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Archive for December, 2013

Spain’s FIBES Convention Centre Chooses Meyer Sound MICA

In Seville, Spain, a Meyer Sound MICA® line array loudspeaker system has been installed in the new auditorium at FIBES Conference and Exhibition Centre (Spanish: Palacio de Exposiciones y Congresos). With its seating flexibility and sonic excellence, the FIBES auditorium is a popular venue for international conferences, major concerts, and musical theatre productions. The audio system was specified by Carlos García-Diéguez Acuña of Seville-based GD Consulting.

“We selected a Meyer Sound MICA solution based on its overall sound quality, high efficiency in compact enclosures, and the availability of strong technical support in Spain,” explains García-Diéguez. “For conferences, it delivers high clarity and intelligibility in all seats, while for concerts, it is excellent for all music styles, including folk, classical, and rock.”

The Meyer Sound MAPP Online Pro® acoustical prediction program proved to be an essential design tool for the room with reflective metal and PET-based synthetic materials for wall surfaces. “MAPP Online Pro allows us to focus the sound on the seating area and greatly minimize any destructive reflections,” says García-Diéguez.

The FIBES auditorium system is built around twin arrays of eight-each MICA loudspeakers flown underneath three 600-HP subwoofers. Four UPM-1P loudspeakers supply front fill, six UPJunior™ VariO™ loudspeakers are mounted for underbalcony fill, one UPJunior loudspeaker covers one side of the asymmetrical top tier, and a Galileo® loudspeaker management system featuring one Galileo 616 processor handles system optimization and drive. GD Consulting and Madrid-based systems integrator Vitelsa assumed project management for the installation.

The permanent house audio system is mixed on DiGiCo SD9 and SD11 digital mixing consoles, both equipped with a MaDiRack.

The FIBES auditorium is designed by renowned architect Guillermo Vázquez Consuegra. It seats up to 3,000, although moveable walls can enclose upper sections for simultaneous use as smaller meeting spaces.

Since opening, the auditorium has hosted performances by Julio Iglesias and Raphael, the Flamenco Biennial Festival, and touring productions of Beauty and the Beast and Les Misérables, among others.

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Meyer Sound M’elodie Heightens Speech and Music at Malaysian Church

Subang Jaya Assembly of God is a fast-growing Malaysian contemporary church near Kuala Lumpur. To enhance the audio quality of its celebration-style worship services, the church recently installed a Meyer Sound M’elodie® line array loudspeaker system in its 750-seat sanctuary. The new system was provided and installed by Danny Kinchang of First Live Sound, based in Petaling Jaya.

“We have certainly experienced an improvement in sound, and consequently, an improvement in the playing of the worship music team,” says Pastor Donny Tan, who takes an active role in the church’s music program. “The M’elodie system has brought strong positive motivation to the team, and resulted in a more professional presentation.”

Twin flown arrays of five-each M’elodie loudspeakers cover the auditorium, along with four UPJunior™ VariO™ loudspeakers for out fill and center down fill. Four 600-HP subwoofers in an end-fire directional array supply low end, while a Galileo® loudspeaker management system with one Galileo 616 processor provides system drive and optimization.

“The new system also has improved speech clarity,” points out Pastor Tan. “It sounds great—there is very little need to tweak the equalization, as everything is clear and distinct.

The front-end complement for the new system includes a Yamaha LS9-32 digital mixing console and an assortment of premium microphones from Sennheiser, DPA, Audio-Technica, and Shure. Kinchang and First Live Sound also designed and supervised the acoustical treatment for the room.

Subang Jaya Assembly of God’s vibrant LifePoint ministry provides Sunday worship services in English and Chinese, as well as a full spectrum of programs and activities for children, youth, young adults, and seniors throughout the week.

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Advanced Systems Group Workshop Covers Complicated 4K Workflow

EMERYVILLE, CALIF. – More than 100 attendees joined Advanced Systems Group (ASG), a leading West Coast video and film integration firm, in San Francisco on Nov. 20 for its annual workshop, which focused on the growing 4K landscape. 4K Workflow 2013 included educational seminars from several industry experts, as well as networking opportunities with the presenters, a number of vendors, and other video professionals.

4K Workflow 2013 included five presentations that covered 4K acquisition, on-set color workflows, 4K broadcast, color finishing, and the challenges of adopting a 4K workflow. Reactions to the free daylong event were positive from attendees. “I found it both informative and useful,” said Dave Drum, director of photography. “Keeping up with the technology is tricky, but your conference gave me a good boost.”

“We were extremely pleased with 4K Workflow 2013. The large turnout really illustrated how important and challenging 4K is to the professional video community,” said Dave Van Hoy, ASG president. “It’s always a pleasure to share industry knowledge through our annual workshop, and we appreciate the support from our sponsors – QLogic, NetApp, AJA Video Systems, and Christie Digital.”

Although the workshop is over, ASG continues to be a 4K resource for attendees, customers, and the industry at large. Its 4K Workflows Web page at www.asgllc.com/4k-workflows provides information on 4K products and serves as a clearinghouse for current 4K news and commentary.

About ASG:

Advanced Systems Group LLC of Emeryville, Calif., with offices in the Bay Area and Southern California, has provided engineering, systems, integration, support and training to the broadcast, film, creative, and corporate video markets since 1997. With unmatched experience in Apple-based newsroom systems, shared storage, archiving, editing, finishing, and VFX systems, ASG has become one of largest installers of post production and shared storage systems on the West Coast. The ASG team is highly focused on customer success, and has installed and supported more than 185 SANs, production, and post production systems over the last six years. For more information, visit www.asgllc.com or call 510-654-8300.

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WORXAUDIO TECHNOLOGIES LOUDSPEAKERS DEPLOYED AT WEST MARKET STREET UNITED METHODIST CHURCH

*** Bill Payne ***

Greensboro, NC – December 2013… With a history that dates back to the 1830’s, West Market Street United Methodist Church is a vibrant congregation where music plays a vital role in the worship services. In an effort to provide the congregation with superior sound quality to properly support its musical endeavors, the church recently completed a major overhaul of its sound reinforcement system. Now, the music is more vibrant than ever—thanks to the new loudspeakers, which were drawn from the catalog of Greensboro’s own WorxAudio Technologies.

Unified AV Systems, a design / build firm for audiovisual and video communication systems to corporate, education, government, and religious entities was contracted to design and deploy the church’s new loudspeaker system. Bill Payne, System Designer and Account Representative for the Greensboro office of Unified AV Systems discussed the project and the decision to install a WorxAudio loudspeaker system that included a TrueLine XL3i-P powered, all-in-one compact line array system, a TrueLine TL118SSi-P powered sub bass loudspeaker system, and two WaveSeries 8ai two-way, high efficiency, passive loudspeakers powered by the company’s PXD 8080 power amplifier. more

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La Jolla Playhouse Upgrades Its Intercom System with Clear-Com’s HelixNet Partyline

New System Receives Standing Ovation from Production Team for Delivering Broadway Experience

SAN DIEGO, CA, DECEMBER 9, 2013 — Clear-Com® today announces that La Jolla Playhouse, the nationally-acclaimed theater located on the campus of the University of California, San Diego (UCSD), has deployed four HelixNet® Partyline Systems for production communication throughout its five theaters. HelixNet simplifies the production setup process, offers greater flexibility and delivers more intercom capabilities to the La Jolla production team.

“Using the HelixNet system is a game changer for our productions,” says Joe Huppert, Sound and Video Master, La Jolla Playhouse, UCSD Department of Theater and Dance. “The stability of the system and the confidence that it inspires is mind-blowing. La Jolla Playhouse often hosts guest stars and creative teams from Broadway that have high expectations of their production experience. Our objective is to consistently exceed their encounter on Broadway, including communications. HelixNet has helped us achieve this goal.”

Responsible for staging student plays to launching world-premiere Broadway-bound productions, La Jolla Playhouse is regarded as one of the country’s top producing theaters. Side Show, the musical currently in production, is utilizing three networked HelixNet Main Stations to provide 10 audio channels shared across 20 users.

“The linking capability is really important to us,” adds Huppert. “We get requests from designers who would like to have all the key production areas on the intercom. We used to be short on delivering this. Now we are using 10 channels and it’s just phenomenal. The best part is that it only took seconds to set up the intercom for this production.”

The simple configurability of HelixNet also allows the theater staff to move the system as needed between each of the five theater buildings, which seat anywhere from 50 to 600 guests. Since HelixNet is compatible with other four-channel systems, the La Jolla Playhouse team can link up with intercom solutions from traveling productions, or increase its number of users by connecting to its existing legacy systems.

Switching to HelixNet has not only gotten the attention of the world-class production teams that the Playhouse works with regularly, but has also saved the theater a significant amount of time and effort in setting up the intercom for all of its productions. The audio team no longer needs to run new cables, reconfigure and test systems, or check the labels of every beltpack, which previously would take hours after every changeover or new production setup. Additionally, if the production team heard even a slight hum or buzz in the analog system, more time would be spent tracking down the source of the noise, which could be something as simple as the cable running over a little light. HelixNet has eliminated all of these issues for the venue.

Founded in 1947 by Gregory Peck, Dorothy McGuire and Mel Ferrer, the Tony Award-winning La Jolla Playhouse is known for its tradition of creating some of the most exciting and adventurous new work in regional theatre. Numerous Playhouse productions have moved to Broadway, including the currently running hit Jersey Boys, as well as Big River, The Who’s Tommy, How to Succeed in Business Without Really Trying, the Pulitzer Prize-winning I Am My Own Wife, Thoroughly Modern Millie, Memphis, Peter and the Starcatcher and Hands on a Hardbody. Together with the Old Globe Theater in San Diego, La Jolla Playhouse has a reputation for sending more shows to Broadway than all other theaters in the country combined. This high level of exposure means that the playhouse must make sure its venues and technologies are kept to the highest standards of performance. The University of California, San Diego is one of the world’s leading public research universities.

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

PESA JITC-Compliant Video Distribution System Supports Mission Control Center for International Space Station

Huntsville, Alabama – PESA, a leading U.S.-based custom design and manufacturing company for professional audio and video signal distribution, today announced the completion of a video routing system upgrade to NASA’s Mission Control Center (MCC) at the agency’s Johnson Space Center (JSC) in Houston. Lockheed Martin, a prime contractor for NASA, commissioned PESA to provide hardware and system training for its Cheetah Video Distribution System (VDS).

Mission Control supports 24/7 operations for the International Space Station (ISS) and its partners, which include NASA, the Russian Federal Space Agency (Roscosmos), Japan Aerospace Exploration Agency (JAXA), European Space Agency (ESA), Canadian Space Agency (CSA), and payload oversight from the Payload Operations Integration Center at NASA’s Marshall Space Flight Center in Huntsville. Operators at these remote locations frequently require the ability to individually manage the specific video resources allocated to them. With an IP-based PERC2000 system controller paired with Cattrax Web, PESA’s browser-based router control software, NASA’s technical team can securely configure input and output sources specific to user or mission requirements, limiting access to only those video sources and destinations for which the user has authorization when required.

Also key to the success of the project was PESA’s hybrid video hardware system, which supports both fiber optics and coaxial sources from a variety of broadcast and computer signal formats. Using PESA’s Vidblox extender/scaler units, every SDI, VGA, and DVI video source is fed through the router and securely distributed to the desired display or recording system.

The VDS hardware is based on a Cheetah 288XR frame that allows NASA to route 288 input sources to 432 workstations and display screens. PESA’s Cheetah routing switchers have been certified under the Department of Defense (DoD) Joint Interoperability Test Command (JITC), and comply with the new JITC VDS specifications.

“We were very pleased to hear all the positive responses on how well the MCC came out both functionally and aesthetically,” said Howard Sutton, executive chairman of PESA. “We knew we had to deliver a system for the 24/7 control room that would provide instant access to real-time data and video feeds coming from satellite and ISS sources.”

“Leveraging our long time experience building mission critical routing systems, PESA is confident that our system will provide the secure and trustworthy performance that NASA demands for 24/7 operations,” added Chuck Tillett, president and COO of PESA. “We are very proud to have been selected for this important project and to have Lockheed Martin as one of our JITC-compliant VDS solution customers.”

About PESA

As a leading provider of audio/video connectivity, PESA offers a wide selection of routing switchers, matrix switchers, extenders, converters, media extenders, and signal processing gear to support government, military, industrial, commercial, broadcast and mobile truck applications. PESA offers one of the widest ranges of AV products – from large scale fiber optic routing to single-point CAT-5 DVI extenders – each with the integrity and innovative high performance technology expected from PESA. Our products are available around the world from a leading team of channel partners offering local support and installation; and all of our products are supported by 24/7 technical support. To learn more about our technologies and services visit www.pesa.com. PESA is located in Huntsville, Alabama with regional offices throughout the United States.

All products mentioned herein are trademarked property of their respective owners. Follow us on Twitter @PESA_ONLINE.

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EDIUS Support for Matrox Editing Devices Now Available

Matrox® Video today announced the immediate availability of Grass Valley EDIUS® 7.21 nonlinear video editing application support for Matrox MXO2™ LE and Matrox MXO2 Mini I/O devices. EDIUS is a proven solution for editors working on fast-turn-around production in broadcast news, newsmagazine, and studio program content, as well as professional video editors working on organizational, documentary, and theatrical productions.

Matrox MXO2 Mini and MXO2 LE editing devices for EDIUS

Matrox MXO2 editing devices are the only I/O products that go everywhere – laptop and desktop; in the studio, in an OB van, and on set. For maximum versatility, they connect to the editing computer via PCIe® or ExpressCard/34® adapters. Thunderbolt™ support for Windows® is coming soon.

“Opening our editing software up to support more hardware platforms like those from Matrox is a strategic goal for Grass Valley, strengthening third-party relationships, extending our reach and above all giving customers greater choice,” said Alex Kataoka, EDIUS Product Manager for Grass Valley.

“Since the launch of our popular MXO2 product line, EDIUS customers have been asking for support of their editing application of choice,” said Wayne Andrews, Product Manager for Matrox Video. “Now with support for Matrox hardware from Grass Valley, EDIUS users have the perfect cost-effective ingest, monitoring and delivery devices for their SD and HD workflows.

Price and availability
Matrox products are available through a worldwide network of authorized dealers. Matrox MXO2 Mini is priced starting at $449 US (£338, €382) not including local taxes and delivery. Matrox MXO2 LE is priced starting at $995 US (£749, €799). Matrox MXO2 Mini MAX and Matrox MXO2 LE MAX are also supported with EDIUS 7.21 software and offer Adobe Media Encoder users the added benefit of H.264 video encoding up to 5 times faster than software alone without sacrificing quality.

About Matrox Video
Matrox Video is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

Tightrope Media Systems ZEPLAY Enhances Fan Experience For Ottawa Senators NHL Games

Arena’s production team credits durability, ease of use, and archiving capabilities as key features of instant replay system

ST. PAUL, MINNESOTA, December 9, 2013 – The Ottawa Senators recently upgraded the production capabilities of its multipurpose home arena, Canadian Tire Centre, focusing on a new LED score board, cameras, fiber infrastructure and a complete control room overhaul. The control room project included replacing its older SD gear with new, all-digital HD switchers, routers and replay system that would meet the production crew’s specific requirements.

The production team selected two ZEPLAY slo-mo instant replay systems for sports from Tightrope Media Systems, citing ease of use, durability, and quick and easy access to game action as benefits – all while offering exceptional value for its price.

Stan Kertesz, audio and video production manager for the Ottawa Senators, explained that his crew needed a reliable and easy to use replay system for its new LED score board and monitors located throughout the arena. This is because ZEPLAY would be integral to capturing fast-paced game action and generating fan excitement during home games.

“It has always been important that we have the ability to produce our own replays,” explains Kertesz. “We realize that when you’re a fan watching a game at home, you get these great angles and replays, but that’s not always the case when you’re in the arena watching the games live. With that in mind, I wanted two replay machines from the start. We had one SD system from another vendor but the front end control wasn’t very good, and it had some bugs. It also only gave us four angles, and I wanted many more.”

Kertesz took a serious look at the price-to-performance ratio of available replay systems. “The consultant we were working with recommended Tightrope,” he says. “We checked it out and the price point was very good. I looked through the specs and the functionality and realized this system was exactly what we needed. We’re basically getting two machines for the price of one.”

Each ZEPLAY system allows operators eight channels of live replay (four in, four out) and a built-in multiviewer for studying angles. The unit’s controller and jog/shuttle wheel with magnetic stops gives operators the accuracy and speed needed when working under pressure. “They are good, solid controllers,” says Kertesz. “That’s something we didn’t have before with our old unit; that ease of use and control is something my operators appreciated right off the bat.”

ZEPLAY’s extensive tagging options to assist with storage, recall and lightning-fast highlight package creation was another essential feature for Kertesz. His operators archive game-day footage for highlights, promo packages, posting videos online or even as complementary footage after a game during player interviews.

“The archiving capability and full HD quality is very important to us, and overall it is the biggest way that ZEPLAY enhanced our game and workflow,” says Kertesz. “It’s great that we can show replays during the game, but with the tagging features, we also have that ability to create these HD highlight melts after the games. We can digitally transfer those to our edit suites and build databases. It makes the workflow really simple.”

Up and running on ZEPLAY after training for only two games, Kertesz stresses that it was not only quick and easy to learn, but the rewards were immediate.

“You can hear the reaction from the fans when you get a good replay, like the puck just barely stopping on the goal line,” says Kertesz. “So, we get recognition that it enhances the fan experience. Overall, ZEPLAY was a great choice and has become a big part of our show.”

About Tightrope Media Systems

Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

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Electrosonic Supports Integrated Environmental Media System in New Tom Bradley International Terminal at LAX

Photo: Moment Factory

The new Tom Bradley International Terminal at Los Angeles International Airport (LAX) offers passengers a unique travel experience with its Integrated Environmental Media System (IEMS), a series of seven digital media features integrated into the interior architecture that provides entertainment and information to passengers. Electrosonic was tasked by Los Angeles World Airports (LAWA) with the detailed engineering and system integration of the IEMS components, and the build out of the IEMS control room that keeps everything humming around the clock.

Electrosonic was also responsible for the integration and installation of the complex digital playback system that supports the multi-channel synchronization necessary for display on the media features. Electrosonic was involved with the mammoth project for close to two years, providing the client with specialized management expertise throughout.

“This is one of the largest international terminals in the U.S., and its first priority is as an airport, a hub to the rest of the world,” says Electrosonic account executive Bryan Hinckley. “Our experience coordinating with different trades and vendors, and our expertise in integrating complex systems and new playback technology, helped make the IEMS system a success.”

Electrosonic project manager Janne Hammel notes, “Because of the type and scale of work Electrosonic does for multiple industries around the world, we were uniquely qualified to act as conduit between LAWA and the design and content producers, serving as a translator and helping to facilitate communications and manage expectations on all sides. It was extremely challenging and incredibly rewarding.”

The IEMS media features are located in the 150,000-square-foot Antonio Villaraigosa Pavilion (Great Hall) beyond TSA screening and consist of the Welcome Wall, the Bon Voyage Wall, the four-sided Time Tower, the Destination Board and Story Board and two portals that usher travelers to their departure gates. Integrated into the terminal’s architecture, they are more than digital signage or multimedia eye candy. Each media feature serves a specific purpose for the passengers, offers sponsorship opportunities for marketers, and dazzles with its ability to merge the latest technology with soaring architectural elements.

“All of the media features were custom designed to support individual creative visions,” says Hammel. “The ability to roll out large-scale custom projects is all about attention to detail and time management. It takes a certain amount of imagination to go from design to fabrication to hardware integration, where the smallest thing can have a big impact as the project evolves. That’s our business.”

What set the job apart from other large projects was that it was essentially “a series of big multimedia features included in a large public works venue,” she explains. “We had to balance how to integrate the systems into airport operations and security. We spent a lot of time working with the airport IT representative to deliver a system that maintains absolute security.”

The Welcome Wall, which displays joyful scenes of greeting for arriving international passengers, is a high-resolution 6mm LED Daktronics wall measuring approximately 26 by 84 feet, divided into two screens and surrounded by a decorative glass frame. The adjacent Bon Voyage Wall, with content inspired by photographer Philippe Halsman’s Jumpology photographs, is a similar configuration with dimensions of 13 by 23 feet.

The Destination Board is a different take on flight departure information. The 80-foot wide screen displays flight details from LAX’s Flight Information Display System database. The high-resolution 6mm LED screen is partitioned into a central flight info display flanked by informational side panels and framed by a low-resolution crown of LEDs. Content on the side panels is linked in real time to destination flights displayed on the board to provide travelers with fun facts, weather briefs and images of destination cities, while a graceful arched crest features international flag graphics or subtle arrays of colors.

The four-sided Time Tower is built around the Villaraigosa Pavilion’s elevator tower and is designed to not only tell time, but also explore time as part of the travel experience. It is 72 feet high with a base of diffused glass panels and an interior layer of 10mm LEDs. Sensors sensitive to passenger gestures create constantly changing patterns in the content generated through customized programming and the capabilities of the system. The upper surface features high-resolution 6mm LEDs and integrates a functional clock face with entertaining content incorporating a time theme.

“The display is very large and has a number of video content sources which have to synchronize seamlessly on the four sides of the tower,” Hinckley says. “Electrosonic and Smart Monkeys spent a lot of time with the content creators and Daktronics on pixel-for-pixel consistency from media creation through playback, processing and display. There’s no video scaling involved.”

Electrosonic also coordinated with the LAX audio system, which uses very complex zoning, and delivers safety and emergency messages to ensure proper audio playback for the Time Tower clock strike at the top of every hour.

Along the west side of the Villaraigosa Pavilion, poised above retail shops, is the 120-foot-long Story Board feature. Its high-resolution 6mm LED tiles form five display walls of varying size and shape across a structural frame. Once again, Electrosonic worked closely with all the vendors to achieve pixel-for-pixel consistency in a huge palette of pixels comprising custom content that tells ambient narratives about travel.

As passengers move from the Villaraigosa Pavilion toward either the north or south concourse, a series of ten 28-foot-tall columns form a visual portal to their destination. Each column, consisting of six vertically stacked 55-inch Planar LCD monitors, displays content themed around the art traditions of various destination cities. Speakers and motion sensors are embedded in the base units of each portal to enhance the experience.

“It was an integration challenge to make sure the sensor and playback gear could co-exist in the limited space within the portals,” Hinckley points out.

Electrosonic also designed the layout and installed the Main Equipment Room (MER), which is comprised of a control and rack room. Miles of optical fiber from all over the terminal feed into the MER, where over a 1,000 individual connections provide the capability to display and control the content displayed on each feature. Cameras in the terminal that show the content-display status of each feature allows a single operator to monitor all features simultaneously. Additionally, a 65-inch display was installed in the control room where new media content from prospective partners can be reviewed prior to public display.

“We have people on site for 24/7 operation and maintenance of the system,” Hinckley notes. “Since this is a working international airport, the only time we have access to the field equipment is between 2 and 6 am, so we not only need a quick response team on site to remedy any potential problems, but we also need to staff the graveyard shift to make any necessary repairs.”

Janne Hammel believes that once travelers experience the new terminal and its standout media features, they’ll have a greater appreciation for the work of all the vendors involved. “You can talk about physical dimensions and number of pixels, but until you’re standing in that space experiencing the media and how it integrates with the terminal’s passenger activity and flow, you don’t realize how it exceeds your expectations.

“L.A. is a world destination and that’s reflected in the content of the media features and their integration into the physical structure of the new international terminal,” she says.

Electrosonic is proud to be a part of the LAX Integrated Environmental Media Systems (IEMS) Team, which includes: MRA International, IEMS Project Director; Marcela Sardi of Sardi Design, designer of the media features and Creative Director; Smart Monkeys Inc., System Designer and technical consultant for the content delivery system; Daktronics, display supplier; Moment Factory, Executive Content Producer; and Digital Kitchen, Supportive Content Producer.

About Electrosonic
Electrosonic is an international audio-visual company that creates tailored, state-of-the-art solutions for a wide range of markets including theme parks, museums, control rooms, and corporate meeting rooms. Since its founding in 1964, Electrosonic has built a strong reputation for working on complex projects, both large and small, and has developed lasting partnerships with customers and suppliers. Beyond complete integrated systems, Electrosonic provides a comprehensive scope of services including technical design, projector lamp sales, maintenance and operational support.

Learn more about Electrosonic. Visit http://www.electrosonic.com

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Tecom Electronics Signs a Distribution Agreement with Modul IT in Europe

Introducing a new, easier and faster way to have a smart classroom


Dec 4, 2013 – Tecom Electronics, a worldwide provider of TecPodium Interactive Lecterns, has signed a distribution agreement with ModulIT Solutions in Europe.

Tecom manufactures a wide range of smart lecterns and podiums (TecPodium) that provides fully integrated multimedia solution to manage AV equipment in training and educational facilities at all levels. The TecPodium product line is an important addition to Modul IT Solutions.

Modul IT will supply designated resources to market the TecPodium line of products throughout its marketing channels in Europe. Utilizing its vast local contacts, the distribution agreement between the companies will allow faster supply with even better customer service and support throughout the continent.

“This agreement is of great benefit to both companies and to our customers” says Aviv Brosilovski, CEO of Tecom Electronics. “TecPodium products will now be more easily accessible to our European customers via Modul IT distribution and logistics capabilities in Europe”.

Haim Elallouf, Modul IT Director of Sales said “We are very excited on the new addition to our product line. We will launch and exhibit Tecom products at the coming Integrated Systems Europe 2014 allowing customers hands-on demos of the TecPodiums and its’ capabilities, for a more realistic experience, thus enabling better decision making when looking for classroom and training rooms turnkey solutions”.

Tecom will be displaying the TecPodium Lecterns and its latest technology at ISE 2014, on February 4-6 at the RAI, Amsterdam, The Netherlands. Tecom will be in Booth # 2-E60.

About Tecom
Tecom Electronics is a dynamic company continuously developing and evolving their products to provide the simplest yet most technologically advanced solution to managing Audio Visual equipment in training and educational facilities. Tecom replaces generic podiums in the classroom and boardroom with a more interactive and easy to use technological experience.
www.tecpodium.com

About Modul ITModul IT Solutions is a Pro AV import, distribution and logistics service provider with operations throughout Europe and beyond. With many years of experience, Modul IT offers its partners a unique gateway into the market at the same time as offering customers a broad range of both innovative and established solutions.
www.modulit.eu

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