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Archive for September 12th, 2013

iZotope Releases RXTM 3: A Complete Audio Repair Suite

IBC, Amsterdam, Netherlands, (September 12, 2013)iZotope Inc., a leading audio technology company, has released the much-anticipated update to its spectral audio editing and repair suite, RX. RX 3 and RX 3 Advanced provide audio professionals with a completely redesigned user interface, the ability to reduce or remove reverb, clean up dialogue in real time, and new features for post production, music production, mastering, and more.

“RX 3 and RX 3 Advanced are the culmination of three years of invaluable user feedback. We’re happy to bring these customer-driven improvements to our industry-leading repair software,” says Alex Westner, Director of Product Management at iZotope, Inc. “Crafting broadcast-quality audio is now even easier with RX 3’s workflow improvements designed to enhance speed, power and flexibility for time-strapped professionals working in post production.”

KEY FEATURES:

What’s New in RX 3 Advanced?
- Remove or reduce reverb from audio using the new Dereverb module.
- Clean up dialogue in real time with the new Dialogue Denoiser.
- Monitor your audio and loudness compliance using InsightTM, iZotope’s comprehensive metering suite, now included with RX 3 Advanced.
- Advanced features and settings for Declip, Declick, Time & Pitch, Channel Operations and more.

What’s New in RX 3?
- Work up to six times faster than before in the RX 3 standalone application, thanks to intelligent DSP and optimized multicore processing.
- Time-saving features like a completely redesigned user interface, the new RX Document format and multi-file workflow.
- Addition of audio recording and monitoring, SRCTM sample rate conversion, waveform statistics, and more.
- Overall enhancements to Denoise and Declip modules, parametric EQ, drawing and selection tools, MBIT+TM dither, and more.

Used everywhere from Hollywood post production studios to leading sound editing facilities, iZotope RX 3 transforms troubled recordings into professional-grade material with remedies for noise, clipping, hum, buzz, crackles, and more. With an intuitive spectral editor and 10+ intelligent modules, RX 3 enables you to fix troubled audio with unprecedented power and precision.

For more information on RX 3 and RX 3 Advanced, visit www.izotope.com/rx.

Compatibility
RX 3 works as a standalone application, or as a suite of plug-ins for use in a host, including many popular DAWs and NLEs. Supported plug-in formats include AAX for Pro Tools 11, RTAS, Audio Suite, VST & VST 3, and Audio Unit.

Pricing and Availability
RX 3 and RX 3 Advanced are available now. Through September 27, 2013, get RX 3 for $249 (Reg. $349/ €285) MSRP or get RX 3 Advanced for $749 (Reg. $1199 / €919) MSRP.

RX 2 or RX 2 Advanced users who purchased after July 1, 2013 will receive a free upgrade to RX 3.

Users of previous RX versions can log in to their iZotope accounts at www.izotope.com/myaccount for upgrade information and special upgrade pricing.

About iZotope, Inc.

iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony.

For more information on iZotope products, please visit www.izotope.com.

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iZotope Releases RX™ 3: A Complete Audio Repair Suite

Built for the Toughest Audio Repair Tasks in Music, Post Production, and more

IBC, Amsterdam, Netherlands, (September 12, 2013) - iZotope Inc., a leading audio technology company, has released the much-anticipated update to its spectral audio editing and repair suite, RX. RX 3 and RX 3 Advanced provide audio professionals with a completely redesigned user interface, the ability to reduce or remove reverb, clean up dialogue in realtime, and new features for post production, music production, mastering, and more.

“Anytime you put a microphone on a sound and record it—whether it’s a vocal, an acoustic guitar, or a snare drum – you’re going to pick up a variety of unwanted noises. These user experiences are what RX is built on,” explains Alex Westner, Director of Product Management at iZotope, Inc. “RX 3 now provides even more features to help enhance audio for all musical applications, from simple podcast recording to professional mastering.”

Key Features: What’s New in RX 3 Advanced?
- Remove or reduce reverb from audio using the new Dereverb module.
- Clean up dialogue in real time with the new Dialogue Denoiser.
- Monitor your audio and loudness compliance using Insight™, iZotope’s comprehensive metering suite, now included with RX 3 Advanced.
- Advanced features and settings for Declip, Declick, Time & Pitch, Channel Operations and more.

What’s New in RX 3?
- Work up to six times faster than before in the RX 3 standalone application, thanks to intelligent DSP and optimized multicore processing.
- Time-saving features like a completely redesigned user interface, the new RX Document format and multi-file workflow.
- Addition of audio recording and monitoring, SRC™ sample rate conversion, waveform statistics, and more.
- Overall enhancements to Denoise and Declip modules, parametric EQ, drawing and selection tools, MBIT+™ dither, and more.

Used everywhere from Hollywood post production studios to leading sound editing facilities, iZotope RX 3 transforms troubled recordings into professional-grade material with remedies for noise, clipping, hum, buzz, crackles, and more. With an intuitive spectral editor and 10+ intelligent modules, RX 3 enables you to fix troubled audio with unprecedented power and precision.

For more information on RX 3 and RX 3 Advanced, visit www.izotope.com/rx.

Compatibility
RX 3 works as a standalone application, or as a suite of plug-ins for use in a host, including many popular DAWs and NLEs. Supported plug-in formats include AAX for Pro Tools 11, RTAS, Audio Suite, VST & VST 3, and Audio Unit.

Pricing and Availability
RX 3 and RX 3 Advanced are available now.
Through September 27, 2013, get RX 3 for $249 (Reg. $349/ €285) MSRP or get RX 3 Advanced for $749 (Reg. $1199 / €919) MSRP.
RX 2 or RX 2 Advanced users who purchased after July 1, 2013 will receive a free upgrade to RX 3. Users of previous RX versions can log in to their iZotope accounts at www.izotope.com/myaccount for upgrade information and special upgrade pricing.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. For more information on iZotope products, please visit www.izotope.com.


Media Contact:
Music Marcom
Martina McConnon
v: 610-577-4982
e: martina@musicmarcom.com
www.musicmarcom.com

The Recording Academy® Producers & Engineers Wing® Hosts Pro Tools 11 Master Class

SANTA MONICA, Calif. (September 11, 2013) — As part of its ongoing efforts to provide the industry with resources on the latest recording technology and methods, The Recording Academy® Producers & Engineers Wing® hosted a Digital Audio Workstation Master Class on the new Pro Tools 11 on Thursday, August 15, 2013, in partnership with AVID Technologies and Westlake Pro. Video of the event will be available for viewing on The Recording Academy member website www.GRAMMY365.com on October 1, 2013. Pictured L-R: Joseph Taupier, President Westlake Pro, Inc.; Maureen Droney, Senior Executive Director, P&E Wing; George Adjieff, CEO Westlake Pro, Inc.; Collyer Spreen, Pro Audio Solution Specialist, AVID Technologies, Inc.; Brian Malouf, Producer/Engineer & LA Chapter P&E Wing Committee Co-Chair; David Casey, Partner Account Manager, AVID Technologies, Inc. Photo by Bowen Sanders. Photo courtesy of The Recording Academy®/Bowen Sanders. © 2013.

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Game Audio to Be Highlighted at 135th Audio Engineering Society Convention

— Game Audio Track events at the 135th AES Convention will look at key topics in this fast-growing sector of pro audio, including tools and techniques for immersive audio environments, sound effects, 3D sound, audio for mobile gaming and much more —

— Track Co-Chairs Michael Kelly and Steve Martz have assembled a series of sessions that focus on key changes in the gaming industry in the last year, such as the introduction of new and more complex consoles and the shift to an online gaming environment —

New York, NY, September 10, 2013 — The 135th Audio Engineering Society Convention (Thursday, October 17, through Sunday, October 20, 2013, at the Javits Center in New York City) will feature a comprehensive Game Audio Track, focusing on audio trends and issues in the gaming industry. As the track’s co-chairs, industry veterans Michael Kelly and Steve Martz have assembled a compelling and highly inclusive series of panels, sessions and presentations that address the many dimensions of this complex sector of professional audio. These include multichannel game audio, 3D sound, sound effects, immersive game sound, the emotional components of game audio, and other key points of topic.

As any gamer or developer knows, gaming is growing in diversity, as the industry moves further into an online model and the ways that consumers can access games continue to expand. Throughout this revolutionary period of change, audio will continue to be of fundamental importance to the gaming experience, and the Game Audio Track at the AES Show will keep those involved in the industry at the top of their game.

“This year’s Game Audio Track is going to be particularly fascinating, because of several key changes in the gaming industry,” observes Michael Kelly, who in addition to co-chairing the Game Audio Track is also Director, Research and Development, for DTS and Chair of the AES’s Technical Committee on Audio for Games. Kelly, who has co-chaired the technical committee since 2004 with Steve Martz and jointly organized the convention activity since then, points out, “The games track at U.S. AES conventions has grown into a major event. This is the first time we’ve officially shared the chair for the games track, in order to keep on top of the planning. Undoubtedly, the biggest change in the larger industry this year will be the launch of new gaming consoles. That’s always an exciting event for any games track, and a lot of our events will be covering that. In particular, we have leaders from both Sony and Microsoft looking at where sound in games is going in the future. We’ve also got a strong focus on mobile and web-based gaming to reflect the significance of that sector of the games industry.”

Kelly is excited for several of the topics on the program for the Game Audio Track this year. “I’m really looking forward to the Planes, Trains and Automobiles session with Mike Caviezel,” he says. “That was a real hit in Europe. We try not to repeat sessions, but that was one we just had to bring over for the U.S. audience. The In the Trenches session promises to be good too; it’s always great to get to deeper issues, and that’s something that we have the opportunity to do really well at AES events. I think the loudness session is also something worth seeing. After years of sessions in this area, we could be close to something that works practically for the industry. With an added sprinkling of sessions about specific games, it’s looking like an exciting line-up this year!” For a full roster of AES Game Audio Track presentations, please visit http://www.aes.org/events/135/gameaudio/.

For further information on the 135th AES International Convention, and to register for your free Exhibits-Plus badge or the premium All-Access badge, please visit http://www.aes.org/events/135/.

Photo Caption 1: Michael Kelly, Game Audio Track co-chair at the 135th AES Convention.

Photo Caption 2: Steve Martz, Game Audio Track co-chair at the 135th AES Convention.

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Waves Audio Releases AAX Native Support

TEL AVIV, ISRAEL, September 10, 2013 — Following the release of Avid Pro Tools 11, Waves Audio is pleased to announce its support for the AAX Native plugin platform. Waves has consistently strived to support as many plugin platforms as possible, including VST, RTAS, TDM, AudioUnits and others. With this new development, Waves Native plugins are now fully compatible with the AAX platform, also used by Avid HDX systems.

Gilad Keren, Waves CEO and co-founder, stated, “AAX Native support has been a frequent request by many users. We are happy to respond to market demand with this new compatibility.”

“The portfolio of processors offered by Waves is among the most respected in the world,” remarks Ed Gray, Director of Partnering Programs for Avid. “They are a most welcome addition to the AAX platform, and great news for users of Pro Tools 11. We are grateful for this support.”

Visit www.waves.com for more information.

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VICTORIA AND ALBERT MUSEUM’S ‘DAVID BOWIE IS’ VIDEO WALL POWERED BY DATATON WATCHOUT

WATCHOUT version 5.5

VIEW THE STORY ONLINE.

The ‘David Bowie is’ exhibition was one of the most successful and technically complex shows at the Victoria and Albert Museum (V&A) in London. Opening to rave reviews on 23 March 2013 it was the best selling exhibition in the museum’s history. ‘David Bowie is’ is now on world tour starting at the Art Gallery of Ontario, Canada in September 2013.

Design and production company, 59 Productions and interiors and exhibition designers Real Studios collaborated on the ‘David Bowie is’ exhibition design. Expert systems integrator, Sysco AV configured the Museum’s existing inventory of technology and Dataton WATCHOUT™ powered the multi-image display and presentation software in two areas of the galleries including a 7-meter high video wall display and TV displays throughout the exhibition. Sysco AV has worked with the V&A for many years on several exhibitions. WATCHOUT is supported by Mirage Associates, Dataton Premium Partner, UK & Ireland.

“The 7-meter high floor to ceiling video wall used WATCHOUT to blend images from projectiondesign® F32 projectors,” said Hugo Roche, CEO at Sysco.

“Video projections were juxtaposed with mannequins dressed in legendary costumes from the David Bowie Archive and showed footage of Bowie’s live stage performances, recreating the sensational impact of the musician throughout his career,” adds Roche.

“WATCHOUT was also used to show various performances of Bowie’s 1977 song “Heroes” in retrofitted displays.”

Lars Sandlund, chief operating officer at Dataton said: “David Bowie is one of the most iconic musicians and creative people of our time and we’re delighted that Dataton WATCHOUT was used along with the 300 objects from the David Bowie Archive to tell the story of Bowie’s career and engage, enthral and entertain the Museum visitors.”

‘David Bowie is’ exhibition will tour internationally. For more details of confirmed venues visit: http://www.vam.ac.uk/davidbowieis

VIEW THE STORY ONLINE.

HARMAN’s BSS Audio and JBL Blow Into Action for Australian Hurricanes Grill Restaurant

SYDNEY, Australia – Looking to provide a comprehensive audio solution with the necessary power and flexibility for a full-service restaurant, systems integrator Constant Technology Pty Ltd. recommended an all-HARMAN solution for Australian’s latest Hurricanes Grill location. Local HARMAN distributor, Jands, provided all the components utilized in the installation. Considered the company’s flagship restaurant, Hurricanes Grill Brighton Le Sands is an expansive venue, which features waterfront views overlooking a nearby beach.

The system had to be high-performance yet cost-effective. It was also essential the speakers would not be visible while still delivering quality sound and distribution throughout the restaurant. According to Con Constantinou, Managing Director, Constant Technology Pty Ltd., the client, Steve Sidd, was concerned a JBL and BSS Audio solution would not be within his budget. “Once we presented the quote to the client he was really surprised at how cost-effective the solution was,” explained Constantinou.

The venue consists of six audio zones that are powered by a range of Crown amplifiers. Six black JBL Control 47LP ceiling speakers cover the entry zone and four ceiling mounted JBL Control 52 speakers cover the main bar zone. Seven JBL Control 47LP ceiling speakers and a pair of JBL Control 40CS/T ceiling subwoofers cover the dining area. Six JBL Control 25AV Surface mount speakers, filled out with stainless steal grilles that provide an IP5 weather rating, cover the verandah zone.

“It sounds great and the sound distribution works really well,” commented Constantinou. “Our client was initially surprised by the amount of speakers we wanted to install but it was necessary to ensure there were no dead spots.”

In addition, the Tapas zone has two JBL Control 47LP ceiling speakers, two JBL Control 25AV surface mount speakers and a JBL Control 40CS/T ceiling subwoofer. A pair of JBL 8128 ceiling speakers cover the bathroom zone.

The system is controlled by a BSS BLU-100 networked signal processor. To eliminate the need for BSS wall controllers, the BSS software was customized and loaded onto the venue’s computers.

“We loaded a custom interface onto their PC’s so that they can control all the zones, inputs and volume from every point of sale terminal and managers PC,” said Constantinou.

“The client trusted us and is very happy with the sound distribution in his venue and the functionality of the BSS,” explained Constantinou.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

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Main Light Expands Its Extensive Clay Paky Rental Inventory with New Shotlight Wash Fixtures

Main Light Industries, Inc., the Wilmington, Delaware-based firm, which has become one of the largest rental houses in the country, has further expanded its inventory with Clay Paky Shotlight Wash fixtures. A.C.T Lighting is the exclusive distributor of Clay Paky lighting in North America.

In the last two years Main Light, which serves all of the professional lighting industry, has acquired complements of Clay Paky Alpha Spot QWO 800s, Alpha Profile 800 STs, Sharpys, Alpha 700s and Alpha Spot HPE 1500 fixtures. Now, Main Light has continued to diversify its impressive Clay Paky offerings by investing in Shotlight Washes.

“A.C.T Lighting provides some of the best support within the industry. Our longstanding relationship with A.C.T, along with the superb products they distribute for Clay Paky, make our latest purchase a win-win situation for us,” says Main Light’s head of client relations, John DiEleuterio.

Shotlight Wash is a totally new kind of projector that combines an extraordinary 1500W discharge lamp washlight and a 3000W Xenon lamp strobe in one device. The two-wash/strobe functions are perfectly integrated and can be operator controlled with either simultaneous or separate operation and special effects. The “strobe” function is provided by two semicircular Xenon lamps working independently, so they can flash together or separately at different frequencies.

“The Shotlight is very unique combining the wash and strobe elements in one fixture,” DiEleuterio explains. “The dual use of a wash fixture plus two insanely bright strobes give the fixture twice the functionality – something you don’t see in any other fixture. And they’re Clay Paky, which means they’re high quality.”

He notes that Main Light also saw a market opportunity to get out in front of other rental houses with the desirable new fixture. “Our clients will use them as very specific design elements. They will be perfect for certain artists and electronic music.”

Over the years, Main Light customers, including the Red Hot Chile Peppers, the Ultra Music Festival and the Electric Daisy Carnival, have become fans of the company’s extensive Clay Paky inventory.

About A.C.T Lighting

A leading importer and distributor of lighting products, A.C.T Lighting, Inc. strives to identify future trends and cutting-edge products, and stock, sell and support their inventory. The company provides superior customer service and value for money to all of its clients.

For more information call 818-707-0884.

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Media Group International Installs VidiGo’s Visual Radio Solution at Clouds FM

Leading Media Systems Integrator Media Group International has assisted Tanzania’s Clouds FM radio station to give its audience a totally new, interactive experience by installing VidiGo Visual Radio software. The new software will go live on air at Clouds FM within the next few weeks.

The Clouds FM project is the first major radio installation MGI and VidiGo have completed in Africa since meeting at CABSAT 2012 and subsequently forging a partnership. The two companies are now working together to give MGI’s television and radio customers much greater access to VidiGo’s revolutionary range of broadcast software products.
VidiGo Visual Radio was the ideal solution for Clouds FM, one of four stations operated by Tanzania’s Clouds Media Group. Affectionately referred to as The People’s Station, Clouds FM is annually rated the number one station in Tanzania for the youth segment.

MGI’s Sales Director Paul Wallis, who brokered the Clouds FM deal in conjunction with Sales Assistant Diana Velikova, says: “Thanks to its strong reputation for delivering trendsetting programming, dynamic presenters and innovative promotions, Clouds FM is widely regarded as the ‘coolest’ radio station in Tanzania by the country’s 18 to 35 year olds. Given this demographic, the station wanted to incorporate interactive graphics that could be overlaid onto the video feed of its radio broadcasts and used to enhance its internet presence and Twitter, RSS and social media feeds. Diana and I felt that VidiGo Visual Radio was ideal for Clouds FM because it will be able to deliver all the elements station staff need in a very simple to use and intuitive package.”

VidiGo Virtual Radio combines the strength of VidiGo Live and VidiGo Audio Director. VidiGo Live is a full blown software solution for multi-camera TV production. The VidiGo Audio Director is an intelligent extension to VidiGo Live that makes automatic decisions by analyzing audio signals with its advanced algorithms, allowing it to make decisions like a real television director. Finally, the graphics and text overlays are automatically inserted within VidiGo Live, which makes it possible to superimpose content in a live situation using a station’s own designed Flash application.

Joseph Cusago, Managing Director, Clouds Media Group, says: “We are really thrilled with the workflow VidiGo Virtual Radio has provided and our audiences will love the fact that we will soon offer an interactive visual radio experience via the internet and social media feeds. The system is incredibly easy to operate and, because the cameras are switched automatically on the basis of which microphone input is being used, there is very little for our presenters to do. This means they can concentrate on the job of presenting, leaving VidiGo’s clever software to take care of everything else.”

VidiGo CCO Reinout Lempers adds: “With VidiGo’s background in radio, we understand the culture and needs of a radio station. We knew from the start that we shouldn’t bother radio presenters with creating video. That’s why we developed an automated software workflow that is fully compatible with existing radio workflows. With our solution presenters to do what they are good at, which is making radio, while VidiGo’s automated workflow creates an entire TV show, just like a real director would.”

-ends-

Notes to the editor:
About Ghanim bin Saad Al Saad & Sons Group Holdings
Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.
GSSG has enjoyed steady growth and success in many fields and industries locally and internationally. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.
The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.
In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.
www.gssg.com

Media Group International
Media Group International is a proven media broadcast and communications technologies systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 40 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.

Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor

and multisensory environments. Media Group International provides solutions from safeguarding national security such as in government operations, creating the best venues for education such as museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.

To support the workflow and innovation demands of our valued customers, the team has grown with new local and international talent. We use our expertise to help realise your goals and ambitions – we listen, advise, design and build great workflows that work for you. Our ambition is to be your trusted partner in the Gulf region.

www.mgi.tv
Clouds Media Group
Clouds Media Group is a privately owned media house based in Dar es Salaam, Tanzania. Clouds Media Group excels at entertaining and deepening community engagement, integrating new media technologies to meet evolving lifestyles, and leveraging resources to build vibrant and informed communities. Now celebrating its 15th year, Clouds Media Group has an impeccable track record for excellence in execution of radio campaigns and broadcasting performance. Comprised of 4 dynamic broadcast stations, East & Central Africa’s largest event production firm as well as a 40 Channel DTT network on the Island of Zanzibar, all of which are leaders in their specific categories fuel the Clouds Media Group powerhouse. This dynamic assortment of formidable companies allows advertisers to achieve maximum value by enabling them to reach their core demographic on multiple platforms all within one media house. Clouds Media Group stands as a beacon of fair business ethics, openness, transparency, and value; and is one of the highest awarded media houses in Tanzania. Clouds Media Group recently was named the #2 Mid -Company in Tanzania in 2012 by Superbrands.
VidiGo
For almost a decade VidiGo has been the visionary leader in the broadcast industry, with the first full software based AV-workflow running on standard IT hardware. The core of all VidiGo workflows is DAVE; an in-house developed powerful, low-latency video engine. All VidiGo workflows focus on automation, flexibility and open architecture to make broadcasting easier, faster and cost effective.
VidiGo stands for innovation, reliability, product leadership, and premium support.
VidiGo clients include leading broadcasters, radio stations, sport arenas and video production companies all around the world.
VidiGo offers a full portfolio of broadcasting workflows and solutions
VidiGo Live – Multi camera live production suite
VidiGo Visual Radio – Quality video content of your radio show
VidiGo Studio Automation – Full rundown automation
VidiGo Arena Solutions – Boost stadium experiences
VidiGo Toolbox – Desktop grabber, Skype to SDI and VLC media plugin
VidiGo Graphics – Adobe Air/Flash directly into your live broadcast
VidiGo Playout – 24/7 Playout with Adobe Air/Flash graphics
www.vidigo.tv

Visual Unity Helps Clouds Media To Deliver OTT Content Service

Leading OTT solutions provider Visual Unity has helped Tanzanian media conglomerate Clouds Media to deliver a complete Over the Top content service to the East African market.

Based in Dar-es-Salaam, Clouds Media was established in 1998 as a radio and television broadcaster, delivering music, television and film content the Tanzanian market. With Visual Unity’s expertise, Clouds Media has now expanded its operations to deliver Over the Top Transmission (OTT) directly to their viewers on any screen or connected device anywhere in the world.

Visual Unity provided Clouds Media with the technology necessary to deliver its new service. The technical infrastructure is based on Visual Unity’s award-winning vuMediaTM Over the Top (OTT) content solution. vuMediaTM allows broadcasters to manage, monetize and monitor delivery of content to any connected screen and over 7000 connected devices including legacy phones.

Tomas Petru, CEO of Visual Unity, says: “Visual Unity was awarded this contract on the basis of our proven expertise in multiscreen integration. With over 20 years’ experience in designing, building and technically supporting linear broadcast to multiscreen solutions we demonstrated to Clouds Media our ability to successfully design VoD solutions similar to our customers such as the leading Czech portals ivysilani.cz, voyo.cz, topfun.cz, cinema.cz and Calinos Entertainment’s VodVod.com in Turkey.”

“Thanks to vuMediaTM and Clouds’ modern approach to content delivery, Clouds is now able to reach its audience online, thus avoiding expensive and geographically limiting satellite transmission. Clouds can now provide films, news, dramas and popular television throughout East Africa, the Middle East and the rest of the world,” added Joseph Kusaga, Managing Director, Clouds Media Group.

Visual Unity’s vuMedia™ platform supports comprehensive streaming and VoD services and integrates with billing and CRM processes. For this project, Visual Unity is providing full live channel streaming capability a Visual Unity designed UI/UX with full GUI/API access, DMR protection, analytics, delivery and support for an amazing array of mobile devices.

With TV in Tanzania going digital we found that this was the right time to reach fans of the Clouds brand both domestically and internationally via OTT multiscreen. The complete service is officially being launched in October.

Visual Unity will showcase the latest version of its award-winning vuMedia™ multiscreen platform at IBC 2013, Connected World (Hall 14, Stand 114).

-ends-

About Visual Unity

Visual Unity is a global provider of video and digital media solutions, enabling our clients to deliver premium quality video content. Our clients can measure, analyze and optimize their libraries over time and achieve optimal business success. Our platform capabilities inspire our clients to deploy their assets across multiple devices, screens, and media formats. Visual Unity helps clients manage, deliver and monetize their digital content.

Visual Unity is a Multiscreen Solution Provider, bridging the gap between linear broadcast, IT and IPTV to help clients reach and engage audiences on any screen. Since 1991, the team has been designing and delivering turnkey broadcast and complex multiscreen solutions worldwide – from HD outside Broadcast (OB) vehicles and major playout facilities to live internet streaming and Video on Demand services. Visual Unity’s award-winning vuMediaTM platform helps broadcasters and content owners control how their brand and assets are managed and monetized in the multiscreen environment. vuMediaTM is a highly scalable and a modular architecture, delivering a cutting-edge live viewing experience on the web or any mobile or connected device – all of which can be deployed into existing workflows and business processes.

Visual Unity is based in Prague, London, Munchen, Las Vegas, Nairobi and Dubai. For further information, please visit www.visualunity.com

Visual Unity: Na Hrebenech II 1718/8, Prague 4, 147 00, Czech Republic
T: +420 271 742 111 F: +420 271 742 112 E: info@visualunity.com

About Clouds Media Group

Clouds Media Group is a privately owned media house based in Dar es Salaam, Tanzania. Clouds Media Group excels at entertaining and deepening community engagement, integrating new media technologies to meet evolving lifestyles, and leveraging resources to build vibrant and informed communities. Now celebrating its 15th year, Clouds Media Group has an impeccable track record for excellence in execution of radio campaigns and broadcasting performance. Comprised of 4 dynamic broadcast stations, East & Central Africa’s largest event production firm as well as a 40 Channel DTT network on the Island of Zanzibar, all of which are leaders in their specific categories fuel the Clouds Media Group powerhouse. This dynamic assortment of formidable companies allows advertisers to achieve maximum value by enabling them to reach their core demographic on multiple platforms all within one media house. Clouds Media Group stands as a beacon of fair business ethics, openness, transparency, and value; and is one of the highest awarded media houses in Tanzania. Clouds Media Group recently was named the #2 Mid -Company in Tanzania in 2012 by Superbra

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