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Archive for April, 2013

Chris Tomlin’s Burning Lights Tour Hits the Road with Renewed Vision

Music director and video director both using ProPresenter 5 in new ways on Contemporary Christian music’s biggest tour

ATLANTA, Georgia — When Chris Tomlin’s latest album, Burning Lights, was released this past January, it debuted at number one on the Billboard 200 chart, making it only the fourth Christian album in history to do so. To support the new album, Tomlin and his band are once again back out on the road for a two-month, 36-date U.S. arena tour, and along with them for the trek is Renewed Vision’s ProPresenter 5 lyric and media presentation software. more

AES Announces Sponsors For 134th Convention In Rome

New Sponsorship Program Bringing Businesses Into The Convention in New Ways

Berklee College of Music & RCF Take Gold Sponsorships

ROME: “The AES has always been the place for the audio industry to promote innovation, education, and best practices,” states Executive Director Bob Moses. “In the past, the exhibition provided a platform for companies to showcase the latest and most advanced technologies for recording, live sound, broadcast and related audio fields. But during the past decade, e-commerce, social networking, mobile platforms, economic struggles, and the increasingly rapid pace in which we work, have coalesced into a total game changer. We’re exploring a number of new ways AES can serve businesses at the convention and beyond. These initiatives are part of our new convention sponsorship program.”

Moses underscores the growing need for companies to cut through the ubiquitous online chatter to reach key customers and decision makers. “Many companies want to deliver the message that their brands stand for quality and innovation. And they realize that our industry is driven by advancing technology — innovation fuels growth. AES is the ideal place to promote a healthy audio ecosystem. Sponsored on-site training sessions and focused demos are two examples of this AES/business partnership.” Our evolving role is to nurture a vigorous community for audio professionals who demand high quality audio equipment and keep the bar high for the audio profession across the board.

“A look at the list of sponsors for the 134th Convention in Rome, will reveal astute companies partnering with AES to deliver important audio training, support standards activities, promote their brands, and supporting us because they love what AES does” Moses said.

The sponsors of the 134th Convention in Rome are:

Audio Precision, Audiomatica Srl, bd Sound, B&C Speakers, Berklee College Of Music (Gold), CharterOak, Crane Song Ltd., EKO Music Group spa, Fairlight Europe, Klippel GmbH, LAMBDA srl, Link, Microtech Gefell GmbH, Pro Audio Consulting srl, RCF (Gold), Thrax Audio Ltd., Trinnov Audio and ZP Engineering srl.

“Italian company, RCF, and the Berklee College of Music came in especially strong as our Gold Sponsors, and we are delighted to welcome them as our Convention partners,” said Convention Chairman Umberto Zanghieri. “RCF has been a leader in the development of world-class speakers, studio monitors and live sound technology for concerts, tours and theatrical performances for more than 60 years. Over the past 50 years, Berklee College of Music has evolved to a position as the world’s premier learning lab for the music of today and tomorrow. These two industry leaders top a list of eighteen outstanding sponsors committed to making the 134th AES Convention – May 4 -7, 2013 at Rome’s Fontana di Trevi Conference Centre an unforgettable event.”

In acknowledging their Gold Sponsorship, RCF Head of Marketing, Gioia Molinari remarked, “The AES is essential for engaging with our peers, developing new associations, revitalizing long-standing friendships, and participating in extraordinary Live Sound events, Workshops, Tutorials, and high level social networking activities. We are pleased to lend our support to this irreplaceable organization.”

Berklee College of Music’s Valencia Campus Director for Technology Innovation Stephen Webber adds, “In supporting our mandate for providing students with the highest standards in music education, we find AES Conventions invaluable for developing high level mentoring opportunities, for acquiring insights into technology, standards and best practices, and for providing a unique environment for students to engage with a diverse range of industry professionals.”

“We salute our sponsors and we will make every effort to ‘over-deliver’ in our efforts to serve them at the Convention,” Moses concluded. “We hope other companies jump on-board the sponsorship bandwagon at future events so we can collaborate on keeping our industry smart and strong.”

For details visit the Preliminary Events Calendar at: http://www.aes.org/events/134/calendar/calendar.cfm

Photos: RCF and Berklee College of Music Logos

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

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New iRidium mobile driver development kit enables faster, easier AV system automation and control

iRidium for AV and Custom Systems module provides faster, easier project creation and advanced control of any automation system and AV equipment from any device using any graphical user interface

 Nizhny Tagil, Russia – April 24, 2013 iRidium mobile Ltd., the dynamic and rapidly evolving developer of iRidium, an App-based software package that enables the simplified control and automation of AV equipment from any device or interface, announces today that the company has released impressive new driver creation capabilities and associated functionality as part of the iRidium for AV and Custom Systems software tools package.

Available for immediate download and use by integrators worldwide, the iRidium for AV and Custom Systems module further expands the robust capabilities of iRidium’s highly functional all-in-one App-based software package by adding TCP-IP, RS232 and IR control. Consisting of iRidium’s Driver Development Kit (DDK) and a constantly evolving database of script drivers, the iRidium for AV and Custom Systems module allows integrators to create drivers to automate and control any type of AV or Custom systems.

Enabling integrators to quickly and easily create advanced custom interfaces for their clients to utilize and enjoy, iRidium for AV and Custom Systems provides:

  • Control of AV equipment via iPad/iPhone/iPod Touch, Mac, Android, and Windows XP/7/8 devices
  • Full 2-way communication
  • IR database including more than 100,000+ IR codes
  • Growing library of iRidium Scripts that enable the creation of scenes and macros

Delivering unrivaled multiplatformity and elegantly styled customizable graphical user interfaces, iRidium for AV and Custom Systems operates on iRidium V2.0.7 and provides integrators the ability to combine the functionalities of disparate and varied electronics systems components into a single, easily managed project. This enables an entire system to be operated by control panels, touch panels, tablets, devices and gadgets, and allows integrators to deliver unique functionality for each location, device or end user to use as desired or required.

iRidium for AV and Custom Systems is now available for integrators worldwide and can be downloaded from the products page within the iRidium mobile website: www.iridiummobile.net/products/native-drivers/. Constantly evolving to meet the demands of today’s hyper-connected society, iRidium products are currently compatible with Crestron, KNX, AMX, Lutron, My Home, Global Cache’, HDL, Clipsal, Modbus, Helvar, Domintell and Weinzierl. Other brands will be added as they are collectively tested and approved.

Designed to be flexible yet functional, the iRidium software package and all of the associated tools are easily operated by individuals with varying degrees of technical knowledge. Interested parties are encouraged to learn more about iRidium mobile on the web by visiting www.iridiummobile.net or by writing to contact@iridiummobile.ru.

 

###ENDS

iRidium mobile Media Contact:

Katye (McGregor) Bennett

KMB Communications

E.  Katye@kmbcomm.com

O. (406) 446.1283

C. (425) 328.8640

W. www.kmbcomm.com

T. @katyemcgregor

Markertek Launches a Full Line of SMPTE Hybrid Cables

SAUGERTIES, NY – April 24, 2013Markertek, a global supplier of specialized products to all broadcast and television networks, today launched an entire line of SMPTE Hybrid Fiber cables featuring LEMO connectors and Furukawa or Belden SMPTE 311M cable. Markertek’s expanded in-house fiber optic production facility is now ready to serve its worldwide customer base with off-the-shelf SMPTE Hybrid cables.SMPTE Hybrid Cables

The Markertek Fiber Shop offers SMPTE Hybrid camera cables in three versions: Flexible studio, Riser-rated install and Outside Broadcast harsh environment. SMPTE hybrid to ST, LC and SC breakout cables are also available – with and without power options – for both internal rack and long distance distribution applications.

“Our LEMO trained fiber optic lab boasts the latest polishing and test equipment,” said Chris Fisher, VP of Engineering at Markertek. “We now have the ability to deliver the fastest turnaround time on both stock and custom fiber optic cable solutions. In true Markertek fashion, we have off-the-shelf solutions. You don’t have to get a quote or wait 3-4 weeks for a SMPTE Hybrid 311 cable.”

To receive a free copy of the Markertek Fiber Edition Catalog visit www.markertek.com, email sales@markertek.com or call 800-522-2025. Digital versions are available for download either as a full PDF or in a ZIP file. Customers can also reach out to their existing Markertek sales contact for a quick quote or further details.

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About Markertek
Markertek is a highly specialized broadcast and pro-audio supply house serving the technical side of the media industry with over 60,000 unique solutions at reasonable prices – supported with dependable advice from actual pro-audio and broadcast video professionals. The Markertek catalog has achieved cult-like status among digital media professionals as the ultimate design tool for creating the electronic infrastructure required to produce the majority of primetime television shows, feature films, commercials and chart-topping music hits, as well as all other areas in the audio and video industry.

Markertek is the #1 “Go-To” source in the industry for everything fiber optic including SMPTE Hybrid camera cables, 2-12 channel tactical fiber snakes, fiber rack mount solutions, fiber reels, fiber consumables and specialized tooling.

Visit www.markertek.com for more information.

Hitachi Introduces Three New Collegiate Series 3LCD Projectors With Unique Features, Optimal Picture Performance and Outstanding Value

CHULA VISTA, California, April 24, 2013 — Hitachi America, Ltd., Digital Media Division, Business Solutions Group today introduced three new additions to its Collegiate Series 3LCD projectors: the CP-WX4022WN, CP-X4022WN and CP-X5022WN. These new models offer high brightness, energy efficiency and advanced connectivity, making them ideal for large classrooms, lecture halls and auditoriums.

The CP-WX4022WN provides a brightness of 4,000 lumens with WXGA resolution. The CP-X4022WN features a brightness of 4,000 lumens and XGA resolution, while the CP-X5022WN offers 5,000 lumens brightness and XGA resolution. All three projectors offer network compatibility via wired or wireless connection (wireless connection is available with the optional USBWL11N wireless adapter) and can be remotely controlled via a local area network (LAN).

The CP-WX4022WN, CP-X4022WN and CP-X5022WN are equipped with Hitachi’s exclusive Eco Mode and ImageCare energy-saving technology that combines optimal picture performance with maximum energy savings by decreasing energy usage, improving contrast ratio and lengthening lamp life. They provide up to a 3000:1 contrast ratio for vivid colors, bold graphics and crisp text.

The new Collegiate Series projectors offer the unique DICOM® (Digital Imaging and Communications in Medicine) Simulation Mode, which reproduces images with an advanced grayscale level. This mode is ideal for viewing grayscale medical images, X-rays, and for training and educational purposes.

The projectors’ Perfect Fit 2 feature enables the user to adjust the image’s individual corners and sides independent of one another. Perfect Fit 2 also provides vertical and horizontal digital correction of either barrel or pin cushion distortions. This feature helps correct geometric and complicated distortions. Perfect Fit 2 projects images to correctly fit the screen quickly and easily. Also available is horizontal and vertical lens shift, which eases installation.

The new Collegiate Series models provide a full array of A/V connectivity options including HDMI, component, composite and S-video inputs, with RGB inputs and outputs, audio connections, and an RS-232C port for integrated A/V system control. Hitachi’s wired and wireless switcher solutions provide an expanded source selection and switching options for connected devices. The switcher is sold as an optional accessory that provides 1080p 30fps wireless via WHDI for both video and audio.

Also available is Hitachi’s Projector Quick Connection iPad App offers full projection control and the capability to display photos, document files and web site contents with iOS systems—Apple’s iPad and iPhone.

The projectors’ unique Cloning Function allows configuration settings to be copied from one projector to others of the same model via USB memory. Cloning saves almost all projector settings such as gamma and keystoning via USB memory. The projectors also feature Hitachi’s PC-Less Presentation feature that enables users to project images directly from a USB drive or other USB storage device, eliminating the need to connect a laptop or desktop computer.

For more information on Hitachi visit www.hitachi-america.us/digitalmedia

Follow Hitachi on Facebook at http://www.facebook.com/pages/Hitachi-Projectors/131067323636829

Follow Hitachi on Twitter at http://twitter.com/#!/HALProjectors

About Hitachi, Ltd.
Hitachi America, Ltd., headquartered in Tarrytown, New York, a subsidiary of Hitachi, Ltd., and its subsidiary companies offer a broad range of electronics, power and industrial equipment and services, automotive products and consumer electronics with operations throughout the Americas. For more information, visit www.hitachi-america.us. For information on other Hitachi Group companies in the United States, please visit www.hitachi.us.

Hitachi, Ltd. (TSE: 6501), headquartered in Tokyo, Japan, is a leading global electronics company with approximately 320,000 employees worldwide. Fiscal 2011 (ended March 31, 2012) consolidated revenues totaled 9,665 billion yen ($117.8 billion). Hitachi will focus more than ever on the Social Innovation Business, which includes information and telecommunication systems, power systems, environmental, industrial and transportation systems, and social and urban systems, as well as the sophisticated materials and key devices that support them. For more information on Hitachi, please visit the company’s website at http://www.hitachi.com.

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HARMAN’s BSS Audio Backbone Networks Multiple Lecuture Halls at the University of Torino

TURIN, Italy — In order to allow lessons to be streamed via the Internet at the University of Torino in Italy, integrator Leading Technologies srl (LTech) recently designed a technical AV infrastructure for more than 30 classrooms (and main assembly hall) in the Law & Political Science faculty. At the heart of the network is a complete HARMAN BSS Audio Soundweb London system, which allows for seamless management of the classroom’s audio and video control. The facilities include six lecture rooms, each containing approximately 150 seats, 28 classrooms — and a grand assembly hall with 300 seats, which is also occasionally used to stage small concerts.

LTech chose to place the system on a BSS Audio Soundweb London network, with its proprietary BLU link digital audio bus, to provide a powerful and rock solid backbone. “Our real achievement was the integration of the Soundweb London audio signals with video and our support for the design and programming of these systems. It was vitally important to have audio, video and web control all from a single brand of product,” explained Mauro Lavazza, Project Manager for LTech.

Playback is all through JBL loudspeakers. In the main hall eight JBL Control 29AV-1’s, chosen for their extremely flat, high-fidelity performance, extended bandwidth and well-controlled defined coverage, are driven by Crown XLS 1000 amplifiers, while two compact JBL Control 1 Pro loudspeakers, powered by Crown MA135 mixer amps, act as monitors for the speaker’s table.

In each of the six classrooms are four JBL Control 28 driven by a Crown XLS 1000 and two JBL Control 1 Pro operating with a Crown 135MA amplifier, as monitor speakers. Finally, in each of the 28 small classrooms either two or four JBL Control 25’s can be found — in all cases powered by a Crown XLS 1000 amplifier — with a pair of JBL Control 1 Pro, powered by a Crown 135MA, serving as monitors. Equalization of the large lecture hall and six classrooms has been carried out digitally in the Soundweb London processors, which also handle the automatic mixing of all signals and delay lines.

The six 150-seat classrooms share video and audio signals with the main hall through a central node with a video matrix, and by a Soundweb London BLU link ring consisting of six BSS Audio BLU-100 and six BLU-800 processors, with two BSS Audio BLU-BIB (8-input expander) and BLU-BOB (8-channel output expander) increasing the I/O capability.

The Soundweb London BLU-800 in the main hall shares audio with a Soundcraft Compact 16 via a CobraNet card so that all mic inputs normally handled automatically by the Soundweb London processor can be mixed in manual mode (plus analogue inputs during live concert performance).

In the smaller rooms, mic EQ is handled from a series of Soundcraft EPM-6 mixers. These have been specified throughout the 28 classrooms to handle mic mixing and computer signals.

In conclusion Mauro Lavazza stated, “This has been a successful integration which fully meets the client’s requirements. They were particularly enthusiastic about the performance of the Soundweb London processors that make up the heart of the system, for their flexibility and ease of programming. Without having any previous experience of this platform they have immediately created complete autonomy in the management and maintenance of their audio systems.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

WorldStage & WATCHOUT are What’s Going On at Broadway’s “Motown: The Musical”

It’s Motown meets Broadway at the Lunt-Fontanne Theatre where “Motown: The Musical” charts the amazing journey of Berry Gordy from featherweight boxer to heavyweight music mogul responsible for launching the careers of Diana Ross, Michael Jackson, Stevie Wonder, Smokey Robinson, Marvin Gaye and more. Accompanying the iconic musical numbers in the show are bold video and graphic effects, which required a unique automation-tracking solution by WorldStage.

The new brand for Scharff Weisberg and Video Applications Inc., WorldStage provided “Motown: The Musical” with two Christie Roadster HD18K projectors, two Dataton WATCHOUT quad-output Display computers, two Dataton Watchout Production computers, and two control computers each running an instance of Coolux Widget Designer PRO. The hybrid system enables extremely accurate positioning of the video imagery on a variety of moving stage elements and set pieces.

“We were tasked with supplying a cost-effective technology that could accurately track up to 26 axes of automation system movement. That’s a considerable number, which included simultaneous x, y, and z axis tracking on multiple surfaces on multiple planes,” notes WorldStage account executive Lars Pedersen. “We’ve successfully done similar jobs using other systems in the past, but nothing to the extent of what we had to manage for this job.”

Since the designer, Daniel Brodie is very familiar with the Watchout graphics platform, WorldStage decided to move forward with a Watchout-based system, even though it hasn’t been used for automation tracking on a Broadway production. “Although we’re quite versed in the inherent capabilities and feature set of Watchout, this would be the first time we’ve used it to facilitate automation tracking,” Pedersen explains. “Regardless, we knew we had the expertise and we were confident we could make it work.”

Working closely with the team from Hudson Scenic, the decision was made to implement a “software” solution to facilitate direct communications between the automation and the video systems. The star component in the system was the Coolux Widget Designer PRO software, which enabled the Watchout computers to interpolate and manage the position information being output from the automation computers.

Dual-converged Christie Roadster HD18K projectors were selected for brightness and redundancy purposes. In fact, Projection Designer Daniel Brodie of brodiegraphics explains that the projectors are primarily used as a lighting source, which track the movement of the set pieces. “We can track more accurately with the projectors than we can with lighting instruments. We worked with lighting designer Natasha Katz to project color to match the lighting design, whether naturalistic or abstract.”

Brodie also maps animation and video to the set pieces. “Some content is purely evocative: flashing colors and video – psychedelic or kaleidoscopic – to support a musical number. Sometimes we play back a scene from ‘Lady Sings The Blues’ that we reshot with our actors; we also display documentary footage of 1968 events to accompany the song ‘Ball of Confusion.’ And sometimes we use just standard projection design for dates, names and titles.”

The show scored another first in taking advantage of WATCHOUT’s built-in stereoscopic 3D capabilities to align the projectors on multiple planes. “We discovered that we could do 3D effects during shop prep at WorldStage, and they’ve worked perfectly,” Brodie reports.

Daniel Brodie concludes, “I continue to be amazed, but not surprised at the level of ingenuity that WorldStage brings to the table.”

The WATCHOUT programmer for the show is Patrick Southern and the animators are Gabriel Aronson and Allison Pottasch. At WorldStage TJ Donoghue is the Project Manager, while Michael Kohler, Technology Specialist at WorldStage, was the Widget Designer PRO programmer. Sean Kelly was the projectionist.

WorldStage Inc., the company created by the merger of Scharff Weisberg Inc and Video Applications Inc, continues a thirty-year legacy of providing clients the widest variety of entertainment technology coupled with conscientious and imaginative engineering services. WorldStage provides audio, video and lighting equipment and services to the event, theatrical, broadcast and brand experience markets nationally and internationally.

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Analog Way proves reliability of its new LiveCore™ platform during the 2013 “Rallye Aïcha des Gazelles Morocco”


April 2013 – For the 23rd edition of the “Rallye Aïcha des Gazelles Morocco”, Analog Way was pleased to sponsor team 222 who entered the competition with a NeXtage 16 unit on board. During the race between Paris, France, and the Moroccan desert, the Analog Way team tested the ruggedness of the new LiveCore™ platform under extreme transport conditions.

The “Rallye AÏcha des Gazelles Morocco” is an automobile competition for women only. Completely off-road and without GPS, the rally is based on old-fashioned navigation. The objective of the racing teams is to perform the different trials with the most accurate course.

On March 16, 2013, about 150 teams and 30 nationalities were present on the starting line. Among them, team 222 sponsored by Analog Way left from the foot of the Eiffel Tower with a NeXtage 16 in its vehicle, a new high-end AV processor based on the LiveCore™ platform.
Riding in a basic flight case, the NeXtage 16 took to the road for a 15 day race, including 3500km (2175 miles approx.) driven in the Moroccan desert.

Franck Facon, Marketing & Communications Director at Analog Way explains: “Beyond the incredible adventure and the values of solidarity displayed in the “Rallye Aïcha des Gazelles Morocco”, the race was a great opportunity to thoroughly test the durability of our new platform. The design of the LiveCore™ platform was carefully conceived to ensure maximum reliability even in the worst conditions.”

With no other protection than a basic flight case, the NeXtage 16 was transported in the trunk of the Analog Way team’s truck in tough conditions: vibrations, bumps, dust, etc.
After 6 days of trials in Morocco, the Analog Way team came back to Paris in early April ending a journey of more than 6500km (4000mi). The NeXtage 16 was then returned to Analog Way’s headquarters where the unit was submitted to a series of tests: the product was switched on normally; it was then controlled through the TFT screen on its front panel, and also from a PC through its Web-based Remote Control Software.
All tests were successful proving the ruggedness and reliability of the LiveCore™ platform.

“In addition to other series of tests we did in laboratories, the two weeks of the “Rallye Aïcha des Gazelles Morocco” demonstrated the solidity of our new generation of mixers. The work done on the selection of components, the mechanical design and the assembly processes have proved their worth during this demanding race.”


The NeXtage 16, the first system introducing the new generation of high-end processors based on the LiveCore™ platform, started shipping April 15, 2013.

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WORXAUDIO TECHNOLOGIES INSTALLED AT GRACE CHURCH

**** Photo: Tony Flammia and the WorxAudio loudspeaker system at Grace Church ****

Cape Coral, FL – April 2013… As a dynamic United Methodist church with four campuses, Grace Church offers its congregation a blend of traditional and contemporary worship services. In an effort to improve the audio quality in its sanctuary, the Cape Coral campus recently completed the installation of a new sound reinforcement system—drawn from the TrueLine catalog of Greensboro, NC-based WorxAudio Technologies. more

BTX Now Offering Elite Screens’ EPV Line of Premium Fixed-Frame and Electric Projection Screens

Fixed-Frame Screens Feature Acoustically Transparent Material and Robust 3.5-Inch Frames, While Electric Screens Combine Simple Operation With Industry-Best Warranties

HAWTHORNE, N.Y. — April 23, 2013 — BTX Technologies (BTX), a value-added distributor and manufacturer of interface, integration, and system products, and Elite Screens, Inc., an innovative company that specializes in quality projection screens, today announced that BTX has been named a distributor for Elite Screens’ Elite Prime Vision (EPV) line of premium fixed-frame and electric projection screens. For BTX’s customers, the EPV line combines stunning image quality with quiet, dependable performance and simple operation for any commercial front-projection video installation. more

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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