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Archive for June 5th, 2013

LECTROSONICS ANNOUNCES ASPEN CERTIFIED DEALER PROGRAM

**** Photo: ASPEN Certified Dealer logo ****

Rio Rancho, NM – June 2013… Lectrosonics, recognized the world over as a leading manufacturer of wireless microphone systems and audio processing products, recently launched its ASPEN Certified Dealer Program. Created with the goal of ensuring the highest standards of technical expertise when deploying Lectrosonics’ ASPEN Series products, the ASPEN Certified Dealer Program is a three-fold initiative designed to help interested AV integrators gain the technical expertise necessary to ensure world-class AV system deployments. more

RF VENUE PARTNERS WITH REVOLABS® TO PROVIDE REMOTE ANTENNA EXTENSION SYSTEM

ASHLAND, MASSACHUSETTS – JUNE 2013: Under a new co-marketing agreement, RF Venue will offer Revolabs® dealers and installers its new directional Remote Antenna Extension System, designed for use with Revolabs’ Executive HD wireless microphone systems.

The wall mounted antenna features 9 dB of gain and a directional pattern, which improves RF signal level and coverage area for installed systems, giving system integrators and designers greater flexibility in locating wireless equipment racks and overcoming RF signal loss over coaxial cables. The Remote Antenna Extension System also features four high-quality coaxial cable leads terminated with N-type connectors and a high-quality eggshell white enclosure, which may be painted to match the color of any interior. The Antenna Extension System is also available bundled with plenum-rated low-loss coaxial cables in lengths of 25, 50, and 100 feet with custom lengths and cable types available.

“We are excited to be partnering with Revolabs to provide this important piece in the wireless signal chain,” commented RF Venue CEO Chris Regan. “The 1.9 GHz frequency band has numerous advantages, such as freedom from interference, but signal attenuation from walls, in between floors, and long coaxial cable runs can make locating equipment a challenge. Our Remote Antenna Extension system for Revolabs overcomes these issues and gives system designers and installers much greater flexibility to integrate the system with the client’s facility.”

“More and more system design consultants and integrators are locating audio/visual equipment racks in dedicated IT equipment rooms, which neatly consolidates a facility’s equipment but poses challenges for wireless signal distribution,” commented Revolabs CTO Tim Root. “The RF Venue Remote Antenna Extension System is a turnkey platform for Revolabs Executive HD products that will greatly facilitate integration and improve system performance in multi-room applications.”

The Remote Antenna Extension System is available directly from RF Venue and qualified dealers may apply at www.RFvenue.com and place orders with the company.

ABOUT RF VENUE RF Venue manufactures wireless audio equipment including remote antennas, RF distribution equipment, and cable assemblies. The company’s primary antenna products include the interference mitigating RF Spotlight, the lightweight foldable helical antenna CP Beam, and the polarization diversity antenna dubbed Diversity Fin. For more information visit: www.RFvenue.com

STOP BY AND SEE US AT RF VENUE INFOCOMM BOOTH #1075 OR REVOLABS BOOTH #2181

Belkin Releases USB 3.0 Dual Video Docking Stands for Ultrabooks and Windows 8 Tablets

Designed for Mixed Platforms and Multiple Users, Two New Docking Stands Bring
Enterprise-level Productivity to Mobile Computing

COMPUTEX TAIPEI, Taipei, Taiwan Belkin, a trusted leader of technology solutions for office, classroom, IT infrastructure and mobile environments, today announced the release of two new docking stands: a Dual Video Docking Stand for Windows 8 tablets and Dual Video Docking Stand for Ultrabooks, making mobile computing easier and more productive for business users. The stands, which leverage DisplayLink® technology, allow users to turn an Ultrabook or Windows 8 tablet into a full-function desktop with a single plug-and-display USB 3.0 cable. Belkin will showcase the docking stands and other mobile computing solutions at COMPUTEX TAIPEI in Taiwan, June 4-8. 

“Greater mobility and the need for an improved user experience are increasingly important to organizations that care about worker productivity and its impact on overall efficiency,” said J. Gerry Purdy, Ph.D., principal analyst, Mobile Trax. “Belkin has developed an interesting set of docking stands that really optimize the functionality of Ultrabooks, and particularly Windows8 Tablets, in the business  environment. This is a great step forward for mobile computing at the enterprise level.”

The new docking stands are designed to provide versatility to accommodate mixed platforms and multiple users, including visiting professionals, contractors and ‘hot desk’ environments. Because it allows easy access to multiple peripherals, users can configure their workstations based on their preferences.

Key features of the USB 3.0 Dual Video Docking Stands include:

  • Extra ports to deliver multiplied connectivity to keyboard, mouse, printer, network and more
  • Improved productivity with the ability to connect to one or two external high resolution displays
  • Optimized workspace with built-in Ethernet, display and USB ports as well as integrated cable management to keep clutter and desktop accessories organized 

The Windows 8 docking stand is compatible with all Windows 8 tablets based on Atom and Intel core-i based mobile processors. The Ultrabook stand supports Windows XP, Windows Vista, Windows 7, and Windows 8. Neither stand is compatible with Windows 8 RT.

“Laptop and tablet users often do without the advantages of external monitors, full-size keyboards and other desktop peripherals because of the hassle involved in connecting, disconnecting and reconnecting every device, every time they leave their desk or return to it,” said, Timothy North, global product manager of Belkin Business, a division of Belkin International. “These docking stands offer the best of two worlds—the freedom and convenience of mobility with the comfort and functionality of a fully equipped office, finally enabling mobile computing with enterprise-level productivity.”

Resources

COMPUTEX TAIPEI

Belkin USB 3.0 docking stands are available immediately, and will be demonstrated at COMPUTEX TAIPEI in Taiwan, June 4-8. To arrange a meeting with Belkin contact denise.nelson@ventanapr.com. 

Belkin delivers products and customer-driven solutions to support the technology needs of business and mobile computing, as well as every essential accessory and peripheral device to provide a complete, efficient, productive workstation that meets the demands of business use. For more information visit: Belkin Business.

Tweet this: @belkinbusiness Releases USB 3.0 Dual Video Docking Stands for #Ultrabooks and #Windows8Tablets, Making #MobileComputing More Productive 

About Belkin Business

Belkin Business, a division of Belkin International, offers technology solutions for office, classroom, IT infrastructure, and mobile environments. A proven technology leader for more than 30 years, organizations worldwide trust Belkin for its unwavering commitment to product quality, and expertise in creating solutions designed to address customer requirements in business, government, and education. With a global supply chain and broad provider network, Belkin commands a purchasing power that delivers greater value and unparalleled execution advantages to customers. The company’s line of commercial products are available through Belkin’s global network of distributors and resellers. Headquartered in Playa Vista, California, the company is represented in more than 25 countries and can be found on the Web at http://www.belkinbusiness.com. 

Tags: Ultrabook, Windows 8 tablet, tablet PCs, docking stations, USB 3.0, connectivity, mobile computing, mobile computing solutions

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AptoVision announces new BlueRiver 200 technology for Ultra-HD video extension

AptoVision announces new BlueRiver 200 technology for Ultra-HD video extension

Saint-Laurent, Quebec, Canada – June 3rd, 2013 – AptoVision, a Montreal-based technology company, today announced its new FPGA-based BlueRiver 200 chipset. Pushing the envelope on multi-media connectivity between AV sources and remote displays, the BlueRiver 200 chipset is the first and only technology in the world capable of simultaneously transmitting uncompressed Ultra-HD (4K) video, 32 channels of audio, Gigabit Ethernet, 480 Mb/s USB 2.0i and other control signals on a single optical cable at up to 30 KM.

Incorporating AptoVision’s BlueRiver Engine, Adaptive Clock Resynchronization and Channel Coder technology into off-the-shelf programmable FPGAs and utilizing off-the-shelf SFP+ transceivers, the BlueRiver 200 technology provides unprecedented transmission performance while reducing costs and eliminating reliance on proprietary components.

“We are extremely excited to be the first to market with a technology that practically eliminates the bandwidth and distance limitations for all the key signal types used in the AV and KVM industry,” said Kamran Ahmed, CEO and co-founder of AptoVision. “With the BlueRiver 200, AptoVision has once again proven that its unique BlueRiver technology and FPGA-based architecture is scalable to accommodate the ever increasing bandwidth requirements of video, Ethernet and USB connectivity.”

Sampling now, the BlueRiver 200 chipset can easily be integrated into OEM designs for AV and KVM extenders, distribution amplifiers and matrix routers. “Ready to manufacture” reference designs for AV extenders based on the BlueRiver 200 chipset are also available.

About AptoVision Technology

BlueRiver Engine: AptoVision’s proprietary AV signal distribution and processing engine implemented on off-the-shelf FPGA and optics technology for cost effective and scalable fiber-optic transmission.

Adaptive Clock Resynchronization (ACR) Technology: Unique technology that allows synchronous, zero-frame latency transmission of video over low-cost, off-the-shelf networking optics.

BlueRiver Channel Coder: A highly efficient channel coder that combines and streams multiple signal types onto a single bandwidth-optimized fiber-optic channel.

About AptoVision

A Privately held company based out of Montreal, AptoVision is redefining the AV signal processing & distribution platform through its BlueRiver™ technology and FPGA-based chipsets. Integrating unique IP, the BlueRiver™ platform delivers 50% to 80% reduction in system costs & up to 10x performance gains over comparable solutions. The platform also enables the only products in the world which scale with current & evolving AV signal distribution requirements for ultra-high definition & ultra-high bandwidth video, multi-format support, multi-video transmission, & advanced pixel processing. (www.aptovision.com)

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Contact: Kamran Ahmed
+1-514-908-9768
marketing@aptovision.com

i requires 3rd party USB chipset

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Clear-Com Presents Upgrades to Its Tempest Digital Wireless Intercoms at InfoComm 2013

New Remote Line Extender and Tempest900 BeltStation Increase the System’s Capabilities

ORLANDO, FL, JUNE 5, 2013 – Clear-Com® is showcasing the latest enhancements to its Tempest Digital Wireless Intercoms at InfoComm 2013 (Booth 921). Included among the offerings is the new Tempest®900 BeltStation, which is equipped with an advanced Planar Inverted-F Antenna (PIFA) to increase its range and wireless coverage. Also new to the lineup is a Remote Transceiver Line Extender that boosts the cable run distance of the systems’ remote antennas. These solutions further extend Tempest’s wireless communications capabilities for outdoor events and mobile productions staged in RF-heavy environments.

The Tempest line of feature-rich wireless intercoms comprises the 2.4 GHz Tempest®2400 and 900 MHz Tempest900 wireless systems in either a two- or four-channel option. Both Tempest systems deliver cutting-edge RF technologies to ensure interference-free communications for all types of venues. The Tempest2400 offers a Seamless Roaming feature, which provides sound engineers with continuous wireless coverage across expanded production spaces, such as such as college campuses and sports arenas. With the Seamless Roaming feature, BeltStation users can migrate between as many as 16 different Tempest BaseStations (coverage areas or zones) without having to change the settings on their BeltStations. This enables audio professionals to fully focus on critical production cues without distraction. Both Seamless Roaming and iSelect Roaming are available to accommodate virtually every application need.

As part of a continuing effort to expand the Tempest system further, Clear-Com is releasing its new PIFA-equipped Tempest900 BeltStation. Increasingly popular in the mobile phone market, the low-profile PIFA has an omnidirectional signal pattern that can receive a connection from any direction. Backward compatible with Tempest900 firmware version 3.0, the new BeltStations are fully compatible with both two- and four-channel versions of the Tempest900 BaseStations and BeltStations. The longer wavelengths and wider symbol width of this band allow the system’s signals to permeate dense walls and other structural objects more easily. This feature increases the range of the system and reduces any potential loss of audio.

Clear-Com will also unveil its new Tempest Remote Transceiver Line Extender. One Line Extender increases the systems’ cable run by 3,000 feet, while two or more Line Extenders can increase it by 2,000 feet per Line Extender. A total of three Line Extenders can be connected to provide total coverage of up to 7,500 feet. With this functionality, users can deploy larger systems with longer cable runs from the BaseStation.

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

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HPA Awards Creative Category Early Bird Entry Fees Ends June 14

Engineering Excellence, Creativity and Innovation Deadlines Also Approaching

(Hollywood, CA) The Hollywood Post Alliance has announced that several important deadlines are approaching for the 8th Annual HPA Awards Call for Entries. Early Bird pricing, which will end June 14, 2013, provides reduced entry fees for the Creative Categories. The Creative Categories cover feature film, television and commercials and include Outstanding Color Grading, Editing and Sound, as well as an expanded Visual Effects category, which replaces the Compositing categories. Regular, non-discounted entry fees will apply for these categories from June 15 through the final Creative Category entry deadline of July 12, 2013. The final entry deadlines for the HPA Engineering Excellence Award and the HPA Judges Award for Creativity and Innovation are also nearing.

In addition to the Creative Categories, there are two awards that draw attention to other areas of post production with upcoming deadlines – The Engineering Excellence Award, which spotlights the companies and individuals bringing technical and creative ingenuity to the real world of post production while raising the profile of breakthrough technologies within the industry; and The HPA Judges Award for Creativity and Innovation in Post Production, which was conceived to recognize companies and individuals who have made significant achievements and pushed the envelope forward in post production, whether in creative storytelling and/or technical innovation. Valid entries should demonstrate new approaches in tools, workflows or ideas from a technical, creative or efficiency perspective. Both Engineering Excellence and the Creativity and Innovation Award are accepting submissions through June 21, 2013.

The period of eligibility for the HPA Awards Creative Categories is September 11, 2012 through September 3, 2013. To be considered eligible, work must have debuted domestically and or internationally during this period. Entrants need not be members of the Hollywood Post Alliance or working in the U.S. to submit work for consideration. The HPA Awards will take place November 7, 2013 at the Skirball Cultural Center in Los Angeles.

Attracting attention for the companies and individuals who work creatively and technically to bring vision to reality, the awards are the standard by which creative and technical excellence in the art, science and craft of post production is measured.

Contact Eileen Kramer at 213-614-0860 or write to ekramer@hpaonline.com for information about sponsorship opportunities for the 2013 HPA Awards show. For more information about the HPA Awards, visit www.hpaawards.net, write to info@hpaawards.net or call 213.614.0860.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.

About the HPA(r) Awards
The HPA Awards were created to foster awareness of post production, promote creative and technical excellence, recognize the achievements of post production talent, and build involvement in the Hollywood Post Alliance.

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Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz or
Mimi Rossi, mimi@ignite.bz

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Draper Offers Projection Screen Material Course at InfoComm

Ambient light. Room size. Projector specs. Content. All of these variables can have an impact on the projected image, and on the selection of the appropriate projection screen material. During InfoComm 2013, Draper Inc. will offer a training course to help.

Draper National AV Consultant Steve Cook will present a basic course on which projection screen materials work best for applications with various lighting conditions, screen sizes and content.

The class will be offered Wednesday, June 12 from 8:30 – 10:00 AM. The session ID for this intermediate level course is MT60, and is worth 1.5 RUs.

Steve Cook has over 30 years in the AV industry with product and applications engineering experience from a variety of manufacturers in the projection industry starting with Kloss Video in 1981. Steve is National AV Consultant Manager at Draper.

To register for Draper’s course, visit www.infocommshow.org, click on “Attendee,” then “Education.” At the bottom of the Education page, click the “Search All Sessions” button, and search for “MT60” in the search box on the left side of the page.

Digital Nirvana Launches New Services and Technologies at AMEC 2013

New offerings include Broadcast Content Acquisition,
Multi-Language Media Analysis, and Live Stream Monitoring in the Cloud

Newark, CA – Digital Nirvana is introducing new services and technologies for media monitoring companies at the International Association for Measurement and Evaluation of Communication (AMEC) show, June 5 to 7 in Madrid, Spain. Digital Nirvana is a Silver Sponsor at the event.

With the launch of the new Broadcast Content Acquisition service, Digital Nirvana becomes an end-to-end service provider, handling everything from TV and radio content acquisition to media analysis and custom reporting.

“Our end-to-end approach is what makes Digital Nirvana stand out,” said Vishnu Beri, COO at Digital Nirvana. “Thanks to our advanced technologies, we can now acquire, analyze and customize broadcast content delivery for our media monitoring customers. We also deliver cost benefits that help reduce operating expense and improve margins for our clients.”

Digital Nirvana is also launching a Multiple Language Media Analysis service. Previously, this service was available in English only. Now it is available in French, German, Spanish, Portuguese, Arabic and all Indian languages.

Also making its European debut is AnyStream IQ – the industry’s first live stream media monitoring solution. This cloud-based software-as-a-service helps broadcasters record, log and monitor live streamed media, validate ad runs, prove web captioning compliance, and cut clips for easy sharing. This new solution made its North American debut at the National Association of Broadcasters (NAB) show in Las Vegas, Nevada USA.

Other Digital Nirvana services highlighted at AMEC 2013 include media content management, news report generation, broadcast news summarization, and transcription.

The company is also featuring its flagship Monitor IQ broadcast monitoring system used by leading broadcasters worldwide, as well as the MediaProTM content repurposing system, and the Repeat Audio Detection (RAD) system for song and ad tracking.

Learn more at www.digital-nirvana.com.

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ live stream monitoring solution, MediaPro content repurposing system, and repeat audio detection systems (RADS) for song tracking and ad tracking. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, learning management services, and professional services. Digital Nirvana is headquartered in Newark, California with offices in Hyderabad and Coimbatore, India. For more information visit www.digital-nirvana.com.

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UC Irvine’s Celebrated Sound Design Program Adds DiGiCo SD9 To Curriculum

The University of California, Irvine is home to a celebrated Sound Design program created in 2006. Under the umbrella of the Drama department at the university’s Claire Trevor School of the Arts, the program is spearheaded by Mike Hooker along with Vincent Olivieri, who is the head of the undergraduate sound design program. Late in 2012, the department added a DiGiCo SD9, DRack and UB MADI into its inventory, which made its debut on a series of student-designed programs this spring. One of those shows was the Festival of New Musicals, a unique partnership between the university and the Academy for New Musical Theater, a three-decade-old creative incubator. The alliance paired the talents of professional writers and composers affiliated with the ANMT with UCI students to create the fourth annual festival, staged at UCI’s xMPL – Experimental Media Performance Lab (featuring a flexible seating capacity of 25-150) this spring. One of the festival pieces, ‘Digital Natives’, featured sound design by second year MFA student, Matt Glenn. [Pictured L to R: UCI MFA student, Matt Glenn; Karli Blalock, Assistant Sound Designer; Vincent Olivieri, head of UCI's undergraduate sound design program.]

“One of the interesting things about the way we run our sound design program here is that, with little exception, all of the equipment we own is independent of venue,” explains Olivieri. “Most of the equipment is kept in storage, in workshop rooms, and when a show is being developed, the sound designers are able to choose the tools that they need for their particular project, and can spec what they need and just plug in and play.”

The SD9 was the first DiGiCo purchased by the school and was chosen by Mike Hooker, UCI’s Head of Sound Design, in conjunction with RSPE Audio Solutions. “We knew that we were looking for a digital console of a certain size,” Olivieri recalls, “something that was beefy and designed for live playback and mid-range in size. The SD9 fitted that bill perfectly as it’s great for a mid-size show like this.”

The ‘Digital Natives’ piece comprised a juxtaposition of technology and digital feeds against a backdrop of singers and piano accompaniment for a total of 27 inputs (mics, iPod feeds, playback audio off of multiple computers) and a dozen outputs. Glenn configured a deceptively complex playback system, complete with different sounds and setups configured on different templates within the console. Having the ability to recall these different scenes at the push of a button was huge. Additionally, the SD9 was the perfect console not only for its expandability and versatility, but also for its diminutive size for the small theatre space. And, for a first-time user, Glenn was able to get up to speed quickly by watching the online product videos prior to getting hands-on with the console.

“I wanted to keep the console size down, but I also couldn’t sacrifice the number of channels,” adds Glenn. “Back in the planning stages of this show, before I really knew what it was going to be, I didn’t necessarily know how many mics I would have or how big the pit would be but I wanted to keep open my options with the stage box. With the DiGiCo console, I could have up to 32 inputs from stage from just one D-Rack with the expandability for the future of adding another and you wouldn’t necessarily get that with other consoles. I also wanted an interface that I could intuitively navigate around. The SD9 has a structure similar to Pro Tools and other digital audio workstations (DAWs) and when I started playing with the SD9—my first time using a DiGiCo in a real setting—the way it’s laid out just made sense to me. I didn’t want to be fighting my own brain in the middle of tech, especially with this show, where it’s a really fast turnaround of only three-days. That, the expandability and the ability to write snapshots so quickly and easily, it just all came together with the SD9.”

Onstage, I have six Meyer loud speakers that make up the main system and a subwoofer, plus an additional six loudspeakers placed around the stage for various effects. I’m also using two different internal stereo reverbs that are feeding some of the main speakers. I’m also sending my playback channels to various places around the space to kind of give a surround sound for some of the cues, and they also add a bit of warmth for some of the voices onstage. During pre-production, every time I want to change an EQ or I how much reverb is on a person, I was able to program a macro to update the current snapshot I was working in, and quickly get to it without having to think twice about it. Having eight macro buttons is one of the things I love about this board. Beyond that, there’s so much more to explore with this console but honestly, this show is so fast-paced, I don’t get much of a chance to!”

Moving forward, Oliveiri says the console will serve them in myriad ways, for different productions in varying venues. “We do a lot of shows in a lot of different spaces, and the SD9 is going to be an excellent tool for us for mid-sized musicals and musical events. It’s also going to be useful for us on workshop productions, where the technical needs aren’t always completely known in the early planning stages. For those kinds of productions, the flexibility of a console like the SD9 is essential in order to allow the sound team to quickly respond to unexpected needs.”

American Society of Cinematographers Elects New Officers

Richard Crudo Named President

(LOS ANGELES, CA) – The Board of Governors of the American Society of Cinematographers (ASC) has held its annual election to appoint its new slate of officers. Richard Crudo will serve as president, along with Vice Presidents Owen Roizman, Kees Van Oostrum and Lowell Peterson; Treasurer Victor J. Kemper; Secretary Fred Goodich; and Sergeant-at-Arms Isidore Mankofsky.

The members of the Board, elected in May by the organization’s active membership, include: Curtis Clark, Dean Cundey, George Spiro Dibie, Richard Edlund, Fred Elmes, Francis Kenny, Matthew Leonetti, Stephen Lighthill, Michael O’Shea, Rodney Taylor and Haskell Wexler. Alternate Board members consist of Kenneth Zunder, Steven Fierberg, Karl Walter Lindenlaub, and Sol Negrin.

“I am honored to have another opportunity to serve this great organization,” says Crudo, who previously served three terms as ASC president from 2003 through 2005. “Our 94-year history makes us the longest standing group in the motion picture industry. As always, we will be aggressively promoting our art and craft, as well as the related interests of cinematographers everywhere.”

The ASC carries out its mission of inspiring the next generation of filmmakers through many industry events and initiatives, such as its Student Heritage Awards, Breakfast Club seminars, panel discussions by their Education and Outreach committee, the burgeoning Friends of the ASC membership level, and the org’s ongoing collaborations with other industry associations vital to the image-making process.

“I want to thank Stephen Lighthill for his hard work and dedication during the past term,” Crudo adds. “We operate in an astonishingly fast-moving world, and I look forward to working with him and the other Board members as we expand our efforts on all fronts, from pre-visualization through post-production and image delivery.”

Crudo is also a member of the Academy of Motion Picture Arts and Sciences, serving as an Academy Governor and Chairman of the Cinematographers Branch. In addition, he has chaired and co-chaired the ASC Awards for several years throughout the past decade.

Born and raised in Brooklyn, New York, Crudo began his film career as an assistant cameraman. As a director of photography, he has shot a wide range of feature, television and commercial productions. Among his feature credits are Federal Hill, American Buffalo, American Pie, Music From Another Room, Outside Providence, Down To Earth, Out Cold, Grind, Brooklyn Rules, and My Sexiest Year. He has also directed several independent films, and currently shares cinematography duties with Francis Kenny, ASC on the popular FX Channel series Justified.

ASC was founded in 1919. There are 330-plus active members today who have national roots in some 20 countries. There are also 150 associate members from ancillary segments of the industry.

For additional information about the ASC, visit www.theasc.com, or join ASC on Facebook at http://www.facebook.com/the.ASC and American Cinematographer magazine fan page at http://www.facebook.com/AmericanCinematographer.

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(Photos available on request)

Media Contacts:
ignite strategic communications
Sally Christgau / Lisa Muldowney
sally@ignite.bz / lisa@ignite.bz
818.980.3473

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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