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Archive for March 11th, 2014

GeerFab Acoustics Chosen by NAMM to Provide Acoustic Treatment for Technical Excellence and Creativity (TEC) Awards

Custom MultiZorber Solution Brings Sonic Consistency and Even FrequencyResponse During Winter NAMM Week, Including 29th Annual TEC Awards

Anaheim, Calif. – March 11, 2014 – GeerFab Acoustics announced its was chosen by NAMM, the National Association of Music Merchants, to provide temporary acoustic treatment to the Anaheim Hilton’s Pacific Ballroom during the 2014 NAMM Show held in Anaheim, CA be-tween January 23 and 26th. The Pacific Ballroom is host to many key activities during the NAMM Show, including important industry events such as the TEC Awards, the Breakfast of Champions, the NAMM Best in Show Awards and others.

This year, the 2014 NAMM Show drew no less than 96,129 industry registrants, making it one of the most important global music industry events. For the fourth year in a row, the Pacific Ball-room, which has a capacity of roughly 1,200, was chosen as the host venue for the TEC Awards. While the space worked for conference events and seminars, the room presented massive acous-tic challenges for a high profile award show featuring live music and attended by the music indus-try’s elite sound engineers, producers and audio product manufacturers.

“The pre-treated room was a sonic mess,” recalls Eric Geer, president and founder of GeerFab Acoustics. “The overabundance of reflective surfaces and a parabolic concave structure that spanned the entire perimeter created a chaotic and uncontrollable acoustic environment.This was marked by out of control mid and high frequencies and excessive bass build up. During the TEC Awards, the room posed enormous intelligibility issues for performing artists, mix engineers and of course the audience.”

“The biggest acoustic problem was the parabolic concave surface which was about 4′ high and several feet deep. This structure disrupted the response of the room, essentially functioning as a slingshot that rocketed unwanted frequencies directly back to the audience,” Geer continued.

Last summer at a NAMM executive meeting, the acoustics of the room became a primary agenda item. “We knew we had to increase the audio intelligibility in The Pacific Ballroom,” says Pete Johnston, supervising producer & technical director of special events at NAMM. “When it came to the TEC Awards, it was an issue of credibility since we were giving out awards to sound engi-neers, producers and product manufacturers. We wanted to get it right and there was no room for compromise.”

Soon after the summer meeting and after consulting with several high profile acoustic designers, NAMM contacted Eric Geer of GeerFab Acoustics to implement an all-encompassing solution that would yield greater sonic accuracy and intelligibility for events held in the Pacific Ballroom during the entire 2014 NAMM Show, especially the 29th Annual TEC Awards.

On the weekend before NAMM week, GeerFab and Freeman, the convention services company that has been supporting NAMM since the 1960s, proceeded to install a temporary, re-usable solution consisting of (200) custom GeerFab MultiZorber panels, each measuring approximately 4′ x 9-1/2′ and consisting of lightweight, acoustically absorbent substrate material wrapped in a black fabric. These panels were strategically mounted on rigging points throughout the venue, suspended approximately a foot off the wall around the entire upper perimeter of the room, which measures roughly 30,000 square feet with a 21’ ceiling. The panels effectively concealed the concave surfaces while creating more even acoustic dispersion across the entire frequency range while also acting as a gigantic, continuous bass trap.

In addition to the room perimeter, Geer also installed a ‘acoustic hat’ above the stage, consisting of (40) 4′ x 8′ MultiZorber panels. This effectively reduced stage noise and eliminated unwanted reflections from drums, amplifiers and other instruments — enhancing overall monitoring accuracy while reducing the potential for on-stage feedback. With the “hat”, the entire installation com-prised over 8,000 square feet of MultiZorbers.

“Before the room was treated by GeerFab, it sounded horrible. There is a section of the wall that has the effect of a parabolic dish,” commented Scott Rodgers, front of house engineer for the TEC Awards. “After the MultiZorber panels were installed, it made a huge difference and the sound of the whole room tightened up significantly.”

“We ran the PA system between 98 and 105 dB and the sound was remarkably clear,” he contin-ued. “I didn’t have to touch the EQ to correct the room and by the end of the evening I had abso-lutely no ear fatigue.”

Now that the MultiZorber solution was successfully implemented in the Pacific Ballroom for the 29th Annual TEC Awards, Johnston says they are now considering a similar solution to provide acoustic treatment during Summer NAMM 2014. “We love the fact that the MultiZorbers are reus-able,” says Johnston. “Bringing great audio to our events increases the credibility of our brand while enhancing the overall experience of those attending our events.”

About NAMM:

The National Association of Music Merchants (NAMM) is the not-for-profit association with a mis-sion to strengthen the $17 billion music products industry and promote the pleasures and benefits of making music. NAMM’s activities and programs are designed to promote music making to peo-ple of all ages. NAMM is comprised of approximately 9,000 Member companies located in more than 87 countries. For more information about NAMM or the proven benefits of making music, interested parties can visit www.namm.org, call 800.767.NAMM (6266) or follow the organization on Facebook, Twitter and YouTube.

About GeerFab Acoustics:

GeerFab Acoustics manufactures and implements acoustic solutions for a wide range of clients in entertainment, restaurant, hospitality, healthcare and other industries. The company provides complete custom design and installation services and is the manufacturer of the innovative prod-uct line RoomZorbers, which includes the MultiZorber The company is based in Milwaukee, WI and was founded by Eric Geer. To learn more, visit www.geerfab.com.

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Sennheiser launches new training offensive – more RF Experts to support customer projects in future

Old Lyme, CT, March 11, 2014: The Sennheiser Sound Academy has begun a new RF Expert course. From February to September 2014, 23 wireless professionals from the worldwide Sennheiser organisation will be further trained to become RF experts, supporting their customers in the planning and execution of large events involving wireless technology. The first on-site training session took place from 24 to 28 February in Wedemark.

Extensive wireless microphone systems with several dozens of channels are now a matter of course at cultural and sports events, TV shows and large concert tours. At the same time, the complexity of the production environment is constantly increasing: in addition to the microphones for the artists and presenters, more and more channels are required for production staff to communicate and control the equipment as well as for the media reporting on an event. To make matters worse, the frequency spectrum that is available for wireless microphones is shrinking.

It is precisely these situations that are the specialist field of RF experts, who know how to make use of all technical possibilities to make complex projects with wireless systems a success. “Therefore, the course teaches extensive knowledge of the theory and practice of wireless microphone systems and antenna installations,” explained Kirsten Wessendorf, Manager Sennheiser Sound Academy. “Also, the production team at big events is very international, with many different groups of professionals working together. For that reason, intercultural training is a fixed part of the expert course.”

The 23 participants in the course come from 14 countries and, following the on-site week at the company’s headquarters, they will continue to be coached by experienced local tutors in their region. Two further on-site training sessions will round off the RF Expert training programme before it finishes in September. One of the successful projects involving RF experts who have already completed the course was, for example, the last Eurovision Song Contest.

Visit Sennheiser at prolight+sound in Hall 8, Stand A 70.

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2012 the family company, which was founded in 1945, achieved a turnover of around 584 million euros. Sennheiser employs more than 2,300 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Captions:
1: 23 Sennheiser participants from 14 countries have enrolled in the RF Expert course

2: One of the focal points of the training programme is the Digital 9000 wireless microphone system

3: The RF Expert course offers extensive knowledge of the theory and practice of RF wireless transmission and also includes intercultural training

(Photo credit: Karsten Koch)

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NEP Studios Introduces Transportable Control Room

Portable Control Room Provides Everything Smaller Productions Need Without Requiring a Permanent Studio

PITTSBURGH — March 11, 2014 — NEP Studios today announced the launch of a unique transportable studio that can be shipped to any location in North America, where it can be fully operational often in less than 12 hours. NEP’s new transportable control room provides a full complement of state-of-the-art control-room equipment to accommodate productions with up to eight cameras — making it ideal for smaller or shorter-term television programs that might not have the budget or the need to rent a permanent studio space.

“In many big cities such as New York and Los Angeles, long-term studio space for productions can, at times, be scarce,” said Barry Katz, senior vice president and general manager of NEP Studios. “The new transportable control room is a direct response to our clients who need a fast and cost-effective solution, and don’t want a long-term studio. With this unique transportable solution, we can offer them the capabilities of a permanent control room, complete with consoles and furniture, with the flexibility and efficiency of a flypack.”

This new studio solution was designed for smaller productions that have shorter run times — such as series pilots, shows that are in a limited-audience testing period, talk shows, magazine shows, multicamera corporate or enterprise video projects, or productions that rely mainly on webcasting.

Although this transportable solution can be customized to include any equipment combination specified by the client, the standard configuration supports productions of six to eight cameras and includes a choice of a Grass Valley Kayak, Kalypso, Karrera, or Kayenne switcher; a 48-input Studer Vista 5 audio-mixing desk; a six-channel DVD-RAM recorder; and eight DVE systems. Also included are a complete Riedel intercom system, an integrated router, and a monitor wall that can be scaled and configured to the size and dimensions of the production space. NEP’s transportable control room includes chairs and consoles that can be assembled in up to three rows to accommodate up to 10 technicians and production staff.

“We’re excited about this new transportable control room, because it adds a truly unique and flexible solution to NEP’s worldwide pool of industry-leading resources,” Katz said. “It also broadens the range of solutions we are able to offer our clients for smaller, short-term productions — adding more scalability to our offerings.”

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About NEP
With the world’s most advanced equipment, largest fleet of mobile units, and global production studios to suit every genre, NEP enables its clients to execute, deliver, and display exceptional productions on any platform around the world. For more than 30 years, NEP has ensured its clients’ success by delivering superior service and building lasting relationships with a passion for continuous innovation. NEP’s talented staff is committed to acting with integrity and working as a team to deliver comprehensive solutions for remote production, studio production, video display, and technical host broadcasting services that set the global industry standard. NEP is based in Pittsburgh, USA, and has offices throughout Australia, the United Kingdom, and United States. For more information, visit www.nepinc.com.

All trademarks mentioned herein are acknowledged as property of their respective owners.

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BYU-Idaho Relies on Front Porch Digital for Foundation of Its Video Workflow

DIVArchive(R) CSM System Drives Storage and Search, While DIVAnet(R) Links University to Off-Campus Disaster Recovery Sites

LAFAYETTE, Colo. — March 10, 2014 — Front Porch Digital, the global leader in cloud-based content storage management (CSM) solutions, today announced that Brigham Young University-Idaho (BYU-Idaho) has installed a DIVArchive(R) CSM system and a DIVAnet(R) multisite content distribution solution in its A/V productions department, which provides video services for the entire campus. In addition to recording a weekly devotional, the department records events and other productions throughout the campus for educational purposes, then stores the files in DIVArchive. It uses DIVAnet to connect with other BYU campuses and church facilities within The Church of Jesus Christ of Latter-day Saints (LDS), which owns and operates BYU-Idaho.

“Every production center on campus went completely tapeless about three years ago without a good digital archiving system in place. We’ve tried a few solutions but always had storage and retrieval issues, to the point where users didn’t want to move their files out of active storage because they just didn’t trust the archive,” said Luke Hale, digital systems engineer in the BYU-Idaho A/V productions department. “Our Front Porch Digital systems have alleviated all of those problems. The systems are built for broadcast and designed to prevent downtime, which is critical in a situation like ours. With Front Porch Digital, we finally have a reliable storage architecture that people will use.”

DIVArchive met BYU-Idaho’s critical requirements for reliability and discoverability with plenty of space to enable the university to keep its active storage clear. An important factor in the installation is DIVArchive’s seamless integration with BYU-Idaho’s media asset management (MAM) system.

“For us, everything is driven by the MAM, and our DIVArchive system is a powerful backend engine that drives all of our storage and discovery,” Hale said.

Another critical requirement for BYU-Idaho was disaster recovery. DIVAnet provides a way to transfer high-value assets to disaster recovery locations off campus that also use DIVArchive. At the same time, it gives BYU-Idaho a way to connect with other campuses and churches to share media for production purposes.

BYU-Idaho has integrated DIVArchive and DIVAnet with all elements of its production, building many of its video workflows with DIVArchive as the foundation. Every piece of video that will be used on the website, in a course, at events, or elsewhere, touches the DIVArchive system in one way or another.

“BYU-Idaho’s A/V department is instrumental in enhancing the learning environment for students and preserving the LDS church’s messages,” said Dave Polyard, senior vice president of sales for Front Porch Digital. “In DIVArchive and DIVAnet, the university has a reliable storage architecture that users can trust, as well as a means of moving content to disaster recovery sites to ensure its critical assets are protected.”

More information about Front Porch Digital is available at fpdigital.com.

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About Front Porch Digital
Front Porch Digital is the global leader in solutions for migrating, managing, and monetizing media content. Operating on site and in the cloud, the company’s purpose-built software employs the latest technologies to deliver truly flexible and scalable media workflows. Solutions delivered by Front Porch Digital appropriately manage large and complex media files and workflows while ensuring optimal performance and utmost security. More information is available at fpdigital.com.

All trademarks appearing herein are the property of their respective owners.

Photo Links:
www.wallstcom.com/FrontPorch/FrontPorchDigital-BYU-Idaho-DIVArchive-LukeHale1.jpg
www.wallstcom.com/FrontPorch/FrontPorchDigital-BYU-Idaho-DIVArchive-LukeHale2.jpg
www.wallstcom.com/FrontPorch/FrontPorchDigital-BYU-Idaho-DIVArchive-LukeHale3.jpg
Photo Caption: Luke Hale of BYU-Idaho works with the Front Porch Digital DIVArchive system
Photo Credit: Michael Lewis, BYU-Idaho University Relations

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IDC Upgrades Brazil’s Transamerica Radio Network with STAR Pro Audio™ Solution

Ottawa, ON– As sports enthusiasts across the world continue their countdown towards the 2014 FIFATM World Cup and the 2016 Summer Olympics in Brazil, International Datacasting Corporation (TSX: IDC) has completed the delivery of a critical technical upgrade to Transamerica Radio in Brazil. The privately owned Transamerica Radio has purchased IDC’s STAR Pro Audio™ Solution, which will lower its operational costs by using up to 70% less bandwidth compared to other solutions. IDC’s STAR Pro Audio Solution is designed for professional distribution of audio programming over satellite and IP networks.

Headquartered in São Paulo, Transamerica Radio offers nationwide coverage to many of Brazil’s residents and also to many Brazilians located overseas. The listeners enjoy a variety of music and talk radio programming, and the transmission of the most important domestic and international soccer championships. This efficient and reliable technology will ensure that Transamerica’s audience will not miss hearing one single action-packed moment in the months and years to come.

“IDC has proven to be an excellent technology partner for our company,” says Luiz Guilherme Albuquerque, Superintendent Director of Transamerica Radio. “This high quality equipment translates to outstanding value for us by helping us improve our operation and reduce our costs going forward.”

Boreal Communications assisted with the complete system definition and overall hub upgrade and installation, comprising of new antennas, power-up converters and IDC headend equipment. The new headend includes IDC’s Audio Encoders, Net Manager, and FlexKey Encryptors. In addition, the system includes new STAR Pro Audio Receivers to upgrade Transamerica’s transmission sites across Brazil. Once installed, Transamerica Radio will have implemented a state of the art, highly dependable distribution network for all of its professional audio applications.

“Forward-thinking platforms like the STAR solution demonstrate IDC’s long-standing commitment to our customers across Latin America and the world,” said Doug Lowther, President and CEO of IDC.

About International Datacasting Corporation:

International Datacasting Corporation (TSX: IDC) is a global leader in digital content distribution for the world’s premiere broadcasters in radio, television, data and digital cinema. IDC offers a broad portfolio of advanced solutions including the STAR Pro AudioTM Solution, LASERTM Targeted Ad Insertion Platform, and the Digital TattooTM DTH Over IP Gateway. The company’s products and solutions are in demand for radio and television networks, targeted ad insertion, digital cinema, 3D live events, satellite newsgathering, sports contribution, VOD, and IPTV. IDC is headquartered in Ottawa, Canada, with regional offices in Arnhem, the Netherlands and in San Diego, California. The company has installations in over 100 countries and an international network of value-added partners and resellers. For more information visit: www.datacast.com.

Solid State Logic Announces V2 Software with Powerful New Features for SSL Live Console

New release adds more than 25 new features, including Offline Setup, new Effects, Powerful Output Matrix Processing and so much more

FRANKFURT, GERMANY – Solid State Logic, the world’s leading manufacturer of tools for creative audio professionals, is proud to announce the imminent release of new V2 software for the SSL Live console at Prolight + Sound 2014 (Hall 8, Stand L80). The SSL Live, the company’s first-ever dedicated live sound console, has been extremely well received by the live sound production community since its announcement at last year’s Frankfurt show. Positive response has continued to grow as users report that sonic quality is inspiring, the creative user experience is excellent and reliability and stability is well beyond expectation. The release of new V2 software for the console introduces a substantial collection of significant new features. The release, coming a mere six months after the first units rolled off the production line, demonstrates the rapid pace of ongoing development at SSL and proves the company’s well-founded reputation for listening to customer feedback and developing new and exciting functionality that moves beyond industry expectations.

Within the Version 2 software release there are more than 25 new feature additions to the SSL Live console, covering enhancements to the Output Matrix, Effects Rack, User Interface, Routing, Solo System and Focus Channel as well as the introduction of a comprehensive Offline Setup application. The new software, due for public release in April 2014, will become standard on all new consoles and is available for free to all existing owners.

New feature highlights:
PC Offline Software
The SSL Live PC Offline Software allows engineers to create, setup and edit all aspects of a Live Showfile from the comfort of their own laptop, making creation or editing of Show and Preset files simple and efficient. The user is presented with the same menus, screens and options as the full console software, creating a familiar user environment, enabling them to configure a Showfile from scratch or load one of the SSL Template files and edit it to their own requirements. All aspects of the Console Configuration can be edited, giving the user full control over the power of the Live’s Tempest processing engine. Full access to stage box setup and routing is provided. Along with naming, colouring and the unique Eyeconix channel identification tools. The layout of Fader Tile layers and banks can also be configured and accessed from the software. As well as control over mix bus routing, pre/post feed point sourcing and all other audio related channel parameters. In addition, the Automation system is fully accessible so that scenes, automation filters and input/output actions can be created, edited and updated. This also includes Group modes, scene re-numbering, etc. Once a Show file has been created or edited, it can be saved and exported to a USB key and then imported into the Live console ready for use.

Effects
The Version 2 release brings a selection of new effects that introduce additional sonic options and ways to maximise the processing power of the Tempest platform. New effects include four EQ types (the super flexible G-Flex EQ; which comes in 8, 16, 24 and 32 filter versions, a new, smooth Contour EQ, 1 and 2 band Dynamic EQ and a 4+2 Band Parametric), four new Delay effects (Tape Echo, Ping Pong, a new Short Delay and new Multi-Tap delays), ‘Guitar Cabinet’ and ‘Bass Cabinet’ emulations and five Reverbs (Ambient, Cathedral, Stadium, Recording Room and Tight ER). These new reverbs increase usability and make reverb set up much easier whilst retaining the supreme audio quality of the ER Verb from Version 1 Live software. A new Phase Scope Tool has also been added. With All-Pass Filters available on all processed paths, the addition of a Phase Scope to the Effects Rack allows the operator to use them more effectively and speed up their setup. Version 2 also includes a number of enhancements to the SSL Effects Rack itself, to streamline effect browsing, naming and routing.

Matrix Outputs
Matrix Outputs now have EQ, All-pass filters and delay processing available. All 36 Matrix Output paths now have available High and Low Pass Filters, a 4-band parametric equaliser, two seconds of delay and our unique All Pass Filters. This is in addition to the two inserts that can be used with both the internal Effects Rack and external processing. As with all the other path types within the Tempest engine, the processing order can also be changed by the operator to customise the signal flow for their requirements on a Matrix-by-Matrix basis.

New Control Surface Functions
A ‘Swap Button’ has been enabled on the console’s Fader Tiles and allows the user to assign any bank of a Fader Tile to the Swap button. Once assigned, the operator uses the Swap function like a ‘Home’ button, letting them jump back to their preferred Fader Bank at any time with one button press. As with the console’s Flip Function, Swap can be used independently per tile or globally if Swap is pressed and held down. With up to 75 banks of faders available, this function adds flexibility and speeds up access no matter how many banks the user has available. A new ‘Focus Channel Lock’ function allows the user to assign a path permanently to the Focus Fader and the Channel Control Tile. Perfect for that important channel that you always need to have control of.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

DPA Microphones Appoints GerrAudio to Lead Canadian Distribution

DPA Microphones is pleased to announce the appointment of GerrAudio as its Canadian distributor. GerrAudio is an established distributor of professional audio equipment for the live performance and broadcast industries across Canada. The company represents some of the industry’s leading wired and wireless intercom, digital mixing console, signal processing and audio test and measurement equipment brands.

“We are very fortunate to be chosen to represent DPA Microphones in Canada,” says Bob Snelgrove, President of GerrAudio. “The quality and performance of the company’s mics are consistent with GerrAudio’s long-standing philosophy of bringing unique audio solutions to the technical teams that support highly creative artists. DPA’s array of products perfectly complements our current collection of state-of-the-art audio equipment. Additionally, while the company’s reputation precedes GerrAudio, we know that many professional users are not fully aware of the flexibility and depth that is available across the product line. To that end, our primary goal will be to provide greatly expanded accessibility to the company through such means as product introductions, education and demonstrations, along with quick accessibility to products and technical support.”

This partnership with GerrAudio signals DPA Microphones’ continued commitment toward growth and customer service throughout North America. To ensure greater product availability for customers in Canada, GerrAudio will carry a full stock of DPA products at its head office in Brockville, Ontario.

“GerrAudio has an impressive reputation as one of the leading pro audio distributors in Canada,” says Niels Jørgen Øhrgaard, DPA Microphones’ Executive Vice President of Sales. “With a local Canadian distributor, we ensure better and more attentive service and support for our new and existing customers in the region. We’re excited about this new partnership and have high expectations for the opportunities it will bring.”

About DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

Clearwing Takes KARA and KIVA to the Streets of New York City

The Bacon Brothers on NYC's Super Bowl Boulevard stage featuring Clearwing's L-ACOUSTICS KARA and KIVA enclosures

Week of Super Bowl concerts on Broadway rely on L-ACOUSTICS

NEW YORK CITY — Clearwing Productions of Milwaukee reports that it was hired by the National Football League for three Super Bowl venues, all of which it supported with a full compliment of L-ACOUSTICS loudspeakers.

The NFL’s official Super Bowl Tailgate party held at the old Meadowlands Racetrack featured American Idol‘s Phillip Phillips, The Band Perry and the cast of Jersey Boys on a brand new K2 rig. The NFL On Location Super Bowl Club featured the Fray and Cyndi Lauper before the game on another K2 system hung at the Izod Center in East Rutherford. However, the real test for Clearwing took place during the entire week prior to the game across the river in Manhattan.

Super Bowl Boulevard took over Broadway between 34th and 47th streets featuring a stage that by day hosted NFL player autograph sessions and by night bands like Blondie, the Bacon Brothers, Michael Cavanaugh and the Café Wha? House Band.

The system had to be compact because, although the stage spanned the Great White Way, emergency vehicle lanes needed to be created on both sides of the street, which kept the stage width down to a rather tight 32 feet. Furthermore, the system had to ground stacked, which made the choice of KARA and KIVA, supported by eight SB18 and a pair of SB28 subs, one that met both the logistical and audio needs.

“Stacking in the downstage corners of the stage, the width of the speakers took up minimal stage space; plus, being able to stack the SB18s directly behind the KARA stacks allowed us to get the bigger sound that a three-way enclosure would provide while still maintaining a small footprint,” says Clearwing’s Steve Harvey, who, along with system tech Trevor Powers, was in charge of the audio for the stage. “We had the SB18s running up to 100Hz for improved low end from bass guitar and drums, and the SB28s in front of the stage added extra lows in the drums and playback elements.”

As if the logistical challenges of an outdoor gig in the middle of Manhattan were not enough, the weather in New York City that week was at times very cold.

“Our semi trucks had to be unloaded at midnight and the show started at noon,” says Harvey. Outdoor temperatures got down to zero Fahrenheit at times. “The amps were turned on at the beginning of the week and stayed on all week. The L-ACOUSTICS gear was solid throughout, however; not a single blip from an LA-RAK — even in these extreme conditions — and the speakers were solid.”

When the bands played, the audio had to cover an area that extended a full city block. That may sound more like a gig for a full-sized K1 rig rather than the relatively diminutive KARA, but it was about coverage — not volume — which is where the KIVA boxes came into play.

“We deployed a pair of KIVAs every 40 feet on each side of the street,” adds Harvey. “There were three sets of delays total, and it was all about coverage and intelligibility. Those delays meant we could hit the very back of the block without thrashing the nine KARA boxes stacked on either side of the stage. It was a tough gig, but the L-ACOUSTICS stuff worked great.”

Clearwing Productions can be found online at www.clearwing.com.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for the USA is handled by L-ACOUSTICS’ subsidiary in Oxnard, CA.

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Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

FSR To Grow Presence In Education Market With New Appointment

GINA SANSIVERO JOINS COMPANY AS DIRECTOR OF EDUCATIONAL SALES

Woodland Park, NJ – FSR, an industry-leading manufacturer of products for the Pro AV market, is pleased to announce the appointment of Gina Sansivero as the company’s new director of educational sales. Jan Sandri, company president, today announced details from FSR’s headquarters in Woodland Park, NJ, noting that in her role, Sansivero is charged with strengthening FSR’s reputation and brand recognition even further within the education market.

In her new position, Sansivero will also be responsible for educating the market about new opportunities for interactive and collaborative learning systems offered by FSR, embedding the company as a primary or top-tier manufacturer of installations in higher-education and K-12 buildings and campuses. Working with integrators and consultants to identify key opportunities for FSR to further address the specific needs of the education market, Sansivero will build relationships with educational contacts and uncover ideas and applications for even more comprehensive and cohesive products clearing a path for company growth in the education marketplace.

“We are thrilled to welcome someone of Gina’s caliber to join the FSR team and help us continue to expand our role as a leading manufacturer within the education market,” said Sandri. “As technology continues to change, along with the needs of those working in a learning environment, it’s imperative that we remain on the cutting edge and continue to supply our customer base with products that specifically address their needs. We are confident that Gina will help us reach our goals.”

Introduced to the audiovisual industry early in 2005, Sansivero has embraced it ever since. She first worked in sales and marketing, and then became a partner at RelampIt in New York. Recognizing an industry need, she combined her passions of environmental responsibility and education to launch Project Green AV (www.projectgreenav.com) in 2008. An industry portal for GreenAV information and dialogue, Project Green AV addresses the changing needs and is a facilitator for Green AV education, news, products, industry highlights and connections. Similarly, Sansivero has helped RelampIt to consistently grow into a well-recognized replacement projection lamp business as a preferred sustainable vendor-partner to AV systems integrators and the vertical markets the AV industry touches. In 2011, Sansivero was awarded the Young AV Professional Award by industry association, InfoComm. Sansivero is also involved with a number of organizations including the Huntington Chamber of Commerce Green and Education committees in New York, Seatuck Sustainability Business Council, the Long Island Volunteer Enterprise (LIVE), and is a regular contributor to rAVe Blog Squad.

“FSR is a recognized, stable and well-respected part of our industry and I am truly excited to have this opportunity to be part of the team,” said Sansivero. “Not only is FSR’s commitment to quality, service and ethical business practices aligned with my own professional values, but I view Jan Sandri as a mentor. This position will allow me the opportunity for continued growth under her ‘coaching,’ while also working in the education market, which I truly love. I welcome the challenges this new position will surely bring and will move ahead with a fresh mind-set to help expand this established company even further into new markets.”

Sansivero can be reached at gsansivero@fsrinc.com or 516-282-5346.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

All FSR products are designed and manufactured in its Woodland Park, NJ facility. The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications / Harriet Diener
845-512-8283 • harriet@desertmoon.tv

Extron Introduces 12 Powerful TouchLink Pro Touchpanels

Extron Electronics is pleased to introduce 12 TouchLink Pro touchpanel models with faster processing, more memory, and enhanced security. Five of these models are available in new 5”, 12”, and 15” sizes with vibrant, capacitive touchscreens and ultra-responsive control surfaces. The four largest models feature edge-to-edge glass and video preview inputs that support high resolution HDCP-compliant video from HDMI sources and Extron XTP devices. All TouchLink Pro touchpanels work with the new IP Link Pro family of control processors and are fully customizable using Extron GUI Designer software. In addition to these touchpanels, Extron is also introducing the TLI Pro 101 TouchLink Interface, which allows third party touchscreen displays to be used as control interfaces within an Extron Pro Series control system. more

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