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Archive for September, 2013

Focusrite to Hold RedNet Showcase at Vintage King Audio Los Angeles

Focusrite’s acclaimed range of modular Ethernet-networked audio interfaces will be displayed and demonstrated on Thursday, September 26 at VKLA

Based on its audio quality and Vintage King’s comprehensive Ethernet infrastructure, VKLA installs permanent system for client demonstration

Los Angeles, CA, September 18, 2013 – On Thursday, September 26, 2013, leading audio manufacturer Focusrite will showcase its acclaimed RedNet range of products at Vintage King Los Angeles (VKLA). RedNet units are Ethernet-networked interfaces based around the industry-standard low-latency Dante® audio networking system. Demonstrating RedNet’s exceptional sounding audiophile design, and taking advantage of VKLA’s extensive installation network, attendees will be able to experience firsthand how RedNet can enhance their production workflow at this special event. Highly regarded by the Vintage King staff, the RedNet units are now a permanent component of VKLA’s audio setup and will be the subject of ongoing demonstrations in the future.

Demo times are as follows: 10:00 a.m., 1:00 p.m., and 3:00 p.m., followed by a 7:00 p.m. evening mixer. Key staff from Focusrite and Vintage King will be on hand throughout the day. Demos are limited availability and on a first-come-first-served basis. Demo attendees will be entered to win a Focusrite Forte interface. Seating is limited and by invitation only; please contact Vintage King to request seating/RSVP, or visit http://bit.ly/15uz9w7. VKLA is located at 1176 W. Sunset Blvd., Los Angeles, CA 90012.

“RedNet / Dante technology will be relevant to a wide cross section of our clientele, from composers and live performers to multi-room facility owners,” says Vintage King Audio Post Sales Manager Chris Bolitho. “The ability to send low-latency, high-resolution multi-channel audio between systems, racks and rooms using only existing Cat 5 / 6 data wiring and infrastructure has the potential to revolutionize the way so many of them work. It’s exciting to have the RedNet / Dante system permanently installed at Vintage King Los Angeles, making VKLA the premier RedNet / Dante demo facility in Los Angeles.”

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Take1 and Event Safety Alliance to Host Industry’s First Webinar on Live Event Safety

                                                            

Asserting that the live event production industry can no longer take a passive approach to life safety, Take1 Insurance, the leading insurance provider to the entertainment industry, today announced that it was teaming up with the Event Safety Alliance (ESA) to host the industry’s first webinar focused on producing safer live events.

According to Scott Carroll, Executive Vice President & Program Director of Take1 Insurance, the precedent-setting webinar will take place on Wednesday, November 13, 2013 at 2 p.m EST and is open to anyone involved in the business of producing and staging live events.  Registration for the webinar is now open at this website.

“The time for discussion is over and the time to take action is at hand,” Carroll stressed today.  “For years we have emphasized the need for live event producers to take the time to prepare for the unimaginable and now, thanks to the leadership position taken by Jim Digby and the Event Safety Alliance, the industry can utilize the ESA’s“Event Safety Guide” to prepare complete emergency action plans that include having the right insurance coverage in place.”

Carroll emphasized that, “Investing 60 minutes to learn more about the issues involved in producing safer live events is not too much to ask of any of us, given the number of incidents that have occurred over the last several years.  It is our hope that ‘A 60-Minute Introduction to Producing Safer Live Events’ is the first in a series of additional Take1 sponsored topic focused webinars that involve a broad range of industry professionals in a very important discussion.”

“Due to a series of tragic accidents, life safety has become a major concern to many within the live event industry,” explained Jim Digby, founder of the Event Safety Alliance. “Whether you work directly on productions or provide support to them, everyone has a role to play in ensuring the well-being of our performers, workers, and audience members. In this webinar, leaders from ESA and Take1 will detail the importance and responsibilities of event safety for those who promote, produce, and insure live events. You’ll learn more about the mission and activities of the ESA, along with our vision for the future, as well as the solutions offered by Take1. Most importantly, we’ll discuss critical tools and resources currently in development, and how the insurance industry can work with the ESA to create safer live events.

A week after the Event Safety webinar, the Event Safety Alliance will take its message of “be prepared” to LDI 2013 (November 22–24, 2013 in Las Vegas, Nevada) where it will host a presentation entitled “The Event Safety Guide: The Future of Safe, Responsible Show Production” on November 23, 2013 from 11 a.m. to 12:30 p.m. at the Las Vegas Convention Center.  At 3:30 p.m. the same day, the ESA will host a 90-minute roundtable discussion entitled “You Are The ESA” at the Las Vegas Convention Center.

The Event Safety Alliance was founded in 2011 by Jim Digby, a 30+ year veteran of the entertainment industry. He is the founder of Collaborative Endeavour Group (CEG), providing international touring strategies and complete production solutions for the live entertainment industry. He currently serves as Director of Touring and Production for the multi-million selling artists Linkin Park, and has previously worked with artists as diverse as The Backstreet Boys, Bon Jovi and Marilyn Manson. A long-time advocate for event safety and ethical touring models, he is a three-time recipient of Tourlink’s “Production Manager of the year” award, as well as the Parnelli’s “Production Manager of the Year” award for 2012.

About Take1 Insurance

U.S. Risk‘s Take1 division has been servicing the insurance needs of the film and television production industry and has expanded significantly to meet the needs of audio-video and communications industry clients as well. The company’s experience includes underwriting film and television production companies, DICE (documentary, infomercial, commercial, educational) producers, touring entertainers, concert/playhouse venues, concert promoters, video game developers, and specialty rental operations focused on audio, visual, lighting, sound, grip, and production. For additional information, visit www.take1insurance.com.

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Photo Caption 1: Scott Carroll, Senior VP & Program Director of Take1 Insurance

Photo Caption 2: Jim Digby, President of ESA

 

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Extron Announces New Compact Six Input Media Presentation Switcher

Extron Electronics is pleased to introduce the MPS 601, a compact six input, one output media presentation switcher for digital and analog sources. It offers four, HDCP-compliant HDMI inputs and two RGB video inputs with analog stereo audio. RGB video and analog audio are digitized and switched through the HDMI output. The MPS 601 features two Extron-exclusive technologies: EDID Minder, which maintains continuous EDID communication between connected devices; and Key Minder, which continuously authenticates and maintains HDCP encryption between input and output devices to ensure quick and reliable switching. more

Platinum Tools® Introduces New Cable Prowler™ Full Color Display Cable Tester & Report Management System

CAMARILLO, Calif., Sept. 19, 2013 – Platinum Tools (www.platinumtools.com), the leader in solutions for the preparation, installation, hand termination and testing of wire and cable, is proud to announce the launch of the new Cable Prowler™ (TCB300) cable tester and report management system at the 2013 CEDIA Expo, held in Denver from Sept. 26-28 at the Colorado Convention Center, booth 529. Made in the USA, the Cable Prowler is scheduled to ship October 1 with an MSRP of $749.95 for the Complete Kit (P/N TCB300K1), and $529.95 for the tester only (P/N TCB300).

“Ideal for the CEDIA custom install market, the Cable Prowler provides full cable testing on any category network, coax, or telephone cable, combining the functions of a high-end cable tester and length measurement tester, with the capability to identify link status, link capability, and PoE detection,” explained Lee Sachs, Platinum Tools, Inc. president and general manager. “The Cable Prowler provides full cable testing, displaying wire map, numbered ID remotes, and any faults, including shorts, opens, miswires, split pairs, and reverses. It also enables quick identification of a network drops link capability and current link status. All of this in full color and internal memory to save results, as well as the ability to export to a computer via micro USB cable for record keeping and printing.”

The Cable Prowler Kit (TCB300K1) includes the main unit; coax and network remote set (#1-5, F-Conn coupler includes foam holder); network/tel testing and ID remote #1; RJ12 Cable (Qty 2); micro USB cable; protective silicone holster, and a hanging T3 pouch.

Cable Prowler also detects the presence of PoE on the network drop and what class of PoE per IEEE 802.3 af/at with load test for voltage drop. These network tests can also be saved for record keeping. The high resolution full color graphical display makes reading the Cable Prowler’s results as easy as it is to operate the unit. The Cable Prowler displays wire map in color per TIA-568A/B color codes.

“The full-featured Cable Prowler measures cable length (using TDR technology) and generates tone levels for signal tracing and cable identification on all pairs, a selected pair, or a selected pin,” added Sachs. “All of this displayed in a full color graphical display for easy viewing in any environment. Cable Prowler also has the ability to name each cable and save all test results. Cable results can be exported to a computer via micro USB cable for record keeping and printing.”

Cable Prowler specifications and applications include:
• Cable Testing and ID: up to 1000 ft (305 m)
• Displays length measurement for each pair in feet or meters using TDR technology
• Detects presence of PoE and class of PoE per IEEE 802.3af/at with load test for voltage drop
• Detects and reports current link speed and link capabilities for active Ethernet drops up to 1 Gbps
• Locate unlabeled network & coax cables
• Link light to identify location on a hub/switch/router port
• Tests ethernet cable configuration and verifies connectivity while conducting tests for opens, shorts, miswires, split pairs, and reverses
• Generates selectable tones on selected pins for use with tone tracers
• Supports up to eight testing & ID remotes for network & telephone cables
• Supports up to 20 network & coax ID – only mapping remotes
• View saved cable tests
• Full color graphical wire-mapping
• Ability to define cable name, save cable tests and print ALL results (cable testing & network testing)
• Multilingual (English, French, Spanish)
• Size: 1.85in H x 3.6in W x 6.8in L (4.7 x 9.15 x 17.3 cm)
• Weight (with batteries): 1 lb 2 oz (510 g)

For more information on Platinum Tools and its complete product line, please visit www.platinumtools.com, call (800) 749-5783, or email info@platinumtools.com.

About Platinum Tools
Platinum Tools, founded in 1997, was created based upon two very simple objectives. First, develop the absolute best possible solutions for the preparation, installation, and hand termination of wire and cable. Second, implement an operational infrastructure that can deliver these products in an efficient, timely, and high quality manner.

All of our products must absolutely satisfy three critical benchmark criteria…utility of function; quality of function; and economic value. Our people are our company. They, too, must be focused on and work to satisfy three critical benchmark criteria…customer satisfaction; product knowledge and expertise; and willingness to learn and adapt.

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Earthworks Microphones Record Brahms’ Requiem

September 19, 2013, Milford, NH – On April 28, 2013, the Meridian Symphony Chorus and Orchestra recorded the Brahms’ Requiem at Highland Baptist Church in Meridian, MS. This church was chosen for its’ outstanding acoustics. The entire performance was recorded using all Earthworks High Definition Microphones™ as follows: 4 FW730 Flexwands™ on choir, 2 QTC40s on the orchestra, 1 SR30 for solo mic, 1 SR30 for room ambience, and 1 PM40 PianoMic™ on piano. Dr. Bob Hermetz, Conductor, said “This recording sounds incredibly detailed, natural and real. I am very pleased with the results.”

Photo courtesy of Meridian Symphony Chorus and Orchestra ©2013

The Meridian Symphony Chorus has been conducted by Dr. Hermetz since 1971 utilizing singers from East Mississippi and West Alabama, dedicated to presenting the highest level of choral singing. Averaging three concerts a year, the chorus presents music ranging from contemporary styles, theater, oratorio, opera choruses, and other classical forms. In addition to local and regional performances, the Symphony Chorus has made three appearances at New York’s Carnegie Hall through Mid America Productions. The chorus is a non-profit organization operating under the umbrella of the Meridian Symphony Association, Inc.

For information on this recording or a CD of this performance, call (601) 693-2224, and for information on Earthworks High Definition Microphones™ visit www.earthworksaudio.com.

Seattle Pacific University Prepares for New School Season with Hitachi Projectors

SEATTLE, Washington, September 19, 2013 — Seattle Pacific University (SPU) is a private liberal arts university, home to more than 4,000 undergraduate and graduate students. The school, located in the Queen Anne neighborhood of Seattle, offers fewer classes during the summer. This time is used for planning and upgrading the technology and A/V equipment in the campus’ 100 classrooms. This summer, SPU has added 36 Hitachi CP-WU8450 3LCD projectors to its A/V system.

“A couple years ago, more than two dozen [non-Hitachi] projectors had to be recalled due to a power issue. Because it happened in the middle of the school year it was very disruptive,” said James Lim, microsystems analyst at SPU. “When we were in the market for new projectors, a strong support policy was obviously our priority and Hitachi’s extended service contract was very appealing right away.”

After installing and receiving positive faculty feedback on previously installed Hitachi CP-X4021N and CP-WU8440 projectors, SPU opted for the CP-WU8450 projectors. With the help of A/V installation firm Proton 360, 80 percent of SPU’s classrooms are now outfitted with Hitachi projectors.

“We’ve noticed that the CP-WU8450 actually seems brighter than its advertised brightness,” said Lim, “They’re bright enough that our faculty have actually gotten used to leaving the blinds open and the lights on in the classrooms!”

The CP-WU8450 projectors, which are networked together via an Extron controller, offer 5,000 ANSI lumens brightness and WUXGA 1920 x 1200 resolution.

“Walking through a classroom that’s outfitted with the CP-WU8450’s is markedly different from walking through other rooms in terms of the projector’s quietness and brightness,” said Lim. “We definitely like the product and will be sticking with Hitachi as long as they keep producing great projectors like this one.”

For more information on Proton 360 visit http://www.proton360.com/

For more information on Hitachi visit www.hitachi-america.us/digitalmedia

Follow Hitachi on Facebook at http://www.facebook.com/pages/Hitachi-Projectors/131067323636829

Follow Hitachi on Twitter at http://twitter.com/#!/HALProjectors

About Hitachi, Ltd.
Hitachi America, Ltd., headquartered in Tarrytown, New York, a subsidiary of Hitachi, Ltd., and its subsidiary companies offer a broad range of electronics, power and industrial equipment and services, automotive products and consumer electronics with operations throughout the Americas. For more information, visit www.hitachi-america.us. For information on other Hitachi Group companies in the United States, please visit www.hitachi.us.

Hitachi, Ltd. (TSE: 6501), headquartered in Tokyo, Japan, is a leading global electronics company with approximately 326,000 employees worldwide. The company’s consolidated revenues for fiscal 2012 (ended March 31, 2013) totaled 9,041 billion yen ($96.1 billion). Hitachi is focusing more than ever on the Social Innovation Business, which includes infrastructure systems, information & telecommunication systems, power systems, construction machinery, high functional material & components, automotive systems and others.

About Seattle Pacific University
Founded in 1891, Seattle Pacific University is a premier Christian university that equips people to engage the culture and change the world. Its comprehensive academic program serves more than 4,000 undergraduate and graduate students. Known for both their competence and character, SPU graduates are bringing about positive change in communities around the globe.

Linkin Park Rocks the Philippines’ SM Mall of Asia Arena With HARMAN’s JBL VTX Line Arrays and Crown VRACK Amplifier Systems

PASAY, Philippines — Touring in support of its new album Living Things, Linkin Park brought its high-powered alt-metal-rap-rock to the Philippines’ for only the second time in its career, performing at the SM Mall of Asia Arena on August 13. Audio for the 20,000-seat arena was supplied by Manila-based tour sound contractor SoundCheck (www.soundcheck.com.ph), with a massive sound system featuring 128 HARMAN JBL VTX Series line array loudspeakers and subwoofers powered by 30 Crown VRACK amplifier systems.

SoundCheck has supplied tour sound for top international and Philippines acts since 1992. The system deployed for Linkin Park included a total of 60 JBL VTX V25 line array elements and 60 VTX S28 subwoofers flown for the main and side PA. In addition, six JBL VERTEC® VT4888DP-PA powered midsize line array elements were used for the center cluster, and 16 VERTEC VT4880A fullsize arrayable subwoofers and 12 VRX932LA-1 Constant Curvature loudspeakers were ground-stacked with the subs in cardioid configuration.

Thirty Crown VRACK amplifier racks and three custom Crown racks powered the loudspeakers. VRACK is a complete, transportable amplifier solution that includes Crown I-Tech HD Series power amps, analog and digital connections and a universal power distribution system, housed in a wheeled rack with a suspension system that enables VRACKs to be suspended. Total amplification for the Linkin Park system added up to 78 Crown I-Tech 12000 HD amplifiers, nine I-Tech 9000 HD and 12 I-Tech 3500 HD amps. SoundCheck used JBL HiQnet Performance Manager™ software to set up and control the system.

Providing additional support to the SoundCheck team throughout load in and the show was HARMAN Professional Asia’s tour sound market manager, Vincent “Vinnie” Perreux. Although the SM Mall of Asia Arena is a very large 20,000-seat venue, once SoundCheck began the process of setting up the show, Perreux realized the amount of equipment requested on Linkin Park’s rider was actually going to be too much. “I think more audio professionals are starting to realize this now but the JBL VTX line arrays and subwoofers deliver far more output and coverage than other line arrays of their size, with more clarity, lower distortion and smoother tonal response,” Perreux noted.

In fact, when Perreux, SoundCheck and Linkin Park front of house mixer Ken “Pooch” Van Druten started the show, they left some of the top subwoofers completely off and kept the rest of the subwoofers between 7dB and 10dB down. “Even at the end of the show, when the band was going flat-out pedal to the metal and the audience was going nuts, we were still running the subs at -3.5dB,” said Perreux.

The Performance Manager software contributed greatly to SoundCheck’s ability to set up the sound system accurately before the first note was even played. Performance Manager enabled the crew to optimize the setup of the JBL VTX and VERTEC loudspeakers both in terms of determining the speakers’ physical deployment and in tuning the speakers using JBL’s V5 presets. Performance Manager also fully integrates with Crown’s VRACK. “We actually had to use a very light touch on the Crown amplifiers’ built-in OmniDrive HD DSP processing,” Perreux pointed out, “and Pooch only had to use four filters on his master EQ when mixing the show.”

“The sound was fantastic and Linkin Park, the band’s crew and the promoter were happy and really enjoyed the system,” Perreux concluded. “Mission accomplished!”

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

Almo Professional A/V Announces New Distribution Agreement with HARMAN Professional

Almo Professional A/V Announces New Distribution
Agreement With HARMAN Professional

Almo Offers Leading HARMAN Brands; Almo Hosting HARMAN Webinar 9/20; HARMAN to Show JBL Pro Control 10 Speakers at E4 Southern California 10/18

Philadelphia, PA — September 18, 2013 — Almo Professional A/V today announced a new distribution partnership with HARMAN Professional by which several HARMAN Professional brands are now available through Almo Professional A/V. Almo is hosting a HARMAN webinar on Sept. 20 so partners can become acclimated with the complete HARMAN offering. HARMAN has also joined the Almo E4 AV Fall 2013 Tour and will feature the newly shipping the JBL Professional Control 10 Speakers during the next event in Southern California on Oct. 18.

As part of the agreement with HARMAN Professional, Almo now carries five of HARMAN Professional’s brands, including JBL Professional speakers, Crown Audio amplifiers, AKG wireless microphones, dbx Professional digital signal processors and Soundcraft audio mixers for live sound.

“By carrying multiple HARMAN Professional brands, we are able to provide our partners with streamlined consistency and support for their audio sales and integration needs,” said Sam Taylor, executive vice president and COO for Almo Professional A/V. “Apryl Griswold, one of our Business Development Managers with audio expertise, will work in concert with our seasoned sales professionals to incorporate HARMAN products into audio installations. Together our Almo team will ensure complete integration, training, service and technical support for all the HARMAN brands.”

Almo is hosting a new webinar, “An Introduction to HARMAN Professional Audio through Almo Pro AV” to provide an overview of the product offering available from the five HARMAN brands it now carries. The session will take place on Sept. 20 at 2:00 p.m. Eastern. Click here to register.

“Almo’s commitment to reseller education programs and industry-leading dealer events fits well with HARMAN Professional’s approach of partnering with distributors who offer AV integrators this depth of value-added services,” said Bill Raimondi, senior manager, U.S. Distribution & Strategic Accounts for HARMAN Professional. “As a result, integrators who are exposed to HARMAN Professional products through Almo will receive the information and support they need to sell and install our products in the most productive way possible.” He added, “We are eager to participate in Almo’s upcoming E4 event where we will be showcasing JBL Professional’s new line of Control 10 Series ceiling speakers. Available in white or black, these blind-mount speakers are quick and easy to install and are perfect for cost-effective applications requiring high fidelity sound.”

Introduced during InfoComm 2013, the JBL Professional Control 10 Series is three new in-ceiling loudspeakers that combine installation-friendly features with superior sound quality and value. The Control 16C/T, Control 14C/T and Control 12C/T are designed for applications where lower- to medium-volume music playback and paging is appropriate, including retail stores, restaurants, music/paging systems, airports, waiting rooms and many other areas.

E4 Southern California Details E4 Southern California is on October 18 at the Hyatt Regency in Irvine, Calif. and runs from 8:00 a.m. to 4:00 p.m. P.T. It is an entirely free event, including parking, for Almo Pro A/V’s reseller, integrator and consultant partners. To register, go to www.e4avtour.com. The E4 AV program can be accessed on demand during and after each event for instructor videos, copies of the course presentations and live Twitter updates. On November 13, E4 will continue on to Metropolitan New York for a stop at the Meadowlands Expo Center.

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About Almo Professional A/V
Almo Professional A/V provides the industry’s most advanced product distribution, training and education, and technical support options available for the Pro AV community. With a highly skilled sales team, reseller education programs, seven distribution centers across the U.S. and product lines for the Pro A/V channel, Almo Professional A/V provides customers with the full distribution experience on a local and a personal level. Almo Professional A/V is a division of Almo Corp., the nation’s leading independent distributor of consumer electronics and major appliances. For more information about Almo Professional A/V, please call 888-420-2566 or go to www.almoproav.com. Almo Professional A/V can also be followed on Twitter at http://twitter.com/almoproav and on Facebook at www.facebook.com/almoproav.

*All product and company names herein may be trademarks of their registered owners.

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Unique Yamaha AFC System Installed at Buffalo State

NEW YORK—SUNY College at Buffalo recently installed a Yamaha AFC (Active Field Control) system in its 200-seat Ciminelli Recital Hall. The recital hall, located within Rockwell Hall, has been designed to accommodate small ensemble and solo performances by students of the Music Department and research in multi-channel sound diffusion. Rockwell Hall is one of four of the original buildings encompassing Buffalo State and houses the departments of music and art conservation as well as an 850-seat performing arts center.

AVL Design of Penfield, N.Y. designed the initial system with installation assistance from subcontractor AV Solutions (Rochester, N.Y.). Boynton Pro Audio of Norwich, N.Y. provided the system components. Joe Rimstidt of Yamaha Commercial Audio Systems, Inc. and engineers from Yamaha Japan completed the final AFC design, and with assistance from colleague Steve Seable, completed system tuning in late August. Brian Wittmer, head of the College’s facilities department, functioned as project manager.

“The recital hall is located in a section of an existing building that had limited height, states AVL’s Seth Waltz. The room also expanded during design and became quite long. Room design was targeted to provide a diffuse sound field, but even with our best efforts, it was apparent from the models that the design would not allow extended low frequency warmth or good lateral energy in the back of the room due to the limited cubic volume and length of the space. The length of the room was also challenging, as we wanted the experience in the rear seats to mimic the front sections. The Yamaha AFC System was introduced to allow tuning for RT60 as well as added ER (early reflection) and lateral ER to the rear of the room, which would be missing due to the length.”

The AFC3 system designed specifically for the Ciminelli Recital Hall includes four permanent microphones, 38 speakers plus 2 subwoofers. Some of the speakers serve multiple purposes, being AFC speakers when in AFC mode, and being part of the hall’s 7.1 Surround system when in that mode. The original design included four AFC2 processors, but after the release of AFC3, the school opted to upgrade two of the AFC units to AFC3. In total, there are five AFC units, five IPA8200 amplifiers, three Dante cards, and one AD8HR mic preamp. The school was very interested in being able to route signals to individual speakers for their electronic music program so the Dante cards were added to the AFC units to allow them to route signals that would be mixed with the AFC signals and output to any of the individual AFC speakers they may select.

The complete system includes both an early reflection system and reverberation enhancement system. The two systems are intertwined so the 20 audience speakers can receive a mix of the ER and REV signals. On the stage/ performance area, there are six speakers on the sidewalls that receive ER signals only and 12 speakers overhead for the reverberation enhancement.
Several Yamaha DME (Digital Mixing Engine) units equipped with various MY cards facilitate an extensively flexible routing system enabling signal routing from various consoles or computers to the recording studio, the AFC speakers, or any of the speakers in the house surround system.

“This is no ordinary AFC3 system, states Tom Kostusiak, Production Manager for the Performing Arts Center who also teaches classes in sound recording and reinforcement for the Music Department. The recital hall is in a renovated art gallery space on the third floor of Rockwell Hall. The ceiling height was limited to 16 feet, so there was no way to achieve the “space” required to allow natural acoustics to occur.”

When not being used for its intended purpose (AFC), Kostusiak said they would have the ability to address each speaker independently over the Dante network designed by Yamaha. “This is going to allow our electronic music faculty to utilize the speakers as a 52.1 Surround mix system directly from Tomas Henriques’ (head of the Digital Music Program) computer as well as our Yamaha DM1000 or Avid SC48 consoles. In fact, we will be able to utilize multiple computers as well as both consoles as input devices feeding directly to any speaker in the room. In addition to the AFC3 system, we can also use the room as a 5.1, 6.1 or 7.1 mix room and, of course, the 52.1 configuration. The associated recording studio at Rockwell Hall allows the school to use the recital hall as a live room for sound recording classes as well.”

“We have given the Music Department access to each and every one of the speakers in the space, so they are composing for a multi-channel audio system.” said Mickey Ames, one of the project managers for AV Solutions. “You can isolate the clarinet in speaker 42 and the drums in speaker 10, for example, and that is what makes this particular installation so incredibly unique.”

The initial idea of converting the space to 52.1 developed out of a suggestion from Henriques. “The modification of Yamaha’s AFC system to allow the integration of all the speakers in the Ciminelli Recital Hall as a 52.1 surround system, effectively turns the hall into a unique space for research in sound diffusion as well as a performance venue for works that feature multi-channel sound, Henriques states. The 52.1 surround system will enable student composers to write film scores that use a high number of discrete output channels, a trend increasingly found in today’s movies. It will also provide the means for the Music Department to foster international conferences and colloquia in the area of sound diffusion, virtual acoustics and psychoacoustics.”

Buffalo State Music Department offers a minor in Digital Music Production with a track in Electronic Music Composition and a track in Sound Recording. This program also features a very sought after Digital Music Ensemble that uses state-of-the-art electronic instruments. The growing popularity of the minor is steering the department into offering a major and a Master’s degree in Music Technology. “The Ciminelli Hall with its 52.1 surround system is a great addition to the department’s facilities, one which will attract students nationwide,” adds Henriques. (For info on Henriques research in new electronic instruments visit http://www.youtube.com/watch?v=NEDAJY92gt4.)

“This is the first time we have incorporated the mixing of audio signals with the AFC signals for routing to the AFC speakers, enabling the music program to experiment with the very creative ideas they have for performances in the space,” notes Joe Rimstidt, Systems Design Engineer, Yamaha Commercial Audio Systems, Inc.

For more information on the Buffalo State Music Department, visit www.music.buffalostate.edu.

For more information on Yamaha AFC, visit web www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Screen Innovations Black Diamond Motorized is a Unique, Rollable Flat-Panel TV Alternative That Vanishes From Sight When Not in Use; Now Available in 2.35:1 Aspect Ratio up to 138” in Size

Design and décor-friendly flush and external mount options provide integrators the ability to add a large-format television that virtually disappears when not in use to any room, environment or space

AUSTIN, TX and DENVER, CO (CEDIA EXPO booth #3331) September 19, 2013 Screen Innovations (SI), a leading US-based manufacturer of projection screens and associated technologies, announced today that the company’s highly popular and newly-updated Black Diamond™ Motorized screen will be actively displayed for CEDIA EXPO 2013 attendees to witness firsthand. The recent recipient of several new enhancements, Black Diamond Motorized is now available in diagonal screen sizes up to 138” and can also now be configured with either a 16:9 or 2.35:1 aspect ratio with either flush or external mount, allowing integrators to specify the most appropriate screen for the job based on the type of content that will most often be viewed.

Featuring a truly unique motorized design utilizing SI’s proprietary Black Diamond award winning multi-directional ambient light rejection screen technology, Black Diamond Motorized is a sleek and sexy flat panel alternative that delivers stunning images yet disappears when not in use, making it ideal for virtually any environment, aesthetic or application. It has been installed in locations worldwide thus far, serving as a rollable TV that can enter and exit a space with ease. As such, there is no other product like Black Diamond Motorized on the market.

Utilizing one motor, four custom helixes, and a spool of slender aircraft cable, Black Diamond Motorized silently lowers a thin wing containing the rolled Black Diamond screen downward from a recessed ceiling-mounted cassette. The cable-hung wing then stops, and from it, a small tube quickly emerges and lowers itself down to an adjustable, pre-determined image height, leaving only the image space in sight. Because Black Diamond screens do not require masking or any black drop material whatsoever, there is no visible material above, below, or on either side of the screen surface, allowing the images projected on Black Diamond Motorized to appear as though they are suspended in air.

Now available in either 16:9 or 2.35:1 configurations, Black Diamond Motorized screens can be effectively used with ceilings that are up to 11 feet in height. 16:9 versions are available in 80”, 92”, 100”, 106” and 110” diagonal screen sizes, whereas the 2.35:1 versions are available in 110”, 120”, 132” and 138” diagonal sizes. Custom sizes will be made available in the future.

Unlike flat panel TVs, Black Diamond Motorized delivers zero glare and reflection when used in a bright environment, and by virtue of its industry-leading Black Diamond ambient light rejecting screen technology, light scatter is measurably reduced by over 75%. Delivering a next-level entertainment experience while literally disappearing into the room’s existing décor when not in use, Black Diamond Motorized appeals to the senses – and satisfies the needs of - a diverse audience in a variety of Commercial environments. Black Diamond Motorized is the ultimate blend of art + science.

Video: http://www.screeninnovations.com/projector-screens/motorized/black-diamond-motorized/

Those interested in learning how Black Diamond Motorized solves complex installation challenges and delivers next-level entertainment experiences for a wide range of residential and commercial applications are encouraged to contact Katye (McGregor) Bennett of KMB Communications to schedule time to meet with SI executives during CEDIA EXPO 2013 by emailing Katye@kmbcomm.com or calling (425) 328-8640.

For more information on the SI line, to find local area dealers, or to access screen calculators and other useful specification and ordering tools, visit www.screeninnovations.com or call (512) 832-6939.

About SI

Screen Innovations (SI) is a leading US-based manufacturer of projection screens and associated technologies for residential and commercial applications. Best known for Black Diamond™, the world’s first and only multi-directional ambient light rejection projection screen technology, SI has effectively revolutionized the two-piece projection category by pioneering and producing screens which deliver an unparalleled video image in either light or dark environments.

Sold at affordable price points and designed to blend flawlessly with surrounding décor, SI projection screens deliver stunning images and a fully immersive entertainment experience, rivaling or surpassing traditional displays. Operating under the principle that “No matter the budget, Screen Innovations has the best available screen solution to suit your needs,” SI produces a comprehensive assortment of screens and accessories for nearly any application.

More information about Screen Innovations can be obtained by visiting www.screeninnovations.com, e-mailing sales@screeninnovations.com, or by calling (512) 832-6939. Follow SI on Twitter @SIScreens, on Facebook at www.facebook.com/screeninnovations, and on Vimeo at www.vimeo.com/screeninnovations.

Screen Innovations Media Contact:

Katye (McGregor) Bennett

KMB Communications

E. Katye@kmbcomm.com

O. (406) 446-1283

C. (425) 328-8640

T. @katyemcgregor

W. www.kmbcomm.com

 

###ENDS

 

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