A virtual press conference from Sound & Video Contractor

Archive for May 8th, 2013

SYMETRIX EXPANDS GLOBAL CTS CERTIFICATION BOTH ON SITE AND ONLINE

SEATTLE, WASHINGTON – MAY 2013: Symetrix, manufacturer of high-end professional audio solutions, specializing in DSP hardware and software, is pleased to announce the global expansion of its INFOCOMM accredited training. The announcement parallels the growth of Symetrix’ international sales.

“As we continue to expand internationally, the need for training also increases,” said Mark Ullrich, International Sales Manager with Symetrix. “We’re excited to now offer worldwide training courses that are INFOCOMM accredited. We have trainers covering Europe, Africa, the Middle East, Asia, and Australia, and the full-day course carries four CTS renewal points. Alternatively, for those who are unable to join in person for training, our self-paced online training provides renewal points as well. With CTS becoming more popular everyday among A/V professionals we’re glad to be able to offer this extra benefit for those attending our training.”

Ryan Curtright, Senior Technical Sales Engineer with Symetrix, will deliver domestic training throughout the United States. Hock Thang, Symetrix Technical Sales Engineer for Asia, will cover Asia. Iain Cameron, Director of Technical Support and Training with World Marketing Associates, will provide training throughout Europe, Africa, and the Middle East. Udo Stoof, Product and Project Manager for Digital Audio Products with TRIUS GmbH & Co., will focus on training in Germany. Matt Vance, Technical Training Specialist with Production Audio Video Technology, will deliver trainings in Australia. Mark Ullrich himself will provide training throughout the world based on demand. Online trainings are also available worldwide.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

STOP BY AND SEE US AT INFOCOMM BOOTH #922

DANLEY’S NEW OS80 TAKES THE LEAD AS A FULLY-WEATHERIZED OUTDOOR LOUDSPEAKER WITH PATENTED SYNERGY HORN TECHNOLOGY

GAINESVILLE, GEORGIA – MAY 2013: Danley Sound Labs brings its revolutionary Synergy Horn technology to the great outdoors with the Danley OS80. Like its Synergy Horn siblings, the OS80 delivers tremendous output, both in terms of sound pressure level and transparency, as well as precise pattern control. Unlike its Synergy Horn siblings, however, the OS80 is housed in an enclosure that is utterly impervious to weather, making it the ideal loudspeaker for outdoor installations at sports venues, arenas, athletic fields and complexes, theme and recreational parks, public gatherings, race tracks, community centers, cruise ships, hockey rinks, water parks, swimming areas, and more.

“The Danley OS80 brings high fidelity to outdoor loudspeakers,” asserted Mike Hedden, president of Danley Sound Labs. “Until now, installing a fully-weatherized loudspeaker meant significant compromises in fidelity and impact. But like all Danley products, the OS80 doesn’t play by those rules. The OS80 not only delivers the kind of clarity and power that characterizes our flagship SH-50 loudspeaker, but it can do it in a driving rain or after a winter spent buried under snow. In addition, the OS80’s precise pattern control created by the large horn makes it possible for outdoor sound reinforcement systems to deliver superior Synergy Horn fidelity to every seat.”

The Danley OS80’s coverage pattern is 80 deg conical with an operating frequency range that spans 113 Hz to 18 kHz (+/- 3 dB). It has 101 dB SPL sensitivity and a maximum output that rates 127 dB SPL continuous and 133 dB SPL program. A single high performance 12-inch driver and a single 1.4-inch driver energize the Synergy Horn and are hidden away inside a thermal molded poly-composite exterior measuring 32.25 inches high by 26-inches wide by 14.5 inches deep. Total weight is 51 pounds, and a U bracket is included as are other flexible mounting options which allow the Danley OS80 to make itself at home in any circumstance.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

SEE US AT INFOCOMM BOOTH #143 – COME TO HEAR THE OS80 IN DEMO ROOM W203B

METRIC HALO’S SPECTRAFOO THE BACKBONE OF THE OAK RIDGE BOYS LIVE ENGINEER MARKO HUNT

SAFETY HARBOR, FLORIDA – MAY 2013: Marko Hunt is closing in on four decades behind the mixing console, and he has spent the last thirty-two of them with The Oak Ridge Boys – first at monitors and then later at FOH. Before securing that enduring gig, Hunt cut his teeth touring with the Little River Band in its heyday. He also spent several years touring with Johnny Cash. Suffice it to say, Hunt is no newbie! And after all those countless gigs in the innumerable venues of the nation and the world, he can hear things with awe-inspiring precision and objectivity, although he’s too modest and soft-spoken to admit it. Perhaps because of that ability, Hunt is also keenly aware of the multiple advantages of regularly “calibrating” his ears with the analysis software that has been his constant companion for the last decade: SpectraFoo by Metric Halo.

“As good as my ears may or may not be (that’s an opinion!) it’s still a good idea to use a measurement tool to maintain accuracy,” Hunt said. “Anybody who does what I do knows that there are so many things in a room that can throw you off. I can hear a frequency and call it. By now, I’m good at that. But I can still get fooled; it’s not uncommon to mistake a frequency for one that’s an octave higher or lower. Moreover, I’m used to calling frequencies in the standard 1/3 octave bands. But with SpectraFoo, I can objectively see what’s going on with much greater resolution, switching to 1/6 or even 1/12 octave, which allows me to pinpoint a frequency on my parametric EQ. Very often, that center point may sit between the 1/3 octave bands.”

In addition to the tricks and phantoms that acoustical spaces and PA systems love to conjure, there are often physiological reasons why the objectivity afforded by SpectraFoo and Hunt’s Earthworks M30 omni-directional measurement microphone can be a life saver. “Because of the timing of things, there are some days when I go over the mountains flat on my back in a bunk,” he said. “God never meant for you and your ears to go over the mountains on your back! Or I may fly, and the pressure change may leave my ears completely whacked. But my computer doesn’t care. My mic doesn’t care. And SpectraFoo doesn’t care. I can still tune a room – close to perfectly – even if my ears are still recovering.”

When working with The Oak Ridge Boys, a well-tuned room is essential. With four vocalists, four soloists, and percussion, there is a lot going on and a lot of open mics. Indeed, the high pass for bass vocalist Richard Sterban (think “oom-pa-pa-oom-pa-pa-mau-mau” from “Elvira”) is often as low as 80Hz, and he’s a fairly quiet singer. If Hunt doesn’t take care of the 200 to 300Hz especially, his mix will invariably turn to mud. “Although I travel with my own console, every night I’m faced with a different room and a different PA,” he said. “SpectraFoo helps me to maintain consistency from night to night.” Of course, Hunt also relies on his ears – you can often find him walking around a venue before a show listening to Steely Dan, Diana Krall, Herbie Hancock, Chick Corea and other “clean recordings” that he’s very familiar with.

Apart from helping Hunt to objectify his experience, SpectraFoo can also make it easier to communicate with others about sound, which can otherwise be a very subjective topic of conversation – or of disagreement. “I remember one time when I was setting up, and the left side of the PA sounded funny,” he said. “I talked with the venue technicians, who insisted that they had just had someone out to tune things up and that the problem must therefore reside with our gear. So I showed them with SpectraFoo: first the right side where everything looked good, then the left side, where things were obviously messed up. Then they said, ‘it has to be your console!’ So I hooked up the console output to SpectraFoo and it was obvious that both channels were fine. They couldn’t fix it that day, but they did call me later to say thanks and that, yes, a few of the components had been wired out of phase.”

Although he doesn’t use them all, Hunt appreciates the huge diversity of tools available in SpectraFoo, and he uses a fair number of them – both on the road and in the studio. “The main tools that I use for tuning a room and for the actual performance are the Spectragraph (volume versus frequency) and the Spectragram (volume versus frequency versus time),” said Hunt. “I’ll usually compare the output from the console with the output from my Earthworks mic using the Transfer Function (source versus mic). If I hear a frequency poke up, I can turn to the time-based Spectragram, and that lets me know where it is and whether it’s in the console or only in the room.” He uses many of the additional tools, such as the oscilloscope, the Lissajous phase scope, THD Distortion Analyzer and the Phase Torch to confirm the operation of his equipment and to help out in the studio. “I also can route my monitor buss to the source input and compare any channel on the console to what’s coming out of the P.A. or using separate busses compare any two channels on the console, i.e. kick and bass guitar. Once you’re set up it’s as simple as switching window sets.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: AES Newslink, NAMM Newslink, News |

API 1608 STARS IN ONE-OF-A-KIND STUDIO IN MILAN

MILAN, ITALY – MAY 2013: A new studio in Italy features a 16-channel API 1608 as the main attraction for a one-of-a-kind studio experience. INDIEHUB, located in Milan, is a “co-working” facility with a primary focus on creating music. Here, engineers, producers and musicians can rent space using either their own equipment (such as a laptop, audio interface, etc.) or supplied equipment and the recently installed 1608.

It all started with the idea that people in the music industry should have access to quality equipment in order to create quality music. Giving them the opportunity to meet each other and encouraging the comparison in a professional workflow is the goal of the INDIEHUB.

Owner Andrea Dolcino was introduced to a similar idea in a different type of facility, and thus the idea for INDIEHUB was born. “Before starting INDIEHUB, I’d been working for ten years as an audio engineer, specializing in post-production for advertising jingles. Three years ago, a customer took me to a co-working facility for a job,” says Dolcino. “So I decided to start the first co-working facility dedicated to music production.”

When it came time to choose a console, INDIEHUB worked with Paolo Orizio of Funky Junk in Italy. The API was the clear choice. “For our budget, the 1608 was the only console with a strong personality and a comfortable and modern routing,” says Dolcino. “It’s modern and vintage at the same time. The routing is perfect for HD recording and the 1608 preamplifiers are really attractive, especially for their response to the bass frequencies. For that money, it’s the best choice.”

The INDIEHUB facility invites clients to rent space for as little or as long as they like and can also host concerts and showcases, making this a unique experience – not only because of the facility, but also because this is the first 1608 console in Milan. “We are excited to spread our wings in Italy,” said Mark Seman, API sales. “This is a great endeavor for both API and INDIEHUB.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY AUDIO INTRODUCES THE nX AMPLIFIERS: A WAVE OF TREMENDOUS POWER, EFFICIENCY, AND FLEXIBILITY FOR THE PRICE OF A MODEST SPLASH

WEBSTER, NEW YORK – MAY 2013: With founder Billy Thompson’s invention of the “Loud Amp” in the early 1970s and the introduction of its path-breaking MOS-FET amplifier technology in the early 1980s, Ashly Audio established itself as a company that would lead the industry in technological innovations. It continues that tradition with the new Ashly nX family of Class D amplifiers, which deliver up to 12,000W of clean power while drawing less than 1W in sleep mode. nX amplifiers are offered in four- or two-channel versions with selectable high-Z (70/100V) or low-Z output on each channel. nX model variants include the addition of Ethernet control, and onboard Protea™ DSP with load monitoring, to meet the many and varied requirements of modern fixed installation and live sound applications. True to the craftsmanship that launched the company, Ashly hand-builds nX amplifiers in the United States and backs their performance with a five-year warranty.

“nX amplifiers are lightweight and efficient, yet pack a tremendous amount of power and flexibility into a 2U chassis” said Anthony Errigo, director of communications for Ashly. “We have designed them to meet the demanding requirements of stadiums, arenas, performance venues, worship spaces, and convention centers – anywhere big sound and modern performance requirements are needed. nX amplifiers are especially appealing for value-engineered installs because they offer features, performance, and reliability that Ashly is known to deliver.”

Ashly is offering three series of nX amps with feature sets that build upon each other. The base nX amplifiers are available in four- or two-channel models at 3000W or 1500W per channel (@ 2 Ohms) and feature a defeatable automatic sleep mode. nXe series amps add Ethernet control, serial data control, aux preamp outputs, programmable standby mode, preset recall, fault condition logic outputs, event scheduling, and optional network audio and digital audio capability (CobraNet® or AES3). Finally, nXp series amps feature everything in nXe plus onboard 32-bit SHARC Protea DSP processing (48 or 96kHz sampling rate) and precision swept load-impedance monitoring.

Additional features include multiple independent power supplies for increased channel separation and reliability; front panel power switch and level controls (defeatable in nXe and nXp models); front panel LEDs for temperature, current, signal, clip, mute, bridge mode, protect, sleep, and more; Neutrik® Combo XLR – 1/4” TRS jack plus Euroblock input connectors; Neutrik speakON® twist locking loudspeaker connectors for security, safety, and reliability; rear panel DIP switches per channel for selection of high pass filter, limiter, input gain, and High-Z or Low-Z speaker output configuration; remote DC level control on each input channel; switch mode power supply automatically detects 120V or 240V AC operation; and extensive protection circuitry, including continuously variable cooling fans.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

PLEASE STOP BY AND SEE US AT INFOCOMM BOOTH #335

D.A.S. AUDIO REVAMPS ITS WEBSITE

Valencia, Spain – May 2013 … The new version of the D.A.S. Audio website is here. The sound reinforcement manufacturer has launched its fully-renovated website updated with everything that the company’s extensive product catalog has to offer. The new version of the D.A.S. Audio website meets the increasing demand from clients and prospective D.A.S. Audio product users for up-to-date information on products, news, and technical support.

The navigational structure has been maintained—enabling users to easily find the information they need, browse the various product categories, and discover the latest D.A.S. news on installations, events, trade fairs, and seminars. Each of the products has an overview, technical specifications and a range of related downloads that include technical features, user manuals, catalog, high-resolution images, etc. more

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Neumann Microphones Help RUNA Make Celtic Roots Music Come Alive

Old Lyme, Conn. – May 8, 2013 – RUNA is a Celtic roots band that fuses music from Ireland, Scotland, Canada and the U.S., creating refreshing contemporary arrangements of traditional, Celtic-based material. Now an internationally touring band that routinely plays at large national concert halls such as Nashville’s Ryman Auditorium, the band quickly emerged from its humble beginnings playing coffee houses and dive bars in Philadelphia just four years ago.

RUNA’s live presentation is rich in its authentic Celtic instrumentation and dynamic storytelling through song — and is made all the more sonically engaging by the band’s choice of vocal microphone: the Neumann KMS 104 Plus and KMS 105 handheld condensers. This month on May 17th, the band returns ‘home’ to Philadelphia to sing the National Anthem before 40,000 some odd baseball fans at Citizens Bank Park to celebrate the Philadelphia Phillies’ Irish Heritage Night.

Lead singer Shannon Lambert-Ryan explains the band’s transition to Neumann on stage: “I had been using a popular competitor’s mic and someone suggested I try a Neumann,” she says. “We tried it at a gig and there was just no comparison. I heard better tone, warmth and clarity while singing through the KMS 104 Plus. It was like singing against silk, and I cannot speak highly enough about it.”

For RUNA, a band that prides itself on connecting with audiences through dramatic and lyrically vibrant performances, microphone clarity and sensitivity go a long way: “The Neumann KMS microphones pick up all of the nuances of the human voice,” observes Lambert-Ryan. “It provides the definition and clarity to cut through the mix, but also has a huge, warm tone. I’ve noticed that other microphones deliver great clarity, but often sound too thin and don’t have enough sonic definition.”

Over the last two years, RUNA — a five piece band consisting of Shannon Lambert-Ryan on vocals, Fionán de Barra on guitar, Cheryl Prashker on percussion, Dave Curley on mandolin/vocals, and Maggie Estes on fiddle — has been recognized with many industry awards and accolades. This year, they captured nominations in the Independent Music Awards for their song “Amhrán Mhuighinse” (Somewhere Along the Road), in the Irish Music Awards for Best Female Vocalist, and in the past have received multiple accolades from the Montgomery Buck Music Awards.

RUNA’s other vocalist, Dave Curley, has been using the Neumann KMS 105. “He was really struggling to find the right vocal mic that works for his voice, which is very gentle and has a different timbre than mine,” recalls Lambert-Ryan. “The first time he sang through the KMS 105 onstage, he said, ‘Wow – what is this?’ It was very smooth and had such a nice balance.”

For Lambert-Ryan, the Neumann KMS 104 Plus has given her more control over her vocal dynamics on stage: “Since we don’t have a bunch of electronic instruments happening in our style of music, the vocals tend to be much more ‘exposed.’ Therefore you need to hear all the nuances that are occurring,” she says. “With the KMS 104 Plus, Neumann has delivered here.”

About Neumann:

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

American Cinema Editors Announces Debut of EditFest London

Popular Event Heads to the U.K. for the First Time with World-Class Line-Up of Editors

(Universal City, CA) On 29 June, 2013, American Cinema Editors (ACE) will present the London debut of its popular event, EditFest. After five years in Los Angeles and New York, EditFest London will take place on Saturday, the 29th of June, marking the first time the event has traveled outside of the U.S. An impressive roster of top editors is scheduled to share their experiences with attendees for a full day at the Ray Dolby Screening Room in Soho.

ACE launched EditFest in 2008 in Los Angeles, in response to a need to put the industry’s top editors in conversation with other editors and post-production professionals. By popular demand, EditFestNY was added to its agenda in 2010. Considered the premier editing event of the summer in the U.S., the move to London is part of ACE’s efforts to provide programming and activities for a global audience. Designed for professional as well as aspiring editors, post production team members, content creators, production execs, and those who love the art and craft of editing, EditFest is a rare opportunity to hear the most compelling artists talk about their work and interact with them in an intimate theater setting. An impressive array of BAFTA, Oscar(r) and Emmy(r) winners and nominees are scheduled to be part of EditFest London.

ACE President, Alan Heim, A.C.E., stated, “ACE is thrilled to put these talented editors in front of and in touch with audiences in London. For the past 5 years, in Los Angeles and New York City, we have seen that there is a thirst among the editing community to meet, connect, and hear from their colleagues. We have had many requests over the years to bring EditFest to London and it’s exciting to finally make the vision a reality. We are looking forward to engaging with the editing community in the UK.”

The agenda for the 29 June event features interactive, face-to-face dialogue, Q&A sessions and includes:

Small Screen, Big Picture – Panel with Television Editors
Featuring Frances Parker, A.C.E.* (Game of Thrones), Alexandra Mackie, A.C.E.* (Downton Abbey) and Oral Norrie Ottey, A.C.E.*, (Generation Kill).

From Dailies to Delivery – Editing Features
Mick Audsley, (Harry Potter and the Goblet of Fire) will moderate a panel featuring Chris Dickens, A.C.E.* (Slumdog Millionaire), Tracy Granger, A.C.E. (Still Life), John Wilson, A.C.E. (Billy Elliott) and Eddie Hamilton, A.C.E. (Kick-Ass 1 & 2).

Closing Dialogue
ACE is honored to present an in-depth conversation with the legendary Anne V. Coates, A.C.E.* (Lawrence of Arabia, The Elephant Man, Erin Brockovich) moderated by Tom Rolf, A.C.E.* (Taxi Driver, The Right Stuff, War Games)

In every city where it unfolds, EditFest includes social events. In London, EditFest ends with a closing night cocktail reception, followed by an after-party led by Art of the Guillotine’s http://www.aotg.com Gordon Burkell.

To make this week even more of a not-to-be missed event for editors, EditFest London is collaborating with the Third Annual London SuperMeet. SuperMeets are annual events held in San Francisco, Las Vegas, Amsterdam, London and Boston. The London SuperMeet is set for Friday evening, 28 June in the Great Hall at the Kensington Conference & Event Centre. SuperMeet attendees will receive a discount for EditFest.

Tickets for EditFest are available online at www.editfest.com for £200/$299. For further information, email amercinema@earthlink.net or call +1818.777.2900.
*Denotes BAFTA, Oscar(r), Emmy(r), ACE Eddie nomination or win

About ACE
AMERICAN CINEMA EDITORS (ACE) is an honorary society of motion picture editors founded in 1950. Film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing.

The objectives and purposes of the AMERICAN CINEMA EDITORS are to advance the art and science of the editing profession; to increase the entertainment value of motion pictures by attaining artistic pre-eminence and scientific achievement in the creative art of editing; to bring into close alliance those editors who desire to advance the prestige and dignity of the editing profession.

ACE produces several annual events including EditFest (a weekend editing festival in the summer), Invisible Art/Visible Artists (annual panel of Oscar(r) nominated editors), and the ACE Eddie Awards, now in its 63rd year, recognizing outstanding editing in ten categories of film, television and documentaries. The organization publishes a quarterly magazine, CinemaEditor, highlighting the art, craft and business of editing and editors.

About ACE EditFest
Launched in Los Angeles in 2008 to put the leading film editors in touch and in communication with editors and those who work with editors and editing enthusiasts, EditFest expanded to New York in 2010 and London in 2013. EditFest presents panels, conversations and social interaction with some of the most influential editors working in film and television. The highly anticipated annual event, which sells out each year, has plans to expand to additional cities in the future.

# # #

Media contacts:

For EditFest:
Christine Purse
ignite strategic communications
c: +1.323.806.9696 | o: +1.818.980.3473
chris@ignite.bz
skype@cpurse

For ACE:
Lea Yardum
Perception PR
c: +1.323-606-2080 | o: +1.323.956.2817
lea.yardum@gmail.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News, Tradeshows / Events |

Bexel Launches 4K Solution with Evertz Dreamcatcher

Purchase Adds Cutting-Edge Slow-Motion Replay Technology for Sports and Live Broadcasts

(BURBANK, CA) – Bexel, a unit of the Vitec Group‘s Services Division and a leading worldwide provider of broadcast services and solutions, has purchased two Dreamcatcher systems from Evertz, a leading global manufacturer of broadcast equipment. The acquisition serves as a cornerstone for Bexel’s new 4K solutions, which provide turnkey packages that will be available to augment any major sporting event or live production broadcast.

Dreamcatcher represents the next generation in slow-motion replay technology and offers real-world 4K benefits. The product provides enhanced storytelling capabilities by allowing a production team to capture an event from all angles, without ever missing a moment of action. When 4K cameras are used, Dreamcatcher’s zoom capability lets broadcasters zero in on the action and extract an HD image from a larger 4K frame. This high resolution zoom ability allows broadcasters to enhance the narrative and definitive coverage of close calls at sporting events. When used in conjunction with Evertz’ patent-pending tracking feature, the 4K zoom functionality enables a totally unique replay experience. Dreamcatcher’s proprietary Mosaic function synchronizes multiple angles that can be played out with the press of a single button, allowing a captured event to be shown from brand new perspectives.

Tom Dickinson, CTO of Bexel, comments, “Bexel is a leader in building server systems for a myriad of sporting events, and the addition of Dreamcatcher is a natural expansion of our offerings – and it’s ready for 4K now. Dreamcatcher will be available to our customers as part of a customized solution that will deliver an elegant, streamlined 4K package that can be integrated into a sports production easily, and play a key role in providing 4K replay for live events. Dreamcatcher is a great storytelling tool that employs state-of-the-art technology to allow broadcasters to use 4K to its fullest extent on an HD production.”

Evertz’ Joe Cirincione, VP Sales-U.S. Sports and Entertainment, who has been on over a dozen shoots including the Super Bowl and Daytona 500, says, “Dreamcatcher allows an audience to experience an event like never before, and we know that it will make a perfect addition to Bexel’s offerings. We have enjoyed a long and successful relationship with Bexel, and we are very pleased they have chosen Dreamcatcher.”

“We engage many Evertz products in our systems and solutions,” concludes Dickinson. “This is a logical expansion for Bexel and the Dreamcatcher’s features augment the sports experience in exciting new ways, and for live content replay and multi-screen output for award shows as well as other live events. We’re thrilled to add this to our fleet of solutions.”

About Bexel
Bexel is the pre-eminent worldwide provider of broadcast services including video and audio equipment rentals, fiber services, new audio sales, used equipment sales, and repairs/maintenance. Bexel provides brilliantly designed and flawlessly executed systems and solutions to all customers – including producers of the biggest and most important televised events in the world. For more information, visit www.bexel.com, and follow them on Facebook and Twitter.

About the Vitec Group
Capture the moment(tm)

For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.

About Evertz
Evertz is a leading global manufacturer of broadcast equipment and solutions that deliver content to television sets, on-demand services, WebTV, IPTV, and mobile devices. Evertz has expertise in delivering complete end-to-end broadcast solutions for all aspects of broadcast production including content creation, content distribution and content delivery. Evertz delivers cutting edge hardware and software solutions for television broadcast, telcos, satellite, cable TV, and IPTV providers. For more information, visit www.evertz.com.

# # #

Media Contacts:
ignite strategic communications
Lisa Muldowney – 760.212.4130 / lisa@ignite.bz
Sally Christgau – 415.238.2254 / sally@ignite.bz

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: AV Control Systems, News |

TouchLink for iPad Now Available

Extron TouchLink for iPadWe are pleased to announce the immediate availability of TouchLink® for iPad, an easy-to-use AV control system app designed for the Apple iPad. TouchLink for iPad provides users with an additional point of control for rooms equipped with any TouchLink touchpanel. The app is compatible with projects created using Global Configurator 3.5, which is also available now. With this app, presenters can wirelessly control their AV system using a Wi-Fi network, allowing them the freedom to move around the room, or even between rooms. Each button press is tracked in real time between the app and the touchpanel, so that both stay in sync. TouchLink for iPad requires no additional GUI configuration, as it emulates the interface of the existing touchpanel. TouchLink for iPad is available for download now on the App Store.

“TouchLink for iPad brings all of the functionality and ease-of-use of our TouchLink touchpanels to the iPad,” says Casey Hall, Vice President of Sales and Marketing for Extron. “Features such as Demo Mode, Auto-Reconnect, and Global Configurator 3.5 compatibility, make TouchLink for iPad a very powerful and flexible app.”

TouchLink for iPad is compatible with all current versions of the iPad, including the iPad mini. To safeguard against theft in high traffic environments, the Extron TLM 100T, secure mounting enclosure can secure most iPads to a tabletop, wall, or other flat surface. For more information on TouchLink for iPad, please contact your Extron Customer Support Representative.

To view a product video and for more information, please visit www.extron.com/touchlinkforipadpr.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

May 2013
M T W T F S S
« Apr   Jun »
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication