we are very proud of our achievement. We always knew we were onto a winner and it is very satisfying to see that the cream of the world’s pro audio and musical instrument press agrees with us.”

DPA’s d:facto II Vocal Microphone brings true studio sound to the live stage by offering an extraordinarily natural sound, superior gain before feedback and extreme SPL handling. In addition to use with the new wired DPA handle, the d:facto II provides singers and engineers with the added benefit of a state-of-the-art adapter system that allows for seamless integration with many professional wireless systems such as Sony, Lectrosonics, Shure, Wisycom and Sennheiser.

Equally at home in sound reinforcement and recording applications, the d:facto II is the vocal microphone that the music industry has been waiting for. Its simple plug-and-play features allow it to reproduce an extraordinary natural sound, which reaches the extreme sound level handling of 160 dB. As with all DPA mics, the d:facto II is superbly linear in frequency and phase, both on- and off-axis, while its impressive definition and accuracy reproduces a singer’s voice effortlessly. It also sets new standards its robust three-stage pop protection grid that ensures the removal of unwanted noise.

During Prolight + Sound, folk pop band SHEL performed on the DPA booth using the new d:facto II Vocal Microphones in several wireless configurations. Already fans of DPA’s d:vote™ 4099 Instrument Mics, which they use, SHEL recently took the d:facto II Vocal Microphone on the road for concerts in Denver, Salt Lake City and Los Angeles and are now on tour in Europe visiting Ireland and the UK.

For more information about the 2013 MIPA Awards, please visit www.mipa-award.de/nominations_2013.php

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

grandMA2 Locks and Reloads with Miranda Lambert and Dierks Bentley National Tour

Country artists Miranda Lambert and Dierks Bentley have Locked and Reloaded and grandMA2s along for the ride. Their 33-show national Locked and Reloaded Tour uses two grandMA2 light consoles to control about a hundred moving lights on a complex, multi-level set. A.C.T Lighting is the exclusive distributor for MA Lighting in North America.

“We wanted the production design to give us the opportunity to create different moods,” says Chris Lisle, Nashville-based production designer for the tour. “We have a lot of moving pieces. There’s a big wall of light for punch for the rock sets and some circular trusses for the moodier songs.”

Lisle had wanted to use grandMA2s “for years,” and programmer Scott Chmielewski suggested he try them for the tour. “It’s a very user friendly and functional console, yet it does so much,” says Lisle. “It’s very deep; it has so many layers, and you can get really detailed with it. One of the things I love is its ease of networking. I’ve had problems with that on other consoles.

“The grandMA2s effects engine is also amazing,” he adds. “There are so many things you can do so easily. It’s mind blowing! I had no idea we could do so many effects so simply.”

Lisle notes that Chimeleski uses the consoles for DMX merging. “There are so many functions, and some of the macros we’ve created are amazing. You can create the console you want, lay it out the way you need it to be. It was a great opportunity for me to be able to sit down with a programmer like Scott who knows the board so well. It was super easy to learn, but there’s so much more I can learn going forward.”

Lisle is impressed with the grandMA2s performance and robustness on the Locked and Reloaded Tour. “It’s a fantastic piece of equipment that’s also very reliable,” he attests.

About A.C.T Lighting

A leading importer and distributor of lighting products, A.C.T Lighting, Inc. strives to identify future trends and cutting-edge products, and stock, sell and support their inventory. The company provides superior customer service and value for money to all of its clients.

For more information call 818-707-0884.

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Prism Sound Announces New Mic To Monitor Tour For 2013

Prism Sound’s popular Mic to Monitor educational tour is back with new dates and new venues confirmed to 2013.

Targeted primarily at music production students, hobbyists and professionals, Mic to Monitor aims to dispel the many myths surrounding the recording process. Each seminar will feature presentations from recording professionals who will answer audience questions on recording techniques. There will also be the opportunity to demo equipment and win recording equipment from Prism Sound and SADiE – and from PMC and DPA Microphones, which are supporting the tour.

Mic to Monitor 2013 begins on April 23rd at Pulse College, Windmill Lane Studios, Dublin. During May and June it will visit the University of the West of England (UWE), Bristol; Anglia Ruskin University, Cambridge; SAE, Glasgow; Alchemea College, London; LIPA, Liverpool; Futureworks, Manchester and City University, Birmingham.

Acclaimed mastering engineer Aidan Foley (Foo Fighters, Van Morrison, U2) will speak at the first session in Dublin, where he will reveal the tricks and techniques he used on the hugely successful Dead Can Dance album, Anastasis – a European No.1 hit that achieved over 250,000 in sales last year. Aidan will discuss his approach to the Vinyl, CD and other digital releases during the project and the challenges he had to overcome in and out of the studio.

Other confirmed speakers include Simon Little (Jessie Jay, Quantic), Jake Gosling, (Ed Sheeran, Paloma Faith, One Direction) and Award-winning mastering engineer Many Parnell, whose recent projects include Bjork, Feist and Frightened Rabbit.

Graham Boswell, Prism Sound’s Sales Director, says: “As a company, Prism Sound is dedicated to providing training initiatives to the producers and engineers of tomorrow. Music recording students need the opportunity to learn skills that are applicable to the industries in which they will ultimately work. They also need to know about the equipment they will regularly come into contact with. These seminars are all taking place at educational establishments that offer courses in music recording and broadcast engineering because we recognise that this is where the producers and engineers of the future are currently getting their grounding. The aim is to give them – and any industry professional who wants to brush up on their skills – the chance to discuss new techniques, demo cutting-edge equipment and software and learn first-hand from the experiences of our guest speakers.”

Full details of dates, venues and guest speakers will be posted on the Prism Sound website. Anyone wishing to attend Mic to Monitor can do so by registering their interest online at www.prismsound.com.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.prismsound.com

SYMETRIX SYMNET RADIUS 12×8 DSP BREATHE FRESH LIFE INTO ST. LUCY PARISH

CAMPBELL, CALIFORNIA – APRIL 2013: For nearly a century, St. Lucy Parish has been a cornerstone of religious life in Campbell, California. Its congregation grew steadily throughout the 1900s, prompting moves to ever-larger facilities, and culminating in the construction of a 1,200-seat sanctuary in 1967. Today St. Lucy Parish holds daily mass in that sanctuary, and on the weekend it is filled repeatedly for multiple masses, many of which use different musicians and groups that tailor their messages to different groups. Recently, the church hired local A/V integrator Zamar Media Solutions of San Jose to replace its decades-old sound reinforcement system. The new system is centered on a pair of cost-effective Symetrix SymNet Radius 12×8 DSP, which network together seamlessly using the Dante protocol and provide customized, open-architecture programming.

“St. Lucy Parish had been limping along with an insufficient sound system that was twenty- or thirty-years old,” explained Michael Dow, president of Zamar Media Solutions. “It was characterized by rack mixers with big knobs and inadequate ceiling speakers. I drew up a proposal for them a few years ago, but they decided to wait.” However, the old system recently failed completely, and they called me up. I dusted off my earlier proposal and made a few edits to bring it up to date.” For example, Dow had originally specified Symetrix SymNet Express DSP, but with the new Symetrix SymNet Radius 12×8 now available, he recognized that it would provide more processing power, a better I/O count, and near-zero latency Dante networked audio.

In addition to the new DSP, Dow and Zamar Media Solutions customer, system Programmer Tim Fairbairn equipped St. Lucy Parish with an entirely new front end and an entirely new loudspeaker system. Four new Shure ULXD digital wireless microphones replaced their old wireless mics. In addition, new Audix MG15 podium microphones and a pair of Audix M1255 condensers for the choir provide full-frequency capture worthy of the system’s back end. Music playback devices, an on-stage PreSonus band mixer, and multiple input jacks complete the input list. Powersoft’s M-series amplifiers power Martin Audio OmniLine loudspeakers and subwoofers, arrayed as left-right main, left-right side fill, and center subs. Distributed sound provides coverage throughout the building. Additional outputs include a Listen Technologies assisted listening system and a Denon PMD580 MP3/Wave recorder.

“There are a lot of differences from service to service, both in terms of the musicians present and in terms of the audio media required, and St. Lucy Parish is benefitting from the SymNet Radius 12×8’s ability to customize the processing on each of the many input channels,” said Dow. “Between the two boxes, we have twenty-four inputs and sixteen outputs, and any input can be sent to any output because they are networked together using Dante. We’re happy to see that Dante is being embraced by the industry because it’s easy to use and has almost no latency.” Fairbairn and Dow programmed the SymNet Radius 12x8s using Symetrix’ SymNet Composer software, which proved to be a transparent upgrade in feature set from the previous design software, SymNet Designer. “Users control the system using an Extron TLP 1000MV ten-inch touchscreen, which communicates with the SymNet Radius 12×8 system, the Furman power sequencing, the Denon PMD850 recorder, the music playback devices, and the entire dual screen projection system.

Fairbairn was present at the choir’s first experience with the new system. “The choir members were absolutely floored by the quality of the new sound system,” he said. “Indeed, this marks the first time ever that the choir can be heard by the rest of the congregation. During practice, the choir members took turns touring the seating area while the rest kept singing so that everyone could hear how well the choir can be heard now. Also, while the organist was playing for the choir, the choir could be clearly heard over the organ, a new experience! I overheard a lot of happy responses to the system at the following mass, such as ‘night and day!’ and ‘remarkable!’”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

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METRIC HALO DONATES ULN-2 CONVERTER AND SPECTRAFOO SOUND ANALYSIS SOFTWARE TO THE WOMEN’S AUDIO MISSION (WAM)

SAN FRANCISCO, CALIFORNIA – APRIL 2013: The Women’s Audio Mission (WAM) is a San Francisco-based, non-profit organization “dedicated to the advancement of women in music production and the recording arts,” a worthy undertaking given women’s serious underrepresentation (less than 5%) in professional audio. To that end, WAM operates a professional recording studio staffed by women and intermixes its operation with collegiate-level classes for women, as well as introductory-level classes for girls. In addition, WAM sits at the center of an online network of aspiring and established women in the professional audio industry, which provides support and community to members around the world. Recently, Metric Halo, maker of boutique audio interface technology and professional audio software, donated a two-channel ULN-2 preamp/AD/DA interface and eight SpectraFoo Complete sound analysis software licenses to WAM in support of its mission.

“WAM exists to get more women and girls into audio because we feel that the more they have access to and participate in production, the more they can influence music, media, the Internet, and, ultimately, popular culture,” said Terri Winston, veteran musician, engineer, and producer, as well as Founder and Executive Director of WAM. “The more access our students have to high-quality production, the more prepared they will be to participate and the more successful they will be in professional audio. That’s why we’re excited to receive support from Metric Halo. We’re big fans of their gear and software, and our students will benefit from their exposure to the ULN-2 and SpectraFoo.”

The Metric Halo ULN-2 will be used within WAM’s studio environment for mic preamplification, as well as conversion into and out of Pro Tools. “Our students often ask, what’s the difference between the very inexpensive pro-sumer gear and the more expensive professional-grade equipment?” Winston said. “Rather than give them a theory, we say, ‘let’s listen to the difference.’ It’s important for them to gain exposure to as much as they can. Apart from being a useful high-end tool for our studio, the Metric Halo ULN-2 will serve as a reference for high-quality preamplification and conversion.”

In WAM’s classes, Metric Halo’s SpectraFoo sound analysis software will provide a visual reference for the audio manipulations that students are learning about. “A picture is worth a thousand words,” said Winston. “When students are equalizing a source, SpectraFoo shows them the effect of the equalization and cements the physical reality of what’s actually happening. It’s an eye-opener for them. They appreciate that there’s a science and a reality to what they’re hearing.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

Christie Launches Superior Performance Xenolite Lamp Series

CinemaCon demo to highlight improved brightness, power levels

Christie®, a global leader in cinema projection, today launched a set of four new Superior Performance Xenolite® lamps for its Series 2 Christie Solaria® projectors, ranging from 2kW to 6kW, at CinemaCon 2013.

The new Christie Superior Performance Xenolite lamps are designed specifically for the Christie Solaria® CP2220, CP2230 and the Christie 4K DLP Cinema® projectors. Designed to maximize the brightness and reliability of today’s digital cinema projection solutions, the Christie® Superior Performance Xenolite® lamp series uses the latest Xenon lamp technology to provide increased brightness, improved stability and a longer life span.

This increased brightness offers more captivating 2D and 3D experiences, with no reduction to overall lamp performance. In fact, Christie’s Superior Performance Xenolite lamps are not only brighter than previous models, they last 30 percent longer than comparable Xenon lamps while still offering the same extraordinary 99.999 percent in-theater uptime.

“Exhibitors want to use their lamps for longer periods of time while getting outstanding performance with the lowest possible operating costs,” said Jim Dukes, senior product manager for Christie’s Entertainment Solutions group. “With these new lamps Christie is offering better power and longer-lasting brightness with the cost-effectiveness that exhibitors demand, as befits the leader in cinema projection.”

More lumens for less money

Christie Superior Performance Xenolite lamps leverage the latest in Xenon lamp technology. The new series includes four new lamps: The CDXL-20SP (2kW) and CDXL-30SP (3kW) have an estimated average expected life of 3,500 hours and 2,000 hours and are designed for the Christie CP2220, CP2230, CP4220 and CP4230, with a maximum lumen output from 9,000 to 19,000 lumens. The CDXL-45SP (4.5kW) and CDXL-60SP (6kW) are expected to last for 1,500 hours and 1,100 hours respectively, and are designed to achieve light outputs of 24,000 to 34,000 lumens.

Lasting up to 30 percent longer than existing Xenon lamps, the new Superior Performance Xenolite lamp series offers 99.999 percent in-theatre uptime reliability, while maintaining brightness for longer periods than current lamps, resulting in a lower total cost of ownership. With warranties of up to 3,200 hours, exhibitors can increase their theatre’s overall profitability by postponing lamp replacements, benefiting from reduced lamp costs and fewer maintenance interruptions.

Christie Xenolite lamps deliver true representation of color in any cinema environment. They offer stable color temperature, a wide range of power levels, excellent color rendition and a long-lasting performance consistency, with excellent resistance to flicker, ignition difficulty and explosion. All Christie Xenolite lamps are covered under the Christie Xenolite Lamp Champion Warranty.

Ashly Audio Licenses Audinate’s Dante™ Digital Networking

WEBSTER, NEW YORK – APRIL 2013: Ashly Audio, maker of powerful, high-performance, cost-effective signal processors and amplifiers, have licensed Dante digital media networking solution from Audinate. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s range of signal processors and amplifiers.

Dante is built on IT standards, and is a complete media networking solution. Dante delivers a low-latency, tightly-synchronized, sample-accurate playback, while simplifying installation and configuration of A/V networks. Dante has become the leading solution of choice for a variety of professional applications as it demystifies audio networking.

“Ashly Audio is known in the industry as a leader in networked power amplification and signal processing, addressing multiple professional audio applications,” says Director of Sales at Audinate, Dave Anderson. “We are pleased that Ashly has recognized Dante as the most interoperable networking solution available, and look forward to a range of products as they come to market.”
Noted President, Ashly Audio, Mark Wentling, “Ashly is excited to be able to offer our customers yet another option in digital connectivity for our DSP processors and DSP enabled power amplifiers. Dante from Audinate currently brings the best in flexible, yet robust digital audio transport, to the pro-audio and commercial-sound installation markets.”

Audinate revolutionizes the way that A/V systems are connected, by transporting high-quality media over standard IT networks. Dante is robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO
Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE
Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected. www.audinate.com

Dante is a trademark of Audinate Pty Ltd, Audinate is a registered trademark of Audinate Pty Ltd.

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DPA Microphone’s d:facto II Vocal Microphone Delivers a Noticeable Difference

Jazz singer Claire Martin OBE says she can’t believe the clarity DPA’s d:facto II has given her voice, nor the benefits it has brought to her performance

OSLO, NORWAY, APRIL 12, 2013 – DPA Microphones’ new d:facto™ II Vocal Microphone has made internationally acclaimed jazz singer Claire Martin OBE very happy indeed. Since switching to the new microphone, Martin says she has never heard so much clarity in her voice and that the difference is so noticeable even her sound engineers are making positive comments.

“This is definitely the right microphone for me,” she says. “It picks up all the colors in my voice and I can hear every breath, which makes it easier to control phrasing. It almost makes singing easier as I can try out vocal ideas and actually hear myself changing the timber of my sound – something I felt was lost with other microphones. It also delivers great sound without my having to be right close to the mic. So, I can definitely play around with lower end notes by coming in a little closer for a bassier response. This works really well in ballads, I feel.”

Martin, who has been singing professionally for over 25 years, has garnered numerous awards and rave reviews for her work, including winning the BBC Jazz Award for Best Vocalist and six British Jazz Awards. She has released a total of sixteen albums, all on the Linn label, and has collaborated with various prominent musicians, including Martin Taylor, John Martyn, Stephane Grappelli, Kenny Barron, Sir Richard Rodney Bennett, Jim Mullen and Nigel Hitchcock. In addition to her singing career, she is also a co-presenter for Jazz Line Up on BBC Radio 3 which is now in its thirteenth year.

Martin’s decision to try DPA’s d:facto II Vocal Microphone was inspired by a sound engineer who was working with her at the Pizza Express Jazz club in London’s Soho.

“The engineer was raving about the mic and saying how it would suit my voice,” she explains. “Other singers, as well as my record company Linn Records, had often talked about the quality of these microphones, so at last I was able to try one out in an intimate club setting. I was immediately impressed by its lightness and handling.”

The d:facto II Vocal Microphone was supplied by DPA’s UK distributor Sound Network and after that initial try-out, Martin was hooked.

“The d:facto II captures every nuance of my vocal sound and, once I had worked out the direction handling, it actually made me feel very confident about my diction and tone. I also notice that I don’t lose any level when I give my sound more power and pull away from the mic. The sound is still clear, full and more rounded. You can hear the whole breath. As a jazz singer, this is the sound I’m after. This microphone certainly delivers what I want and I definitely feel I’m using the best microphone there is.”

Martin’s d:facto Vocal Microphone is now in use at every one of her concerts. Thanks to its ability to deliver high-quality audio she feels she can cope much better with whatever the PA system throws at her.

“In jazz clubs some PAs are better than others, and this microphone gives me a fighting chance of getting a great sound,” she says. “I also love how light it is.”

In June 2011, Martin was appointed Office of the Order of the British Empire (OBE) for services to music. She is currently touring with the Montpellier Cello Quartet, a Brighton-based cello group, showcasing new arrangements for voice and cello quartet by Sir Richard Rodney Bennett, Mark Anthony Turnage and Djano Bates. She plans to return to the recording studio later this year to begin work on her seventeenth album.

ABOUT DPA:
DPA Microphones A/S is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Extron UTS 100 Series Under Table Shelf System Now Shipping

Extron UTS 100 Series

Extron Electronics is pleased to announce the immediate availability of the new UTS 100 Series Under Table Shelf System. The Extron UTS 100 Series is a unique, self-supporting, half rack width shelf that is specifically designed for use in environments where a traditional equipment rack or cabinet cannot be located beneath a table top or other furniture surface. The compact, 1U modular shelf system mounts directly to the under-surface of the table top, without rack rails, and supports any combination of half, quarter, and eighth rack products. The UTS 100 Series·can be placed next to a table leg, in the center of the table, or within reach of the system user at the table’s edge.

“In today’s ‘AV Everywhere’ environment, integrators now face the daunting challenge of finding space to mount AV system hardware in places where it won’t conflict with room function or aesthetics,” says Casey Hall, Vice President of Sales and Marketing for Extron Electronics. “The UTS 100 Series provides a simple, elegant, and cost-effective solution by eliminating the need for rack rails or specialized cabinets to support AV electronics.”

The UTS 100 Series Under Table Shelf System leverages Extron’s expertise in half rack width shelf systems and is consistent with the current standardization efforts jointly sponsored with Middle Atlantic. Extron manufactures a wide range of half, quarter, and eighth rack professional AV integration products that are ideally suited for use in products that meet the proposed half rack width system standard.

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SunBriteTV is the Ideal Gift for Dads and Grads this Summer

THOUSAND OAKS, California April 17, 2013 – Graduation and Father’s Day are almost here and there’s no better way to reward both dedicated students and fantastic dads than with a SunBriteTV.

“Dads won’t find a better spot to watch the game with friends than the backyard or the deck,” said Tom Dixon, VP of Marketing, SunBriteTV. “And once the sun goes down, a SunBriteTV transforms hot summer nights into an outdoor family theater under the stars.”

What’s more is that the SunBriteTV Signature Series comes with a family-friendly price tag. The Signature Series starts at $1,495 (32”), $2,795 (46”), $3,995 (55”), and $6,995 (65”).

All SunBriteTV models withstand temperatures from -24°F to 122°F and completely resist rain, humidity, salt corrosion, dust, and insects. Anti-glare screens are specially designed to deliver bright high-definition images in any outdoor climate, any time of day or night.

Every SunBriteTV, one of the last U.S.-based television manufacturers, includes a two-year warranty, a weatherproof remote, and 20 watt built-in speakers. Optional accessories include a variety of wall-, ceiling- or pole-mount installation solutions, dust covers and FM Radio.

For more information on SunBriteTV please visit www.sunbritetv.com.

About SunBriteTV
SunBriteTV’s all-weather televisions have been time-tested in home installations, outdoor sports arena, restaurant and hotel patios and even on military vehicles participating in field operations. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.sunbritetv.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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