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Archive for March 4th, 2014

Crestview Church Gets Creative with PreSonus

Boulder, CO – March 2014… For Greig Hess, music is an indispensible part of the worship experience. As Worship Pastor at Boulder’s Crestview Church, Hess has long been a strong advocate in creating a contemporary service that inspires through music. And as he explains, PreSonus gear has made a tremendous impact on his work.

“I originally got an AudioBox 1818VSL for our small project studio about a year now,” he says. “I began using it on some live events as well, and I was really impressed with it. So we recently got a StudioLive 24.4.2 console for the sanctuary, and it’s dramatically changed the way we create and record our music.”

Hess says the StudioLive has enabled them to radically streamline their live service production. “The processing power in the StudioLive is equal to several times the outboard gear we had before — we can have a compressor and effects on every channel if we need to. Plus we were able to remove a whole rack of gear from Front of House. And the ability to save full snapshots of everything has done amazing things for our workflow.”

As has the ability to record the entire mix, he observes. “We use Capture to record a multitrack of our live service. With a volunteer staff, it’s great because when you are training a new sound guy you can use it to show them how to run the console, how to add effects, what different things sound like. And you’re doing it in an empty room, without the pressure of a live service.”

In fact, he adds, it’s a useful thing even for a more experienced mixer. “I’m usually on stage playing, and working with a Capture session gives me a chance to get familiar with the board, so I know what to ask for when I need something. It’s also great for rehearsals — we use it to control the mix from the stage, which enables us to schedule rehearsals without having to have a sound guy present.”

Not surprisingly, those Capture sessions have seeded other creative projects as well. “We load the files into Studio One and do some additional production, add instruments and do some sweetening to the tracks,” he says. “You can do some amazing things in Studio One.”

The sanctuary is outfitted with Renkus-Heinz TRX81 and TRX62H two way loudspeakers, powered by Crest and Crown amplification. A Hear Back personal monitoring system drives the musicians’ in-ear systems. And Hess reports he’s also picked up an AudioBox USB to use when playing tracks and loops from his laptop on stage.

Meanwhile, he says, the AudioBox 1818VSL has continued to be a workhorse on its own. “We’ve been using the AudioBox 1818 VSL in our Fellowship hall. It’s enabled us to add a 16-input interface in there, with no fuss and no setup woes. Sometimes we do video projects, and the Audiobox 1818VSL makes a great portable setup we can take anywhere. And I’m already thinking about how we can use it when we do retreats. I can basically set it all up for them here, configure it all the way they will be using it, and they can take it with them and not have to worry about needing a sound guy.”

Hess concludes, “for a smaller church like ours, PreSonus gear has really given us an edge. It’s affordable, it’s easy to use, and it gives us access to the kind of technology that only the really big churches used to be able to afford.”

 

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FIBEP 2014: Digital Nirvana to Sponsor Global Media Intelligence Conference

Newark, CA – Digital Nirvana is a silver sponsor for the upcoming FIBEP World Media Intelligence Congress taking place in Dubai, UAE, March 12-15, 2014. FIBEP is the world’s largest global gathering of professionals in media intelligence and communications insight.

Digital Nirvana provides media monitoring services to public relations, brand management and media monitoring companies, including acquisition, monitoring and analysis for radio and TV broadcasts, print and the web. Digital Nirvana also provides back-office services, such as media content management, data services, content conversion, tagging and reporting. The company’s key offerings in the media monitoring space are coding, analytics and news report generation – the monitoring and clipping of TV and radio content from local, national and global news.

“We’re looking forward to being part of FIBEP this year, reconnecting with customers from all over the world, and sharing our latest innovations for media monitoring,” said Vishnu Beri, COO of Digital Nirvana. “The video delivery ecosystem is expanding rapidly with the availability of content across a wide range of platforms. Our experienced team and powerful tools help our customers monitor and manage content throughout the entire ecosystem. Most importantly, it’s our goal to deliver these services and products with an ideal combination of price and performance.”

Digital Nirvana’s unique expertise can be found in its ability to not only acquire data – but also customize it to meet a client’s unique requirements. Digital Nirvana works closely with each customer to ensure data is delivered in meaningful, custom formats that help turn data into knowledge.

Digital Nirvana’s knowledge management services also include market intelligence and analytics compilation for financial news aggregators and corporations, and learning management (phone-based language training and test scoring) for public and private schools, colleges, universities and other learning centers.

In addition to services, Digital Nirvana offers a leading portfolio of products such as the Monitor IQ™ broadcast monitoring system, AnyStream IQ™ live stream monitoring in the cloud, and MediaPro™ content repurposing system. Additionally, Digital Nirvana’s RAD Suite uses audio fingerprinting technology to accelerate and enhance the tracking and analysis of advertisements, songs and copyrighted content.

FIBEP 2014 attendees are encouraged to schedule a meeting with Digital Nirvana to learn more.

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, and the MediaPro content repurposing system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Newark, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

Meyer Sound CAL Targets Spectators at Qatar Tennis Stadium

A new steerable Meyer Sound CAL™ column array loudspeaker system has markedly improved speech and music clarity for fans at the central court of the Khalifa International Tennis and Squash Complex in Doha, Qatar. Completed just in time for the Qatar ExxonMobil Open, the system was installed and commissioned by Doha-based Al Tamyoz Business Group.

“The new distributed system, with a single CAL 64 firing downward from the top of each spectator tribune, not only offers better coverage and greatly improved intelligibility, but has also practically eliminated any unwanted echoes,” says Vijay Kumar, technical manager for Al Tamyoz, the project’s system integrator.

Mounted on flagpoles and tilted downward at a 15-degree angle, the three slender CAL 64 loudspeakers blend discreetly into the contemporary, angular architecture of the outdoor stadium. To keep the sound focused on the audience, each CAL loudspeaker is set up to tailor down-tilt and vertical beam spread, aiming specifically at seating areas and avoiding reflective surfaces.

To supplement coverage in the stadium’s far corners and VIP boxes, the system incorporates 16 UPM-1XP and 7 UP-4XP 48 V loudspeakers. A Galileo® loudspeaker management system with a Galileo 616 processor provides system drive and alignment.

The complete system renovation also includes a Yamaha 01V96 digital mixing console and a Sennheiser ew 300 G2 wireless monitoring system.

The Khalifa Tennis Stadium installation was the first Meyer Sound project for Al Tamyoz. “The professionalism and mutual support demonstrated by both companies surely will open the doors to many new opportunities in the future,” says Soy Philip, general manager of Al Tamyoz.

Owned and operated by the Qatar Tennis Federation, the Khalifa International Tennis and Squash Complex was inaugurated in 1992 by Sheikh Hamad bin Khalifa Al Thani, Emir of Qatar. The stadium was renovated and enlarged in 2008 from a capacity of 4,500 to 7,000.

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Tonewood Products Introduces iPhone Cases Made From Premium Guitar Tonewoods

Maple, Mahogany and Rosewood Cases Protect iPhones While Providing the Look and Feel of a High-End Acoustic Guitar

LOS ANGELES — March 4, 2014 — Tonewood Products, makers of premium products and accessories built from genuine guitar tonewoods, today introduced the company’s eye-catching new line of iPhone(R) cases. Designed specifically for musicians on the move, the unique wood-grain holders use the authentic craftsmanship from the world’s most renowned acoustic guitars to protect and beautify mobile devices — allowing guitarists and enthusiasts to safeguard their iPhones while recreating the natural warmth of holding their favorite guitar.

“Tonewood iPhone cases are the market’s first mobile accessories to use the same select woods as today’s finest acoustic instruments,” said Dave Dilitkanich, founder, Tonewood Products. “With a combination of durable strength and one-of-a-kind design, the cases provide a precise two-part fit, a padded inner lining, and a variety of wood types to complement the elegance of popular iPhone models. The result is premium device protection that allows consumers to showcase their passion for music and design, wherever they go.”

Available in maple, rosewood, and mahogany, Tonewood Cases are made from premium tonewoods — the same high-end woods used in acoustic guitars — custom made to fit iPhone 4, iPhone 4s, iPhone 5, and iPhone 5s mobile devices. Featuring distinctive wood grain patterns, every case is completely unique. No matter which wood type is selected, every Tonewood Case features wooden volume and power buttons, interior felt padding and rubber lining to safely cushion the phone, and two-piece construction for easy removal — creating the strongest possible case without making any compromises to the aesthetics of the wood or the iPhone’s design.

Available now, Tonewood’s iPhone cases begin at a retail price of $79.99 and can be purchased online at www.guitarcenter.com or directly from the company’s website. More information on Tonewood’s full range of products is available at www.tonewoodcases.com.

Image Link: www.ingearpr.com/Tonewood/TonewoodiPhoneCases.jpg
Image Link: www.ingearpr.com/Tonewood/Tonewoodboxes.jpg
Image Caption: Maple, Mahogany, and Rosewood iPhone Cases by Tonewood Products

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About Tonewood Products
Founded in 2011, Tonewood Products LLC provides premium products and accessories, built from genuine guitar tonewoods, for the music community and beyond. Inspired by the craftsmanship of high-end musical instruments, the company’s products provide practical solutions while remaining committed to durability, design, and quality materials. Privately held, the company is headquartered in Los Angeles. For more information, please visit www.tonewoodcases.com.

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Christie to Demo Breakthrough 3D Cinema Technology For Premium Cinema Experiences with Latest ‘6-Primary’ 4K Laser Projector

Christie® today announced upcoming demonstrations of the world’s most advanced laser projection architecture and Dolby® 3D, to be held in the Christie Innovation Theaters throughout CinemaCon 2014 (Caesars Palace, March 24-27) and the National Association of Broadcasters NAB Show® (Las Vegas Convention Center, April 5-10). Christie DLP Cinema® laser projectors using 6-Primary (6P) color laser modules, earmarked for mass production in early 2015, will show how 3D light levels, image uniformity, viewing comfort, and a sense of immersion can be vastly improved, especially when combined with advanced separation technology like Dolby 3D, versus conventional 3D systems found in cinemas around the world today.

“Recent declines in domestic 3D movie attendance are a sign that the novelty is wearing off, with audiences less willing to pay a premium for what is all too often a mediocre experience. The lackluster quality of this experience results from a number of technical limitations with current 3D system architectures, the most serious one being restricted light levels that amount to only 10-30 percent of those levels achieved for 2D presentations,” said Don Shaw, senior director, Product Management, Christie Entertainment Solutions. “Simply put, the movies are too dark, leaving audiences struggling to discern critical details that make up the image in front of them.”

“Christie’s latest laser projection technology, using 6 specific primary colors rather than filtered or polarized broad-spectrum white light, brings dramatically improved 3D efficiency to projection systems, regardless of the size of screen in premium movie theaters,” added Shaw. “We believe that this is the future of 3D cinema projection, that it is right around the corner, and that it will be a key element in boosting 3D box office revenues around the world. Our CinemaCon and NAB Show demonstrations will be the first 6P laser events available to the broad cinema community, from filmmakers to exhibitors, and reaffirms Christie’s 80-year commitment to cinema innovation, rather than ‘moving beyond digital cinema’ as some other industry players have promised.”

At least twice as efficient as today’s best 3D systems, Christie’s 6P laser projectors generate a proprietary mix of photoptically-optimized light wavelengths for each eye directly from the source, in effect eliminating the need for a highly inefficient stage of filtering or polarizing the light as it leaves the projector. The Christie demos will use Dolby® 3D glasses specifically engineered to exactly match the 6 primary laser light wavelengths to yield nearly 90 percent light efficiency. “Their color separation based technique for 3D is well regarded as the gold standard among industry professionals, especially for its true color reproduction, compatibility with low-gain white screens, and superior crosstalk performance – only now it can be part of a system that is tremendously more light efficient,” said Shaw.

“Dolby 3D’s advanced color separation technology is ideally suited for next generation laser projectors,” said Doug Darrow, Senior Vice President, Cinema, Dolby Laboratories. “With extremely high light efficiency, nearly no crosstalk and crisp images with vibrant colors, we believe Dolby 3D combined with laser projection produces the best possible 3D viewing experience for audiences.”

“Having had the opportunity to witness an early 6P laser demo at Christie’s worldwide center for engineering, research and development in Canada, I can confidently state that this is an exciting and important innovation in 3D cinema,“ said Matt Cowan, Co-founder & Senior Technical Advisor at Entertainment Technology Consultants. “I look forward to further refinement of this technology and upcoming installation in premiere theaters around the world.”

Consistent with efforts so far in developing 3-Primary (3P) laser projectors, which Christie sees filling important needs in several, non-cinema industries, Christie laser projectors will provide industry-leading brightness (up to 72,000 Lumens per projector head), wider color gamut capabilities, higher contrast, and dramatically reduced maintenance requirements, resulting in a better experience for all applications. As part of its largest research and development program ever, Christie will continue to develop superior 6P and 3P laser projection solutions for all of its global customers.

Specific to the development of cinema laser projectors, Christie leads the industry in this area, having announced last year that it would supply and install the world’s first commercial laser projection solution for the Seattle Cinerama Theatre, and that it was the first to receive a US FDA approval of variance allowing the sale and installation of laser projectors in movie theaters and other high performance projection venues.

Branham Productions provides dB Technologies DVA System for Delbert McClinton concert

(Edison, New Jersey) Pikeville, Kentucky-based Branham Productions recently provided a dB Technologies DVA active line array system for a concert featuring Delbert McClinton at the Frankfort Convention Center in Frankfort, Kentucky (February 8, 2014).
With his experience as both a recording studio engineer and sound technician, Branham Productions co-owner Jeff Branham provides the eastern Kentucky region a full package of sound solutions. And whether recording or live sound, Branham notes, “bringing the customer’s music to life is our goal. We approach each project with the client’s end result in focus. Our belief is simple, it’s your music and you put your trust in us to capture it.” Whether live sound or in the studio, that’s Branham’s philosophy.
His choice for live sound – dB Technologies DVA active line array system. The system is comprised of DVA T12, a 1400-watt three way active line array cabinet with a 12” low frequency, two 6.5” midrange and three 1” high frequency compression drivers; coupled with the DVA S30N 3,000 watt double 18” subwoofer.
When asked why he choose dB Technologies, Branham said, “We tried out seven different line array solutions, and came to the decision that dB Technologies provided everything we needed – sounded clearer, more efficient, rigged easier and travelled easier,” noting, “The biggest thing was sound quality.”
The other advantage to the dB Technologies system is their RDNet control. RDNet is dB Technologies’ proprietary protocol that makes it possible to monitor and control all the system components and parameters including gain structure, system equalization and delay settings.
For the Delbert McClinton show, Branham utilized 22 DVA T12 and eight DVA S30N in his system.
Branham not only uses the dB Technologies DVA system in his production company gear, but has also installed one in the Renfro Valley Entertainment Center in Mount Vernon, Kentucky. That venue is known as Kentucky’s Country Music Capital.

Venue: Frankfort Convention Center, Frankfort, KY
Date: February 8, 2014
Attendance: 1,600

Crew:
FOH Engineer: Jeff Branham
Monitor Engineer – Dwayne King
System Engineer – Jeff Branham

Gear:
FOH console – Yamaha M7
Monitor console – Yamaha M7
FOH system – (22) dB Technologies DVA T12 + (8) dB Technologies DVA S30N subwoofers

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Five SMPTE Members Earn Academy Awards for Scientific and Technical Achievement

Florian Kainz, Joshua Pines, David Reisner, and David Register Earn Technical Achievement Awards; Peter W. Anderson, ASC Earns Gordon E. Sawyer Award

WHITE PLAINS, N.Y. — March 3, 2014 — The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced that five SMPTE members have been recognized with prestigious awards from the Academy of Motion Picture Arts and Sciences (AMPAS). The Academy’s Scientific and Technical Awards honor the men, women, and companies whose discoveries and innovations have contributed in significant, outstanding, and lasting ways to motion pictures.

“Science and technology are fundamental to the filmmaking process, and we’re so pleased to see SMPTE members recognized and honored by the Academy for their pioneering work in this area of the motion picture industry,” said Barbara Lange, executive director at SMPTE.

SMPTE member Florian Kainz is part of the team that earned a Technical Achievement Award Academy Certificate for the architecture and development of the Zeno application framework. For more than a decade, Zeno’s flexible and robust design has allowed the creation of a broad range of Academy Award(R)-winning visual effects toolsets at Industrial Light & Magic (ILM).

SMPTE members Joshua Pines, David Reisner, and David Register together earned a Technical Achievement Award Academy Certificate for their role in the development of the American Society of Cinematographers Color Decision List (ASC CDL) technology. The ASC CDL unifies color correction principles for use on- and off-set, providing for the faithful reproduction of color values across a variety of color-correction devices. This technology provides basic image-processing mathematics that translate the lift, gamma, and gain settings to a set of common color values to help preserve the cinematographer’s intent throughout production.

According to The Hollywood Reporter, Kristen Bell, who co-hosted the ceremony with Michael B. Jordan, said, “I might want to quit acting and work with those guys; they are so cool.”

For making technological contributions that have brought credit to the industry, SMPTE Life Member Peter W. Anderson, ASC received the Gordon E. Sawyer Award, an Oscar(R) statuette.

“Without the art, what would the science be? Without the science, what would the art be?” said Anderson, who was presented his award by Douglas Trumbull. Trumbull has been a keynote speaker at several SMPTE conferences.

The 2013 awards were presented at the Academy’s Scientific & Technical Award ceremony at the Beverly Hills Hotel in Beverly Hills, Calif. An excerpt from the ceremony was included in last night’s Oscar ceremony broadcast.

Further information about SMPTE is available online at www.smpte.org.

Photo Link: www.wallstcom.com/SMPTE/SMPTE-PeterWAnderson.jpg
Photo Credit: Valerie Macon/Getty Images Entertainment/Getty Images

Video Links:

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About the Society of Motion Picture and Television Engineers(R) (SMPTE(R))
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the worldwide leader in developing and providing motion-imaging standards and education for the communications, technology, media, and entertainment industries. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the broadband, broadcast, cinema, and IT disciplines. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 650 standards, recommended practices, and engineering guidelines. More than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world, sustain the Society. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

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Prism Sound Brings Mic To Monitor Back To The USA

How do the pros do it? What makes great gear great? How is that hit sound achieved? What does it take to become a successful and in demand audio engineer?

These are just some of the questions that Prism Sound will set out to answer when it takes its hugely popular Mic to Monitor series of free seminars and workshops to the USA for a five date tour.

Targeted at music production students, hobbyists and professionals, Mic to Monitor aims to dispel the many myths surrounding the recording process. In conjunction with SADiE and PMC, Prism Sound will be hosting events at SAE Atlanta (March 19th); Full Sail, Orlando (March 21st); the Winter Music Conference, Miami (two days on March 24th and 25th) and the University of Miami (March 26th).

Each seminar features presentations from recording professionals who will answer audience questions on recording techniques. There will also be the opportunity to demo equipment and win recording equipment. The Mic to Monitor event in Orlando will also be webcast live for those who want to be part of the experience but can’t get along in person. To register, please contact sales@prismsound.com

Chris Allen, Prism Sound’s SalesExecutive and Support Engineer, says: “Our Mic to Monitor tours are always well received because they give those attending the opportunity to learn tips, tricks and technical know-how directly from top producers and engineers. Our guest speakers are always willing to share their knowledge and to back up their examples with original material from their own studios and projects.”

Guest speakers for Mic to Monitor USA 2014 include Edward J “UK” Nixon of the Grammy Award winning J.U.S.T.I.C.E. League, and multi-Grammy Award winning producer Dwayne ‘Supa Dups’ Chin-Quee.

Edward J “UK” Nixon, who presents the seminars in Atlanta and Orlando, will give an insight into his unique story No Secrets, the rise of his career from early beginnings in the idyllic Lake District in the English countryside to becoming one of the most globally respected engineers of today. Edward will also demonstrate his approach to the workflow, mixing style and processes which earned him his title as Chief Engineer of the production super-group, The J.U.S.T.I.C.E. League (Sir Paul McCartney, Nas, Mary J. Blige, Rick Ross & Drake).

Multi-Grammy award winning Producer and DJ Dwayne ‘Supa Dups’ Chin-Quee, who presents the Miami sessions, will share his knowledge under the heading That Perfect Mix. His production experience is legendary and has resulted in over 25 million record sales to date for his work with Eminem, Drake, Bruno Mars, John Legend, Mary J Blige, Snoop Dogg (aka Snoop Lion), Akon, Rihanna and many more.

As well as guest presenters, Prism Sound’s Mic To Monitor sessions will also feature talks from top British pro audio equipment manufacturers Prism Sound, PMC and SADiE. These will cover hardware design and optimizing your studio setup, converter design and clocking, and speakers and acoustics. Professional mastering will also be discussed, with the chance to have questions answered first hand from leading designers and makers of high-end professional audio products.

Places on Prism Sound’s Mic To Monitor Tour USA are limited and are allocated on a first come, first served basis. Anyone registering and attending will have an opportunity to win prizes from Prism Sound, PMC and SADiE.

-ends-

To register your interest, please visit the relevant link:

Mic to Monitor USA Tour 2014 ATLANTA

http://www.eventbrite.com/e/mic-to-monitor-usa-tour-2014-atlanta-registration-10571225821?aff=PR

Mic to Monitor USA Tour 2014 UNIVERSITY OF MIAMI

http://www.eventbrite.com/e/mic-to-monitor-usa-tour-2014-university-of-miami-registration-10572190707?aff=PR

Mic to Monitor USA Tour 2014 WMC MIAMI

http://www.eventbrite.com/e/mic-to-monitor-usa-tour-2014-wmc-miami-registration-10572222803?aff=PR

Mic to Monitor USA Tour 2014 ORLANDO

http://www.eventbrite.com/e/mic-to-monitor-usa-tour-2014-orlando-registration-10572172653?aff=PR

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Waves Audio MetaFilter Plugin Now Available

TEL AVIV, ISRAEL, March 3, 2014 — Waves Audio announces the availability of MetaFilter, a versatile sound-shaping filter plugin. Designed around a multimode filter with extensive modulation options and powered by Waves’ Virtual Voltage technology, Waves MetaFilter has everything users need in a sound-shaping filter. The versatile MetaFilter creative effects unit provides all the warmth, depth and fatness of classic analog filters, with the modern control and endless flexibility distinctive of Waves tools.

MetaFilter lets you individually modulate the filter’s cutoff, resonance and delay time using three separate modulators—a 16-step sequencer, an LFO, and an envelope follower with a sidechaining option—making it easy to achieve effects such as filter sweeping, tremolo, auto wah, rhythmic gating, ducking, and hypnotic modulating delays with saturation buildups.

With intuitive controls that are inviting and enjoyable to use, you can effortlessly customize and program your own presets. Thanks to its easy-to-use MIDI Learn capabilities, MetaFilter can be controlled from any MIDI control device—a great advantage for live DJ performances. Moreover, when MetaFilter is connected to a MIDI keyboard, the keyboard can actually be utilized for playing the filter cutoff.

Whether you’re creating rhythmic loops and tracks from sound bites, adding a subtle effect to a guitar part, or simply mangling a vocal track just for the fun of it, MetaFilter’s versatility and endless possibilities make it the ultimate tool for creating and producing innovative, eccentric and cutting-edge music in the studio and on stage.

MetaFilter features:

Three separate modulators: 16-step sequencer, LFO, and envelope follower with sidechaining option
“Fat” analog sound quality
Intuitive MIDI Learn
Fully modulatable analog delay
Powered by Virtual Voltage technology
Endless sound-shaping possibilities

Waves MetaFilter is now available with a U.S. MSRP of $200 (Native), with a special introductory price of $99 (Native). Visit http://www.waves.com/plugins/metafilter for more information. Official product video: http://www.youtube.com/watch?v=NMW_GcqAfZY.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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