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Archive for February 11th, 2014

MassAV Creates ‘Ultimate Production Snake’ by FiberPlex

It’s lights, cameras and a whole lot more action for massAV as a result of a new FiberPlex Technologies optical snake recently added to its linecard.

The live event AV staging and production company in Billerica, Massachusetts, purchased FiberPlex’s WDM optical multiplexer to create what massAV Director of Operations Aaron Raymond calls the ultimate production snake. “We build a lot of very high end video systems, and when you start adding multiple lines of HD video along with audio, data, lighting and control for an event, it really has to be fiber,” he said, adding, “We’d been limited in our use of fiber until now because it meant having to set up an optical transmitter and receiver on every single channel, and that got expensive.”

Now, with FiberPlex’s WDM-8 active wave division multiplexer, massAV can multiplex eight discrete signals at 3 Gb/s each for transporting video, audio, lighting and control feeds onto one fiber pair.

The FiberPlex WDM multiplexer comes in 16-channel and 8-channel models and are on a cost parity with copper and copper’s associated installation and handling expenses. As the cost of copper cabling continues to rise, companies like massAV are going the fiber optic route to transport large volumes of content. Optical fiber has ten times the transference rate of copper at the high end and can transmit data error-free over greater distances by a 400:1 ratio.

“The FiberPlex multiplexer makes it so that we can run eight channels on the same fiber pair as opposed to dealing with the different types and sizes of copper cabling as well as the need to re-clock signals every couple hundred feet for longer runs,” explained Raymond.

As a result, massAV is able to replace 2,000 pounds of copper cabling with a 25-pound spool of fiber optics for large events, a savings that is realized by its corporate and other live event customers in reduced labor, setup time and transportation costs to truck in and set up copper cabling at events.

Multiplexing media and control signals onto one, 1/4-inch optical cable is also ideal for events that require running cables down hallways, across doorways or through public areas where bulky copper cabling is not practical, said Raymond.

massAV recently tried out the new multiplexer for a 1,500-person event with a main stage, two control areas, and 26 video projectors in the air – all tied together via the ultimate production snake consisting of little more than a spool of fiber optic cabling and a pair of WDM multiplexers. The setup involved multiple lines of data, video, audio, lighting control, intercom communications, and serial communications between equipment.

FiberPlex’s eight-channel WDM-8 and sixteen-channel WDM-16 multiplexers use interchangeable SFP/SFP+ modules for interfacing to a variety of gear and environments, including converting between media formats SD-SDI, HD-SDI, 3G-SDI, and 6G-SDI and for HDMI/DVI, 10/100/1G Ethernet and MADI, as well as full duplex and BiDi optical. massAV’s new multiplexer provides the flexibility now and into the immediate future as new media requirements change, noted Raymond.

FiberPlex recently took to the road to conduct a 25-city demo tour of its active wave division multiplexers as the ultimate production snake (check with a local FiberPlex representative for details). FiberPlex makes fiber optic products and systems for government agencies as well as for houses of worship, corporate facilities, broadcast applications, and K-12 and higher education.

Bruno Mars delivers record-breaking halftime performance at Super Bowl XLVIII with Sennheiser

New York, February 11, 2014: The stars aligned during Super Bowl XLVIII on the evening of February 2 as Bruno Mars delivered an unforgettable halftime performance to a record-breaking broadcast audience of 115.3 million viewers – the largest in Super Bowl history. For the duration of the performance, Bruno Mars sang through his Sennheiser SKM 5200 handheld transmitter, coupled with an MD 5235 dynamic microphone capsule, ensuring crisp and detailed sound for millions of fans around the world.

During the 12-minute set, which included his top hits “Locked Out of Heaven,” “Treasure” and “Just the Way You Are,” Bruno Mars showcased his versatility as an entertainer with a dramatic drum-solo introduction, James Brown-inspired dance moves, and an instantly recognizable soulful voice captured by Sennheiser.

Working alongside veteran production provider ATK Audiotek, Bruno Mars’ production team – including monitor engineer James Berry and front-of-house engineer Derek Brener – specified Sennheiser SKM 5200 handheld transmitters and MD 5235 capsules for each of the three vocalists on stage, including Bruno Mars. In addition, all of Bruno Mars’ performers were equipped with Sennheiser 2000 Series wireless monitoring systems. “It was rock solid perfection, just as we expected,” says Berry. “Everything just worked, and we had no problems.”

Preparing for the Big Game
Whether they are touring the world or performing at the Super Bowl, preparation is key for Bruno Mars’ production team. “First, I need to have all my Sennheiser products there, because I know it’s all going to work,” says Berry. “We went in on Monday, checked everything and Bruno came in on Tuesday. Then we ran through rehearsals three or four times a day – everything was easy and we didn’t have any problems.”

“You’ve got to let go of the pressure in the moment,” adds Brener. “We must have rehearsed upwards of ten times so we knew what we were doing and we knew that it sounded great. Thankfully, with Sennheiser, you don’t have to worry about the ‘What if’ moments, since Sennheiser virtually never fails.” Brener was grateful to have ATK Audiotek by his side as well. “They are so well prepared for the scale of this kind of production – especially on the biggest show of the year.”

Cutting Through the Mix
Wherever Bruno Mars is on stage – including at the Super Bowl – his Sennheiser SKM 5200 transmitter with MD 5235 capsule is always nearby. “It’s very imporant to us that Bruno is on the SKM 5200,” says Berry. Derek Brener explains how the MD 5235 capsule is especially well suited to Bruno Mars’ voice: “There is something special about this capsule,” he says. “It just punches through the PA better than any other mic we’ve tried on Bruno. There is a special quality in the timbre of his voice, and how this aligns with the MD 5235. It’s a great match.”

“I am grateful we are able to use the products that we want on a high-profile broadcast production like this, because on some other TV shows, you are at the mercy of having to use other equipment that is provided,” adds Berry. “We hear the quality of these microphones every day while we’re on tour and it’s always reassuring to know that Bruno’s vocals come across perfectly in a broadcast mix.”

For Brener, the ultimate test of the audio quality is the broadcast mix itself. For this reason, Bruno Mars’ team hand picked legendary record producer/engineer Brendan O’Brien to supervise this. “For a broadcast going out to nearly 120 million people, this was a really smart move,” observes Brener. “He’s already done a Super Bowl with Bruce Springsteen and has produced so many great records – this allowed me to concentrate on delivering a great house mix.”

While Bruno Mars’ halftime performance during Super Bowl XLVIII may have astounded millions of audience members around the world, Berry says that Bruno Mars’ team approached the performance just like any other show. “This show was no different than any of our other stage shows,“ he says. “Bruno puts out the same amount of energy whether he is in a club or whether he is performing for millions of people. We took that same approach as a crew. It is all a matter of making him feel comfortable, and for Bruno to feel comfortable, he needs the right microphone. That’s always a Sennheiser.”

For front-of-house engineer Brener, the Super Bowl performance was a resounding success: “When people would ask me who I was rooting for, I would say ‘Bruno’. And Bruno won!”

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2012 the family company, which was founded in 1945, achieved a turnover of around 584 million euros. Sennheiser employs more than 2,300 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Photo Caption:

Bruno Mars sang through his Sennheiser SKM 5200 handheld transmitter with MD 5235 capsule during his halftime performance at Super Bowl XLVIII (Photo credit: Kevin C. Cox, Getty Images)

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SA1360 Ultra High Performance Digital Signage Appliance
for Targeted Communications

Full 1080p HD Video Delivery for Digital Signage Networks

DSE, Las Vegas, NV & San Jose, CA – February 12, 2014 – DT Research™, Inc., an industry leader in the development of information appliances for vertical markets, today announced the SA1360 signage appliance player, providing full high definition (HD) 1080p video performance, delivering a quality digital signage experience.

The SA1360 features the powerful and energy-efficient Intel® Core™ i-series processor (i3 or i7) in a fanless, robust package, providing dual Full-HD video playback yet energy-efficient power consumption. The integrated Microsoft® Windows® 7 Professional operating system offers a highly intuitive menu interface and enhanced flexibility to integrate with other applications.

With DVI and DisplayPort connectors for high-quality video and optimal display experience, the SA1360 powers displays with dynamic content while communicating with the server for updates. The SA1360 also offers up to 128GB of flash storage and up to 8GB of RAM, with TPM 1.2 support, and a PCI Express expansion port. With options for wireless networking, WebDT signage appliances offer flexibility in placement, and support growing digital signage networks.

The SA1360 is complimented by the web-based WebDT Content Manager software for intuitive remote management of content and device functions. Bundled with all WebDT signage appliances, WebDT Content Manager offers an easy-to-use interface for organizing, scheduling, and distributing content, and supports numerous media formats (e.g., images, videos, Flash, URL, RSS, and Microsoft PowerPoint). Flexible screen layout options with multiple zones and layers enable a screen to be divided into up to eight areas with different content in each zone to mix images, text, and real-time video within a screen. This detailed management software allows quick updates over an IP network connection for real-time or scheduled content playback and automatic content download recovery to prevent downtime. The newly released WCM 6.0 Pro now adds built-in Widgets, one-click publishing, an enhanced schedule interface, and more multiple-screen deployment tools.

The WebDT Signage System offers innovative digital signage hardware integrated with intuitive web-based content management software enabling effective targeted communications. With a range of high-powered signage appliance players for single and multiple screens, the WebDT Signage System delivers dynamic visual messages to optimize customer experience while driving sales.

About DT Research
DT Research™ develops and manufactures web-enabled information appliances for vertical applications. The WebDT family of products is based on thin computing platforms for secure, reliable, and cost-effective computing. WebDT products include digital signage solutions, wireless tablets, point-of-service handhelds, compact modular systems, and display-integrated information systems. These systems emphasize mobility, wireless connectivity and touch displays. Powered by Windows® operating systems, WebDT systems offer durability and ease in integration, leading to solutions that can be remotely managed with the comprehensive WebDT Device Manager software.
For more information, visit http://signage.dtri.com.

DT Research and WebDT are trademarks of DT Research, Inc. All other brands and product names may be trademarks and/or registered trademarks of their respective owners.

SA1360 Ultra High Performance Digital Signage Appliance

Litepanels Announces Opening of Expanded Headquarters

New Facility Supports Business Growth for LED Lighting Leader

Chatsworth, Calif. – Litepanels(r), a Vitec Group brand and premier provider of LED lighting for the broadcast and production industries, has opened the doors of its new facility in Chatsworth, Calif. Significantly larger than the company’s previous headquarters, Litepanels made the move to a bigger footprint to support the growing demand for their proprietary LED technology in the production and broadcast communities.

Founded in the heart of the film community in 2001, Litepanels continues to operate their primary business, engineering, and production operations in the Los Angeles area. “When we looked to expand, it was important to us to stay close to the L.A. film community,” commented Litepanels Vice President of Global Marketing Chris Marchitelli. “Litepanels has grown from humble garage beginnings to become one of the leaders in the film and television lighting industry, and we wanted to keep jobs here in the city that helped us to get our start.”

Formerly operating in just over 11,000 square feet, the new Chatsworth facility covers more than 24,000 square feet. “The new facility gives us increased space for equipment, more offices for our growing staff, and a bigger staging area to meet deliveries, but this move was about more than real estate,” continued Marchitelli. “Our new headquarters gives us greater latitude for research and development, so we can continue to foster the culture of innovation that has been key to our success. We are excited to be moving into such a beautiful new facility, and we know it would not have been possible without the support and loyalty of our customers.”

Litepanels has also unveiled a new logo as part of the culmination of a yearlong rebranding effort. “Litepanels is a trailblazer in LED technology. We have evolved our product line beyond panels to include the largest lineup of LED Fresnels in the industry. With that, we knew it was time to update our logo so that it was instantly recognizable and reflective of the innovation of our fixtures,” noted Marchitelli. “We are launching some exciting products this year, and we are proud that they will be branded with the new Litepanels logo.”

For more information, visit Litepanels on the Web, or follow us on Facebook.

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About Litepanels
Litepanels, a Vitec Group brand, was founded in 2001 by five professional gaffers and engineers who saw the future and pioneered LED (light emitting diode) lighting for motion pictures, television, and the audio-visual industry. Their Emmy(r) award-winning technology has now been used on thousands of productions worldwide and is trusted by the world’s leading broadcast organizations. Litepanels continues to expand its suite of flicker free, color accurate, fully-dimmable soft lights that talent and lighting directors admire. These environmentally friendly fixtures can pay for themselves with power savings and long life, setting a new standard in professional lighting. More information can be found at www.Litepanels.com

About the Vitec Group
Capture the moment(tm)

For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.

Media Contacts:
ignite strategic communications
818.980.3473
Chris Purse: chris@ignite.bz
Sally Christgau: sally@ignite.bz

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BenQ Education Outreach Program Brings Color Proofing Monitors to College Campuses

Company’s Latest Initiative Puts PG2401PT Professional Graphics Monitor Into the Hands of Students and Instructors

COSTA MESA, Calif. — Feb. 11, 2014 — BenQ America Corp., an internationally renowned provider of professional graphics monitors, today announced an Education Outreach Program to help campuses put the latest color management monitor technologies into the hands of students and instructors. As part of this initiative, BenQ has donated the company’s new PG2401PT certified color management monitor to California Polytechnic State University (Cal Poly), Clemson University, and the Rochester Institute of Technology (RIT) — putting professional-grade color accuracy into the hands of tomorrow’s creative specialists.

“The students at these institutions are the future imaging professionals and leaders of the color management industry, and we value the opportunity to contribute to their success,” said Bob Wudeck, Associate Vice President, Strategy and Business Development at BenQ America Corp. “Produced in collaboration with X-Rite, our PG2401PT display combines a Pro Graphics 24-inch screen with Palette Master software for optimal color control, in addition to being GRACoL and FOGRA certified. Whether it’s students or professional content creators, our Pro Graphics series allows users to produce more fluid digital workflows with color consistency from design to print.”

Made specifically for creatives such as photographers, graphic designers, color re-touchers, and printers requiring accurate and consistent on-screen color matching, BenQ’s PG2401PT provides reliable, printing-certified soft proofing precision at an incredibly affordable price of $999. To increase collaboration and simplicity within the creative process, the new display also supports today’s cloud-based color proofing systems and comes equipped with a factory calibration report to ensure accurate performance. The result is print-like color integrity during the entire workflow: from design to print, and over the cloud. Donated to three college campuses, the monitor promotes active learning during seminars and workshops within subjects such as graphic communications, Web and digital media, design reproduction technology, and graphics for packaging.

“BenQ’s PG2401PT monitor will be especially valuable in enhancing the Graphic Communication Department’s consumer packaging and color courses,” said Colleen Twomey, professor of Graphic Communication at Cal Poly and a specialist in packaging graphics. “It is a welcome addition that ensures our students will have practical, hands-on experience with the latest advances in virtual proofing.” Ken Macro, Chair of Cal Poly’s Graphic Communication Department, added, “We are greatly appreciative of the newly formed partnership with BenQ. We are focused on exposing our students to the latest technology in the field as part of Cal Poly’s ‘Learn by Doing’ teaching approach. The BenQ monitor fits nicely in our classroom environment.”

“The addition of the BenQ PG2401PT monitor in the Clemson Graphic Communications and Sonoco Institute labs is a tremendous asset for our students, faculty, and industry partners,” said Sam T. Ingram, Chair and Professor of Graphic Communications at Clemson University. “BenQ technology brings significant accuracy and precision to our soft color proofing across the media platforms used in our coursework. I look forward to further collaboration with BenQ as projects develop since the company’s valued expertise can assist us in both best practices and the application of accurate color management technologies.”

“The BenQ monitor has been installed in our Electronic Still Photography lab in the School of Photographic Arts and Sciences,” said Michael E. Dear, Operations Manager at RIT’s School of Photographic Arts and Sciences. “Students and faculty from the entire College of Imaging Arts and Sciences have access to the display in support of imaging, video, design, and various multimedia projects. We are most grateful for BenQ’s support of our students with its generous gift, helping us provide an exceptional learning experience to the next generation of imaging artists.”

More information on BenQ’s educational support programs and PG2401PT certified color management monitor is available at www.BenQ.us.

# # #

Image Links:
Photo Link: www.ingearpr.com/BenQ/BenQ_CalPoly.jpg
Photo Caption: Cal Poly Graphic Communication Computer Technician Eric Johnson demonstrates the BenQ PG2401PT monitor.

Photo Link: www.ingearpr.com/BenQ/BenQ_Clemson.jpg
Photo Caption: BenQ PG22401PT installed on the flexo press at Clemson University.

Photo Link: www.ingearpr.com/BenQ/BenQ_RIT.jpg
Photo Caption: BenQ PG2401PT in the Electronic Still Photography lab in RIT’s School of Photographic Arts and Sciences.

About BenQ America Corp.
The BenQ digital lifestyle brand stands for “Bringing Enjoyment ‘N’ Quality to Life,” fusing lifestyle with technology, enjoyment with productivity, and aesthetic design with engineering. It is this mantra that has made BenQ the No. 1-selling DLP® projector brand worldwide, as well as the No. 1 name in short-throw projectors. BenQ America Corp. offers an extensive line of visual display and presentation solutions that incorporate the very latest technologies. The company delivers a broad range of projectors, flat-panel displays, and monitors for any application and market — education, home, gaming, enterprise, government, house of worship, digital signage, A/V, and IT — with cutting-edge models that lead the industry in performance, reliability, environmental sustainability, and aesthetics. Whether it’s interactive digital whiteboards for classrooms, full HD 3D projectors for home theaters, short-throw projectors for boardrooms, interactive flat-panel displays for digital signage, or LED backlight monitors for professional gaming, BenQ continues to defy the limits of digital displays. The company’s products are available across North America through leading value-added distributors, resellers, and retailers. More information is available at www.BenQ.us.

About BenQ Corporation
Founded on the corporate vision of “Bringing Enjoyment ‘N’ Quality to Life,” BenQ Corporation is a world-leading human technology and solutions provider aiming to elevate and enrich every aspect of consumers’ lives. To realize this vision, the company focuses on the aspects that matter most to people today — lifestyle, business, healthcare, and education — with the hope of providing people with the means to live better, increase efficiency, feel healthier, and enhance learning. Such means include a delightful broad portfolio of people-driven products and embedded technologies spanning digital projectors, monitors, interactive large-format displays, digital cameras and camcorders, mobile computing devices, and lighting solutions. Because it matters.

About BenQ Group
The BenQ Group is a $20+ billion powerhouse comprised of 15+ independent companies operating in over 30 countries across numerous industries with a combined workforce of over 100,000 employees. Each Group member is a recognized leader in its own field, contributing to the BenQ Group’s vast resources, broad R&D, and distinct strategic strengths. By leveraging each company’s vertical specialization to create true scale across horizontal markets, the BenQ Group controls a highly efficient value chain with the unrivaled ability to deliver critical components and world-class solutions in the following industries: TFT-LCD, green energy, fine chemicals and advanced materials, lighting, IC design, precision components, system integration, branded business, and service. The Group is committed to profitable and sustainable businesses that share its long-standing vision of “Bringing Enjoyment ‘N’ Quality to Life.”

The BenQ Group companies are: BenQ Corporation, AU Optronics Corporation (world’s top manufacturer of large-size TFT-LCD panels), Qisda Corporation, Darfon Electronics Corporation, BenQ ESCO Corp., BenQ Materials Corp., BenQ Guru Corp., BenQ Medical Center, BenQ Medical Technology Corp., BriView Co., Ltd., Daxin Materials Corp., Dazzo Technology Corp., Forhouse Corp., Lextar Electronics Corp., and Raydium Semiconductor Corp.

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All trademarks and registered trademarks mentioned herein are the property of their respective owners.

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DEFIANTLY INNOVATIVE, DANLEY ENTERS THE COLUMN SPEAKER MARKET WITH THE SBH-10 “SKINNY BIG HORN”

GAINESVILLE, GEORGIA – FEBRUARY 2014: Danley Sound Labs broke into the house of worship market by skirting convention with its patented Synergy Horn and Tapped Horn technologies and is currently taking the sporting arena market by storm by one-upping line arrays with its unique Genesis and Jericho Horns. The recipe is easy to explain but almost impossible for anyone without Tom Danley’s unique acoustics background to pull off: Danley starts back at the fundamental physics of loudspeaker design to overcome trade-offs that are inherent to conventional designs. So it is again with column speakers. The new Danley SBH-10 “Skinny Big Horn,” uses Danley’s patented Paraline technologies to deliver the aesthetic benefits of a column speaker but with much greater fidelity, superior pattern control, no spurious lobes, and no requirement for complicated signal processing.

At a weight of one-hundred pounds and with dimensions of 60” x 9” x 9”, the SBH-10 is composed of eight 5-inch coaxial drivers and acts as a single large Synergy Horn with the directivity of a horn over twenty-five feet! Its coverage pattern measures 140 x 10 degrees, and its frequency response extends from 77Hz to 15kHz, +/-3dB.

“Danley’s new Skinny Big Horn series meets the aesthetic desire for a low profile column shape,” said Mike Hedden, president of Danley Sound Labs. “But shape is where the similarities between conventional column speakers and the Danley Skinny Big Horn end. Using our patented Paraline technology, the SBH-10 has the directivity of a twenty-five foot long horn, yet it is only nine inches deep! Moreover, due to horn loading, the SBH-10 has a sensitivity of 99dB, which is 10dB greater than similar sized cone-loaded products, and because it has such a high power handling rating, is capable of close to 20dB greater output when compared to similarly sized, front-loaded designs. The Danley Skinny Big Horn is a technological leap: no spurious lobes, forward directivity that other manufacturers can only dream of which allows it to even be flown away from a boundary, extremely tight vertical coverage, wide horizontal coverage, and – most importantly – audiophile fidelity. If all that weren’t enough, the SBH-10 requires only one amplifier channel and no special signal processing.” There’s a new leader in the column loudspeaker market. The SBH-10 and its not even a column, it’s a Skinny Big Horn!

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

Be sure to watch this YouTube video where Doug Jones explains yet another breakthrough technology from Danley Sound Labs: http://youtu.be/b8cX5Xs_vZg

SIM2 raises bar for visual display with launch of SIRIO 2014: a second-generation Dual-Lamp, High-Brightness Projector for Large Media Rooms and Multiple Screens

Sunrise, FL—February 11, 2014: SIM2 USA, the sister company of SIM2 Multimedia, the Italian manufacturer known worldwide for innovation and video performance, takes the visual experience to the next level with the introduction of the SIRIO 2014 edition: the new 3D, active single-chip DLP® projector designed for use in large entertainment systems where high light output, quality, flexibility, and performance are mandatory.

SIM2's new SIRIO 2014: 3D, active DLP-based projector

Thanks to its five different lenses, 350W dual-lamp design and improved, light-tuned optical elements, the SIRIO 2014 can display images at a brilliant 7,000 ANSI lumens. This level of brightness is essential for a brighter, more pleasant daytime experience without the screen reflection typical of other display technologies, such as flat panels.

Prominent features include crisp image generation, vibrant and stable colors, Perfect Fit technology, full remote IP management, total IP upgrading and control, IP remote service and check, auto-calibration via high-precision probe (SIM2 AUTOCAL®), and customized calibration to customer’s requirements.

Systems integration is another of the SIRIO’s strengths; it can be seamlessly integrated into any room thanks to its choice of five lenses, multiple screens and ability to stack for increased brightness.

Engineered to provide superior performance and reliability, the SIRIO 2014 projector transforms any large media room into the ultimate high-tech, high- performance entertainment system.

The SIRIO 2014 is available in the same striking matte black finish used in the luxury automotive industry—the most useful finish for a heavy-duty environment.

Available by the end of February, prices for the SIRIO 2014 start at $20,000 with standard lens.

For more information, please visit www.sim2usa.com.

Broadcast Pix Unveils ReVue Multi-Channel HD Slo-Mo Replay System

Billerica, Massachusetts – Broadcast Pix™ today introduced ReVue, a new HD slow motion replay system that work with any Broadcast Pix integrated production systems or independently in other production environments. Developed in collaboration with strategic partner EditShare, ReVue will be available in March and demonstrated at the 2014 NAB Show (Booth SL6325), which runs April 7-10 in Las Vegas, Nev.

Available in two and four-channel configurations, ReVue features SDI connectivity and up to eight tracks of embedded audio, with optional 1080p recording and playback. The system is housed in a 2 RU chassis and includes 8 TB of RAID 6 storage, which can be expanded up to 16 TB.

ReVue’s compact controller includes a jog/shuttle wheel for reviewing footage, with dedicated buttons for marking in and out points for playback. All video sources are played back in sync, so it is easy to cut between cameras and find the best replay angle. Playback speed is controlled manually with the fader bar, but three preset buttons allow users to assign specific speeds for more consistent slo-mo results. Other intuitive controls allow easy navigation between cameras, clips, and servers.

Broadcast Pix has built our reputation on reliable and affordable integrated production systems,” explained Steve Ellis, Broadcast Pix CEO. “When we decided to introduce a slo-mo replay system, our objective was to deliver a very high quality product at a price that nearly everyone can afford. ReVue provides a powerful, multi-source HD replay system that fits the budgets of schools and community channels.”

ReVue’s two output channels can be configured as preview/program or as two programs. With its built-in multi-view, ReVue provides monitors for all active sources, plus preview and program windows. ReVue’s on-screen user interface makes it easy to keep track of marked clips and replays. Plus, Broadcast Pix integrated production systems can trigger ReVue playlists directly from the production switcher.

“Our customers demand solutions that improve workflow, and we focused our efforts on controlling all aspects of the production environment,” Ellis added. “The next evolution of this workflow is to move content from live production to broadcast infrastructure and post. By integrating ReVue into their Broadcast Pix live production environment, our customers can expand their workflow through seamless integration into the server, editorial, and asset management systems offered by EditShare.”

About Broadcast Pix The leader in live video production systems with end-to-end integration, Broadcast Pix was founded in 2002 and has customers in more than 110 countries. Its Video Control Centers™ combine an integrated switcher, clip server, CG, and external control software with patented control panels, unique touch-screens, and exceptional displays. Systems range from compact systems controlled by touch-screen or voice automation to large sophisticated control panels. Customers include leading broadcast, streaming, sports, corporate, education, religious, and government studios. Learn more at www.broadcastpix.com.

Broadcast Pix and Granite are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

SONO LUMINUS PRODUCTION TEAM EARNED A 2014 GRAMMY NOMINATION FOR BEST SURROUND SOUND ALBUM

SAFETY HARBOR, FLORIDA – FEBRUARY 2014: “I had two Grammy nominations in 2013, and our company, Sono Luminus, had a total of seven,” said Daniel Shores, managing director and head engineer of Sono Luminus, with modesty and a hint of awe in his voice. “It seemed like everything was packed into last year, so we really weren’t expecting anything this year.” Contrary to expectation, however, Shores and Dan Mercerio Sono Luminus managing director/head engineer shared a nomination for “Best Surround Sound Album” at the 2014 Grammy Awards for Sprung Rhythm, a collection of new works performed by the Washington DC-based ensemble, Inscape. “It’s such an amazing honor,” continued Shores. “Not only is this the category that is so close to my heart and so identifiable with the DNA of our company, but we are included among other nominees with such legendary talent. Indeed, the other nominees included the winners, Al Schmitt and Tommy LiPuma, for their work with Paul McCartney.

Sprung Rhythm arose from a three-day recording session at Sono Luminus’ studio in Virginia, with all of the composers on hand to help fully-realize their visions. The number of musicians varied from piece to piece and ranged from four to twelve. “Rather than move mics to the instruments for placement during editing and mixing, we choose to set up the mics for ideal surround sound playback and then placed the instruments where they needed to be in the room,” said Shores. “I believe that things should be recorded as they’re meant to be heard, and we try to give both the musicians and our listeners the most organic experience that we can. This way of recording surround achieves that, I believe. Having the composers on hand was very helpful. They were able to help interpret their compositions spatially. Did it make sense to keep certain instruments close together? Should there be a call and response across the surround sound field? That sort of thing.”

All seven microphones were B&K 4006s, with an additional Schoeps MK2s placed on the low-frequency instruments for a direct sub channel. Because the Metric Halo ULN-8 has no fan, they were able to place it in the center of the live room, which minimized the length of mic-level cable runs. They used the ULN-8’s microphone preamplifiers and A/D converters as the front end to Pro Tools for a 24-bit, 192kHz session, and they used its D/A converters for monitoring. “The Metric Halo ULN-8 is so transparent,” said Shores. “It’s the best interface I’ve found for use with Pro Tools, and I often get praise for delivering recordings that ‘don’t sound like they were done on Pro Tools.’ Since our goal is always to reproduce exactly what we’re hearing in the room, pairing the ULN-8’s transparency with clean, precise microphones like the B&K 4006 makes for a really stellar combination.”

Shores happily admits that, from a mixing standpoint, his work at Sono Luminus is “quite boring.” “The microphones are our surround sound channels, so there’s nothing to mix,” he said. Since the label releases everything on a Pure Audio Blu-ray™ Surround Sound disc, as well as on a standard CD, the listener hears almost exactly what Shores was hearing. “I monitor during editing, mixing, and mastering using the precision of the ULN-8 to ensure that I have an accurate representation of what the listener will get,” he said.

Shores has already finished recording Sono Luminus’ second Inscape release using similar techniques and equipment, including the ULN-8. And on his way to the Grammy Awards, Shores packed up the ULN-8 to take to California so that the following day he could record the Los Angeles Percussion Quartet, the same ensemble that earned him a Grammy nomination last year!

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

Archimedia Hires Jeff Cohen for Sales in Eastern U.S.

DELRAY BEACH, Fla. — Feb. 11, 2014 — Archimedia Technology, a new company whose technology and applications bridge the gap between content producers and their archives without loss of quality, today announced it has appointed Jeff Cohen as vice president of sales. He will be responsible for U.S. sales east of the Mississippi River.

“The other founders and I have known Jeff for many years and have worked with him in other capacities, so we’re well aware of his technical expertise and demonstrated ability to capture new business,” said Mark Gray, Archimedia president and CEO. “Jeff has deep roots in New York and strong relationships in the multimedia industry throughout the Eastern U.S., so he’s the perfect person to help us grow and to support existing customers in the region.”

In a career spanning nearly three decades, Cohen has amassed a strong technical and engineering background with emphasis on end-to-end systems and solutions. He brings to Archimedia a deep understanding of the dynamics of media and technology organizations and a proven track record of sales and marketing within the media and entertainment industry. Most recently Cohen was responsible for business development and oversaw all sales in the Eastern U.S. and Canada for Sohonet, a private fiber network used by Hollywood studios and their supplier ecosystem. His many career accomplishments include a stint at Sony Advanced Systems, where he worked closely with Hollywood studios and played a key role in developing the first digital intermediate (DI) workflows. Cohen also founded Digital Imaging Solutions, a broadcast equipment reseller that grew to $10 million in sales and built more than 500 digital nonlinear editing suites in New York City before it was acquired by Video Corporation of America.

Cohen joined Archimedia effective Feb. 1, 2014. He is based in New York City and reports to Mark Gray.

Information about Archimedia Technology, the Archimedia Master Player, and Archimedia Workstations is available at www.archimediatech.com.

Photo Link: www.wallstcom.com/Archimedia/Archimedia-JeffCohen.jpg

# # #

About Archimedia
Archimedia Technology specializes in the processing, conversion, and playback of mastering formats, including JPEG 2000, for the professional broadcast, digital cinema, and video archival industries. Its technology and applications bridge the gap between content producers and their archives without loss of quality. Archimedia’s products fulfill a critical piece of the production and archival workflows, encapsulating complex file interchange and quality control processes for mastering and archive formats into practical solutions that give end users a new level of access to their assets. More information is available at www.archimediatech.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

Follow Archimedia:

http://www.linkedin.com/company/3148022

https://plus.google.com/102123222900068696708/posts

https://twitter.com/archimediatech

https://www.facebook.com/ArchimediaTech

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