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Archive for December 17th, 2013

CIMM and SMPTE Issue Industrywide RFI

CIMM and SMPTE Issue Industrywide RFI

Groups Solicit Industry Input on Approaches to Binding Unique Content Identifiers to Media

Establishment of a UPC for All Professional Program Content and Ads Moves Forward

NEW YORK — Dec. 17, 2013 — The Coalition for Innovative Media Measurement (CIMM) and the Society for Motion Picture and Television Engineers (SMPTE) today announced they have issued a formal industrywide Request for Information (RFI) seeking technologies for the optimal open-standard technical solution for binding Ad-ID and Entertainment Identifier Registry (EIDR) coding to all advertising and program content assets. Technical solution providers are encouraged to participate in the RFI, which is available http://cimm-us.org/initiatives-2/rfps/.

The media industry currently has no open, uniform method of content identification that survives compression and distribution through the supply chain. Putting such an identification method in place is a critical next step toward the establishment of an interoperable standard for all professional video content that can be used throughout the entire media ecosystem.

In August 2013, CIMM and SMPTE formed a study group comprising CIMM members and representatives from media organizations, ad agencies, and vendors that were charged with formulating an understanding of technologies and future standards requirements that can be applied to content identification. Authoring this RFI was part of the group’s charter.

“We are encouraged by the study group’s progress thus far and the industry’s level of engagement in this significant and necessary endeavor aimed at fixing a broken, antiquated system,” said CIMM Managing Director Jane Clarke. “Our hope with this RFI is to tap into the minds of some of the best and brightest in the industry and bring them into the fold of what continues to be a collaborative industrywide effort.”

“Given the continually expanding array of delivery platforms and the increase in targeted delivery of content, being able to identify advertising and program material as it is consumed over the plethora of devices out there has become critical,” said MediAnswers President and CEO Chris Lennon, who is the Study Group Chair. “The RFI announced today reflects the work of many different stakeholders contending with this issue, and the response we receive will play a fundamental role in ensuring that the methodology ultimately adopted best serves the industry’s content identification requirements.”

CIMM’s advocacy platform, Trackable Asset Cross-Platform Identification (TAXI), has called on the media industry to coalesce around unique identifying codes — similar to the ubiquitous Universal Product Codes (UPC) used in other industries — provided by either Ad-ID, the industry standard for identifying advertising assets across all media platforms, or EIDR, a global registry for unique identification of movie and TV content. Participating media companies that embrace this approach can better monetize video assets across distribution platforms, increase efficiency and accuracy of media workflows, and improve cross-platform media measurement by making it easier to track assets across television, broadband, and mobile video.

Technical solution providers may contact Lennon at clennon@medianswers.tv with any questions about the RFI.

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About CIMM
The Coalition for Innovative Media Measurement (CIMM) is comprised of leading video content providers, media agencies and advertisers that aim to promote innovation and foster efficiencies in audience measurement for television and cross-platform video. CIMM explores and identifies new methodologies in audience measurement and verifies these approaches through a series of pilot tests and studies conducted with independent measurement companies. CIMM’s primary focus is on two key areas: the current and future potential of television measurement through the use of return-path data, and new methods for cross-platform media measurement. www.cimm-us.org

About the Society of Motion Picture and Television Engineers
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers (SMPTE), a professional membership association, is the worldwide leader in developing and providing motion-imaging standards and education for the communications, technology, media, and entertainment industries. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the broadband, broadcast, cinema, and IT disciplines. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 650 standards, recommended practices, and engineering guidelines. More than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world, sustain the Society. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

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HARMAN’s Crown Now Shipping Its High-Power DriveCore Install Series Amplifiers

ELKHART, Indiana — HARMAN’s Crown Audio today announced it is now shipping the four highest-powered models in its DriveCore Install (DCi) Series power amplifiers. Available in both DCi Analog and DCi Network Ethernet-linkable configurations, the 4-channel and 2-channel amplifiers deliver 1,250 watts per channel into 2, 4 or 8 ohms and 70Vrms and 100Vrms (all channels driven; 2,500 watts in bridged mode), and are designed for applications such as stadiums, arenas, amusement parks, clubs and casinos where the highest amounts of power are required.

The models include the DCi Analog 4-channel DCi4|1250 and 2-channel DCi2|1250, and the DCi Network 4-channel DCi4|1250N and 2-channel DCi2|1250N. Both share the same specs, with the DCi Network amplifiers adding Ethernet connectivity that enables networked configuration via RJ-45 cable and BLU link digital audio transport.

“As the successor to our long-time industry-standard CTs Series, we introduced the DCi Series as the undisputed new standard in installed sound amplifiers,” said Daniel Saenz, Business Segment Manager at Crown Audio. “As such, having high-power models in the lineup to handle the largest applications was mandatory. These four new amplifiers bring an entirely new level of performance, flexibility, sound quality and reliability to the most demanding large-scale amplification requirements. With the feature set of the networked amplifiers, the system is simplified through easier connections with RJ-45 for BLU link and fewer hardware devices with rack density of high output 4 channel amplifiers.

Although remarkably powerful, the amplifiers are just 2U rack spaces high, to conserve valuable installation space. The amplifiers’ compact size, high efficiency and superior sound quality is made possible by HARMAN’s proprietary DriveCore amplifier IC chip. The DriveCore chip combines the amplifier driver stage into the power output stage along with additional audio-signal functions – yet is about the size of a postage stamp. DriveCore and the DCi Series’ leading-edge Class D amplifier topologies dramatically reduce size and power consumption requirements and yield much more energy-efficient operation.

Crown DCi Series amplifiers can be operated into 8-, 4- or 2-ohm loads and offer direct drive “constant voltage” capabilities for 70vrms and 100vrms amplification without the need for a step-up transformer, yielding higher audio quality in distributed audio applications. The amplifiers incorporate an exclusive Global Power Supply that is designed to deliver maximum power in any country and their universal AC input accepts voltages from 100 – 240 VAC, 50/60Hz (+/- 15%).

The DCI Network amplifiers offer networked monitoring and control via HARMAN HiQnet™ Audio Architect system software. The network capable DCi Series amps offer digital audio connectivity using the company’s proprietary BLU link as well as analog inputs.The DCi Series is Crown’s most green amplifier line ever, with a selectable powersave auto-standby mode where the amplifier will power after 30 minutes of no input signal and consume less than 1 watt. In addition to the amplifiers’ balanced 3-pin input connectors and 2-pin terminal strip output connectors, a rear-panel AUX port enables the amplifiers to be integrated into control systems for remote on/off and amplifier fault monitoring.

Crown DCi Series amplifiers are built for the most demanding conditions of continuous professional use and carry a three-year, no-fault fully transferrable warranty.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

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CHICAGO SYMPHONY ORCHESTRA INAUGURATES NEW MULTI-PURPOSE WSDG CONTROL ROOM

CHICAGO: For over 120 years, the Chicago Symphony Orchestra has reigned as one of the world’s greatest classical music ensembles. In a move to upgrade their recording, broadcast and streaming capabilities, Marc Geelhoed, chief of the CSO’s CSO Resound record label, commissioned leading recording engineer/producers Tim Martyn and Shawn Murphy to form a design team to revamp the control room which has long served as the CSO’s technical hub.

A multiple Grammy winner, and owner of Phoenix Audio LLC based in Glen Rock NJ, Martyn has served as Technical Director of the Boston Symphony Orchestra’s Tanglewood Festival for 30 years. Oscar and Grammy-winning, film-scoring engineer Shawn Murphy, has worked with such artists as James Newton Howard, Danny Elfman and John Williams on films ranging from The Bourne Legacy, Star Wars and Indiana Jones to Jurassic Park.

Cognizant of the compressed time frame and technical constraints of the project, Martyn and Murphy turned to the Walters-Storyk Design Group as architectural and acoustical collaborators. “I’ve worked with John Storyk on a number of studio projects, and knew they had the creative skills and technical knowhow to redesign CSO’s control room within the limited construction window and budget allotted for this critical turnaround,” Martyn said.

WSDG Project Manager Matthew Ballos reports that their initial site visit to CSO’s 320 SF control room immediately inspired a key design point. “John Storyk and I agreed that the path to reconfiguring this 16′ wide x 20′ long room was to change its orientation from center line (rear wall) access to right rear corner. Shifting the position of the entrance immediately enabled us to improve the ‘sweet spot;’ introduce a comfortable client work area, and develop additional space to accommodate the CSO’s active CD duplication service for conductors and guest artists.” In addition to creating a custom suspended ceiling cloud and wall treatments, WSDG supervised custom millwork for the mixing desk and related cabinetry.

Designed to accommodate live recording, broadcast, streaming and post-production, the new CSO control room and recording system features Merging Technologies’ Pyramix DAWs and Horus Mic preamps and converters; a Yamaha DM2000 console; and B&W and Classé Monitors and power amplifiers. In addition, the orchestra made a serious commitment towards upgrading their microphone inventory, with new mics by Schoeps, Sennheiser, and Neumann.

“We could not be more pleased with the vastly improved appearance and functionality of our redesigned control room,” Marc Geelhoed remarked. “Tim and Shawn coordinated a remarkable team effort. Our new WSDG room is a success on every level. Our listeners and fans will clearly benefit as much as our technical staff from this new facility.”

“As an ardent enthusiast of classical music, I have an abiding love for the Chicago Symphony Orchestra and their inspirational Music Director, Riccardo Muti,” John Storyk concludes. “We were honored to contribute to this important project.”

Photo 1. Chicago Symphony Orchestra Control Room revamped by WSDG. Photo by Harvey Tillis

Photo 2. Chicago Symphony Orchestra Hall. Photo by Todd Rosenberg

Photo 3. Chicago Symphony Orchestra Center. Photo by Jim Steere

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Walters-Storyk Design Group has designed over 3000 media facilities worldwide. Credits include Jimi Hendrix’s 1969′s Electric Lady Studios; NYC’s Jazz At Lincoln Center and Le Poisson Rouge; broadcast facilities for The Food Network, ESPN, and WNET; major education complexes for NYU and Berklee College of Music Boston and Valencia, Spain; media rooms for Hoffman La Roche, and other corporate clients. Recent projects include NYC’s TEC award winner Jungle City Studios and private studios for Green Day, Jay-Z, Timbaland’s Tim Mosley, film composer Carter Burwell, Aerosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk (an adjunct professor at Berklee College,) Beth Walters, Sergio Molho and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications.WSDG has collaborated with such noted architects as Frank Gehry, Rafael Vinoly, Norman Foster, Oscar Niemeyer, Phillipe Stark and Nicholas Grimshaw. WSDG is a seven-time winner of the prestigious NAMM TEC Award for outstanding achievement in Acoustics/Facility Design. The firm maintains offices in NY, SF, Miami, Buenos Aires,Belo Horizonte, Basel, Beijing, Barcelona, Mexico City and Mumbai.

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Casio Teams Up With Synnex Corporation To Expand LampFree® Projector Distribution

DOVER, NEW JERSEY, December 16, 2013 – Casio is proud to announce its new association with Synnex Corporation, a wholesale distributor servicing resellers and original equipment manufacturers worldwide. Under this new partnership, Casio will increase its presence in the government and education sectors by being the first LampFree® projector line that Synnex distributes across the United States.

 “We are very excited to work with Synnex and believe this partnership will benefit Casio’s growth nationwide,” said Matt Mustachio, general manager of Casio’s Business Projector Division. “Casio is committed to providing its leading LampFree® technology to consumers and this partnership will open the door to new channels for Casio projectors and strengthen our position as a leader in this industry.”

Casio’s portfolio of projectors are powered by its state-of-the-art LASER & LED HYBRID Light Source and DLP® technology that provides LampFree®, eco-friendly data projection at a fraction of the cost of traditional projectors. Casio’s LASER & LED HYBRID Light Source combines blue laser light and a fluorescent element to generate a high output of green light. The green light, blue laser light, and the light emitted by a red LED are then projected through a DLP® chip which, in turn, is passed through the projection lens to form an image. This technology achieves an increase in color spectrum compared to a mercury lamp, while lowering a projector’s total cost of ownership and maximizing investment.

Synnex is authorized to distribute the Casio LampFree® projector across the United States including Alaska and Hawaii. While the company will carry the complete line of Casio LampFree® projectors, some models will be open to all channels of distribution, while others will focus on the Pro AV marketplace. For additional information on Casio’s LampFree® family of projectors, please visit www.CasioProjector.com.

 

About Casio America, Inc.
Casio America, Inc., Dover, N.J., is the U.S. subsidiary of Casio Computer Co., Ltd., Tokyo, Japan, one of the world’s leading manufacturers of consumer electronics and business equipment solutions. Established in 1957, Casio America, Inc. markets calculators, keyboards, mobile presentation devices, disc title and label printers, watches, cash registers and other consumer electronic products. Casio has strived to fulfill its corporate creed of “creativity and contribution” through the introduction of innovative and imaginative products. For more information, visit www.casiousa.com.

About SYNNEX Corporation
SYNNEX Corporation, a Fortune 500 corporation, is a leading business process services company, servicing resellers and original equipment manufacturers, or OEMs, in multiple regions around the world. The Company’s primary business process services are wholesale distribution, contract assembly, and business process outsourcing, or BPO. Founded in 1980, SYNNEX employs over 11,000 associates worldwide and operates in the United States, Canada, China, Japan, Mexico, the Philippines, and the United Kingdom.

Tightrope Media Systems Keeps Digital Signage Content Fresh with Tight Social Media Integration

New Carousel software release adds Twitter, Facebook authentication alongside new visual enhancements tools to address evolving customer needs

ST. PAUL, MINNESOTA, December 17, 2013Tightrope Media Systems announces a new software release for its tried-and-true Carousel digital signage platform, giving its customers new tools and enhancements that keep content fresh and enrich visual appeal.

Available today, the Carousel 6.4 software release supports direct Twitter and Facebook integration, simplifying how operators access and subsequently incorporate social media feeds into signage layouts. This native connection, achieved via a simple login process, also better organizes social media integration so that content remains timely.

“Social media is so natural to people today that it’s easy for most to focus in and consume that information on signage platforms,” said Eric Henry, Signage Solutions Lead for Tightrope Media Systems. “Our customers are increasingly seeking ways to ensure that their social media content is current, dynamic and well-aligned with their screen content. It creates a natural connection between consumers and the businesses or organizations that rely on digital signage as a communications platform.”

The new Carousel software release also includes visual and operational enhancements to keep screens lively and appealing. A new text character limit on Carousel bulletins eliminate screen crowding and wordy passages to retain viewers and strengthen messages. Similarly, a new web preview feature offers a quick glance at clock bulletins to ensure content is synchronized and easy to digest. Operationally, a new copy option allows for quick transfer of new bulletins to fresh templates, allowing users to create and customize layouts rich with up-to-date information.

“The new software release benefits our customers across all digital signage verticals we serve, including hospitality, transportation, sports and houses of worship,” said Henry. “These enhancements also reflect what our customers are requesting today.”

About Tightrope Media Systems
Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

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Last Chance To Ring In The New Year With SunBriteTV’s Best Seat In The House Consumer Rebate Promotion

THOUSAND OAKS, California, December 17, 2013 – Aren’t we all dreaming of warmer weather by now? SunBriteTV’s Best Seat in the House Consumer Rebate promotion ends December 31, meaning that now is the best time to prepare your backyard for springtime’s glorious sunshine and temperatures!

The promotion offers direct mail-in rebates on select Signature Series models. Consumers will receive a $300 rebate after purchasing the 4660HD, and a $400 rebate for 5565HD and 6560HD models.

“Whether you’re hosting a brisk football party, a sunny BBQ or a family movie night under the stars, a SunBriteTV makes any outdoor gathering more fun,” said Tom Dixon, VP of Marketing, SunBriteTV.

What’s more is that every Signature Series model is available in black, silver or white to best complement any outdoor entertainment zone.

Every SunBriteTV includes a 2-year warranty, a weatherproof remote, and a built-in 20-watt sound system. Optional accessories include a variety of wall-, ceiling- or pole-mount installation solutions, dust covers and FM Radio.

All models withstand temperatures from -24°F to 122°F and completely resist rain, humidity, salt corrosion, dust, and insects. Anti-glare screens are specially designed to deliver bright high-definition images in any outdoor climate, any time of day or night.

Looking for inspiration to design the perfect backyard paradise? Visit http://backyardphotos.sunbritetv.com/ to view user-submitted entries in SunBriteTV’s Backyard of the Year Competition.

For more information on SunBriteTV please visit www.sunbritetv.com or call the sales department directly at 866.357.8688.

Follow SunBriteTV on Facebook at https://www.facebook.com/SunBriteTV

About SunBriteTV
SunBriteTV’s all-weather televisions have been time-tested in home installations, outdoor sports arena, restaurant and hotel patios and even on military vehicles participating in field operations. All models are available through SunBriteTV’s network of Authorized Dealers. To inquire about becoming an Authorized Dealer, contact SunBriteTV at 866.357.8688, or visit the Dealer Inquiry page at www.sunbritetv.com.

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“The House at Haunted Hill” Delivers Hollywood-Style Halloween Illusions with Alcorn McBride Equipment

Halloween has gone high tech in Woodland Hills, California where Emmy-winning lighting designer Matt Ford of Magic Lantern Creations, Inc. and his wife, actress Lori Merkle Ford, have evolved their home’s Halloween display to attract visitors far beyond neighborhood trick-or-treaters. The Fords’ “House at Haunted Hill” has grown from homemade tombstones and black lights to a Disney-inspired haunted mansion to its current incarnation as an illusion-filled holiday show driven by an Alcorn McBride V16+ show controller and A/V Binloop HD.

The 12-minute free show, mounted by an all-volunteer cast and crew at the Fords’ residence, featured holograms, projections, animatronics and lighting effects, which told the Hollywood story of a 1920s starlet who marries a shady screenwriter whose wife and daughter have mysteriously disappeared. Neil Patrick Harris – who offered to be part of the show – had a cameo as a reporter, a role written especially for him. The production ran every 15 minutes from October 3 to November 3 from 7 pm to 10 pm (midnight on Friday and Saturday).

“We got between 6,000-7,000 people to see the show,” Ford says. “On October 30 a big double-decker bus with flashing lights came by. It turned out to be large group of Disney imagineers and a few executives. And they all recognized the Alcorn McBride equipment.”

Just as “The House at Haunted Hill” has evolved in style and complexity, it has grown in its use of Alcorn McBride equipment. “By 2006 we had quite a few effects – there was still no show, juts a bunch of random stuff but we had four or five Alcorn McBride Digital Video Machines running off an Interactivator. We’d get a couple of thousand people to see the house over a two-week period. Some people in the business thought it was great but said we needed to tell our own story.”

The Fords didn’t want a typical spooky house scenario. “My wife came up with a story set in Old Hollywood, and Emmy-winning TV writer Ed Valentine wrote the script,” says Ford. “We wanted to use projection effects, no live actors, to tell a classy story like a high-end ride, which had strong production values.”

With the story established Ford had to find equipment to handle the lighting, sound and video cues. “We needed something that could take SMPTE off the soundtrack and fire all these elements during the show,” he explains. “So we upgraded to a V16+ show controller and went straight to the A/V Binloops to support all the projections and Pepper’s ghost illusions – Neil Patrick Harris appears in one of those.

“The V16+ was really critical to pulling off the show. Everything is completely automated: Push one button on the V16+ and the whole show runs. It also sends MIDI show control to the lighting console and serial commands to automation equipment. The V16+’s flexibility and ability to interface with many different devices is key. There’s no other way we could have done it and kept the show fresh.”

Ford emphasizes that “The House at Haunted Hill” “is not about the technology but about the story. But it’s the technology that allows us to tell the story the way we do.”

The A/V Binloops have 14 channels of projection and three channels of HD output, while the Pepper’s ghost illusions feature some video warping. “What’s nice is being able to pop out the CompactFlash card, put it in the computer, adjust the video then put it back,” he says.

“Alcorn McBride’s support has been great,” Ford adds. “As a TV lighting designer I’m used to having really good support, and theirs is second to none. I have high expectations, and Alcorn McBride is one of the most responsive vendors I’ve used. I totally get why they are considered an industry leader.”

About Alcorn McBride:
Founded in 1986, Alcorn McBride is the leading manufacturer of show control, audio and video equipment for the themed entertainment industry, and a rapidly growing provider of audio and video systems for retail environments and transportation applications. Staffed by some of the industry’s best engineers and backed by outstanding customer support, the company has demonstrated great agility in bringing new designs to market. A hallmark of Alcorn McBride products is their durable, zero maintenance design. The company’s products provide consistent, reliable operation for audio and video playback applications worldwide. For more information, visit www.alcorn.com.

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New Deal Sounds Great To DPA Microphones

Leading microphone manufacturer DPA Microphones has consolidated its position in the market by joining forces with The Riverside Company, a global private equity firm that focuses on acquiring strong and growing businesses.

The Riverside Company’s investment in DPA Microphones will allow DPA to significantly expand its operation and grow the company at a much faster pace.

“DPA is already a very successful and profitable company, which has been experiencing a 15% increase in sales, year on year, for the last five years,” says DPA’s CFO Christian Hoff. “With Riverside involved, we anticipate even stronger sales growth in the next five years.”

Riverside has long experience in the audio and electronics industry, having previously invested in German loudspeaker company Teufel, which was successfully divested in 2010. More recently Riverside acquired BLUE Microphones, a US manufacturer of consumer and performance microphones and related products.

Riverside Partner Thomas Blomqvist says that Riverside saw DPA Microphones as an attractive partner because it has an innovative and well-designed product range and an international reputation for delivering outstanding quality and durability.

“This is a solid foundation for further growth, and Riverside’s global network and experience in the audio industry should help propel DPA to further success,” he says.

Under the terms of the new deal, DPA’s CEO Christian Poulsen and CFO Christian Hoff have retained their current positions in management and on the board, along with a 40% shareholding. Riverside is now the majority shareholder and will also have representation on the DPA board.

“For our day to day operation, it is business as usual,” Christian Poulsen says. “What has changed is our ability to capitalize on our current success and make this even more significant in the future. Riverside has an extensive network worldwide, many of whom are specialists in the audio industry and have deep technical knowledge and experience that we can exploit. This investment will allow us to develop new technologies and new products at a much faster pace. It will also allow us to move into new markets and attract more good people to our brand, while still properly supporting our existing customer and partner base.”

DPA makes an array of microphones geared toward demanding professional users in application areas such as theatre, broadcast, public address/live and studio. Its current product range includes headset, lavalier, instrument, and vocal microphones. In addition, the company makes adaptors and a variety of accessories to complement its offerings. DPA’s products are sold through own sales offices in Denmark, the US and Hong Kong as well as through a worldwide network of licensed distributors, and are used by many of the world’s top studios, broadcasters and recording artists.

Working with Thomas Blomqvist on the transaction for Riverside were Vice President Björn Larsson and Associate Martin Gustavsson. Principal for Origination Lars Eriksson sourced the opportunity for Riverside.

L.E.K., KPMG and Gorrissen Federspiel performed commercial, financial and legal due diligence, respectively. Danske Bank provided financing for the transaction. Audon A/S, an M&A International Inc. firm, advised DPA Microphones.

-ends-

About The Riverside Company
The Riverside Company is a global private equity firm focused on acquiring growing businesses valued at up to $250 million (€200 million in Europe). Since its founding in 1988, Riverside has invested in more than 320 transactions. The firm’s international portfolio includes more than 70 companies.
www.riversidecompany.com or www.riversideeurope.com

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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