A virtual press conference from Sound & Video Contractor

Archive for May, 2013

VMP Launches PDS-LCHB 360 Degree Large Flat Panel Tilt Ceiling Mount Adapter; Featured at 2013 InfoComm

STEVENSVILLE, Md., May 6, 2013 — Video Mount Products (videomount.com), a leading provider of mounting solutions for the commercial, residential, security, and pro audio/video markets, is proud to announce that it will showcase the new PDS-LCHB large flat panel ceiling mount adapter during InfoComm 2013, held in Orlando, Fla. from June 12-14 at the Orange County Convention Center, booth 5052. The PDS-LCHB, which is scheduled to ship in June 2013, has an MSRP of $179.95.

“The PDS-LCHB adapter allows for the accommodation of a 37- to 70-inch flat panel display to an existing ceiling mount mast, such as one previously used to support a bulky tube television, so there’s no need to replace the entire mount,” said Keith Fulmer, president of Video Mount Products. “Designed for both practical and aesthetic purposes, the PDS-LCHB is the ideal multi-function option for a host of applications, such as in schools, restaurants, bars, health clubs, and arenas.”

The PDS-LCHB has a maximum flat panel hole pattern of 860mm x 500mm, rotates 360 degrees with an adjustable 0 degree to 15 degree tilt, uses standard 1.5inch NPT masting, has a load capacity of 180 lbs., and is complete with powder coat finish.

For more information, please visit www.videomount.com or call toll free 877-281-2169. If you need help choosing the right mount for your application, try the Video Mount™ Finder at www.chooseamount.com.

About Video Mount Products
Born in 1994, Video Mount Products (VMP) is a leading provider of mounting solutions for the A/V, communications, and security industries. VMP products consistently offer the latest designs in safety and flexibility, all at an outstanding value. VMP’s product offering continues to substantially grow by adding several mounting systems to address the increasing popularity of flat panel technology, both LCD and Plasma, as well as other growing segments across many markets.

VMP has become the mounting systems company of choice for professionals and their customers everywhere. All products have been engineered for and installed with confidence in thousands of residences, businesses, hotels, restaurants, schools, hospitals, houses of worship and security applications throughout the world. VMP prides itself on providing the best products in the industry and by supporting those products with knowledgeable professionals who understand that “support” is the core of our business.

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New Dealership Agreement for Hybrid in the Middle East

MGI to Represent Company’s Line of Virtual Studio and Robotic Camera Technology

Montrouge, France – Hybrid, a leading provider of real-time graphics and robotic camera systems, is announcing a dealership agreement with Media Group International (MGI), www.mgi.tv, a leading systems integrator in the Middle East. Under the agreement, MGI will sell and support Hybrid’s virtual studio and robotic camera products in the region.

With offices in Qatar, UAE, Oman, Bahrain and Saudi Arabia, MGI (formerly known as Salam Media Cast), has served the Gulf region for over 35 years. Within the past year, MGI has entered into several notable partnerships to help diversify its business. MGI recently signed a deal with HoloVis International, developers of advanced 2D and 3D immersive systems, as well as recent agreements with VidiGo, Visual Unity and never.no.

“I’m confident that MGI will provide excellent support and increase our exposure to potential customers in the Middle East,” said Olivier Cohen, CEO, Hybrid. “They take a keen interest in the product lines they carry and make sure their sales and technical support team are well versed on each line they represent. I’ve been very impressed with how they work and their commitment to their broad customer base.”

MGI will support and sell Hybrid’s flagship Krypton 3D tracking virtual studio solution, the NEON trackless virtual set, the Chrome broadcast robotic jib, and Hybrid’s entire line of robotic camera systems.

Some of the other partners MGI represents include: Avid, Axon, Canon, Christie Digital, Cisco Systems Inc., Evertz, Front Porch Digital, Fujinon /Fujifilm Global, Grass Valley, Harmonic Inc., JVC, Oracle, Quantel, ROSS, Sennheiser, Sonifex, Sony, Studer, Telestream, and Vizrt.

“Hybrid’s line of robotics and virtual sets are very innovative and fit perfectly into our current lineup,” said Paul Wallis, Sales Director, UAE, MGI. “We’re looking forward to learning as much as we can about the technology in order to share this knowledge with our current and prospective customers throughout the Middle East. In particular, we’re very excited to showcase the virtual studio in a box [NEON] system, as this solution can potentially be very cost effective, while enabling our clients to produce live shows with dynamic virtual sets. Personally, I believe there is a significant market for this product within corporations, government organizations, schools and news organizations of all sizes.”

While many of the virtual studio solutions currently on the market are expensive or technically complex, the NEON trackless virtual studio solution is a user-friendly system that simply requires software running on a PC. NEON supports up to five live HD/SD camera inputs and can be controlled via Hybrid’s Ozone software controller or through BPI I/O production switchers, such as Broadcast Pix, Sony, or Grass Valley production switchers.

Rather than camera tracking and calibration technology, the Neon 3D virtual studio solution enables virtual camera movements in real-time from fixed cameras on set. Despite its simplicity, the 3D virtual scenes are photo-realistic and anti-aliased. Users can either use Neon’s set design tools, or import virtual sets created using 3D Max, Maya, Softimage, or other common modeling software.

About Hybrid

Hybrid is a leading manufacturer of broadcast production technologies. The company’s mission is to develop solutions and products that allow the digital media market to produce value-added content within an integrated workflow. Our product range includes virtual studio and augmented reality solutions and broadcast robotic camera supports. Hybrid consistently develops new products and solutions that push the limits of content creation while providing a clear rationalization of costs. Further information is available at www.hybridtv.tv.

Media Group International

Media Group International (MGI) is a proven media broadcast and communications systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 35 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.

Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor and multisensory environments. MGI provides solutions from safeguarding national security, such as in government operations, to creating the best educational venues in museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.

Media Group International is ISO 9001:2008 certified, the world’s most recognised quality management standard. It is the first company of its kind to receive the prestigious accolade within the Middle East region, guaranteeing customers world-class quality assured products.

Media Group International recently launched their new website to give customers a better experience online. Visit: www.mgi.tv

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MASQUE SOUND ANSWERS CALL FOR AUDIO ‘MAGIC TO DO’ ON THE TONY AWARD NOMINATED NEW BROADWAY PRODUCTION OF PIPPIN

Custom Audio Equipment Package Bolsters Musical’s Triumphant Return to Great White Way

NEW YORK, MAY 6, 2013—As Pippin hits the stage for the first time since its original five-year run on Broadway nearly 40 years ago, show Sound Designers Jonathan Deans and Garth Helm called upon Masque Sound, a leading theatrical sound reinforcement, installation and design company, to provide a custom audio equipment package for the highly anticipated musical revival.

Roger O. Hirson and Stephen Schwartz’s beloved coming-of-age musical comedy Pippin returns to Broadway in an all-new production directed by Diane Paulus, featuring choreography by Chet Walker in the style of Bob Fosse and circus creation by Gypsy Snider of the Montreal-based circus company Les 7 doigts de la main (also known as 7 Fingers). The production is now playing at the Music Box Theatre (239 West 45th Street). Pippin is noted for many Broadway standards including “Corner of the Sky,” “Magic To Do,” “Glory,” “No Time at All,” “Morning Glow,” and “Love Song.” The production is nominated for 10 2013 Tony Awards including Best Musical Revival.

“Pippin is one of the great musical classics, and after 40 years we are thrilled and excited to be part of its first revival on Broadway,” says Deans. “Abe Jacob was the original sound designer, and he is considered the godfather of theater sound design. Therefore, when Pippin arrived on Broadway, we wanted to make sure its sound design received the full reverence it was due.”

Masque Sound provided a custom-designed audio system for the show, including a DiGiCo SD7 live digital console with Stealth Digital Processing™, Sennheiser wireless transmitters and receivers and an array of d&b speakers.

“It has been a pleasure to work with Masque Sound in selecting the correct audio system for this captivating production,” adds Deans. “In addition, the support from Masque Sound’s rental shop, along with the guidance from Gary Stocker at Masque, has aided Garth and I in creating a soundscape worthy of this amazing show.”

Royal heir Pippin is spurred on by a mysterious group of performers to embark on a death-defying journey to find his “corner of the sky.” The original production of Pippin, directed by Bob Fosse, premiered on Broadway in 1972. It won five Tony Awards and five Drama Desk Awards, and ran for close to 2,000 performances before closing in 1977. This production of Pippin made its debut at American Repertory Theater (A.R.T.) in Cambridge, MA, where Diane Paulus serves as Artistic Director.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies” and “Once” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

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Sennheiser Supports Cirque du Soleil’s “One Night for ONE DROP”

Las Vegas, May 6, 2013 – Recently, Cirque du Soleil presented “One Night for ONE DROP” at the “O” Theater, located in the Bellagio on the Las Vegas Strip. The one-night-only production, which combined talent and production expertise from seven other resident productions, was held on World Water Day on 22 March to help raise awareness on the increasing global water crisis. Audio specialist Sennheiser, which has a longstanding relationship with Cirque du Soleil that extends over two decades, loaned several channels of wireless equipment through its Global Relations team to help ONE DROP realize its creatively and technically ambitious production.
 
Established by Cirque du Soleil founder Guy Laliberté, ONE DROP is a non-profit organization whose mission is to ‘ensure that water is accessible to all, today and forever.’According to some estimates, nearly one billion people in the world live without clean drinking water, while another 2.5 billion people lack access to modern sanitation facilities. In the show “One Night for ONE DROP”, Cirque du Soleil illustrated the fragility of the Earth‘s water ecosystem and the impact of water needs around the world in beautiful stage sets, breath-taking artistics and music to remember.
 
Building on Enduring Success

One Night for ONE DROP was planned to run concurrently to “O”, Cirque’s resident show at the Bellagio since its 1998 opening. Therefore the Cirque team needed to augment the existing Sennheiser wireless system to accommodate the additional onstage talent. Gavin Whiteley, Technical Manager of Audio for Cirque du Soleil’s Resident Shows Division, reached out to Sennheiser to ensure the upgraded system would perform flawlessly and would meet the stringent technical demands of the show. “Sennheiser’s product line is not only proven industry-wide, but also within our own shows,” Whiteley says. “It is a known quantity and we knew we could count on it. Krista Monson’s [director] vision was to have more live musicians onstage than “O” normally does, so that’s when we were looking to get those additional resources in the theater so we could achieve her vision,” he recalls.

Kristy Jo Winkler, Sennheiser’s global relations manager for the Americas, comments: “Our relationship with Cirque du Soleil spans many years and Sennheiser has always maintained a deep and meaningful connection with the performing arts. We were inspired to play an integral role in ONE DROP – firstly because it represented another chance to push our technical boundaries and secondly because it was for such a worthwhile cause.”
 
“As soon as we got the call from Gavin, Sennheiser’s Global Relations team quickly provided ten additional wireless channels – all racked and preconfigurated so it would be ‘plug and play’ for this unique one-night spectacle,” explains Dave Missall, national market development, professional systems, Sennheiser USA.
 
Reinventing the Fundraiser, with a Little Help from Their Friends

“Our founder, Guy Laliberté, wanted to reinvent the fundraiser the same way he reinvented the circus 29 years ago,” says Gavin. “One Night for ONE DROP was to be performed only once, therefore we needed all our systems to be incredibly reliable and trustworthy.”
 
The 90-minute performance featured more than 230 artists and performers from neighboring Cirque du Soleil productions, an original composition for string quartet by award-winning film composer Danny Elfman, a dance piece choreographed by Sonya Tayeh of “So You Think You Can Dance”, a special guest performance by certified platinum recording artist Jackie Evancho and many other creative acts.
 
Gavin wanted to build on the capabilities of the wireless system that was already in place while using the existing frequency coordination and antenna distribution system – which had already been laid, filtered and optimized for the operation of the “O” show. “We wanted to work within our current frequency range so we didn’t have to open the doors to any new potential RF interference,” he says.
 
To accommodate ONE DROP, Gavin says he had to roughly double his wireless equipment to support additional instruments, singers and speaking parts – including Elfman’s string quartet composition, which was being performed in public for the first time. “It was a balance of working within the limits of the existing system, but still fulfilling the requirements each show needed to do it right.”
 
According to Sennheiser’s Dave Missall, reliable wireless performance is a critical dimension of any Cirque du Soleil production, especially for One Night for ONE DROP: “Everything has to be completely in sync, and of course you can’t have a wireless monitor or wireless instrument system fail,” he explains. “The entire show is timed perfectly from the very beginning, so precision and accuracy of cueing is everything.”
 
Flawless Performance from Beginning to End

In addition to the “O” Theater’s existing eight channels of Sennheiser EM 3732-II receivers, Sennheiser provided ten more channels of EM 3732-II receivers, eight SK 2000 bodypack transmitters, four SKM 5200-II handheld transmitters and two SK 5212-II beltpack transmitters to handle the additional wireless requirements of One Night for ONE DROP. “We ended up using all of it – on instruments, clowns, spoken word performers, you name it,” says Gavin.
 
One of the highlights of the show, Gavin says, was Danny Elfman’s string quartet, performed by musicians moving fluidly across the stage. “We used the extremely small SK 5212-II bodypack transmitters and mounted them either to the instruments themselves or directly on the performers,” says Gavin. “They were ideal for picking up the sound of each instrument.” Jackie Evancho sang through an SKM 5200-II wireless transmitter coupled with a Neumann KK 104-S capsule. “We asked her staff what kind of microphone she’s comfortable singing with, and they replied Sennheiser,” he says.
 
According to Gavin, the system performed flawlessly as expected from beginning to end: “Cirque is known for its visuals, its music and its top level production quality for every show it has in place. One Night for ONE DROP was no exception,” he says. “From a sound perspective, we wanted to get more of the audio quality we were already experiencing in “O”, one of Cirque’s longest running shows. We certainly achieved this and everyone was more than happy with how good it sounded.”
 
About Sennheiser:

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. The family-owned company, which was established in 1945, recorded sales of around €531 million euros in 2011. Sennheiser employs more than 2,100 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).
 
You can find all the latest information on Sennheiser by visiting our website at www.sennheiser.com.

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GC Pro Offers Special Promotion for Neve Genesys Console

— GC Pro, exclusive U.S. Genesys distributor, responds to end-user requests for extended promotion —

WESTLAKE VILLAGE, CA, May 3, 2013 — Responding to end user demand, from now through June 30, Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, will be offering special pricing on fixed 24- and 16-fader configurations ($75,000 and $54,500, respectively) of the Neve Genesys (www.gcpro.com/genesys.html), a custom-crafted, expandable digitally controlled analog recording console that incorporates digital workstation control.

Specially-priced 24-Fader Genesys configuration:

24-fader/48 input console (in a sub-fitted 32-fader frame)
24 channels fitted with 1073 mic preamps
24 channels fitted with the new EQ option
8 channels of Dynamics
Motorized faders, with Encore automation software.
Includes recall software

Specially-priced 16-Fader Neve Genesys configuration:

16-fader/32 input console
16 channels fitted with 1073 mic preamps
16 channels fitted with the new EQ option
8 channels of Dynamics
Motorized faders, with Encore automation software
Includes recall software

Additionally, GC Pro recently began offering a new custom patchbay system for the Genesys, created by Horacio Malvicino of Malvicino Design Group, a GC Pro Affiliate Program member. The system, which includes seven TT-96 point and two sixteen-input mic panels/foldback as well as one tie line Interface, provides maximum flexibility and full connectivity for all analog inputs and outputs available on the console frame, plus basic user connections for added outboard and external gear.

The system uses digital-ready patchbay kits from Audio Accessories with five contacts jacks for normalizing, along with oxygen-free analog ultra-flexible multipair audio cables and Neutrik connectors. All parts are hand crafted, by the Malvicino Design Group staff, in their facilities; all connections are made with silver solder for enhanced connectivity, reduced signal degradation and low noise while increasing durability; and all cables and snakes are clearly labeled for easy identification and easy installation. Every system is individually tested at the Malvicino Design Group facility in New York City. A complete engineering handbook with schematics will be provided with each system. Additionally, services offered by the Malvicino Design Group include providing Neve Genesys customers with a “one on one” system engineering and integration service. On site installation and commissioning will be available.

Please click this link to find out more info or connect directly to a GCPro Account Manager: www.gcpro.com/genesys.html.

About the Neve Genesys
With its unmistakable Neve qualities of exquisite design, peerless craftsmanship and legendary Neve sound, the Genesys is a comprehensive, cost-effective solution to the challenges of audio in the digital age. The base configuration offers 16 channels of mic/line preamps, 16-channel DAW monitoring, 32-channel analog summing at mixdown, Total Reset, DAW control for Pro Tools, Logic, Nuendo and more, 8 auxiliary buses, 8 group buses, 2 main outputs, 4 effects returns, comprehensive metering, 5.1 mixing on each channel strip, 5.1 monitoring, 2 cue mixes, talkback services and an internal power supply. What sets the Genesys apart is its remarkable combination of features and affordability — an affordable Neve analog console with Neve’s legendary sound and digital control at a very accessible price enables the widest possible range of professionals to make a genuine Neve console the heart of their studios. Furthermore, the Genesys has the ability to upgrade as studio owners’ requirements change — it can be expanded to over 60 channels in a straight or articulated frame, with options including motorized fader automation, recall, mastering-grade A/D and D/A converters, digitally controlled EQ and dynamics, remote mic amp control and much more.

For more information, please visit www.gcpro.com.

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Genelec Monitoring Makes a “Splash” with Noise Floor Post

— Santa Monica-based audio post production facility gets all the sonic nuances for ABC-TV’s new prime-time reality series hit Splash using Genelec 8250A and 8240A Smart Active Monitors™ (SAM™) and 7270A subwoofer —

NATICK, MA, May 2, 2013 — ABC-TV’s hit series Splash, which debuted on March 19 and immediately drew an audience of over 11 million viewers, follows 10 celebrities as they train and compete in regulation platform and springboard diving at dizzying heights in front of a weekly poolside audience. The show has more audio elements than many reality or even scripted programs, which makes it a challenge for post-production company Noise Floor Post. But the sound for Splash is going swimmingly, thanks to a 5.1 surround array consisting of Genelec 8250A and 8240A DSP monitors, along with a Genelec AD9200A Analog to Digital converter that allows them to use the 7270A Active Subwoofer with analog signal sources through the studio’s Avid Icon console. Genelec’s 8250A and 8240A both reflect the company’s Smart Active Monitoring™ (SAM™) concept, which allows monitors to be controlled with digital networking to enable the building of highly flexible computer-controlled systems of monitors.

Noise Floor Post Co-Owner and Re-recording Mixer Michael Solano, who founded the company with Partner and Supervising Sound Editor Ryan Owens in 2007, has been mixing television for 15 years, and his work can be heard on series including The Biggest Loser for NBC, Flying Wild Alaska on Discovery, and Extreme Makeover: Weight Loss Edition for ABC, as well as Splash. He says the show is shot in front of a live audience, necessitating a lot of individual sound elements. “We’re trying to get as many microphone sources as we can and not just relying on the line mix,” he says. “We’re deconstructing that and recutting to make it a very engaging show from a sound point of view. The live components are what makes it unique – you have an audience around the pool and you need to reflect all of the action that’s constantly taking place.”

Helping accomplish that is a 5.1 surround array consisting of three Genelec 8250A speakers for the L-C-R array and a pair of 8240As for the rear surround array. This is bolstered by the 7270A subwoofer that’s used in conjunction with the AD9200A analog-to-digital converter. The Genelec AD9200A converter outputs AES3 format with 24-bit word length and 192 kHz sample rate, allowing Solano to control it through the studio’s Avid Icon console. “This enables me to use the control surface to do functions like muting and soloing as needed,” he explains.

The system benefits from SAM, which includes AutoCal™ calibration system, part of the GLM™ software package that lets Genelecs conform to the parameters of the room. “The GLM package is crucial for me,” says Solano. “The more information I have, the better mix decisions I can make, and the clarity that I get from this system in this room is spectacular because of the DSP system and the Genelec speakers themselves. I’m getting a level of detail that no other speaker has ever given me. I always know that I’m hearing everything totally accurately, and that’s critical on a reality show. The most important parts of any studio are its monitoring speakers, and I’ll only use Genelecs. We’re planning on converting all of our rooms to Genelec in the future. We plan to become an all-Genelec facility, because it’s taken us to the next level as an audio post-production company.”

For more information, please visit www.genelecusa.com/.

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Key Digital Appoints Stampede a Strategic Distributor of Its Complete Product Line Throughout the United States and Canada

Stampede Presentation Products, Inc has been appointed to serve as a strategic U.S. and Canadian distributor of the complete line of Key Digital solutions, including the company’s iOS-based Compass Control® solution, according to an announcement made today by Stampede President & COO Kevin Kelly and Key Digital Vice President of Sales Michael Lakhter.

“We’re very excited to join forces with Key Digital to present their remarkable product lines to our network of over 11,000 dealers in North America,” Kelly said today. “Not only does Key Digital’s product line offer essential solutions for all installations involving high-quality video imaging, but the addition of the Compass Control® system to our portfolio of products will truly enhance the control solutions our dealers are able to offer their customers.”

According to Bob Templeman, Key Digital’s National Sales manager, “Stampede’s deep market reach in throughout the United States and Canada, coupled with its proven expertise in virtually all vertical markets, makes them uniquely qualified to distribute the Key Digital product line, and to share the amazing benefits of the Compass Control system with its wide network of dealers in all vertical markets.”

Dedicated to providing cutting-edge technology solutions in all installations where high-quality video imaging is essential, Key Digital offers solutions in eight categories, including Digital Video Processors, Video/Audio Matrix Switchers, Video/Audio Switchers, Video/Audio Distribution Amplifiers, Video/Control/Interface Adapters, HDMI® Cables, CAT5/6/7 Baluns, and Control Products – namely the Compass Control system.

The innovative Compass Control system provides an easy-to-deploy and intuitive control solution that relies on familiar iOS devices, including iPad®, iPad Mini®, iPhone® and iPod Touch® as the system backbone. The Compass Control base system consists of one KD-MC2500 Master Controller with the Compass Control app running on an iOS device under a Compass Control license. The system’s programming, a simple drag-and-drop process that can be completed in as little as one hour, requires the use of the Compass Navigator™ Software that allows both simple step-by-step programming or more advanced programming capabilities to create custom control interfaces. A/V distribution is easily programmed using the Key Digital Matrix Switcher, or a simple control interface can be programmed to control an existing system.

About Stampede
Known for its value-added distribution, Amherst, New York-based Stampede is the leading distributor of presentation equipment including LCD/DLP projectors and flat panel displays. Stampede provides a complete range of brand name presentation equipment to a variety of audio/video, computer, and home theater resellers and integrators in the United States, Canada and Latin America. These resellers rely on Stampede for value-added services in distribution, marketing and solution- based sales. Stampede annually produces the “Big Book of AV,” a 1,000-page catalog and companion website (www.BigBookofAV.com) providing hundreds of sales, installation and spec tips for Stampede’s dealers in addition to product details on more than 5,000 SKUs. For more information on Stampede, log onto www.stampedeglobal.com.

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Mom Will Want to Throw Summer Parties All Year Round With a SunBriteTV

Thousand Oaks, California, May 6, 2013 – This Mother’s Day, help Mom bring the family together for summertime parties with an all-weather outdoor SunBriteTV.

SunBriteTV’s are designed for permanent outdoor use and starting at just $1,495, creating a modern outdoor entertainment area is now practical and affordable. Family movie nights under the stars, graduation parties, backyard BBQs- any outdoor get-together is complemented by the addition of a SunBriteTV.

“There’s no better way to thank a mother than with a gift that will get the whole neighborhood talking,” said Tom Dixon, Vice President of Marketing, SunBriteTV. “SunBriteTV’s are discussion-starters that will have your friends and family anxious to come back for the next party!”

All SunBriteTV models withstand temperatures from -24°F to 122°F and completely resist rain, humidity, salt corrosion, dust, and insects. Anti-glare screens are specially designed to deliver bright high-definition images in any outdoor climate, any time of day or night.

Every SunBriteTV includes a two-year warranty, a weatherproof remote, and 20 watt built-in speakers.
Optional accessories include a variety of wall-, ceiling- or pole-mount installation solutions, dust covers and FM Radio.

For more information on SunBriteTV please visit www.sunbritetv.com.

About SunBriteTV
SunBriteTV’s all-weather televisions have been time-tested in home installations, outdoor sports arena, restaurant and hotel patios and even on military vehicles participating in field operations. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.sunbritetv.com.

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International Datacasting Chosen for Expansion of U.S. Government Broadcast Network

Follow-On Contract in Excess of $1 Million US for Worldwide Satellite Network

Ottawa, ON – International Datacasting Corporation (TSX: IDC) (“IDC” or the “Corporation”) announces a contract to support the U.S. Government, valued in excess of USD $1Million, for the expansion of its worldwide satellite broadcast network.

The contract includes the selection of additional SuperFlex Pro Data receiver/routers for a centralized broadcast network that distributes encrypted data files and live streams to remote U.S. government agencies throughout the world.

This order was based upon the customer’s previous experience with IDC receivers as robust and highly reliable units for its mission-critical communications. This solution enables the U.S. Government to optimize and expand its distribution network to additional global agencies.

“Currently, no other receiver provides this type of decryption,” said Del Lippert, Chairman of the Board and Interim CEO at IDC. “The security and reliability of this receiver is evidenced by its continued deployment at installations like this where a system simply cannot fail.”

The receivers provide a highly secure and reliable network to deliver live streams and file-based programming to a large worldwide network of remote sites. This fully integrated solution allows for the reception of IP content over satellite via a secure, encrypted link and seamless distribution into the local LAN. As part of its SuperFlex networking solution, IDC provides end-to-end secure networks to its global customer base.

About International Datacasting Corporation:

International Datacasting Corporation (TSX: IDC) is a global leader in digital content distribution for the world’s premiere broadcasters in radio, television, data and digital cinema. IDC offers a broad portfolio of advanced solutions including the STAR Pro Audio solution, LASERTM Targeted Ad Insertion platform, and the Digital TattooTM DTH Over IP Gateway. The company’s products and solutions are in demand for radio and television networks, targeted ad insertion, digital cinema, 3D live events, satellite news gathering, sports contribution, VOD, and IPTV. IDC is headquartered in Ottawa, Canada, with regional offices in Arnhem, the Netherlands and in San Diego, California. The company has installations in over 100 countries and service offices in Thailand and Singapore, and an international network of value-added partners and resellers. For more information visit: www.datacast.com.

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PESA Earns DoD certification for its Video Distribution Systems (VDS)

Huntsville, Alabama – PESA, a leading U.S.-based design and manufacturer of professional audio and video signal distribution, recently announced that its Video Distribution System (VDS) and several products in its Cheetah large-scale router and PESA PRO signal processing lines have been certified by the US Department of Defense. This reflects PESA’s commitment to providing mission-critical products for high definition video and audio distribution.

PESA is the first and only company to achieve listing on the Department of Defense Unified Capabilities (UC) Approved Products List (APL) as a Video Distribution System (VDS). The APL is managed by the Defense Information Systems Agency (DISA).

These products underwent rigorous testing by DISA’s Joint Interoperability Test Command (JITC) and received Interoperability Certification (IOC) and Information Assurance (IA) accreditation from JITC – the organizational element responsible for certifying joint and combined interoperability of all Department of Defense (DoD) information technology and national security systems.

“Mission critical situations demand high-quality distribution and switching of HD video,” said Colonel (Retired) John T. Wright, senior vice president of Sales and Business Development for PESA. “Our senior military and civilian leadership rely on extremely detailed imagery for C4ISR and to execute mission command. This certification ensures that all DoD commands and activities can take advantage of the quality and interoperability between disparate video chains that PESA’s VDS systems provide.”

JITC evaluates technologies that provide warfighters with high-tech advantages in both peacetime and war. The command uses an extensive array of software and hardware based testing procedures when evaluating products that can serve an important role in the military’s technological arsenal – whether directly on the battlefield or in a critical supporting role. JITC certification also ensures that a technological device or system meets the full standards to operate in a Unified Capabilities environment. The APL is the DoD’s single authoritative source for certified products intended for use on DoD networks.

“PESA has provided video distribution solutions to its government customers for nearly four decades, with special considerations for agencies that require high-performance assurance and interoperability in command and control environments,” stated Chuck Tillett, President and COO. “PESA’s products are currently used by many military and government agencies. JITC Certification enables us to extend our reach to other departments and agencies looking to expand their role in mission critical environments.”

PESA offers a complete portfolio of secure, high-definition video switching and distribution solutions with the ability to deliver up to full 1080p communications. With an array of robust features necessary to support continuity of operations, command and control and emergency preparedness and response, the Cheetah product line has proven to be a solid foundation for many government and federal agencies, such as the U.S. Army, U.S. Air Force and NASA.

About PESA

As a leading provider of audio/video connectivity, PESA offers a wide selection of routing switchers, matrix switchers, extenders, converters, media extenders, and signal processing gear to support government, military, industrial, commercial, broadcast and mobile truck applications. PESA offers one of the widest ranges of AV products – from large scale fiber optic routing to single-point CAT-5 DVI extenders – each with the integrity and innovative high performance technology expected from PESA. Our products are available around the world from a leading team of channel partners offering local support and installation; and all of our products are supported by 24/7 technical support. To learn more about our technologies and services visit www.pesa.com. PESA is located in Huntsville, Alabama with regional offices throughout the United States.

All products mentioned herein are trademarked property of their respective owners.

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