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Archive for September 13th, 2013

RTI and Pro Control to Offer Manufacturing Training Sessions at CEDIA EXPO 2013

SHAKOPEE, Minn. — Sept. 12, 2013 — Remote Technologies Incorporated (RTI) today announced that the company will be offering three manufacturing training sessions at CEDIA EXPO 2013 in Denver. Courses will include “Two-Way Programming With Integration Designer,” “Programming the RTiPanel,” and “Driver Development With the RTI SDK.” In addition, RTI’s Pro Control brand will hold its own separate training session at the show: “Introduction to Pro Control.” All courses will take place on Sept. 27. more

RTW Introduces Loudness Quality Logger Software for TM7, TMR7 and TM9 TouchMonitor Lines at IBC 2013

AMSTERDAM, 13 SEPTEMBER, 2013 – RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is pleased to debut at IBC 2013 (Stand 8.D92) its LQL (Loudness Quality Logger) a new tool for logging, true-peak data analysis and reporting that is compatible with the TM7, TMR7 and TM9 TouchMonitor line of products. The LQL license (SW20014) is a natural extension of RTW’s range of innovative software options for the 7- and 9-inch line of TouchMonitor audio meters. RTW executives will be on-hand to demo and discuss this new software at the company’s IBC stand.

LQL enables data to be derived directly via an IP-connection from a capable TouchMonitor audio meter, as well as from external storage media such as a USB stick. Also included in the software are dual limit weighting, status information, marker and various other reporting features. The new PC software is free of charge to users, however the SW20014 LQL license is required to enable a TM7, TMR7 or TM9 series meter to be compatible with data export and additional display functions.

“The new Loudness Quality Logger is quite a milestone for RTW,” says Andreas Tweitmann, CEO, RTW. “When we first developed the concept for the TouchMonitor, we knew it would be necessary to continue researching and developing tools that would keep up with and be one step ahead of technology for managing loudness. With the ability for the user to obtain a log, analysis and reporting, their experience is enhanced even further, providing them with an essential solution unlike ever before.”

The TM7 and TM9 series TouchMonitors, which include the innovative Magic LRA instrument, feature a 7- and 9-inch touch-sensitive display, respectively, and provide unparalleled flexibility and modularity, combined with intuitive control. The software visualizes multiple sources simultaneously. Both support displaying the same signal on multiple instruments in parallel, each with dedicated defaults with both horizontal and vertical operation. TM7 visualizes up to 40 sources at the same time, while the TM9 visualizes up to 48 and the TMR7, specifically designed for radio broadcasting, visualizes up to four.

Various audio interfaces and combinations are available i.e. analog, AES3, AES3id or 3G-SDI. RTW’s entire TouchMonitor range was created to help adhere to all major industry loudness standards, including EBU R128, ITU BS.1770-3/1771-1, ATSC A/85 and ARIB.

About RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s range of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TouchMonitor units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

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Sound Devices Releases Firmware Update for 664, Offering Improved Features for Outdoor Production

AMSTERDAM, SEPTEMBER 13, 2013Sound Devices, experts in portable audio and video products for field production, has released its latest firmware update for the company’s flagship 664 Production Mixer. Version 1.05, now available for existing customers as a free download, brings additional features to the already-powerful mixer, offering expanded input/output connectivity and recording capabilities, along with greater flexibility and ease-of-use outdoors. Sound Devices 664 is on display at IBC 2013 (Hall 8, Stand 8.D74).

Sound Devices 664 features six ultra-low-noise, high-dynamic-range preamps that accept mic- or line-level signals and include analog peak limiters, high-pass filters, input trim control and direct outputs per channel. Featuring full analog audio paths for high-performance audio and superb power efficiency, the 664 also has numerous digital capabilities. Inputs 1 and 6 can be selected as AES3 or AES42 inputs for digital microphones, each with its own SRC for simplicity in system clocking. The 664’s analog output compliment includes four output buses. The L and R buses are on balanced XLR, 10-Pin and TA-3M connectors and on unbalanced TA-3M or 3.5mm connectors. Secondary output buses X1 and X2 are available on balanced TA-3M connectors. Users can route inputs and buses to four AES3 connections for eight digital outputs on the XLR and 10-pin connectors.

Firmware version 1.05 brings additional features to the already-powerful mixer, including greater flexibility and ease-of-use outdoors. The “LCD Daylight Display” mode incorporates a daylight-specific color scheme and solid bar metering option for improved readability in direct sunlight. Sound Devices has also incorporated additional front panel button shortcuts, including “LCD Daylight Display” mode (HP + SELECT encoders) and Phrase list (HP + RTN B/C) for fast entry of metadata notes. Version 1.05 also incorporates the shortcut for activating different setup tone modes. Users also have new “Track Names in Meters” options (without color gradient/ramp) that are selectable for either right- or left-side display.

With version 1.05, 664 now offers users Monophonic Broadcast WAV file support, with the ability to record up to 10 tracks to two cards, with up to three seconds of record pre-roll. If a card not optimized for multi-channel monophonic file recording is used, or if the monophonic 10-track limit is exceeded, a warning message is displayed on the LCD when starting a recording. Polyphonic mode or reducing track count is recommended. In addition, when formatted in the 664, SD cards 64 GB and larger are now automatically formatted as ExFAT (in accordance with the SD Association’s recommendation). All CF cards and lower-capacity SD cards remain FAT32. Version 1.05 also enables a Headphone Volume or Headphone Preset default option, which sets the HP encoder to operate as headphone level or to select HP presets when rotated. Pressing the Headphone encoder momentarily activates the alternative function.

For more information and to download version 1.05, visit http://www.sounddevices.com/download/664-firmware/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

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Audio Engineering Society Announces New Networked Audio-Over-IP Interoperability Standard: AES67-2013

New York, NY, September 12, 2013 — The Audio Engineering Society (AES) has officially announced the publication of AES67-2013, a new engineering standard for networked/streaming audio-over-IP interoperability.

High-performance media networks support professional quality audio (16 bit, 44.1 kHz and higher) with low latencies (less than 10 milliseconds) compatible with live sound reinforcement. The level of network performance required to meet these requirements is available on local-area networks and is achievable on enterprise-scale networks. A number of networked audio systems have been developed to support high-performance media networking, but until now there were no recommendations for operating these systems in an interoperable manner. This standard provides comprehensive interoperability recommendations in the areas of synchronization, media clock identification, network transport, encoding and streaming, session description and connection management.

The project was initiated by the AES in December 2010 under the project name AES-X192. In August 2012, the AES and EBU jointly announced an active collaboration to achieve interoperability of networked audio. The intent was not to invent new technology, but to identify an interoperable subset of existing technologies to achieve this goal. Task Group SC-02-12-H, under the leadership of Kevin Gross, met regularly using web conferencing and email to refine and clarify the necessary parameters.

To obtain a copy of this standard, go to http://www.aes.org/publications/standards/search.cfm?docID=96. AES standards are available to AES members free of charge as a benefit of membership. Details of AES membership can be found at: http://www.aes.org/membership/.

About the AES Standards Committee
The AES Standards Committee is the organization responsible for the standards program of the Audio Engineering Society. It develops and publishes a number of technical standards, information documents and technical reports. Working groups and task groups with a fully international membership are engaged in writing standards covering fields that include topics of specific relevance to professional audio. Membership of any AES standards working group is open to all individuals who are materially and directly affected by the documents that may be issued under the scope of that working group. Complete information, including scopes of working groups and project status, is available at http://www.aes.org/standards. Enquiries may be addressed to standards@aes.org.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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