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Archive for November 11th, 2013

2013 Hollywood Post Alliance Award Winners Announced

Gala Event Spotlights Leaders and Innovators in Post Production

(Los Angeles, CA) The 2013 HPA Awards(r) took place tonight, celebrating talent and innovation in 12 creative categories as well as in three special honors. The HPA Awards recognize individuals and companies for outstanding contributions made in helping to create features, television programs, spots, and entertainment enjoyed around the world. Presented by the Hollywood Post Alliance(r) – the professional organization for the post production community – the 8th Annual HPA Awards took place at the Skirball Cultural Center in Los Angeles, in front of a sold out audience of industry insiders and luminaries.

As announced earlier, Avid was honored with the prestigious Charles S. Swartz Award for Outstanding Contribution in the Field of Post Production. Avid President and CEO Louis Hernandez, Jr. accepted the Award on behalf of the company. Other special awards were presented, which included honors for Engineering Excellence, and the HPA Judges Award for Creativity and Innovation in Post Production.

The winners of the 2013 HPA Awards are:

Outstanding Color Grading – Sponsored by Dolby Laboratories

Outstanding Color Grading – Feature Film

“Life of Pi”
David Cole // Technicolor

Outstanding Color Grading – Television

“Castle – Hunt”
Anthony Smith // Encore

Outstanding Color Grading – Commercial

Under Armour “Brought To You By Under Armour”
Tom Poole // Company 3

Outstanding Editing – Feature Film

“Argo”
William Goldenberg, A.C.E.

Outstanding Editing – Television

“Breaking Bad – Dead Freight”
Skip Macdonald, A.C.E.

Outstanding Editing – Commercial

Nextel/Ferrari “Combustion”
Doobie White // Therapy Studios

Outstanding Sound – Feature Film

“Argo”
Erik Aadahl and Ethan Van der Ryn
John Reitz and Gregg Rudloff // Warner Bros. Sound

Outstanding Sound – Television

“Game of Thrones – The Climb”
Tim Kimmel, Paula Fairfield, Brad Katona, Jed Dodge, Onnalee Blank and Mathew Waters // Todd AO

Outstanding Sound – Commercial

Honda “Hands”
Anthony Moore // Factory

Outstanding Visual Effects – Feature Film

“Pacific Rim”
Lindy DeQuattro, Eddie Pasquarello, Nigel Sumner, Derrick Carlin and Chris Lentz // Industrial Light & Magic

Outstanding Visual Effects – Television

“Game of Thrones – Valar Dohaeris”
Joe Bauer and Jabbar Raisani
Jörn Grosshans and Sven Martin // Pixomondo
Doug Campbell // Spin VFX

Outstanding Visual Effects – Commercial

Galaxy “Chauffeur”
Simon French, William Bartlett, Stephen Cullingford and Grant Walker // Framestore

A number of special awards, which had been announced earlier, were bestowed during the evening including:

Charles S. Swartz Award for Outstanding Contribution in the Field of Post Production

Avid(r)

HPA Engineering Excellence Award sponsored by NAB Show

* DTS, Inc. – MDA
* NVIDIA – NVIDIA GRID(tm) Visual Computing Appliance (VCA)
* Sony Pictures Imageworks and The Foundry – FLIX
* Telestream – 16 bit 4:4:4:4 Transcoding Technology

HPA Judges Award for Creativity and Innovation in Post Production
Park Road Post Production – Next Generation Feature Film Workflow: Enabling HFR 48FPS Stereoscopic 3D On Set to On Screen

For further information about the Hollywood Post Alliance, contact: 213.614.0860, or visit http://hollywoodpostalliance.org/.


About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.

About the HPA(r) Awards
The HPA Awards were created to foster awareness of post production, promote creative and technical excellence, recognize the achievements of post production talent, and build involvement in the Hollywood Post Alliance.

The HPA Awards were presented with generous support from Premier Sponsor: NAB Show; Foundation Members: Avid, Company 3, Deluxe, Dolby Laboratories, EFILM, Encore; Bronze Sponsor: Sohonet and Brand Sponsor: NVIDIA

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Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz or
Mimi Rossi, mimi@ignite.bz

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Kodak Goes Behind the Lens with Sean Bobbitt & Delbonnel at Camerimage Festival


(BYDGOSZCZ, Poland) – Kodak is hosting back-to-back conversations with renowned cinematographers Sean Bobbitt, BSC and Bruno Delbonnel, ASC, AFC at the 21st edition of Camerimage, the international film festival of cinematography, on November 21 at 7:00 (CMT) in the Opera Nova, first floor seminar room. Both Bobbitt and Delbonnel have films competing in the main competition: Steve McQueen’s 12 Years a Slave and the Coen brothers’ Inside Lewelyn Davis, respectively. Each discussion will be followed by an audience Q&A.

Bobbitt, a BAFTA and Emmy(r) nominee, recently shot Killing the Messenger, The Place Beyond the Pines, 12 Years a Slave, Shame and Hunger. The latter three of those movies were done with McQueen.

Delbonnel collaborated with director Jean-Pierre Jeunet on Amelie and A Very Long Engagement, and earned Oscar(r) nominations for both films. His credits include Dark Shadows, Harry Potter and the Half-Blood Prince, The Cat’s Meow, Infamous and Across the Universe, which garnered the Silver Frog at Camerimage in 2007.

“Camerimage is a wonderful opportunity for the cinematography community to share ideas and philosophies, as well as celebrate the art itself,” says Andrew Evenski, president of Kodak’s Entertainment Imaging business. “We are proud to be part of the 20-plus year history of this unique festival.”

This year’s festival opens November 16 with a screening of Saving Mr. Banks which was photographed by John Schwartzman, ASC on Kodak film.

For updates on what is happening at the festival, follow Kodak on Facebook and Twitter. For more information about the festival, visit http://www.camerimage.pl, and for more information about Kodak’s motion picture films, visit www.kodak.com/go/motion.

(Note: All participants are subject to availability)

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About Kodak’s Entertainment Imaging Business
Kodak’s Entertainment Imaging business is the world leader in providing motion picture film and imaging products, services, and technology for the professional motion picture and exhibition industries. For more information, visit www.kodak.com/go/motion.

Media Contacts:
ignite strategic communications
Sally Christgau: direct 415.238.2254 / sally@ignite.bz
Lisa Muldowney: direct 760.212.4130 / lisa@ignite.bz

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IABM Brings Benefits of Membership to Inter BEE 2013

Association Will Host Three IABM Members Exhibiting at Their First Inter BEE Show and Provide Keynote on Key Business and Technology Developments

GLOUCESTERSHIRE, U.K. — Nov. 11, 2013 — The IABM (International Association of Broadcasting Manufacturers) today announced that it will be exhibiting at Inter BEE 2013, Nov. 13-15 in Tokyo, to support association members at the show — both new and experienced exhibitors — and to share its expertise and data on the state of the industry.

To foster the participation of its members in important events such as Inter BEE, the IABM is hosting three new exhibitors on a pavilion adjacent to the IABM stand (#6112). Continuing the IABM’s work to equip industry members with the latest data and forecasts, John Ive, director of business development and technology at the IABM, will deliver a keynote titled “Key Business and Technology Developments in the Broadcast and Media Industry” on Thursday, Nov. 14 at 10:30 a.m.

“The IABM is dedicated to supporting our global membership in ways that encourage further growth and success, and our presence at Inter BEE 2013 will reflect that focus,” said IABM Director General Peter White. “In addition to introducing several companies to Inter BEE and helping them to build valuable industry connections, we will provide all attendees with the opportunity to learn more about the impact that changing technology is having on our business.”

Ive’s keynote will examine the rapid evolution of the broadcast and media industry, particularly with respect to improvements in image quality and much greater use of IT technology. His presentation will give attendees an overview of the current business climate for technology suppliers to the broadcast and media industry and identify the key enablers contributing to the technology revolution. Looking ahead, Ive will discuss what is on the horizon and which initiatives are most likely to succeed. He will also take a practical view in examining new end-user priorities when making purchase decisions.

Information about the IABM is available at www.theiabm.org.

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About the IABM:
The IABM, the International Association of Broadcasting Manufacturers, is the authoritative voice of the broadcast and media technology supply industry worldwide. Its wide range of services to members encompasses market research and intelligence, training, expert representation at standards bodies and broadcasting unions, executive networking opportunities, and preferential purchasing. A presence at every major broadcast tradeshow, the IABM also provides a valuable channel for communication among broadcast manufacturers, government, and regulatory bodies. Additional IABM activities include awards programs for innovation and scholarships designed to stimulate the development of the broadcast and electronic media industries on an international basis. For more information, please visit www.theiabm.org.

All trademarks appearing herein are the property of their respective owners.

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Martin Audio MLA Goes Above And Beyond At “Ally Pally”

Capital Sound easily overcame Alexandra Palace’s notoriously challenging acoustics in late October when they brought in their Martin Audio MLA Multi-cellular Loudspeaker Array to the glazed venue for the first time.

Notorious among the sound community for producing violent reflections inside the venue (and receiving noise complaints from the neighbors), would the Above & Beyond Group Therapy 050 live radio broadcast prove too great a challenge for the award-winning sound system, which promises ultimate pattern control? As for A&B, this was to be one of the biggest events in the dance music trio’s calendar.

So just how unforgiving is Ally Pally? In the words of Capital Sound account manager, Martin Connolly, “The Great Hall is a beautiful space; but when it was built in 1873, no one ever envisaged that the building would need to play host to the high volume of a modern day concert. Unfortunately, the amazing domed glass roof is only a minimal barrier to sound propagation.”

Martin Audio R&D Director, Jason Baird, puts it more succinctly, stating: “Just think of a marble and glass shoebox, 130 ft. wide, 52 ft. high and 278 ft. deep.”

Above & Beyond, who operate both full band and DJ set-ups (but in this case were operating in the latter mode), had wanted to use MLA, and when they brought in Loudsound’s Dan Craig he readily agreed, having worked successfully with MLA during the Field Day and deadmau5 shows at Hackney’s Victoria Park, as a precursor to this summer’s Hyde Park British Summertime Festival.

Capital Sound Technical Manager Ian Colville immediately set to work on designing the system, with Jason Baird providing supportive input. “We have used Martin Audio W8LC’s here in the past, but whatever system we’ve used, it has always required delays. This time we felt it was time to put our faith in MLA and do away with delays.”

For both Dan Craig, and promoters, Lock ‘N’ Load Events, the decision was fully vindicated. Craig reported that by operating to a 98dB threshold inside, production didn’t receive a single noise complaint. Yet the greatest ‘illusion’ was inside the venue, where by cleverly mapping the venue to optimize and ‘hard avoid’ selected areas, the clarity of the signal gave a distinct impression that the various DJ’s were playing a whole lot louder. And with the venue once again hosting a steady flow of events, with Cap Sound as one of their main service providers, this could prove highly significant.

“We had observed this characteristic from Day 1,” admits Colville. “If a venue is completely resonant free then the sound appears louder.” While the complete system design is conceived ahead, the system tech will always make late adjustments on the fly, he said, such as towing in the PA a fraction. In this case once production got on site, they found the venue was not quite as long as drawings had indicated and so certain measurements needed to be re-evaluated.

Fortunate then, that the system tech on this occasion was Toby Donovan, who worked as the MLA tech on the highly successful Hyde Park concerts.

“I have never encountered a system quite as clever as MLA,” he said. “But you still have to use common-sense in the physical world.”

For this show the L/R system was rigged with 11 MLA elements per side (atop a single MLD Downfill) with two W8C’s each side for outfills and eight W8LM as front fills. The PA was flown fairly high (with slight downward tilt) but then towed in marginally to keep it off the walls, using Delta plates and three motors per hang. “We only needed about 1° to avoid distracting reflections; it’s what we would generally do in noise sensitive venues,” said Donovan.

“We also needed to minimize spill all round—the rear rejection with this system is really good.”

The SPL profile was built over a 5dB spread—using zero at the mix position, +2dB at the crowd barrier and -3dB 275 ft. back at the rear curtain.

With ‘Hard Avoid’ applied uniquely to this back wall the design also utilized the Audience and Non-Audience zones with the appropriate optimization settings—the latter tapering off at the stage (from the drape line to the back wall behind).

Having the 14 MLX subs arranged in a broadside cardioid array allowed Donovan to enter delay times and change the dispersion control—using the software to electronically curve the sound into an arc. “Due to the narrow width of the venue, we were only running at 90°, so this was a pretty tight LF beam,” he noted.

Toby Donovan confirmed the belief of the entire Capital sound crew. “Such was the coherency and lack of distortion, that everyone I spoke to couldn’t believe we were only running at 98dB. It was exactly the same on the Joe Satriani tour where we were running at 99dB but sounding like 103dB. Our ears deceive us into thinking that it’s so much louder.”

All of which was to the benefit of Above & Beyond’s Group Therapy 050 show, fronted by the trio of Jono, Tony and Paavo and also featuring support from renowned DJ’s Arty, Andrew Beyer, Boom Jinx and Guy J.

Paavo Siljamäki, for one, was delighted with the outcome. He stated, “[Capital Sound] made one of the most difficult venues in London sound incredible. Never before in my touring career (with over 500 gigs behind me), has the sound in a venue been such a talking point. I had lots of sound engineer friends complimenting us on the way the place sounded,”

Martin Connolly can also reflect on a highly satisfactory outing. “When we supported Subculture and Come Together at this venue for Lock ‘N’ Load Events two years ago with a hybrid system it worked well.

“But the sound was no match for this. When you are not battling against reflections or ambient noise and can aim the sound off the walls, you will always appear to get more volume from the system at sensitive sites like this. Everyone agreed, particularly Seamus [Morley], the tour manager, who described the sound as ‘epic’ and confirmed that we had made absolutely the right choice of PA.”

Photo credit: Photo by Sebastian Matthes/manox.net”

For more about Martin Audio, please click to www.martin-audio.com.

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Daktronics Revitalizes Lane Stadium’s Sound System with HARMAN Professional Audio Components

BLACKSBURG, Virginia – Systems integrator Daktronics recently upgraded Virginia Tech University’s Lane Stadium with new HARMAN’s JBL VLA Series loudspeakers, along with equipment from BSS audio and Soundcraft. The stadium seats 66,233 and is home to the Virginia Tech Hokies football team.

The goal of this renovation was to ensure a high output system and even coverage from seat to seat. Daktronics selected JBL Professional’s VLA Series line arrays, which offers revolutionary high-impact sound beyond the reach of traditional loudspeaker designs.

“We designed the JBL VLA system to meet and exceed the initial performance standards of point-and-shoot horn speakers, while also reducing costs,” said David Sturzenbecher, Audio Project Engineer for Daktronics.

Daktronics installed a system consisting of 18 JBL VLA601H loudspeakers, four JBL VLA301H loudspeakers, two JBL PD5212 loudspeakers, two JBL PD764 loudspeakers, powered by 17 Crown I-Tech HD 4×3500 amplifiers and nine I-Tech 9000 amplifiers, with two BSS Soundweb London BLU-800 processors. The system also features a Soundcraft Performer 3 audio/lighting mixing console.

“The system has been functioning great and received many positive reviews. We utilized additional DSP I/O to control additional areas outside of the initial scope to provide added customer functionality,” Sturzenbecher added.

Besides installation, Daktronics was also responsible for system design and programming. Of course, a project incorporating all these elements did not go unchallenged.

“The original design did not call for vertical arrays, so we collaborated with the structure engineer to redesign the space to accommodate for the VLA system,” Sturzenbecher noted. “With support from [JBL Senior Applications Engineer] Brad Ricks and [owner’s representative] Anthony James Partners, we successfully completed the project.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

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DPA Microphones At The Top Of The Class

Children are lovely, but they do have a habit of breaking things, which is why any piece of equipment used in a school environment needs to be very tough.

According to Matthew Talks, founder of educational equipment specialists Podboffin, DPA’s versatile d:fine™ Headset Microphones certainly fit the bill because they are virtually unbreakable, even in the hands of kids.

“Usually, radio mics in schools have a short lifespan due to cables breaking,” Talks says. “However, I have yet to use the spare DPA mics that I bought recently because the first set I acquired are still going strong. Even if the cable were to break, the modular construction of DPA’s d:fine Headset Microphones means I can replace just the cable at a fraction of the cost of the initial outlay.”

Established in 2010, Podboffin provides recording, sound installation and live production services to schools and also offers advice on choosing the right audio equipment, setting it up and operating it. The company recently invested in a dozen omnidirectional single-ear DPA d:fine Headset Microphones, supplied by DPA’s UK distributor Sound Network, which are now being hired out to UK schools.

“I was familiar with DPA microphones having previously sub-hired d:fine units, so I decided to purchase my own,” Talks says. “In schools, the number one requirement is always for radio mics because the biggest sound problem school productions have is hearing students singing over a live band. The d:fine Headset Microphones completely solve this because I can get the capsule in really close to the singer with no plosive issues and with crystal clear sound.”

Talks admits that, in the educational market, cost is inevitably an issue.

“However, once schools hear the difference that pro mics make when compared to budget mics – and see how little effort is required to get superb results – they never go back,” he says. “I have yet to hire out d:fines and not get repeat business.”

DPA’s popular d:fine Headset Microphones are specifically designed for actors, public speakers, broadcast hosts, musicians and singers who want a lightweight, easy to wear headset microphone that leave them free to move around without compromising vocal quality. With their impressive gain before feedback and very stable construction, these unobtrusive microphones provide a discreet solution that can hardly be seen on the face. The range, which is renowned for its audio accuracy, is available in both directional and omnidirectional options and in single- or dual-ear designs with a choice of three lengths of microphone booms. They are also compatible with just about any wireless system.

Talks envisages his DPA d:fine Headset Microphones will be hired by “any school with a good business model for school productions”. Schools, he believes, can justify an increase in ticket prices and advertising when the production is good and is not let down by bad sound.

To date schools that have used DPA d:fine Headset Microphones for their concerts and drama performances include Dr. Challoner’s Grammar School, The Beacon School and Gerrards Cross Junior School.

-ends-
About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

RTW To Demo TM3, TM9 Audio Meters at the Group One Booth During CCW 2013

NEW YORK CITY, NOVEMBER 11, 2013RTW, a leading manufacturer and distributor of professional audio metering and control devices, is pleased to announce that during this year’s CCW show, Group One (Booth 859) will exhibit RTW’s TM3 and TM9 TouchMonitors. The monitors will be fully equipped with the latest software options, including the TM3 firmware update 2.50, which includes the new Time Test Control option and the popular RTA analyzer for the TM9. RTW invites attendees to stop by the Group One booth for demonstrations of the products.

TouchMonitor Series, TM3
Controlled using a touch-sensitive display, the TM3 has a budget-friendly base price, a 4.3-inch touchscreen and a stylish exterior allowing for horizontal and vertical placement. Features include a large number of graphical and numerical instruments showing single-channel or, in the case of the TM3-3G, any of the eight audio channels contained in a 3G-SDI stream used for metering, de-embedding and monitoring 3G-SDI audio. Both also include summing-loudness bargraphs, PPM, true peak, SPL, loudness range (LRA), dialnorm and correlation. The TM3 and TM3-3G are highly appealing compact solutions ideal for editorial offices, edit suites and small control rooms.

The TM3 also features PPM and true-peak instruments and offers comprehensive loudness metering in compliance with all current globally relevant standards, including EBU R128, ITU BS.1770-3/1771-1, ATSC A/85 and ARIB. Finally, it also features the Magic LRA instrument, specifically designed by RTW for intuitive visualization of the loudness range and integrated-loudness parameters.

Offered as part of firmware 2.50, users can employ the Time Test Control sub menu to set the parameters for starting and stopping loudness measurement functions. In addition to a manual control enabled by on-screen keys and/or the GUI interface, full or semi-automatic measurements can also be defined. Therefore, the user can choose between an autostart after loading a preset or autostart when reaching the value of an adjusted gate, with or without an automatic reset of previous values. Users can terminate loudness measurements manually with on-screen keys and/or GUI commands, as well as automatically by defining a threshold value and time span. The combination of those parameters allows users to set an automatic, semi-automatic or manual loudness measurement process as required for different applications. The Test Time Control option will also be available for the TouchMonitor TM7, TMR7 and TM9 with the next firmware update.

TouchMonitor Series, TM9
The TouchMonitor series is a range of products that RTW designed to support all relevant loudness recommendations, such as EBU R128 or ATSC A/85, with true peak metering, flexible I/O options with up to 16/32 input channels, a fully modular software design and more. On display will be the TM9, which combines unprecedented flexibility and modularity with an intuitive, nine-inch GUI touchscreen. RTW’s latest firmware, version 1.14, for the TouchMonitor series includes various performance and stability optimizations, as well as new function enhancements and improved ergonomics.

About RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s range of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

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It’s a first: TDC wraps Sydney Opera House and Sydney Harbour Bridge Pylons in projection for Australian Naval Spectacular

Watch the video at: http://bit.ly/19dRyyn

Achieving the very first projection onto both sides of the epic proportions of Australia’s iconic Sydney Opera House as well as onto the pylons of Sydney Harbour Bridge was by no means a small challenge for any technology company.

Australia was celebrating the first entry of the national Australian fleet into Sydney Harbour one hundred years ago and re-telling the story for The Royal Australian Navy’s International Fleet Review. Imagination Australia was the Creative team and Producer of the event, who engaged Technical Direction Company (TDC) as their video technology partner.

An evening spectacular involved video projection that was combined with stunning fireworks launched from seven warships. There was lighting from 28 land and ship locations plus live action on board ships culminating in an aerial fly past from the Royal Australian Air Force that was enjoyed by the millions lining the foreshore.

“The spectacular was created in seven acts, from introducing Australia’s original fleet, through 100 proud years of service to Australia, current capabilities, a moment of reflection for the fallen and a finale to rival Sydney’s New Year’s Eve,” said Heath Campanaro, Project Director at Imagination Australia. “The show was a once in a lifetime project and will go down in history as one of the most inspiring, moving pieces of creativity at this kind of scale.”

We make it happen

Digital video projection onto both sides of the Sydney Opera House and Sydney Harbour Bridge pylons was a first. To create such a visual spectacular, TDC worked for months of planning and testing with Imagination Australia to design and realise the brightest projection ever delivered.

TDC deployed a total of 56 Barco projectors including models FLM-HD20, HDF-W26 and HDQ-2K40 that were positioned at great distances and angles, including projection towers located up to 700 metres away from across Sydney Harbour. It was vital to that the projection was visible from all sides of the Harbour – which had not been done before.

TDC ensured that the content created by Imagination Australia was managed using Dataton WATCHOUT™ multi-image and display software and 26 computer servers. The entire proceedings were synchronised by timecode and transmitted across Sydney Harbour using Reidel MediorNet fibre optic media signal distribution and processing.

“The project took months of planning and days of painstaking projector alignment and positioning to get every pixel lined up and just right across various projectors,” enthused Olin Winton, Technical Manager at TDC.

“Rarely does a project of this epic scale take place in Australia. Our team of projection experts did a great job and we’re very proud of what we’ve delivered,” said Michael Hassett, MD at TDC.

The TDC project team for this event were:

Project Manager: Kain Jones
Technical Manager: Olin Winton
Head Technician: Steve Cain
Projectionists: Drew Ferors, Matt Teale, Anthony Pellizzari, Isaac McKenzie
Projectionist Assist: Max Rowen, Gareth Marsh

The biggest event to happen at Sydney Harbour for years, The Royal Australian Navy’s International Fleet Review was held from 3-11 October 2013.

Watch the video at: http://bit.ly/19dRyyn

Images provided with this story should be credited to: © Technical Direction Company.

Kramer is Proud to be an Educational Partner with the Association for Quality in AV Technology (AQAV)

“Saving the AV Industry…one system at a time.” – Mario Maltese, Executive Director of AQAV

In keeping with the AQAV motto, Kramer Electronics is proud to announce its agreement to become an Educational Partner and Sponsor of the AQAV program. As one of the first manufacturers to join and endorse this program, Kramer Electronics continues to demonstrate its commitment to being an industry leader who believes in, develops and delivers quality AV training and education.

“The addition of the AQAV course and certification program to our current educational offerings is just one more step in Kramer’s focus of offering quality education to the AV industry,” said Malissa Dillman, Kramer’s Training and Education Manager. “We are very excited to be one of the first manufacturers to partner with AQAV and to be the first partner who is able to teach this training program.”

The AQAV program is an organization that is dedicated to improving the operational art of designing and installing audio visual technology. Engineered audio visual systems continue to become more complex and difficult to integrate. By focusing on the quality management of these systems, and of those who design and install them, we can benefit the AV industry and all its stakeholders.

Kramer Electronics will be sponsoring and conducting AQAV certification classes in the coming months with our first class being held on December 10-12th in Clinton, NJ. During 2014, Kramer will host additional AQAV courses in strategic markets throughout the U.S. If you would like more information on AQAV and the certification classes please visit their website at www.aqav.org or contact Malissa Dillman at mdillman@kramerus.com.

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Integrated Media Technologies Joins Streaming Media West

Premiere Event Focuses on the Business and Technology of Online Video

 

 

Industry leader Integrated Media Technologies, Inc. (IMT) has joined the list of top exhibitors at Streaming Media West, to be held November 19-20 at the Hyatt Recency in Huntington Beach, CA.

Streaming Media West welcomes content owners, viral video creators, online marketers, broadcast professionals, ad agencies and others to come together and learn about the latest in online video technology.

 

 

 

 

“IMT is really pleased to participate in such a great event,” commented Mike Braico, EVP Sales at IMT.  “We are excited about this gathering because so many consumers are turning to streaming media over current distribution models.  Also, many of our customers are augmenting their business models to provide streaming content, making this a perfect exhibition for us to sponsor.”

The Streaming Media Exhibitions and Conventions are the largest, most prestigious and widely acclaimed events in the world for the business of audio and video on the Internet. Bringing together leading companies, minds, and technology, the events are the industry’s meeting place for streaming media professionals desiring to learn, network and develop business deals.

Business executives and technology decision makers from all over the world have attended these annual events in New York, California and London. Events feature extensive multi-day panel sessions producing an executive forum on cutting-edge topics from industry technology leaders to executives from companies utilizing streaming today.

The conferences and expos are the industry’s only forum bringing together digital media experts and professionals in order to exchange ideas, strategies and success stories. The shows provide an interactive exhibit floor enabling vendors to exhibit their products and solutions to businesses and organizations looking to incorporate streaming media enterprise solutions into their infrastructure.

Learn more at:
http://www.streamingmedia.com/Conferences/West2013/

ABOUT INTEGRATED MEDIA TECHNOLOGIES, INC. (IMT)
Integrated Media Technologies Inc. (IMT) is a digital media and technology company with offices in Los Angeles, San Jose, Dallas, and NYC.  In 2011, Inc. Magazine ranked IMT as the 25th fastest growing private company in the Technology Services industry.  IMT serves the telecommunications, media & entertainment, IT, institutional, commercial real estate and hospitality sectors with a broad range of solutions designed to drive new value and efficiencies from technology.
Learn more at: http://www.imtglobalinc.com tel: 877.761.9770

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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