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Archive for July, 2013

Many IC Realtime Surveillance DVRs Now Natively Integrate with Key Digital Compass Control System

Pure bi-directional drivers provide full DVR control and feedback; incorporation into design software increases efficiency for integrators

Pompano Beach, FL – July 15, 2013 – IC Realtime’s Flex, Elite, NVR700N and NVR700S2P series video surveillance recorders now natively integrate into Key Digital’s Compass Control® system. As a Compass Alliance™ Partner, IC Realtime worked closely with Key Digital to develop pure bi-directional drivers that provide full DVR control, as well as feedback from the IC Realtime device.

Compass Control is a fully-integrated major control system designed around Apple’s iOS devices (iPad®, iPad mini®, iPhone®, and iPod touch®). The system provides installers with bi-directional IR, two-way RS-232 with feedback, and two-way TCP/IP control. The new drivers are part of the design software.

“Resulting from cooperative efforts between Key Digital and IC Realtime, the integration of IC Realtime’s DVRs within the Compass Control environment represents a powerful and user-friendly comprehensive solution delivering iOS-based control and entertainment functionality,” stated Key Digital’s Vice-President of Sales, Michael Lakhter.

“The Compass Alliance™ Partners have come together to create a system that has full driver integration already completed, increasing efficiency for integrators,” Lakhter concluded.

For all IC Realtime media inquiries, please contact Paul Muto at 631.849.4301 or via email at paul@mutocomm.com.

About IC Realtime
IC Realtime is a global leader in the design and manufacture of advanced visual surveillance solutions – founded by experts with a combined 35 years of experience in the development, marketing, sales, installation and support of security and alarm equipment. The company offers a wide variety of analog and IP cameras, DVRs, NVRs, software Apps and accessories. www.icrealtime.com.

About Key Digital®
Key Digital is a CES award-winning developer and manufacturer of leading-edge technology for HDTV applications, delivering total video systems solutions. The company manufactures a wide range of digital video processing and video signal distribution solutions marketed broadly to the HDTV community, such as digital video and audio processors, switchers, distribution amplifiers, cables, adapters, and more. For more information, visit www.keydigital.com.

Delicate And MLA Take Control Of Audio At BottleRock Festival

Far from your typical summer rock gathering, the BottleRock Napa Valley festival combined the best in music with exceptional food, wine, beer and comedy to provide a whole new multi-sensory experience for sophisticated concertgoers.

Fittingly, the festival was held in one of the country’s greatest wine regions at the Napa Valley Expo fairgrounds in the heart of downtown Napa, California, just blocks away from restaurants, wine tasting rooms, art galleries and hotels.

The eclectic musical lineup of over 80 bands was easily on par with the finest regional wines in terms of taste and variety, including Kings of Leon, The Black Keys, Zac Brown Band, Train, The Black Crowes, Jane’s Addiction, Alabama Shakes, Jackson Browne, Charlie Musselwhite, Primus, Richard Thompson, Mavis Staples, Blues Traveler, Brandi Carlile, The Flaming Lips, Violent Femmes, The Wallflowers, X, Dwight Yoakam and too many more to name here.

Delicate Productions of Camarillo and San Francisco was in charge of audio, lighting and LED for what was the inaugural run of the festival. Simply controlling audio in a fairground located in the heart of Napa with houses just across the street was enough of a challenge for any production company, not to mention supporting the festival’s five stages for four full days of music.

The need to provide exceptional coverage while eliminating noise spillage in such a tightly defined area was a critically important factor for BottleRock, which explains why the MLA (Multi-cellular Loudspeaker Array) system was chosen for the main stages along with a full complement of Martin Audio for the other stages.

Delicate’s design team for the system was comprised of lead audio engineer Brian Basilsky working with company President Jason Alt and General Manager George Edwards. The main (Sliverado/Willpower) stage consisted of a L/R hang with16 MLA and 4 MLD Downfill cabinets per side, a left-left side hang of 6 MLA Compact (no right-right side hang because of nearby houses); 12 W8LM for front fill; 24 ground-stacked MLX subs, and 16 MLA Compact enclosures for delays. The Monitor/Stage system included L/R hangs of 4 W8C; 4 W8CS compact subs; and two WS218X subs for side fills, along with four WS18X drum subs.

Rounding out the full complement of Martin Audio at the festival was a MLA Compact system with DSX subs at the second stage; W8LC systems for the third and comedy stages and a smaller trapezoid WT3 system for the local stage.

Commenting on why they chose MLA for this situation, Jason Alt says, “There’s no system out there that could duplicate what we achieved in terms of audio control with MLA. The way we were able use to steer the subwoofers and the system, our ability to determine an accurate end point and really have audio die off before the end of the property line was so important. The only audio that people heard at a distance was because of the immersion layer in the atmosphere. It had nothing to do with audio really spilling that far.”

Considering all of the challenge at the BottleRock event, what was the biggest specific problem Delicate had to face?

“The fact that the fairgrounds property line is literally 100 feet across the street from houses,” Jason responds. “And those residents were very concerned at the beginning that having a big rock concert going on that close would cause all kinds of problems in terms of the noise and even their paintings falling off their walls. But by the end of it, because of what we did with steering the system and especially the subs, there were no problems.

“Even though the stage was only 200 feet from the end of the property line,” Jason explains, “we were able to get the subs down to -35dB fifty feet from stage right––the low end dropped off that dramatically. If you stood across the street it was hardly even noticeable. But if you walked to the side of the stage feeding into the fairground, there was full-on 90º bass coverage. It all came down to really impressive calculations from Brian and Ferrit (MLA specialist Martyn “Ferrit” Rowe) that produced those results. We had interaction and worked with all of the people on that street throughout the festival and not one of them complained. Most sat on their porch and enjoyed the show.”

Looking back at the festival and the need to fulfill the needs of 80 acts within necessarily tight time frames, Jason acknowledges MLA’s many other advantages: “Besides the control, MLA helped us work much more effectively with all of the different acts at BottleRock. The system gives you such a blank canvas for what each artist wants the system to sound like; we were able to accommodate all of their sonic wish lists quickly and effectively. Deploying MLA and getting it up happened in a timely fashion so that every artist had enough time to set up and the headliners were all able to tune the system, take a good listen to it, and adjust it to their specific needs.

“Coverage-wise, we didn’t do a typical right-right hang because of the neighborhood’s proximity, but we did cover 30,000 people very well with a decent amount of boxes. I don’t think we could have achieved the same sonic goals with another system, especially with the county’s noise ordinances. One of the headliners, Zac Brown, carries MLA as their touring rig and their system tech didn’t make a single change to the way we deployed it. They didn’t even have to EQ it that much.

“We actually got very positive feedback from all of the artists and engineers,” Jason adds, “including those smaller bands who were opening up the main stage. Even though they were only playing to a few thousand attendees because it was early in the day, the crowd wasn’t getting blown away because the engineers didn’t have to mix too aggressively. MLA really did its job of working with every artist on every level.”

Asked to sum up about the overall performance of Martin Audio at BottleRock, Jason concludes, “As the largest Martin Audio house in the country, we’re fully committed to all of their products, especially for an event like this. Every place we deployed it, every version of every Martin Audio box we have was used, whether it was speakers on a stick, WT2s, WT3s or W8LMs, we pretty much used everything everywhere to fill in every need the festival had.

“The MLA Compact rig on the second stage was especially impressive. We debated back and forth on the distance coverage for that area, but the Compact outperformed even what we thought it would do and covered an area 300 ft. out. And once again, we could control it to keep the sound inside the property line, so it all worked out really well with MLA and Martin Audio, which was not surprising for us.”

For more about Delicate Productions, please click to www.delicate.com

For more about Martin Audio, please click to www.martin-audio.com

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Sennheiser Makes it Easy to Upgrade Wireless Systems with ‘Trade In, Trade Up’ Promotion

Old Lyme, Conn., July 12, 2013: Audio specialist Sennheiser announced its new Trade In, Trade Up promotion in which consumers can trade in their old wireless equipment from any manufacturer and receive a credit of up to $200 toward the purchase of a new Sennheiser wireless system. Customers can learn more and take advantage of the promotion by visiting http://en-us.sennheiser.com/promos.

Rebates are valid on select Sennheiser XS and EW G3 wireless systems purchased from an authorized U.S. Sennheiser dealer between now and September 30, 2013. Following are trade-in rebate values for the various products that are included:

• XS Wireless – $50 rebate
• ew 100 – $100 rebate
• ew 300 – $150 rebate
• ew 500 – $200 rebate

To receive a rebate on eligible products, customers will need to mail the following to Sennheiser following their purchase (postmarked no later than October 31, 2013):

• A completed rebate form, which can be downloaded from the Sennheiser website at: http://en-us.sennheiser.com/promos.
• The original UPC and EAN code, cut from the box (no photocopies will be accepted)
• A copy of the sales receipt, dated between July 1, 2013 and September 30, 2013, from an authorized Sennheiser dealer for a product listed above.
• The old wireless systems being traded for cash rebate (quantity of trades will be matched one-to-one against purchases, up to the quality of new systems purchased).

All rebates must be postmarked no later than October 31st, 2013. For more information, please visit http://www.sennheiserusa.com.

About Sennheiser

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

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U.S. Government Approves SunBriteTV for GSA Certification

THOUSAND OAKS, California, July 15, 2013 – SunBriteTV has been awarded a GSA (General Services Administration) Advantage certification, qualifying the manufacturer’s industry-leading U.S.-made outdoor televisions for purchase by government and federal agencies.

SunBriteTV is based in Thousand Oaks, where all units are manufactured and assembled.

“We couldn’t be more pleased to have this certification,” says Tom Dixon, VP of Marketing, SunBriteTV. “Now government agencies and facilities will be able to easily procure and utilize SunBriteTV’s ground-breaking outdoor displays and digital signage products. The fact that all of our products are manufactured here in the U.S. makes this all the more fitting.”

SunBriteTV produces the Signature Series for residential use and the even more durable Pro and Marquee Series for commercial use. All SunBriteTV’s are GSA-certified, including the new interactive Touchscreen Marquee Series models.

Every SunBriteTV is designed and engineered from the ground up for outdoor all-weather use and includes a two-year warranty, and s weatherproof remote. Optional accessories include a variety of wall-, ceiling- or pole-mount installation solutions, dust covers and FM Radio.

All models withstand temperatures from -24°F to 122°F and completely resist rain, humidity, salt corrosion, dust, and insects. Anti-glare screens are specially designed to deliver bright high-definition images in any outdoor climate, any time of day or night.

For more information on SunBriteTV please visit www.sunbritetv.com or call the sales department directly at 866.357.8688.

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Clay Paky Sharpys Light Up the CMT Music Awards

Clay Paky Sharpy fixtures proved to be country strong when they turned out in force for the 2013 CMT Music Awards at the Bridgestone Arena in Nashville. Lighting designer Tom Kenny used a large complement of Clay Paky Sharpys for the gala special, which was hosted by Kristen Bell and Jason Aldean.

“The CMT Music Awards is a huge event on the music calendar and gets bigger and bigger every year. It outshines every other awards show,” says Kenny.

Kenny partnered with production designer Ann Brahic, who marked her fifth year with the show. “She designed a set that was a very modern scape. It went along with the theme of the show: a cross-cultural look at country music,” he explains. “People loved it. Ann really understands lighting, and we have a great relationship.”

Francesco Romagnoli, Clay Paky Area Manager for North and Latin America, adds, “Mr. Kenny is a great designer and has been a huge advocate of our lights. We’re glad to see them go out on the many high profile projects he designs.”

VER supplied Kenny with 140 Clay Paky Sharpys for inside and outside the arena. “People are now asking for Sharpys – they really want them,” he notes. “I positioned them in the audience for reverse shots and suspended in the air around the set. They are easy to handle, lightweight and deliver a massive beam look – a very distinctive look.”

The lighting designer opted to use Sharpys for about eight of the 19 performances during the show. “We tried to create a different look for each of the performances,” Kenny says. “The Sharpys were a big success. Everybody raved about the show’s lighting.”

A.C.T Lighting is the exclusive North American distributor for Clay Paky.

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Vizrt to Highlight Integrated Video and Graphics, IP Streaming at SMPTE Australia Show

At the upcoming SMPTE Australia Conference and Exhibition, Vizrt (Booth G17) will highlight its solutions for integrated video and graphics production and distribution. The company will also focus on the IP media streaming capabilities of its Viz Engine real-time compositing and rendering engine. SMPTE (Society of Motion Picture and Television Engineers) is the leading technical society for the motion imaging industry. Taking place July 23-26 at the Sydney Exhibition Centre, the show’s theme of Delivering the Personalized Content Experience is at the heart of Vizrt’s technology at the show.

Multi-platform content distribution

The new IP version of Viz Engine is capable of real-time IP streaming input and output, including compositing of 3D graphics and HD/SD video. First introduced in April at the 2013 NAB Show, the IP version allows multiple Viz Engines to render the same content and output different formats for multiple platforms. The latest version of Viz Engine eliminates the need for an expensive video card or transcoding capability for every platform, and provides an affordable and compact solution for online delivery.

Vizrt will also show a multi-platform workflow enabled by the Viz Media Engine media asset management system, which automatically encodes live video from high-resolution to any format at speeds faster than real-time for online and mobile devices. It efficiently integrates video, graphics, and branding tailored to the targeted device as part of its file-based transcoding and media asset management workflow.

Efficient newsroom workflows

Vizrt gives journalists the edge in getting a story on-air and online quickly with a newsroom workflow that integrates easy-to-use templates with the journalists’ native newsroom computer systems (NRCS). With Viz Content Pilot, journalists can access templates for creating graphics, editing maps with Viz World and selected videos from Viz Media Engine to add to a playlist for on-air use and online multi-platform delivery.

Complete online workflow

Vizrt will showcase its Vizrt Online Suite, a highly integrated workflow for online publishing that includes the Escenic Content Engine content management system. The Vizrt Online Suite enables multi-channel and cross publishing to Web and mobile platforms, and efficient graphics and video use in the storytelling.

Social TV

At the show, Vizrt will also demonstrate how the audience becomes part of the
story with social media content captured, moderated, then visualized using 3D graphics capabilities of its Social TV solution. Content is captured from social media platforms, including Twitter, Facebook, Flickr, Youtube and Instagram. It also captures content from third party partners like never.no, who will be at the booth with Social TV demos that will highlight the latest enhancements to its Interactivity Suite. The never.no suite provides technology that connects fragmented media platforms across broadcast TV systems, mobile, and social media platforms and enables real-time viewer participation, social TV, and synchronized companion apps.

Virtual studio

SMPTE will feature a public show displaying the advanced features of Viz Virtual Studio, an advanced virtual set solution that is fully integrated with Vizrt’s video and graphics newsroom workflows.

About Vizrt:

Vizrt provides real-time 3D graphics and asset management tools for the broadcast industry – from award-winning animations & maps to online publishing tools. Vizrt’s products are used by the world’s leading broadcasters and publishing houses, including: CNN, CBS, Fox, the BBC, BSkyB, Al Jazeera, ITN, ZDF, Star TV, Network 18, TV Today, CCTV, NHK, The Globe and Mail, Times Online, The Telegraph, and Welt Online. Furthermore, many world-class production houses and corporate institutions such as the Stock Exchanges in New York and London use Vizrt systems.

Vizrt is a public company traded on the Oslo Main List: VIZ, ISIN: IL0010838154. For further information please refer to www.vizrt.com

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Cerwin-Vega! P-Series Powered PA System Makes Its Summer NAMM Debut

Massive, Tight Bass, Coupled with Crystal-clear Sound Quality at High Levels, Delivers the Goods for the Pros

There’s no shortage of powered PA systems, but the P-Series from Cerwin-Vega! has made DJs, solo acts, ensembles, bands, presenters and others take notice of the extreme levels of power, bass and clarity that it offers. The system is available at this year’s Summer NAMM (Gibson Brands Booth #1526).

The P-Series family consists of the P1500X powered Loudspeaker (with 1500W peak power, 15-inch low-frequency driver, 1.75-inch high-frequency driver and built-in three-channel mixer) and the P1800X subwoofer (with 2000W peak power and 18-inch low-frequency driver).

“We’re gratified that the P-Series is gaining such rapid acceptance from such a wide variety of users,” says Gus Jursch, acting general manager for Cerwin-Vega!. “It confirms that our decision not to cut corners, and instead, focus like a laser on uncompromised performance was what people truly wanted.”

DJs have particularly demanding requirements because the sound has to be loud, clean and have a defined low-end that punches through on the dance floor. So, when referring to the P Series, it’s noteworthy that DJ Booth.net’s reviewer said “The Cerwin-Vega! P1500X powered speakers are probably the best speakers that we have reviewed thus far in terms of build quality and overall sound quality.”

But the exemplary sound, punch and super-durable construction are also welcome for any pro audio application as well. England’s prestigious Sound on Sound magazine said that “After working with the P-Series for a while, I’m left with an impression of toughness. They are built and perform solidly, and are capable of banging out loud and clear audio all day and night.”

And Pro Audio Review described the P-Series as “One of the most impressive and unique portable PA systems…it remains my personal benchmark of what to expect from a truly pro-grade portable PA.”

Experience the Cerwin-Vega! P-Series — don’t worry, we won’t turn them up all the way — as well as other exceptional product highlights from Gibson Brands, at Summer NAMM.

About Cerwin-Vega!
Cerwin-Vega!, part of the Gibson Pro Audio division, is a leader in the design, manufacture, and distribution of loudspeakers for the home and professional audio markets. Designed in the pursuit of dynamic, accurate sound reproduction since 1954, Cerwin-Vega! products are distributed throughout the world via a network of distributors and dealers in more than 75 countries. For additional information on all Cerwin-Vega! products, please visit us online at www.cerwin-vega.com.

About Gibson Brands (gibson.com)
Gibson Brands, one the fastest-growing companies in the Music and Sound industries, was founded in 1894 and is headquartered in Nashville, Tennessee. Gibson Brands is a global leader in musical instruments, and consumer and professional audio, and is dedicated to bringing the finest experiences by offering exceptional products with world-recognized brands. Gibson has a portfolio of over a hundred well-recognized brand names starting with the number one guitar brand, Gibson. Other brands include: Epiphone, Dobro, Valley Arts, Kramer, Steinberger, Tobias, Slingerland, Maestro, Baldwin, Hamilton, Chickering and Wurlitzer. Audio brands include: KRK Systems, TASCAM, Cerwin-Vega, Stanton, Onkyo, Integra, TEAC and Esoteric. All Gibson Brands are dedicated to Innovation, Prestige and improving the Quality of life of our customers.

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Christie and Space Shuttle Endeavour Launch Guests into the Cosmos at California Space Center Discovery Ball

Christie® technology and the Space Shuttle Endeavour journeyed to the cosmos in an extraordinary visual display created by BARTKRESA Design at the California Science Center’s annual Discovery Ball charity event. In line with the evening’s theme: ”Space Exploration: Past, Present, Future,” guests dined beneath Endeavour’s enormous wings while nine Christie Roadster S+20K 3-chip DLP® projectors displayed a night sky replete with stars, planets, comets and other galactic matter on the front and two side walls – including one portion of the show displaying a gorgeous multi-hued sunset morphing into a clear, star-filled night sky. The fourth wall contained a starry backdrop using lights.

“This was an exciting project to work on because I am always looking for opportunities to make the most of the architecture I have to work with and even making it part of the display if that is feasible,” said Bart Kresa, founder and projection designer, BARTKRESA Design. “One part of the show using the Christie projectors included both the sky and background looking like you were at Kennedy Space Center. We also showed views as if you were taking off on the shuttle followed by views of both the earth and space from orbit.”

With crossbeams, girders and the shuttle itself overhead in the pavilion hangar, Kresa’s challenge was how to map everything cleanly without breaking up the images.

“I knew that if we just projected over everything it would not look professional, the image would break up because of the beams,” said Kresa.

“We started by creating the design for the background and separated the elements in the show from the construction elements. We ended up projecting at angles. Because the space shuttle took up pretty much the entire hangar, we had to place the gear – including the projectors – in odd spaces. We placed some projectors underneath the trunk of the shuttle and used the Christie projectors’ keystone correction to make it all come together. Everything looked wonderful and it was really something to see.”

“Christie projectors are just great; they provide beautiful images and exceptional color,” he concluded. “They are very durable and the overall performance is excellent. I just love working with Christie projectors.”

Kresa has used Christie on other projects, including Shark Week, and continues to be excited to work with Christie technology.

Key Digital product information now fully updated in System Integrator™ and free of charge to current SI users for immediate use and specification

Key Digital and D-Tools Renew Partnership

CONCORD, CA, July 11th, 2013— D-Tools Inc., the worldwide leader in system integration software today announced that Key Digital has recently renewed their MVP Partnership.  Detailed information on of the entire family of Key Digital products are available in D-Tools product database, better enabling D-Tools System Integrator™ users to specify Key Digital products. Key Digital, based in Mount Vernon, New York and led by digital video pioneer Mike Tsinberg, develops and manufactures high quality, cutting-edge technology solutions for virtually all applications where high quality video imaging is important. Key Digital’s products are used across the globe by professional broadcasters, corporations, custom installers, home theater retailers and consumers.

“We’re pleased to renew our partnership with D-Tools, ensuring that our product information is available to the D-Tools SI user community,” said Michael Lakhter, VP of Global Sales, Key Digital. “We feel it is important for dealers to have the most up-to-date and complete product information available when they are designing their client projects and believe that our participation in the MVP program benefits the integrator community while also helping us expand our market reach.”

The D-Tools Manufacturer Vantage Point (MVP) program helps to provide system integrators with the most up-to-date product information to over 4,400 companies using D-Tools System Integrator software. D-Tools MVP members are dedicated to helping companies streamline the design process and making it easier for system integrators and installers to provide accurate, professional proposals to their clients.

“We are pleased to have Key Digital return as an MVP partner,” said Adam Stone, President and CEO of D-Tools. “Their innovative video and control solutions – which work across multiple standards – will provide our users with high quality, versatile options and applications for their client engagements.”

About Key Digital

Key Digital is a CES award-winning developer and manufacturer of leading-edge technology for HDTV applications, delivering total video systems solutions. The company manufactures a wide range of digital video processing and video signal distribution solutions marketed broadly to the HDTV community, such as digital video and audio processors, switchers, distribution amplifiers, cables, adapters, and more. For more information, visit us at www.keydigital.com.

About D-Tools, Inc.

D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software. The company’s -flagship product, System Integrator™ (SI), is a total design solution that utilizes Autodesk® AutoCAD and Microsoft® Visio for comprehensive system design, documentation and project management. D-Tools SI allows residential and commercial integrators to streamline their business processes to increase overall revenues while reducing the time and costs associated with the installation and integration of low-voltage systems. Over 4,400 leading companies use D-Tools software to reduce time and costs and streamline the system integration process. D-Tools is a three time recipient of the Consumer Electronics Association’s Mark of Excellence Award, Commercial Integrator BEST Award (2011, 2013), multiple recipient of Custom Retailer’s Excite Award (2007, 2008, 2009, 2010, 2011, 2012), Multi-Room Audio Video Awards – Best Installation Aid, National Systems Contractors Association, Sound and Video Contractor’s Innovations in Technology for Business Productivity Award and CE Pro’s High Impact Award for Design Software.

For more information, contact D-Tools at (866) 386-6571, e-mail at info@d-tools.com, follow us on Twitter: www.twitter.com/DTools, like us on Facebook at www.facebook.com/beatool or visit D-Tools online at www.d-tools.com.

 

Press Contacts: 

Tim Bigoness

D-Tools, Inc.

(925) 270-4102

timb@d-tools.com

www.d-tools.com

 

Katye (McGregor) Bennett

KMB Communications

(425) 328-8640

katye@kmbcomm.com

www.kmbcomm.com

 

# # #

D-Tools, Inc. Unveils New Website Optimized For Speed, Connectivity and Communications

Navigation, functionality and an improved Social Media platform benefits dealers, manufacturers and those interested in system integration software solutions

CONCORD, CA. July 10th, 2013 — D-Tools, Inc., a worldwide leader in system integration software, today announced the launch of its newly redesigned website. Boasting a cleaner, more refined and contemporary look with a streamlined user experience, the new website features enhanced navigation that quickly delivers concise information, helpful resources and needed functionality.

Optimized for improved speed and connectivity, www.d-tools.com now also features more robust social media integration with direct links to the D-Tools blog, Help forum, Facebook, Twitter, and YouTube pages, where company and product updates will appear on a regular basis.

“The new D-Tools website was designed to provide significant time and resource savings for everyone who accesses it, regardless of their skill level,” said Tim Bigoness, VP of Sales and Marketing at D-Tools. “Social Media has become an exceedingly powerful tool, and we’ve architected the new site so that it’s easier to connect with our company as well as with other users in the D-Tools community. It’s a simplified yet complete resource that is much more usable.”

Dealers, manufacturers and those interested in learning more about D-Tools’ award-winning System Integrator™ system design and proposal software solutions will immediately benefit from the improvements made to the website’s improved navigation and functionality, as will those who follow the company on any social media platforms, where company and product information will be shared with the community much more frequently and with far more depth.

About D-Tools, Inc.

D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software. The company’s flagship product, System Integrator™ (SI), is a total design solution that utilizes Autodesk® AutoCAD and Microsoft® Visio for comprehensive system design, documentation and project management. D-Tools SI allows residential and commercial integrators to streamline their business processes to increase overall revenues while reducing the time and costs associated with the installation and integration of low-voltage systems. Over 4,400 leading companies use D-Tools software to reduce time and costs and streamline the system integration process. D-Tools is a three-time recipient of the Consumer Electronics Association’s Mark of Excellence Award, Commercial Integrator BEST Award (2011, 2013), multiple recipient of Custom Retailer’s Excite Award (2007, 2008, 2009, 2010, 2011, 2012), Multi-Room Audio Video Awards – Best Installation Aid, National Systems Contractors Association, Sound and Video Contractor’s Innovations in Technology for Business Productivity Award and CE Pro’s High Impact Award for Design Software.

More information about D-Tools can be obtained by calling (866) 386-6571, emailing info@d-tools.com, visiting www.d-tools.com, or by following D-Tools on Twitter at www.twitter.com/DTools or Facebook at www.facebook.com/beatool.

Press Contacts: 

Tim Bigoness

D-Tools, Inc.

(925) 270-4102

timb@d-tools.com

www.d-tools.com

 

Katye (McGregor) Bennett

KMB Communications

(425) 328-8640

katye@kmbcomm.com

www.kmbcomm.com

 

# # #

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