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Archive for October, 2013

VGTRK Takes HARMAN Studer Vista 1 for New Samara OB Van

SAMARA, Russia – The project team of RTV-RTC has carried out the installation of a new OB van for Russian broadcaster, VGTRK at its Samara base, featuring a HARMAN Studer Vista 1 all-in-one console.

The 12-camera van was commissioned in September this year with the audio and intercom design masterminded by RTV-RTC’s Alexander Yankovsky.

The Studer system comprises a 32-fader desk with optical MADI card and Studer Compact Stagebox, with 32 mic/line inputs and 16 line outputs. An Si Compact 16 with optical MADI card, from HARMAN Professional sister company Soundcraft, has been supplied as a backup audio mixer.

RTV-RTC won the tender for the design and construction of the mobile television studio for VGTRK back at the end of 2012. This 10+2 HD camera truck has been designed for all types of OB filming and recording of social and political events, concerts and performance as well as shooting sporting events throughout the Middle Volga region.

“We recommended Vista1 to our customer based on the excellent quality of the sound and the inbuilt sound processing,” stated Yankovsky. “It offers one of the best price/function ratios — and this was a very important aspect, as it allowed us to put into practice the customer’s requirement, namely, flexible and cost-effective sound for video production possibilities.

“The other attraction was the user-friendly and logical Vistonics™ interface. The work of a sound director in live broadcast can be compared to the work of an aircraft pilot — needing to control numerous parameters in real time, and provide a swift override of the process if something goes wrong. Vistonics can handle this easily.”

The new OB van will produce two independent television programmes, including live broadcast and is designed to work in HDTV format, with the ability to switch to HD / SD. It has been designed on a two-axle trailer chassis with a total body length of 12.3 metres, with dedicated rooms for audio, video, engineering and computer room / rack room. There are also two external commentator positions with two-way signal delivery via Telecast T-POV receiving and transmission sets.

As for audio, the main Vista 1 has been integrated into the MADI router through two optical MADI connections, which provide all the necessary sources. The mixing console, with the Vistonics™ user interface and 40 on-screen rotary knobs, has built-in signal processing, 32 -fader direct access and signal level meters on each channel.

In fact everything is contained within the console — the control surface, I/O system, DSP and power supplies are all in one box making it ideal for restricted space environments such as in OB and ENG vans — or for applications where the console needs to be moved with ease. The back-up Si Compact 16 allows a basic mix of 24 channels.

In conclusion, Alexander Yankovsky added, “By using a main interchange of the sound signals via DOTEC MADI routing, we were able to achieve a very flexible audio structure as well as the integration of the backup mixer into the system.”

Other key people involved in the build were chief project (and video) engineer Evgeny Zaytsev and project engineer (power distribution), Georgy Kozhevnikov.

Further information from:
http://www.rtvcenter.ru/articles/desyatikamernaya_pts_dlya_gtrk_samara/

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

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Two Meyer Sound Rental Houses Join Forces for Metallica’s Malaysian Debut

Two of Malaysia’s leading rental companies came together this summer to ensure Metallica’s first-ever concert in the country would be a memorable event. By merging their Meyer Sound inventories, Kuala Lumpur-based EHQ Projects and Selangor-based SES Sound & Lighting created a massive, 146-loudspeaker system based around MILO® line array loudspeakers.

“There were no delays, but the sound was clear and very loud even 100 meters back from the stage,” recalls Jay Neil, technical director of EHQ Projects. “Afterwards, I had people telling me it sounded like a CD on a great stereo.”

In order to cover an audience of 30,000 in Kuala Lumpur’s Stadium Merdeka, the two companies configured a system of 72 MILO loudspeakers, including 40 for main hangs, 30 for side hangs, and two for out fills. Front fill was provided by 12 M’elodie® line array loudspeakers, and 40 700-HP subwoofers provided ample low end. System drive and alignment was supplied by a Galileo® loudspeaker management system with two Galileo 616 processors. Dual side-fill arrays featuring five-each MILO loudspeakers over two-each 700-HP subwoofers combined with 26 MJF-212A stage monitors to provide on-stage foldback.

FOH mixing duties were handled by “Big Mick” Hughes, Metallica’s long-time engineer. Monitor engineer Bob Cowan and assistant monitor engineer Adam Correia handled the band’s on-stage mix.

“After the show, the media reported that it was the first time they’d head really great sound at an outdoor rock concert in Malaysia,” says Neil. “Big Mick deserves a great deal of credit for mixing Metallica as only he can.”

Andrew Warren, managing director for EHQ Projects, worked closely with Neil, while Frankie Lau, Marcus Koay, and Frando Ho coordinated logistics for SES Sound & Lighting under the supervision of Managing Director S.T. Ho.

“Metallica was the show of a lifetime,” says Neil. “We want to thank SES for coming on board as a partner to make it a great success.”

Metallica’s Malaysian appearance was produced and organized by Galaxy Group, in association with LAMC Productions and Rockstar Touring.

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Zylight F8 LED Fresnel Named ‘Best of IBC’ by TVBEurope

LOS ANGELES – Zylight, a leading manufacturer of innovative LED lighting solutions, today announced it its new F8 LED Fresnel was named one of the “Best Of IBC” products by TVBEurope magazine. Available in tungsten (3200K) or daylight (5600K) versions, the F8 maintains single shadow traditional Fresnel beam shaping through an eight-inch SCHOTT glass lens, and offers a patented focusing system for spot and flood operations. Plus, the unique F8 folds flat – collapsing to less than four inches thick – for easy transport and storage.

Selected by the editorial teams of TVBEurope and the IBC Daily, the Best Of IBC was awarded to new products across seven categories and chosen from more than 1,400 exhibitors at IBC2013 last month in Amsterdam. The magazine and official show publication are published by Intent Media Ltd.

“We appreciate that our F8 LED Fresnel was named one of the Best Of IBC at this year’s show,” said Joe Arnao, president. “People are really responding to its innovative design and the fact that it costs so much less to operate than traditional Fresnels.”

Ideal for studio or location work, the F8’s LED engine with quantum dot technology provides a cooler, more energy efficient light than traditional Fresnel instruments, but does not compromise performance. While it draws only 100 watts, it has close to the light output of a traditional 1000-watt Fresnel. With a CRI (color rendering index) up to 97 or better, the fully dimmable F8 offers and adjustable beam spread (16-70 degrees) for even coverage for widescreen productions.

Like other Zylight models, the F8 is also equipped with ZyLink wireless technology, which makes it easy to link multiple Zylights for simultaneous remote control. As a result, several F8s can be grouped together and linked for unique lighting scenarios. The F8 can also be controlled via DMX. It is also water resistant (IP54) for use in challenging location conditions, and can be powered by a worldwide AC adapter or standard 14.4V camera battery.

The F8 includes a five-year warranty on the LED engine, and ships with barn doors and yoke mount. Additional accessories are available separately.

ABOUT ZYLIGHT LLC

Zylight was founded in 2003 with one mission: Bring truly intelligent, time-saving lighting to the entertainment production industry. Our award-winning team has more than 80 years of combined industry experience, and we continue to develop innovative LED lighting solutions to help make your job easier. With more than 50 dealers worldwide, Zylight continues to grow its brand to a large international audience. More Than Bright – Zylight. Find out more at www.zylight.com.

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DPA Microphones Displays the Ultimate Podium Microphone at the 135th International AES Convention

Company builds on the renowned audio quality of its highly regarded microphones to design new solutions that are ideal for the installation market

NEW YORK, OCTOBER 9, 2013 – DPA Microphones will show its two Podium Microphones at the 135th International AES Convention (Booth 2551). Based on the company’s d:dicate™ Recording Microphones and renowned Miniature Microphones, the solutions give AV installers and conference organizers the clear, transparent and precise sound they demand.

As a high-end solution, DPA is offering podium microphones that incorporate the modular capsules from its d:dicate Recording Microphones, which are acclaimed for their exceptional linear frequency responses, high SPL and superior gain before feedback. These new podium microphones combine the state-of-the-art d:dicate capsules with any of the company’s newly introduced modular active booms and modular active cables. With several capsules to choose from, DPA customers can access the exact microphone and boom or cable combination to meet their needs.

“While DPA Microphones is internationally acclaimed for creating high quality live sound and recording microphones, we are excited to now turn our attention to the installation market with the launch of our flexible d:dicate range,” says Christian Poulsen, CEO of DPA Microphones. “Since we already had the high-end capsule and preamplifier technology needed to fulfil the audio component, creating a microphone for the installation and conference markets was an obvious step for us. We just needed to employ an ingenious mechanical solution that allowed us to adapt our boom and cable technology to deliver high-end installation solutions for a wide variety of applications.”

Whether this is for a podium, desktop, stage stand or even a ceiling suspension, DPA Microphones’ Podium Mics have it covered with visually elegant and sonically advanced products that feature all the robustness inherent in DPA’s engineering techniques. In addition to the high-end d:dicate solution, DPA has also developed a cost-effective, directional podium microphone based on its renowned miniature microphones.

These directional gooseneck microphones, which use interference tubes and pre-polarized backplates to ensure speech intelligibility, were originally devised on request
from the Nobel Prize organization. In search of a dedicated podium solution for its 2012 Nobel Peace Prize presentation at Oslo City Hall in Norway, the organization required a microphone that could stand up to the acoustical challenges of its auditorium. To fit the need, DPA Microphones adapted its existing miniature capsule to give an off-axis frequency response that negated room reverberation while preserving the needed on-axis sensitivity for voice level. The company also positioned the capsule on a delicate gooseneck stand. The result was so well received that the microphone was quickly adopted as a standard DPA product and is now available to all installation customers. This miniature podium microphone can also be used in a wireless configuration by employing the company’s innovative adapter that is available for its range of miniature microphones.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com

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SSL Introduces the ‘Live’ Console to North American Market at 135th AES Convention

“The fresh approach with Live literally redefines how a live performance console should sound combined with a control surface that helps the engineer to deliver exceptional performance”

NEW YORK – Solid State Logic, the world’s leading manufacturer of creative tools for audio professionals, is proud to introduce ‘Live,’ the first SSL console for live sound production, at the 135th AES Convention (Booth 2821). The Live combines SSL’s signature audio quality and console ergonomic experience into a unique approach for live performance FOH and stage monitoring sound production, and promises to bring something very special to the live sound arena. Drawing on more than 35 years of industry leading analogue and digital console innovation, the Live has inherited the DNA from multi-award winning, ground-breaking and much loved consoles for music, broadcast and post production that SSL has produced over time.

“Top artists, producers and engineers have been asking us to develop a live sound console to match the rich, creative experience they enjoy in the studio using an SSL console,” states Antony David, Managing Director at Solid State Logic. “The time has finally come for us to release ‘Live’ after several years of constant development and innovation. We believe Live is a console that engineers will fall in love with because of the lengths we have gone to with the design. The fresh approach with the Live literally redefines how a live performance console should sound combined with a control surface that helps the engineer to deliver exceptional performance. Much excitement has been generated since the Live was introduced at Musikmesse in Germany and we believe the industry in North America will embrace the console, too.”

Live is all about power and control and is perfectly suited to touring or installation, FOH or monitor systems for venues, arenas, houses of worship and concert halls. Featuring complete flexibility and an intelligent user interface, it is especially ideal for any situation in which audio quality is important.

Based on SSL’s new Tempest processing platform, Live is deployed in a uniquely versatile way. The headline numbers are as impressive as the price, with 976 inputs and outputs and 192 full processing audio paths at 96kHz. How those paths are configured is extremely flexible with power allocated to Channels, Auxes, Stem Groups and Masters, configured to suit the needs of each show. All processing is built into the console surface as well as a collection of I/O connectivity built into the frame. A full range of Stagebox I/O connects to the console via MADI, with the potential for larger systems to make use of SSL’s own Blacklight technology that carries up to 256 channels of bi-directional audio and control via a single fibre connection.

Console power is really nothing if it can’t be controlled and Live offers a truly excellent control surface. It combines a tablet-style multi-gesture touch screen with elegant hardware ergonomics, excellent visual feedback and a collection of innovative new features. It enables engineers to work exactly how they work today, whether they prefer new touch screen or classic hardware technology, or a combination of both, and offers new and better ways of doing things that will make the operator’s life less stressful and more creative.

Being an SSL, Live has legendary audio performance as standard. Impeccable audio quality is a primary design feature right the way through from studio-grade SuperAnalogue™ mic preamps, 24bit/96kHz A/D D/A conversion, to 64bit internal processing and 96kHz operation throughout. An obsession with quality also shines through an array of channel processing tools that bear the classic SSL tone, but bring a completely new level of precision, flexibility and usability. Live features an impressive collection of 30 new effects and audio analysis tools that take SSL’s acclaimed studio-grade processing and re-crafts it for Live, with the additional benefit of giving the effects and analysis tools its own dedicated processing power.

As has been the case so many times in the last few decades, SSL has taken a new approach to the way professional engineers work and created an inspired console that builds upon the way things are done today while offering the potential for a new, exciting and more creative way to work tomorrow.

Live is now shipping.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

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Fitz and the Tantrums Monitor Engineer Finds HARMAN’s Soundcraft Vi1

POTTERS BAR, United Kingdom – This past summer, indie pop band Fitz and the Tantrums has enjoyed a successful string of live concerts throughout the United States, either headlining its own bills or opening for Bruno Mars for several dates. For every show, monitor engineer Aaron Glas has relied on HARMAN’s Soundcraft Vi1 as his monitor console.

Glas is no stranger to the Vi1 and the Soundcraft Vi family. “A few years ago, I was looking for a small-format digital console that could handle 24 outputs and there aren’t many,” he said. “The Vi1 looked perfect. I’ve toured with it for several years now and I’m thrilled to continue mixing on the Vi1 for Fitz and the Tantrums.”

Although Glas has a wealth of experience working with the Vi1 and other Soundcraft Vi Series consoles, his work with Fitz and the Tantrums marks the first instance in which he has used the cue/snapshot feature of the Vi1—something he has found to be a tremendous advantage.

“Using the snapshots with the Vi1 has been a great learning experience,” Glas noted. “We’ll always have the full band at sound check and it’s nice that I can recall what we’ve done the previous night and tweak the mixes based on the band’s requests. With the snapshot feature, I’m able to fine-tune the sound more specifically with each successive performance.”

In addition, the snapshot feature enables Glas to quickly and easily adjust to any changes Fitz and the Tantrums make from show to show. “My cues can change with the set list and all the levels can be recalled nightly so it makes for a pretty consistent performance each time,” he said. “The band has a great comfort level knowing they can achieve the same quality audio night in and night out.”

“The level of support from Soundcraft has also been exceptional,” Glas concluded. “Whether it’s Tom Der or Rick Morris, they’re always very helpful and very responsive.”

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

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Simonds Stadium Installs Australia’s First Ever HARMAN BSS Audio Soundweb London BLU-805 AVB System

GEELONG, Australia – Simonds Stadium has become one of the biggest and most successful multi-purpose venues in Australia’s Victoria Region. The Stadium’s third stage of renovation was recently completed with the addition of a new southern grandstand, increasing seating capacity to over 35,000. During the renovation Simonds Stadium was outfitted with a HARMAN BSS Audio Soundweb London BLU-805 AVB system, making it the first venue in Australia to benefit from the extensive audio-video bridging system. Australian-based Total Events Co. performed the installation.

The Soundweb London BLU-805 combines the proven and respected Soundweb London platform with the industry-supported AVB transport. The BLU-805 provides 64 incoming AVB channels and 64 outgoing AVB channels at 48kHz or 32 incoming AVB channels and 32 outgoing AVB channels at 96kHz. The stadium utilizes the HiQnet™ London Architect software for configuration, control and monitoring of the system. The audio is fed from the Soundweb London devices via BLU link to the HARMAN Crown CTS amplifiers in various rack rooms that drive the speaker system.

“The main audio feed is derived from the existing system control which is about 300 meters away from the new racks, so we used AVB to link from that system to the new zone,” explained Bill Busbridge, Managing Director of Total Events Co. “The BLU-805 picked up its feeds nicely. The BLU-805 also controls three function spaces and it certainly made our job a lot easier.”

Total Events Co. also designed, supplied, and installed the PA system for the new grandstand that includes JBL AWC129 and AWC82 all-weather loudspeakers. In addition, JBL Control 25AV speakers cover the walkways and JBL ceiling speakers cover the functions spaces.

“We installed fourteen JBL AWC129 speakers and sixteen JBL AWC82 speakers for the seating bowl and under balcony fills,” remarked Busbridge. “We chose them as they are robust, high powered and totally suitable for the application. They also fitted in well with the architect’s aesthetic requirements.”

Commenting on the simplicity the BSS Audio system offers, Busbridge said, “I’ve been back a couple of times to tweak the system and it is really simple to patch back in and make changes on the fly.”

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

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Analog Way’s LiveCore™ series now easily compatible with Crestron 2-series and 3-series Control Systems

October 2013 – Analog Way is pleased to announce that all models of the LiveCore™ series, its range of Premium AV Switchers, can now be controlled by 2-series and 3-series Control Systems from Crestron Electronics.

To facilitate the ease of integration of the NeXtage 16, SmartMatriX Ultra, Ascender 32 and Ascender 48 in high-end installations, Analog Way now provides drivers to control its Presentation Mixers through Crestron’s advanced Control Systems.

Developed by Technidream, an official Crestron Service Provider, a comprehensive set of tools is available including: a driver library, program examples, VTPro project samples for XPanel and iPad, as well as help files in French and English.
Using this package, integrators can access standard commands on the LiveCore™ series through Crestron 2-series and 3-series Control Systems.
Moreover, the drivers provided are open so that they can be modified to add new commands to fill the needs of specific installations.

Franck Facon, Marketing & Communications Director at Analog Way, comments: “The LiveCore™ series has a lot to offer to the integration market. By providing drivers for control through Crestron Control Systems, we intend to optimize the integration of our products within sophisticated automation environments.”

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“The Today Show” Brightens Up the Morning with a New Set Plus a Moving Light Package from WorldStage

For the first time in seven years NBC’s iconic “The Today Show” has introduced viewers to a new set enhanced by a moving light package from WorldStage. The complement of fixtures supplied to lighting designer Fred Bock includes nine Martin MAC 350 Entour LED spots, 10 Martin MAC Aura LEDs, nine Clay Paky Sharpy Washes and six Clay Paky Alpha Profile 800 STs.

The new set is “a combination of modern and homey at the same time,” says Bock, who previously teamed with WorldStage on NBC upfronts and the ESPN booth at the US Open. “There’s a lot of automation and a lot of displays. The Home Base Desk is on a turntable, which allows the home base for the opening of the show to turn around and face Rockefeller Plaza for the first time,” he explains. “Viewers can come in and look right into the window and then pull into the studio.”

According to Bock, “the moving lights are mostly used in the production area where big interviews, cooking demos and music performances take place. They have to keep that space as flexible as possible to deal with all types of production in a small space.”

The network has been promoting LED usage where practical and Bock says the MAC Auras and 350s fulfill that mandate and “give a more natural look” to the new set. The Clay Paky Sharpys provide “a nice punchy light” for music. “They do many different things, from a tight beam to a nice wash on the floor – they help modernize the look of the studio,” he reports.

Bock is also “enamored” with the flat beam of the Clay Paky Alpha Profiles. “Their shutters work really well,” he adds. “They have great effects and smooth dimming.”

Choosing WorldStage to furnish the moving light package was “a no brainer,” says Bock. “WorldStage has a very strong working relationship with NBC, and I have a great relationship with them. They’re always there whenever you need something; they respond at a moment’s notice.

“We needed to test equipment, and WorldStage got it to me very quickly. They were so responsive and helped us make our decisions. It’s very helpful to be able to rely on WorldStage for a changing project like this where you can’t plan for everything.”

At WorldStage Drew DeCorleto who was the account executive for the project, stated “We were very pleased to be part of the team supporting this update. At WorldStage we understand the particular demands of the network environment and we have always worked hard to be an ideal vendor for NBC and other broadcast projects.”.

WorldStage Inc., the company created by the merger of Scharff Weisberg Inc and Video Applications Inc, continues a thirty-year legacy of providing clients the widest variety of entertainment technology coupled with conscientious and imaginative engineering services. WorldStage provides audio, video and lighting equipment and services to the event, theatrical, broadcast and brand experience markets nationally and internationally.

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Red TX Captures Stephen Lawrence’s Tribute Concert

Broadcast audio specialists Red TX was at London’s O2 Arena on September 29th, 2013, to capture the broadcast audio for Unity – A Concert For Stephen Lawrence.

Artists including Rita Ora, Beverley Knight and Jessie J were joined by Emeli Sande, Ellie Goulding and Ed Sheeran for the concert, which was held to mark the 20th anniversary of Stephen’s death in southeast London.

Red TX was commissioned to handle the broadcast audio by Paul Dugdale, who was directing the project on behalf of ACME TV. Dugdale previously worked with Red TX during the summer when the company recorded The Rolling Stones in Hyde Park.
For the Unity concert, which was broadcast on BBC 2, Red TX used its main Red 1 outside broadcast vehicle, with engineers Tim Summerhayes and Ollie Nesham at the controls.

“We knew the event was going to be challenging due to a tight schedule and the shear amount of artists and tracks involved,” Paul Dugdale says. “As a director, it’s such a blessing having someone like Tim involved, not only because I know he’s great in those high pressure situations, but that you know the finished product will come out sounding amazing, too.”

Tim Summerhayes adds: “We recorded the concert as live because we had enough time to create snap shots during the sound check. We also had some time the following day to tidy up the audio before delivering it to The Farm where it was dubbed and made ready for broadcast on the evening of Tuesday October 1st. Although there were a large number of artists involved, it was a relatively straightforward project and we were all really pleased with the results.”

The concert was part of the SL20 Campaign, which is celebrating Stephen’s life with a series of awareness-raising events through the year. Funds from the show will go to The Stephen Lawrence Charitable Trust, which aims to create brighter futures for young people from disadvantaged backgrounds.

-ends-

About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD. It is headed by Ian Dyckhoff and Tim Summerhayes, both of whom have extensive experience in delivering high-quality audio for broadcast. www.red-tx.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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