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Archive for March 31st, 2014

IC Realtime “Goes All In” at ISC West 2014 in Vegas this Week with Implementation of 10-Year Warranty & Lifetime 7 Days a Week Tech Support

Pompano Beach, FL – March 31, 2014 – To coin a gambling phrase, video surveillance brand IC Realtime (ISC West 2014 booth #23005) “is going all in” at the Sands Expo & Convention Center in Las Vegas this week with the implementation of a 10-year product warranty and lifetime 7-days/week technical support on the brand’s surveillance cameras, digital video recorders and network video recorders sold beginning March 1, 2014.

“From day one IC Realtime’s mission has been to equip its dealers with complete end-to-end systems solutions – from high-performing, quality-built solutions that we are eager to have reviewer’s face-off against the competition, to our ability to natively integrate with the many leading control systems in the channels today, to the best technical team in the channel. We have achieved all of this through a strong understanding of what dealers’ day-in and day-out needs are. Now we are granting the ultimate support with the implementation of this program. IC Realtime is in it for the long haul with its dealers,” says IC Realtime CEO Matt Sailor.

About IC Realtime
Established in 2006, IC Realtime is a global innovator of video surveillance technology for the residential, commercial, government and military channels. The company has pioneered the introduction of the Cloud Video Recorder™; 720-degree video surveillance camera technology, and is a strong supporter of the new UL2802 performance testing standard for camera image quality. In both the 2012 and 2013 CEPro Magazine CE Pro 100 Brand Analysis, IC Realtime ranked as #1 IP camera / surveillance brand. Last year the company also made the 2013 Inc. 500 | 5000 list of the nation’s fastest-growing private companies. Website: www.icrealtime.com Follow IC Realtime on Twitter: @ICRealtime and on Facebook at https://www.facebook.com/icrealtimeus

New Zealand’s Māori Television Upgrades Its Broadcast Facility with HARMAN’s Studer Vista 5 M3 and OnAir Consoles

NEWMARKET, New Zealand – Māori Television provides a range of local and international programming for New Zealand’s audiences across the country and online. Founded in 2004, the station is dedicated to the revitalization and normalization of the Māori language and culture through high-quality, readily accessible programming in both Māori and English. Reflecting its commitment to quality, Māori Television recently upgraded its studios with the addition of HARMAN’s Studer Vista 5 M3 and OnAir 2500 digital consoles.

HARMAN Professional New Zealand distributor Jands Ltd. installed the 32-fader Vista 5 M3 and 12-fader OnAir 2500 consoles in Māori Television studios. The studio needed to replace its aging analogue mixing desks and make the move to digital. They wanted consoles that were flexible and easy to use. “Our studios are used for a variety of shows, including live news and current affairs programs, talk shows, sports programming and more,” said Kane Dickie, sound team leader. “One of the most challenging requirements is doing the sound for a live music show that requires mixing multiple hosts talking at once plus a live band.”

Māori Television wanted to avoid having to patch the consoles into external effects devices, and chose the Studer consoles because they had enough built-in effects to handle all the processing for all the shows that are produced at Māori Television. Ease of use was equally important – “we wanted consoles that were intuitive to use, so that most of the people in our studio would be able to operate them.” In addition, the consoles had to be able to link together so they could share sources between Māori Televisions two broadcast studios. The Vista 5 M3 offers access of up to 240 channels, ensuring the station would have all the inputs it needs. Along with the Vista 5 M3 and On Air 2500, Māori Television purchased three Studer Compact Stagebox expansion units, a 32-in/16-out and two 16-in/16-out models.

Before Māori TV purchased them, Jands set up the complete system on their premises to allow Kane and his team to try them out. The Māori TV staff took to the consoles immediately, giving high marks to the consoles’ easy, fast and responsive operation, accessible control layouts, convenient Vistonics™ and Touch’n’Action color touch screens, and variety of useful built-in effects. “

Now that the Vista 5 M3 and On Air 2500 are up and running at Māori Television, Kane confirms their initial positive experience with the consoles at Jands. “The transition from analogue to digital consoles went smoothly. In addition to doing everything we need them to and then some, we’ve noticed that the Studer consoles’ preamps have made all of our mics sound much cleaner. In addition, all of the old analogue buzz we could never get rid of in the past has disappeared.”

In Māori it’s called “Kia Tika” – being professional and maintaining high standards. It’s one of Māori Television’s core values, and the Studer Vista 5 M3 and On Air 2500 reflect the station’s commitment to “Kia Tika.”

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

LED Source Creates Custom LED Lighting Solution for Meizhou Dongpo’s Inaugural U.S. Restaurant

Meizhou Dongpo Restaurant in Los Angeles

(Los Angeles)—LED lighting is turning ceilings and walls into expressive canvases of color, as LED Source®, the leading North American LED lighting solutions provider, proved in Century City for Meizhou Dongpo’s first

restaurant in the United States.

The restaurant opened in December, grabbing diners and decorators by their palettes with flavorful food and colorful décor provided by LED Source’s Los Angeles partner Rob Thompson.

“They were looking for somebody in the States; it was their first location and they wanted to do something quite different, it being their flagship store,” Thompson says.

Meizhou Dongpo officials had seen photos of Miami Tower, another LED Source project, but in Miami, Fla., and called him in March 2013, nine months before the restaurant opened in the Westfield Shopping Mall.

“They had an idea of what they wanted. They had something similar in China,” Thompson says, adding they sent him plans and he contacted the architect.

Meizhou Dongpo wanted to light up both interior and exterior walls, but also wanted 475 lit vases set in glass-lined cubby holes along interior walls, and to be able to control the colors for each cubby. From that, Thompson said it was a matter of figuring out which LED Source lighting products would work best.

“I’ve got a team of pros who’ve seen a lot of different scenarios,” he says. “It really came down to experience.”

That experience included Gavin Cooper – a world-renown lighting designer who co-founded LED Source in 2005 with lighting industry veteran Marcel Fairbairn – and LED Source’s Applications Engineer Lee Braddock, both of whom came from the company’s home office in Wellington, Fla., to help design and build the lighting system.

Not only does LED Source’s “Red, Green, Blue” lighting system set Meizhou Dongpo apart from its neighboring establishments, it reduces energy and operating costs while providing better light quality and a comfortable atmosphere for franchisees and customers alike.

For more information about LED Source, visit www.LEDsource.com.

###

About LED Source

Founded in 2005, LED Source is North America’s first and only franchisor of LED lighting. The company supplies LED products to a variety of spaces, and specializes in design, support, development, project management and financing through its Retrofit, Architectural and Entertainment divisions. LED Source began franchising in 2009 and has since opened 15 locations throughout the U.S. and Canada. The company opened its first location in the Caribbean this year, with further growth planned on the islands over the next few years. LED Source expects to add 12-15 franchise locations in 2014 and long term goals plan for a network of 150 franchise offices throughout North America and the Caribbean within three years.

 

 

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HARMAN’s Martin Professional Deployed at 2014 Paralympic Games For Creative Lighting & Midair Effects

ST. PETERSBURG, Russia — To celebrate the historic 2014 Paralympic Games, rental company Euroshow provided HARMAN’s Martin lighting systems for a special program featuring an ice show at Russia’s Yubileny Sport Palace in St. Petersburg. The program was held before the final stage of the Torch Relay. Lighting designer, Alexey Yevstifeyev, who deployed Martin fixtures based on their functionality and brightness, proposed the lighting concept of the show to feature creative lighting and midair effects, consisting of 20 MAC Viper Profiles, 12 Atomic 3000 DMX, 20 RUSH MH3 Beams, 48 MAC 101s and 20 MAC 2000 Wash XB’s.

The ice show took place at the Yubileny Sport Palace’s hockey rink with the main challenge being the limited time for installation. Taking this factor into consideration, Yevstifeyev used a combined truss mounting and floor mounting system.
By placing the MAC 101 fixtures on the floor around the rink, he was able to create a beautiful display with compact and extremely fast LED wash lights, emphasizing the artist’s movements through the reflection effects.

According to Yevstifeyev, ice shows are unique in that the ice surface, together with light projections, becomes an individual element of performance design. Yevstifeyev chose to deploy the MAC Viper to get the maximum out of the space he was given.

“I’ve been acquainted with Martin’s MAC Viper for a very long time already,” Yevstifeyev explained. “They have a brilliant reputation for functionality and light intensity. They have already become a workhorse in the industry. That’s why lighting designers constantly choose them for their projects. Besides, MAC Viper has a very good collection of creative and beautiful gobos. Using them, one can create really interesting pictures. They were really useful for me on this project!”

Additionally, the RUSH MH 3 Beam added a great dynamic to the show and put the accents into the figure skaters’ performance with different styles and themes.

“Although the MH3 Beam belongs to the entry-level line, it is very effective,” said Yevstifeyev. “It proves to be very strong when compared to alternative fixtures when you need to create bright beam effects in midair, so it is no surprise we at Euroshow use these fixtures quite regularly.”

Equipment supplier: Euroshow
Lighting Designer: Alexey Yevstifeyev
Lighting Operator: Dmitriy Shmel’kov

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

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From Outdated to Outstanding: Clair Brothers Updates Audio System at NYCB Theatre At Westbury with HARMAN’s JBL Professional Loudspeakers and Crown Amplifiers

WESTBURY, New York – The NYCB Theatre at Westbury is one of Long Island’s best-known music venues, growing from its less-than-glamorous origins in 1956 as an unheated outdoor tent to the premier Live Nation-owned concert hall it is today. Formerly the Westbury Music Fair, the current 3,000-seat venue was built in 1966 and has since undergone multiple renovations—the most recent being an upgrade to its audio system with HARMAN’s JBL Professional VERTEC® line arrays powered by Crown I-Tech HD amplifiers.

“The former audio system was 30 years old, was underpowered and had significant issues in many areas,” noted Dustin Goen, system designer and project manager for systems integrator Clair Brothers. The venue is a theater in the round with 360-degree seating surrounding a circular stage that rotated during most performances. The main loudspeakers, lighting and video screens were mounted on a truss ring hanging above the stage, with fill loudspeakers placed around the front of the stage and at other locations in the hall. The main loudspeakers were pointed downward but because of the design of the truss ring, they could not deliver adequate coverage to all the seats.

“To supplement the main loudspeakers, a kind of patchwork arrangement of fill loudspeakers was installed throughout the venue in an attempt to get adequate coverage,” Goen noted. “As a result, no matter where someone sat they heard a mixture of up to four different loudspeakers, all with different timings and sonic characters.” Patrons in the first row might have scored the best seats to see the show but they heard the worst audio mix—almost no sound from the PA and too much from the stage monitors and amplifiers. The low-frequency reinforcement was inadequate—only four subwoofers mounted on the overhead truss. There were a number of nodes in the room where the bass was almost inaudible.”

“On top of all that,” Goen commented, “the old system didn’t actually cover the front of house mixing position. The engineer had to walk out of the sound booth and down the aisle to hear the mix! You basically had to use your imagination to figure out how things sounded.”

It was no stretch of the imagination for Live Nation’s Dan Schartoff to know something had to be done. As vice president of production for House of Blues/Clubs and Theatres, Schartoff spearheaded the audio system renovation effort and determined that not only would an all-new sound system have to be installed, the overhead cage of trusses would have to go. Goen and crew had to complete the job in two weeks start to finish, from tearing down and installing the new truss to mounting the loudspeakers, lighting and six 80-inch video monitors.

Goen worked with Schartoff and Chris Barbee of lighting contractor Bandit Lites to design and build a new truss ring over the stage with six hangs of six JBL VERTEC VT4887A compact line array loudspeakers, powered by Crown I-Tech 4x3500HD multichannel amplifiers.

Because the theater is in the round, Goen realized distributed cardioid clusters of subwoofers weren’t going to work. “You’d get a response plot that looked like a raspberry instead of an apple,” he said. In response, Clair Brothers opted for a central cluster of six JBL STX828S subwoofers in a triangular stack, driven by three Crown I-Tech 12000HD amps.

Clair Brothers was able to use the existing front and stage fill loudspeakers, which are linked to the main system via a BSS Audio BLU-160 signal processor with digital audio bus. The VT4887A clusters can be used either as three alternating stereo pairs or in mono depending on the preferences of the FOH mixer and artist. An added benefit is that the new truss ring is smaller and doesn’t block the sightlines across the venue, making the hall seem bigger than it was before.

“We wanted every listener to hear one clear and coherent sound source no matter where they were sitting, and that’s what the VT4887A line arrays deliver,” Goen stated. “Thanks to their smooth, controlled dispersion pattern, the coverage is seamless from the first row to the back in 95 percent of the room.”

Goen considers VERTEC and Crown I-Tech HD amplifiers to be a perfect combination since the amps’ DSP incorporates VERTEC V5 preset tunings. “The V5 presets really bring the VERTECs to life and make them sound like a whole new loudspeaker.”

JBL HiQnet Performance Manager™ software is in place to calibrate and control the system. “Performance Manager helped us get everything up and running fast,” Goen said. “We had to be ready in time for a show by Lee Brice so there was no slack. We didn’t get a chance to test the wiring until two days before the show.” The system didn’t require a lot of tweaking—Goen noted that the VERTECs sounded great out of the box and that tuning was more a matter of gain shading than applying EQ. “We had two days to ring out the system, tune it and train the house engineers, and we did it.”

“Horizontal coverage is seamless all around the ring, the low end is solid and even around the room and yes, it sounds great at front of house,” Goen concluded. “In fact, front of house engineer Charlie Trantum has been working at Westbury for more than 20 years and he was very impressed when he first heard the new system.”

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

HARMAN’s Lexicon PCM Native Reverb Plug-In Bundle Is Part of the Curriculum at Audio School Online

SALT LAKE CITY, Utah – GRAMMY® award-winning engineer, producer, songwriter and musician Ken Lewis founded Audio School Online (www.audioschoolonline.com) to answer a need. “It used to be that you got out of engineering school, got a studio internship and worked your way up – but now, big studios are closing and there’s limited opportunity to learn your craft in a professional environment.” In response, Lewis started Audio School Online to teach aspiring producers and engineers how to mix music and produce records. Students learn from Lewis through a series of free and affordable online lessons that teach how to use the tools of the trade – including Lewis’ go-to Lexicon PCM Native Reverb Plug-In Bundle.

Ken Lewis knows his craft. His credits include 71 platinum and gold albums and singles, 12 GRAMMY winners and 56 number one records – so far! He notes that “teaching is in my blood – my mom was one and I used to teach bass and guitar.” Before founding Audio School Online, Lewis discovered there was a lack of information online for what he thought budding producers and engineers needed to know. “My inspiration for putting this all together was to give the next wave of audio pros and artists the real-world skills and techniques to make professional recordings.”

The hardware and software Lewis uses in his lessons are the products he uses in his own studio work on a daily basis. “There isn’t a single mix where I don’t use Lexicon for the reverb,” he says. The PCM Native Reverb Plug-In Bundle is the best reverb plug-in he’s heard. “It’s the first time a plug-in has sounded 100 percent as good as the outboard stuff.”

In a course on choosing lead vocal effects, the Lexicon PCM Native Reverb Plug-In Bundle is a key element. “I use every one of the seven reverb plug-ins, all the time – Vintage Plate, Plate, Hall, Room, Random Hall, Concert Hall and Chamber.” Lewis shows students exactly why he uses the particular reverbs he does, for male and female and lead and background vocals. “I go step by step into how I manipulate all the parameters and why, and most importantly, the thought process as a mixer or a producer that goes behind what I’m teaching. Ultimately, the mood of the song dictates why I do something. With Lexicon, I can choose and fine-tune the perfect reverb to fit the mood.”

Another online lesson is called “Plugin Transformers” which emphasizes that ultimately there are no traditional ways to create new sounds. ”I used the Lexicon PCM Native Reverb Plug-In Bundle to show people there are really cool sounds they can achieve they might never have thought of, that they can incorporate into their own palette. Lewis finds the plug-ins to be highly flexible in their editing capabilities, easy to shape sonically and have “tons of presets and choices for starting points.” Most importantly: “They also just sound really good.”

“My style of teaching is very hands-on,” Lewis notes. “The lessons feel like we’re sitting together one on one, not like you’re sitting at a lecture with someone talking at you. When I do a lesson if mistakes happen, fine. I teach the same techniques I use everyday on records you hear, and in a way that’s very easy to understand and duplicate on your own.”

“In audio there is no right and wrong, just what you think sounds good. You need to envision what you want and how to go about getting it. Lexicon helps me teach people to open their mind to the possibilities.”

The feedback we’ve received for Audio School Online has been tremendous so far,” Lewis concluded. “We’ve gotten deep support from pros and amateurs alike. It makes me want to do more.”

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Limited RSVP Slots Still Available for WavesLive Master Class Las Vegas Event

— Upcoming Live Mixing Workshop with Ken “Pooch” Van Druten, Peter Keppler and Jim Ebdon to be held Sunday, April 6, at the Cirque du Soleil’s Resident Shows Division —

TEL AVIV, ISRAEL, March 27, 2014 — Waves Audio, the world’s leading provider of DSP audio solutions for the professional, live sound, broadcast and consumer electronics markets, is continuing its new WavesLive Master Class workshop series with an upcoming event in Las Vegas. The event, being held Sunday, April 6, will feature a mixing workshop with leading live mixing engineers Ken “Pooch” Van Druten (Linkin Park, Alter Bridge), Peter Keppler (Katy Perry, David Byrne, St. Vincent) and Jim Ebdon (Maroon 5, Aerosmith), who will demonstrate how they use Waves plugins in their live mixing.

Where:
Cirque du Soleil
Resident Shows Division
1151 Grier Drive, Suite C
Las Vegas, NV 89119

When:
Sunday, April 6, 2014
10:00 AM to 3:00 PM

Sign up today: http://waveslive-lv2014.eventbrite.com

Waves Product Specialist Luke Smith and WavesLive Marketing Manager Noam Raz will also be on hand to provide in-depth information on plugins and new technologies and to show how Waves plugins can be integrated into live mixing consoles. The presentation will be followed by an open Q&A session. Attendees will have the opportunity to do some hands-on mixing using the various consoles and plugins.

Waves EVP of Sales & Marketing Mick Olesh says: “WavesLive is proud to sponsor this event. For participants, this is a great opportunity to experience the world of live mixing with plugins and receive tips and tricks directly from mixing legends Pooch, Jim and Peter.”

Ken “Pooch” Van Druten adds, “This Waves event is not to be missed. Jim Ebdon is one of the finest live sound engineers in the industry. I can’t wait to pick his brain about how he works and what plugin choices he makes. Peter Keppler, also joining us at the Waves event, is a monster engineer with great talent. I intend to discover his secrets – especially how he makes Katy Perry destroy the competition with Waves plugins!”

Visit http://www.waveslive.com for more information.

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HARMAN’s AKG Introduces CBL31 WLS and STSDAM+ Tabletop Microphone Solutions for Wireless Use

VIENNA, Austria – HARMAN’s AKG is introducing a pair of world-class tabletop microphone solutions for wireless use. The CBL31 WLS and STSDAM+ both offer durability and flexible housing options and are ideal for meeting rooms, courtrooms, conference rooms and houses of worship.

The AKG CBL 31 WLS and STSDAM+ are based on heavy-duty tabletop mechanics and due to their heavy weight, are highly shock-absorbent and hold the microphone firmly in place. Various AKG pocket transmitters (including the WMS40/45/420/470 and DMS700) fit into the housing of both the CBL31 WLS and STS DAM+, to transform the stations into complete wireless solutions.

Both models offer a rugged mute switch (more than 25,000 switching cycles) that controls the microphone, plus an LED bar to clearly show the status. A 3.5 mm input jack plug allows connection of either up to four AKG CBL410 or a laptop to transmit the audio signal of a presenter to the local PA system.

The CBL31 WLS also includes the well-known cardioid capsule CK31 from the DAM Series. It is designed to fit a variety of AKG transmitters, including the PT40/45/420/450/470 and DPT700.

The STSDAM+ is designed to fit AKG DAM+ Series microphones, including the GN15/30/50M and CH41/43/49.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

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Yamaha CL5 Howls at Mohegan Sun’s Wolf Den

BUENA PARK, Calif.—Mohegan Sun Casino in Uncasville, Connecticut opened in 1996 by the Mohegan Tribe of Connecticut, and is one of the world’s most amazing destinations with some of New England’s finest dining, hotel accommodations, retail shopping, live entertainment and sporting events. Located in the center of the action, in Casino of the Earth, the popular 350-seat Wolf Den offers a state-of-the-art sound system for nightly performances. The Wolf Den seats 350 and entrance is on a first come, first served basis. Recently, two Yamaha CL5 Digital Audio Consoles were installed to enhance the sound system, one at front of house and the other at the monitor position including Rio 3224-D and 1608-D input/output boxes.

Mat Diamond, lead audio technician for entertainment at the resort said the decision to add two Yamaha CL consoles to the entertainment arsenal was a departmental decision. “As the head of the department, I had the final say, but I don’t get to use the equipment as much as the rest of the department which is why it is important to make the decision as much a group decision as possible. We already own two Yamaha M7CL-48 digital consoles, two Yamaha LS9-16s and an LS9-32 so between that and the price point, the CL5s seemed like the next logical step.”

Diamond said the custom knobs and fader banks, storing system scenes that can be recalled, EQs, and built-in Premium Rack that can be used together or independently are all valuable features. “I love the idea of the Premium Rack and hope that more effects will be added down the road. I personally like to use the Portico 5033 as my EQ for masters. I really like using the dynamic EQs for vocals. I love how the Yamaha CL allows me to control certain frequencies without eliminating them entirely.”

With regard to the CL learning curve, Diamond said his staff picked it up fairly quickly but since they own several Yamaha consoles, they just needed to learn their way around the CL. “Most of the visiting engineers just need a quick walk through if they haven’t used a CL in the past.”

Since the Yamaha CL consoles have been installed, artists that have performed in the Wolf Den include Macy Gray, Starship featuring Mickey Thomas, Foghat, G. Love & Special Sauce, Walk Off the Earth, Chuck Negron, Gin Blossoms, Uncle Kracker, Los Lonely Boys, and Eddie Money.

For more information on the Wolf Den at Mohegan Sun, visit www.mohegansun.com/poi/venues/wolf-den.html

For more information on Yamaha CL Digital Audio Consoles, visit www.yamahaca.com.

-END-

Photo ID: Standing Mat Diamond, Lead Audio Technician
Seated: Curt Wade, Front of House Engineer – Wolf Den

Photo Credit: CM Photos

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Martin Audio Opens New MLA Production Facilities

Martin Audio recently opened new MLA facilities including production and assembly areas, quality control and testing, along with additional warehousing.

Designed for MLA, MLA Compact and the new MLA Mini, the facilities will provide a space worthy of this premier system series and further improve Martin Audio’s overall service to its customers.

Since the introduction of MLA in 2010, the system has won multiple awards for innovation and has taken the market by storm. With the international success stretching around the globe from the US to UK and Japan, and now with the introduction of MLA Mini set to further popularize the technology, it was a necessity to develop these new facilities.

Importantly, the principles of 5S were introduced as an integral part of the new development. 5S originated in Japan and stands for the Japanese words seiri (tidiness), seiton (orderliness), seiso (cleanliness), seiketsu (standardization), and shitsuke (discipline), principles that lead to improved efficiency, service and safety.

Jason Robson, Quality Manager for Martin Audio, stated, “The runaway success that MLA has become meant we needed additional production and warehousing space in order to meet the growing demand. But we also took the opportunity to instill new principles in both the creation of the layout and the day to day running of the facilities. 5S will help guarantee that we not only keep up with demand, but that this is achieved in an efficient manner with the quality our customers expect and this leading system demands.”

Alongside the production elements, the new facilities will also house Martin Audio’s popular training sessions for both MLA and OmniLine. Andy Davies, Lead Applications Engineer, said, “This new space will provide the perfect vehicle for premier training, while enabling us to show people how the product they are being trained on is made.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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