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Archive for June, 2013

Waves Introduces MaxxSpeech® Technology

— MaxxSpeech® enhances the performance of Automatic Speech Recognition engines —

TEL AVIV, ISRAEL, June 20, 2013 — The Consumer Electronics Division of Waves, the industry leader in professional audio digital signal processing and recipient of a Technical GRAMMY® award, unveils its new MaxxSpeech® technology. MaxxSpeech revolutionizes the use of automatic speech recognition (ASR) on laptops and desktop computers, by significantly increasing command acceptance and reducing the word error rate, for flawless hands-free voice-controlled communication between users and their devices.

MaxxSpeech is powered by three primary technologies:

MaxxEC™ Stereo Echo Canceller effectively filters out any and all sounds transmitted from the computer’s speakers, thereby providing a clear voice input to be correctly identified by the ASR engine. With MaxxEC Stereo, users can listen to music, watch movies and play games, while simultaneously communicating with their devices and running commands in real-time via ASR.
DeBabble™ Diffused Noise Attenuation leverages Waves’ renowned noise reduction and source localization technologies to provide a purer, more accurate signal, so the ASR engine can perform effectively in environments with large amounts of diffused noise.
MaxxBeam™ Microphone-Array Noise Suppression uses two microphones to create a virtual beam, and then differentiates between signals inside the beam and signals outside of it, suppressing stationary and non-stationary noise from outside the beam, to deliver an optimized input signal to the ASR engine.

Tomer Elbaz, Executive Vice President, Waves Consumer Division, stated, “ASR is becoming an important part of how we interact with our devices. MaxxSpeech enhances ASR performances and helps to overcome significant challenges in the way of future consumer devices and their designs. Research and development were conducted using real-life scenarios in real-life environments, to understand and ultimately serve end-user needs. This is an important development for Waves and for the consumer electronics market.”

For additional background resource materials on MaxxSpeech visit http://clynemedia.com/maxx/MaxxSpeech/MaxxSpeech.zip.
For more information on Maxx technology, please visit www.maxx.com.

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Audio-Technica Launches Its Next-Generation SmartMixer®: Introducing the AT-DMM828 Digital Matrix Mixer

— Mixer analyzes and interprets input signals in real time, simplifying the mixing process and preventing feedback and other common problems —

STOW, OH, June 19, 2013 — Audio-Technica, a leading innovator in transducer technology for over 50 years, is debuting its AT-DMM828 Digital Matrix Mixer, the next generation of the company’s SmartMixer® family of automatic mixers. The AT-DMM828 is a microprocessor-controlled, programmable, automatic-switching eight-channel matrix mixer. Designed for a variety of applications, including installed sound/sound reinforcement, houses of worship, broadcast, recording and more, the AT-DMM828 is designed to improve audio quality through a number of sophisticated methods. One way it achieves this is by keeping the number of open microphones to a minimum, thus reducing background noise, feedback and other distractions, and increasing clarity and audio quality, while providing instant, completely transparent switching between channels. Additionally, the mixer features “correlation,” which analyzes and interprets redundancy of source material between channels in real time and may in turn favor the dominant channel, simplifying the layout/output and reducing feedback, phase issues etc.

The AT-DMM828 can be used with low-impedance dynamic or condenser microphones (including wireless microphone systems), as well as line-level sources. Each of the eight balanced inputs provides switchable 48-Volt phantom power; attenuation is also selectable on each input to allow use with line-level signals. The mixer’s outputs are balanced and non-inverting. All audio connections terminate in block screw connectors.

Up to 16 units of AT-DMM828’s (a total of 128 channels of inputs) can be daisy-chained via CAT5e cable, which carries control bus, audio, and configuration data between mixers. Multiple mixers linked in this way will operate as if they are a single mixer. Therefore, microphones activated on any mixer will cause the appropriate switching functions to occur.

Each AT-DMM828 includes two separate external control system interfaces: Individual channel contact closures (via DB25 connector) and PC control (via RS232 connector or USB). The RS232 connector can also be used to connect an external third-party control system (e.g. Crestron® or AMX®) using “open disclosure communication protocol” to control the mixer.

AT-DMM828 Features:

Eight balanced inputs allow to be used with either mic-level or line-level signal. Each input provides:
48V phantom power (individually selectable)
Individual gain and sound volume controls
Gate attenuation adjustable (0 dB to full mute in steps of 1 dB)
Gate hold time adjustable (0 sec to 6 sec in steps of 0.1 sec)
Mic on threshold level adjustable (Auto/Manual)
DSP algorithm:
Signal level meter (Peak/RMS)
Signal generator (Sine wave/Pink noise/White noise) *input channel only
Parametric EQ (3 band/4 band)
Filter (Low pass/High pass/Low shelving/High shelving/Notch/All pass)
Limiter
Delay *output channel only
8×8 full matrix-mixing (can be extended to 128×8 matrix-mixing)
Selectable NOMA (Number of Open Microphones Attenuated):
Automatic gain adjustment as each microphone is activated
Selectable manual mode overrides automatic functions
Linking capability for up to 16 units (up to 128 inputs)
Selectable external connector’s pin assignment
Gate status output (using for the Camera moving)
Force On/Off (using for input gate control by tactile switch)
Mute On/Off /Toggle (using for channel level control by tactile switch)
Volume Up/Down (using for channel level control by tactile switch)
VCA function (using for channel level control by external potentiometer)
Compatible with third-party control systems (e.g. Crestron or AMX)
All settings can be adjusted or modified through AT-DMM828 Control Software
Mounts in a single U 19″ rack space (EIA Standard)

The AT-DMM828 Digital Matrix Mixer will be available late summer 2013 with a U.S. MSRP of $2,169.00. For more information, please visit www.audio-technica.com.

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Lowell Manufacturing’s ES-62T-LE and ES-4T-LE In-Ceiling Speakers Offer a Solution for New Construction

— The ES-62T-LE and ES-4T-LE (less enclosure) UL listed models allow separate installation of the speaker’s rough-in enclosure components, enabling installers to move swiftly through rough-in stages of new construction including drywall construction and painting, then install the speaker and grill to complete an architecturally pleasing finished product —

PACIFIC, MO, June 19, 2013 — Lowell Manufacturing Company, a U.S. manufacturer of professional A/V products, announces new UL Listed “LE” versions of the ES Series in-ceiling speakers. The LE designation – “less enclosure” – indicates that the speaker and its rough-in enclosure components are delivered as separate items. This allows A/V specialists to install the enclosure/bridge assembly during the rough-in stage of new construction, allowing for accurate speaker pre-wire and placement. This eliminates the need to cut speaker mounting holes after drywall is in place and has been painted. This approach is also fiscally efficient because the integrator does not have to absorb the full cost of the speaker package at the beginning of the installation process. At the appropriate time, the mounting bezel, speaker, transformer, and grille package can be purchased and installed creating an architecturally pleasing and great-sounding end-result.

The ES-62T-LE and ES-4T-LE speakers are the same great performers as their non-LE cousins. The ES-62T-LE (with 6.5-inch coaxial driver) and ES-4T-LE (4-inch dual cone, full-range driver) produce excellent intelligibility for speech and full-frequency response for music, making them ideal for retail, commercial, industrial, institutional and residential applications. These recessed in-ceiling speaker systems provide the kind of crisp, high-frequency response that’s expected from high-quality speaker systems. The speakers’ wide dispersion can actually reduce the number of speakers required to produce even coverage in distributed speaker systems. Built-in reversible “dog-ear” mounting clamps aid fast installation, while allowing the speaker to be mounted in drywall, wood, tile or almost any type of ceiling with thickness up to 2.25 inches. The speakers can also be mounted to drywall or plaster ceilings for infinite-baffle applications (those without enclosures) using the integral dog-ears. Infinite-baffle installations; however, are not UL-listed. For these types of installations, users must order optional mounting components available from Lowell.

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Waves Audio Debuts Genesis Bundle for Live Applications

— New bundle includes C4 Multiband Compressor, Renaissance DeEsser, H-Delay and Renaissance Reverb —

TEL AVIV, ISRAEL, June 19, 2013 — Waves Audio expands its live offerings with its new Genesis bundle. Waves Genesis is a collection of four must-have plugins for live sound. Perfect for venues of all sizes, Genesis covers all of users’ essential processing needs.

Genesis includes the following plugins: C4 Multiband Compressor for dynamic equalization and tone-shaping; Renaissance DeEsser to control sibilant “ess” and “shh” sounds; H-Delay to create depth and movement; and Renaissance Reverb for space and atmosphere. Together, these four plugins form the basis of an expandable, forward-thinking performance system that is ready to grow and evolve with users and their needs.

David Stagl, FOH Engineer at North Point Community Church in Atlanta, Georgia, notes, “These are four great tools I use in just about all of my mixes.”

Ken “Pooch” Van Druten, Mixer/FOH Engineer for Linkin Park, Kid Rock and KISS, states, “Genesis is perfect for the live engineer. I call it the ‘Swiss Army Knife’ bundle!”

Waves Genesis is MultiRack Native, TDM/D-Show and SoundGrid® compatible. The new Waves Genesis live bundle is now available with a U.S. MSRP of $499. Visit www.waves.com and www.waveslive.com for more information.

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HARMAN’s Soundcraft Vi6 Consoles Help Mario Biondi Groove at Royal Albert Hall

Robin Leggett, Monitor Engineer for Incognito

LONDON, England – Italian singer Mario Biondi, accompanied by UK-based jazz-funk band Incognito and other guest musicians, held a unique concert at London’s Royal Albert Hall for the world premiere of his new album, SUN. SSE Audio Group provided a pair of HARMAN Soundcraft Vi6 consoles for FOH and monitor mixing for the event.

With a capacity of over 5,500, the Royal Albert Hall hosts more than 350 events year round including classical, rock and pop concerts, ballets, operas, and much more. With 18 supporting musicians onstage, plus four guest appearances, Biondi performed the entire album SUN together with his greatest hits. “With a show such as this, I needed a console that could handle a large number of inputs and outputs and which would also give me flexibility and speed with minimal pre-production,” said Robin Leggett, Monitor Engineer for Incognito. “With 28 mixes onstage I needed to be able to access functions quickly, but having worked with Soundcraft’s Vi6 previously, I knew it would do the job.”

Chris Lewis, FOH Engineer for Incognito and who handled the FOH mixing for the Mario Biondi concert, has also enjoyed working with Vi6 consoles for several years. “I’ve used the Vi6 many times and it’s built solid, like Studer consoles,” Lewis said. “I really like the user interface and for a gig like this the user layer is really beneficial, I can get where I need very quickly and easily. We had 56 channels of audio, so I edited a user layer so that I could have every channel I needed to adjust on one layer; very useful.”

Royal Albert Hall was specifically designed to host unamplified productions, “The space is very reverberant,” stated Leggett. This made mixing for Biondi’s concert challenging. “Keeping the onstage levels under control is more of a challenge in this kind of venue, but fortunately the level of consistency we received from the band and guest musicians was excellent.”

“I was able to program the desk during rehearsals the previous few days before the show and I already have a Vi6 setup for Incognito concerts, so I was able to use our base setup and build on top of that for this concert,” Lewis added.

“With the Vi6s, the show was a real success,” Leggett concluded. “I find that with this console I don’t have to dig around when I’m mixing. Its intuitive functionality is ideal for demanding shows, especially when I’m under time pressure.”

Soundcraft is distributed in the UK/ROI by Sound Technology Ltd.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of audio, lighting and infotainment solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson®, and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with Harman audio and infotainment systems. Harman has a workforce of about 14,300 people across the Americas, Europe, and Asia and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

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Clay Paky Lights Up Coachella for Red Hot Chili Peppers

When the annual Coachella Valley Music & Arts Festival got underway, with its 24/7 schedule and desert location, Clay Paky lighting took center stage for the Main Stage performances of California rockers Red Hot Chili Peppers.

Lighting designer Scott Holthaus had 70 Clay Paky Sharpys and 23 Clay Paky Alpha Beam 1500s in his inventory for the Chili Peppers’ nighttime shows on both festival weekends. “The Sharpys were on moving pods on the stage while the 1500s were on top of my vertical towers, on the floors and screamers; eight 1500s were front of house,” he explains.

Holthaus recounts how “one show was nearly cancelled due to a sandstorm. There were sand dunes on the stage. Our video portion and many of the fixtures were disabled. All I had was Sharpys and Alphas.” With so many particulates in the air Holthaus wanted fixtures “that throw a beam as far as possible. The 1500 throws telephone poles way deep into the crowd – huge telescopic beams that are good to the last seat. No one I know had seen beams like that before – they looked like Star Wars light sabers!”

Francesco Romagnoli, Clay Paky Area Manager for North and Latin America, adds, “This is the third year Scott has been using our Sharpys and it sounds like they were the star of the show. It’s great to support his work and we’re thrilled that he keeps coming back to our fixtures.”

Despite the adverse environmental conditions the first weekend, “the lights held up well, and everything worked flawlessly,” Holthaus concludes. “They also did great the second weekend. The lights really cut through – that’s why we choose those kind of tools.” Premier Global supplied Holthaus with the fixtures.

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YCD Multimedia Announces Retail Advertising and Merchandising Platform Version 5 (RAMP 5) and New RAMP HTML5 Player

New York, June 21, 2013 – YCD Multimedia, a leading global provider of smart digital media solutions, today announced the release of YCD|RAMP 5 – the next generation of the company’s proprietary Retail Advertising and Merchandising Platform (RAMP). This new version combines robust campaign management capabilities with HTML5 support.

YCD|RAMP 5 brings RAMP’s flexibility, scalability and ease of use to the next level with the introduction of HTML5 templates and a brand new “run anywhere” RAMP HTML5 Player. HTML5 templates open up a world of dynamic and flexible content creation options. With the RAMP HTML5 Player, campaigns and menu boards can now be displayed on most devices and browsers supporting HTML5. Together, the two help businesses harness the growing popularity and powerful capabilities of HTML5 to create engaging experiences faster and easier, more cost-effectively and – as a result – more frequently.

Product updates, new campaigns and advertisements can be quickly and easily managed using RAMP’s intuitive interface, capable of differentiating price and promotion by location and time. These can then be sent to one, some or all locations using presets to ensure that each location receives and deploys relevant updates on time. Individual store managers or local regional managers can manage corporate-authorized campaign slots and make real-time updates based on local criteria such as weather, events/promotions, or inventory levels.

YCD|RAMP 5 maintains all existing functionality that was developed specifically for marketing workflows; it allows retailers to create, manage and deliver branded marketing campaigns and product promotions across their entire retail chain. Marketing teams can easily deploy branded templates that can be used with in-store multimedia content and display arrangements that work to attract, assist, inform and promote. Configuration types can include menu boards, point-of-sale impulse and brand loyalty displays.

“YCD|RAMP 5 meets the market’s requirement for more scalable and open solutions,” said Noam Levavi, YCD’s CEO. “The new version is optimized to further enhance RAMP as a marketing tool to meet the specific business objectives of retailers. I see this as a way to help corporate marketers improve business processes, as well as to establish a tool set that will improve the management of marketing campaigns, making them more targeted, more efficient and more effective, in a way that creates measurable results for the bottom-line.”

About YCD Multimedia

YCD Multimedia is an industry leader providing corporations and organizations worldwide with advanced digital media solutions and applications within the retail environment, as well as other industries. YCD’s flexible platforms help businesses attract clients, reinforce branding and ensure a measurable impact on their business. YCD’s end-to-end offering combines strategy, professional services and technology to increase profits, optimize product mix and enhance the customer experience. To date, the company has partnered with over 2,000 customers, including Fortune 500 corporations and some of the world’s most recognized brands such as Burger King, Coca-Cola, Toyota, Estee Lauder, Ferrari, Cartier, and Diesel. Founded in 1999, YCD Multimedia is headquartered in the United States with offices in the United Kingdom and Israel, and has an international network of resellers serving clients around the globe. In October 2011 YCD acquired C-nario, a global provider of digital signage software solutions. For more information, visit www.ycdmultimedia.com

Contact:

David Kanaan
Kanaan Public Relations
Tel.: +972-54-4255307
e-mail: David@KanaanPR.com

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SMPTE Extends Deadlines for the Louis F. Wolf Memorial Scholarship and the SMPTE Student Paper Award to July 15

WHITE PLAINS, N.Y. — June 20, 2013 — The Society of Motion Picture and Television Engineers (SMPTE) has extended the deadlines for the 2013 Louis F. Wolf Memorial Scholarship and the SMPTE Student Paper Award to July 15. Both of these prestigious honors recognize and support the achievement of students in the field of motion pictures and television, with an emphasis on technology.

“The technically focused students now becoming engaged with SMPTE’s vision and work are the very people who will shape the future of the Society and the industry as a whole,” said SMPTE Executive Director Barbara Lange. “The Louis F. Wolf Memorial Scholarship and SMPTE Student Paper Award not only benefit deserving students, but also give SMPTE a wonderful opportunity to identify and honor the young people preparing to make their mark in the fields of motion pictures and television.”

The Louis F. Wolf Memorial Scholarship is open to SMPTE Student Members who are full-time students enrolled in an accredited high school or two- or four-year college or university. The scholarship offers as much as $2,000 toward the cost of tuition at that educational institution. The application form and requirements are online at www.smpte.org/scholarships.

SMPTE’s Student Paper Award honors an outstanding paper prepared and submitted by a SMPTE Student Member. The paper receiving the Student Paper Award will be published in the SMPTE Motion Imaging Journal, providing recognition both for the author and the institution at which the work was done. The application form and requirements are online at www.smpte.org/student-paper-award.

To be eligible for either the scholarship or award, applicants must be SMPTE Student Members. Students may join SMPTE as Student Members for just $35, or for free if they apply via the Student Membership Challenge (SMC). Further information is available at www.smpte.org/membership/student-membership-challenge.

The scholarship recipient and award winner will both receive a full conference registration to the SMPTE 2013 Technical Conference & Exhibition, Oct. 22-24 in Hollywood, Calif., where each student will be recognized during the SMPTE 2013 Honors and Awards Ceremony.

# # #

About the Society of Motion Picture and Television Engineers
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers (SMPTE), a professional membership association, is the worldwide leader in developing and providing motion-imaging standards and education for the communications, technology, media, and entertainment industries. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the broadband, broadcast, cinema, and IT disciplines. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 600 standards, recommended practices, and engineering guidelines. SMPTE members include motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students from around the world. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/SMPTE/2012ScholarshipWinner.zip
Photo Caption: 2012 SMPTE Louis F. Wolf Memorial Scholarship Winner, Natalie Morningstar

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Get the right mic for your sound – Sennheiser’s ‘evolution Soundroom’ app makes choosing a microphone easy

Old Lyme, Conn., June 20, 2013 – With such a broad range of microphones meeting a wide spectrum of needs, what’s the best way to identify the Sennheiser mic that’s right for you? What’s the difference between vocal microphones like the e 935 and e 945? How does the bass drum sound change when it is picked up by two microphones? With the ‘evolution Soundroom’ app for the iPad you can stop wondering and get hands on: just select a microphone and listen to its sound using professional recordings.

“This app brings the reproduction side of a recording studio to the iPad,” explains Oliver Ohrndorf, Marketing Manager for Music Industry, Live Sound and Rental. “’evolution Soundroom’ not only allows users to compare microphones virtually, but also to create their own mixes and save them as presets.”

Based on professional recordings
The audio material used for the iPad app has been recorded with incredible precision in the Sennheiser Studio (formerly Peppermint Park Studio) by Gregor Zielinsky, tonmeister and International Recording Applications Manager, and live sound engineer Sebastian Schmitz, Product Manager for Wired Microphones.

With drums, bass, electric guitar, acoustic guitar, trumpet, trombone and saxophone, the audio recordings for the app are extensively orchestrated and show the best microphones for each instrument. All microphone tracks are available in high audio quality (44.1 kHz WAV), raw and can be remixed to suit the user’s requirements. Using the app, users can listen to and compare the following Sennheiser microphones:

• Vocal microphones:
o MK 4 (large-diaphragm true condenser, cardioid)
o e 965 (large-diaphragm true condenser, cardioid and super-cardioid)
o e 945 (dynamic, super-cardioid)
o e 935 (dynamic, cardioid)
o e 865 (condenser, super-cardioid)
o e 845 (dynamic, super-cardioid)
o e 835 (dynamic, cardioid)

• Instrument microphones:
o Bass drum: e 901 (miked from the inside), e 902 (inside + outside), e 602 (outside)
o Snares: e 904 above; e 604 top and bottom
o Hi-hat: e 914, e 614
o Rack tom: e 904, e 604
o Floor tom: e 904, e 902
o Overheads: 2 x MK 4, 2 x e 914
o Bass: MK 4, e 906, direct out
o Electric guitar (solo): MK 4, e 906
o Electric guitar (rhythm): MK 4, e 906, e 606
o Electric guitar (room mic): MK 4
o Acoustic guitar: 2 x MK 4, direct out
o Trumpet: MK 4, e 908
o Trombone: MK 4, e 908
o Saxophone: MK 4, e 908
o Wind instruments, room mics: 2 x MK 4

Building on this exciting feature set, Sennheiser plans to develop the app further, for example, by adding different musical styles. The evolution Soundroom app can be downloaded from the Apple Store for free. More information is available at:
http://en-us.sennheiser.com/microphones/evolution — customers who do not own iPads can utilize a scaled down mic finder on this page.

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Ger-many, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. The family-owned company, which was es-tablished in 1945, recorded sales of around €531 million in 2011. Sennheiser employs more than 2,100 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by sub-sidiaries in France, Great Britain, Belgium, the Netherlands, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Com-munications A/S (headsets for PCs, offices and call centres).

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com

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Riedel Intercom System Drives Barracuda Racing’s Team Communications During the Indianapolis 500

GLENDALE, Calif. — June 20, 2013 — Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, today announced that Barracuda Racing of the IZOD IndyCar Series has debuted its Riedel Communications equipment at the Indianapolis 500. Throughout the 97th running of the renowned 500-mile race, held May 26, Riedel’s innovative solutions provided the Bryan Herta Autosport (BHA) team with a comprehensive and reliable radio package connecting all Barracuda Racing team members, including the pit crew and driver.

“Riedel has long been a communications system provider in major motorsports throughout the world, so we were confident that it could stand up to the notoriously challenging RF environment at the Indianapolis Motor Speedway,” said Bryan Herta, team owner at Bryan Herta Autosport. “The Riedel system lived up to our expectations, enabling us to maintain a clear signal to and from the car at all times.”

The Indianapolis 500, one of the world’s most famous and prestigious auto races, currently is the marquee race on the schedule of the IZOD IndyCar Series, the premier open-wheel racing series in North America. For the 2013 race, the Barracuda Racing team interfaced a Riedel Artist 32 digital matrix intercom, used by those racing-team members who were hard-wired in the pits and timing stand, with a radio system used by the crew members who worked “over the wall” or required mobility throughout the pit lane. The Artist system supported various keypanels and five digital two-channel Performer Digital Partyline Intercom beltpacks with MAX high-performance headsets. The radio system included 28 Motorola radios and racing headsets, 12 helmet kits for the driver and crew, and 16 MAX headsets.

The intercom system allowed for increased communication efficiency within the timing stand, and it leveraged multiple Riedel RiFace universal radio interface systems to link the intercom with the pit crew’s digital radios. Using this solution, the Barracuda Racing team was able to segment frequency utilization for further efficiency by providing dedicated frequencies for transmit/receive to and from the race car, sometimes traveling at speeds of over 200 mph, for vastly increased clarity.

“As any fan of racing knows, clear communications between team members and the driver is a critical element in a successful race,” said Aaron Boese, sports solutions manager, North America, at Riedel Communications. “We are pleased to have provided a reliable, high-performance communications system that allows the Barracuda Racing team to focus on winning races.”

Further information about Riedel and the company’s products is available at www.riedel.net.

# # #

About Riedel Communications
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 400 people at 11 locations in Europe, Asia, Australia, and the Americas.

Photo Link: www.wallstcom.com/Riedel/BarracudaRacing.zip

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