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Archive for June 2nd, 2014

CLEAR-COM BRINGS NEW PROGRID AUDIO DISTRIBUTION SYSTEM TO INFOCOMM 2014

At InfoComm 2014 Clear-Com® will present ProGrid™, the synchronous, optical fiber transport system specially designed to meet the requirements of the professional live audio, broadcast, corporate and commercial installation and video industries. The ProGrid system offers the unique yet flexible and scalable transport and distribute of audio, intercom, video and control data.

ProGrid is based on the open AES3 and AES10 (MADI) standards, providing fiber-based transport, routing and format conversion with full management and diagnostic capabilities using the Optocore® and SANE technology. A versatile, modular approach offers AV system users flexibility to size the system to match the demands of a specific production or installation budget, and to manage future expansion. The product portfolio includes a range of fiber interconnected audio, intercom and video real-time distribution products that include different I/O options such as Mic inputs, Line I/O, AES, MADI, Four-Wire intercom, Sync, Serial and Ethernet (47 combinations to be exact!).

Clear-Com also introduces the BroaMan MUX-22 video, audio and intercom I/O product, which further broadens the company’s capabilities to provide scalable, protocol independent transport of up to eight 3G/HD/SD-SDI video signals (with built-in CWDM multiplexer). The MUX-22 can operate with full ProGrid integration with SANE ports, Ethernet, RS485/ 422 ; Intercom boards for 4 x Clear-Com/ 4x RTS/ 4 x AES based intercom systems/ 4 x analog intercom with GPIO or 4 x optical MADI ports; Fiber tunnel for third-party devices.

Simon Browne, Head of Product Management, Clear-Com, said, “ProGrid enables us to be a full system solution company, able to offer not just our world-class communication systems but also a reliable and robust distribution infrastructure for any kind of fiber-based workflow, from commercial installations to live event broadcasts. It also comes with the additional benefit of the unrivalled global support network for which Clear-Com is renowned.”

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Broadcast Pix Anchors New HD Production System for Tampa Bay Rowdies TV Broadcasts

Billerica, Massachusetts – Before the start of the 2014 season, the Tampa Bay Rowdies negotiated broadcast rights for all 13 of its Saturday night home soccer matches. As a result, it was time for the team to upgrade its SD production facilities at Al Lang Stadium in St. Petersburg, Fla. The new HD production includes a four-camera setup, custom animated graphics and a Broadcast Pix™ Granite™ 1000 integrated production switcher.

Hi-Tech Enterprises in Clearwater, Fla., was the integrator for the project. According to Ed Griswold, Hi-Tech engineer, the new control room was built in about three weeks, and the system was operational in time for the first Rowdies home game on April 12.

Since the Rowdies began calling Al Lang Stadium home in 2010, VideoArt Productions of Palm Harbor, Fla., has been providing live coverage of their matches. Established in 1982, VideoArt has produced thousands of hours of live programming, and worked with a number of Florida-based professional sports teams and content providers.

The first three seasons were produced exclusively for a Web audience, but this season’s Rowdies contests are also broadcast on WTTA, the MyNetworkTV affiliate in the Tampa/St. Petersburg market (DMA #14). All matches are also streamed to the North American Soccer League’s live streaming site, NASLlive.com, and some are streamed to ESPN3’s Web site.

Art Dryce, president of VideoArt, handled directing, TD, graphics, and commercial and replay roll-ins for the first three seasons. With the move to HD production and the added complexities for broadcast television, however, he did not want the new setup to be another one-man control room. Instead, he wanted a system that could support separate positions for a TD and graphics operator.

The upgraded control room is located in a dedicated area of the stadium’s press box. The typical Rowdies production features two high midfield cameras – one is the main game camera and the second handles tight action follow shots – as well as a sideline camera and end zone camera. The cameras are connected via fiber, which allows for an extremely high quality video signal to the Broadcast Pix system, Dryce said. Productions also include animated graphics, which are stored in the Granite’s built-in clip server, and instant replay. Video Art provides all crew members during production.

The new Granite system replaced a Stream Breeze Pro, which is now tasked with encoding the broadcast (and changing some ad content) for the Web. Griswold said the Broadcast Pix created a “more traditional workflow” for the on-air broadcasts.

Dryce still produces and directs, but Tom Sipos, vice president of VideoArt, handles TD duties for Rowdies broadcasts. A graphics operator shares the system with Sipos, but each work station has its own monitor, populated by Granite’s built-in Fluent-View customizable multi-view. Griswold is also on site to monitor the broadcast signal and provide engineering support.

The graphics operator uses Fluent Rapid CG is used to update the on-screen clock and scoreboard during matches. Ideal for sports coverage, the Fluent Rapid CG™ option for Broadcast Pix systems streamlines the creation of data-intensive CG graphics. By automatically integrating databases, RSS feeds, cloud-based content and custom actions like scorekeeping into templates, Fluent Rapid CG produces customized graphics with significantly less manual effort.

“The system was easy to learn to use, and is easy to operate during our show,” Dryce said. “It has met the expectations we had for our production flow, capability and quality, and with every game we continue to learn new things. It is a powerful production tool. We’re very impressed.”

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Platinum Tools® Debuts Next Generation Ergo Crimp Tool at 2014 InfoComm

CAMARILLO, Calif., June 2, 2014 – Platinum Tools(R) (www.platinumtools.com), the leader in solutions for the preparation, installation, hand termination and testing of wire and cable, is proud to announce the debut of the 9-Inch Ergo Crimp Tool (p/n 16500) at InfoComm 2014, held from June 18-20 at the Las Vegas Convention Center, booths C5238 & N368j. The 9-Inch Ergo Crimp Tool is now shipping with an MSRP of $39.95.

“The next generation crimp tool technology has been designed around the user,” explained John Phillips, Platinum Tools product manager. “We’ve made crimping even easier and more comfortable. The ‘straight plate’ lower jaw assembly eliminates critical structural stress points, common in most competitive tools…it will not break under heavy stress and will last for years to come.”

Additional specifications include:
• crimps insulated terminals to 10 AWG and non-insulated terminals to 8 AWG
• variety of crimp dies available for CATV F,BNC, TNC, SMB, SMA and N series coaxial connectors
• accepts crimp die sets from most other popular tools (previous old crimping dies will work)
• reduced handle grip distance makes it ideal for all hand sizes and allows for prolonged, comfortable use
• smooth ratcheted crimp cycle with a safety release and no break over hand force
• adjustable cam for precision ratchet adjustment, allowing for a perfect crimp, no matter the die set or application

“The new 9-inch Ergo Crimp Tool is available with a number of tool and die specifications allowing it to work with a number of cable types, crimp types and sizes, and connector types,” Phillips added. “Custom dies are also available. Higher performance, reliability, versatility, and comfort. It’s all here.”

For additional pricing and more information on Platinum Tools and its complete product line, please visit www.platinumtools.com, call (800) 749-5783, or email info@platinumtools.com.

About Platinum Tools
Platinum Tools, founded in 1997, was created based upon two very simple objectives. First, develop the absolute best possible solutions for the preparation, installation, and hand termination of wire and cable. Second, implement an operational infrastructure that can deliver these products in an efficient, timely, and high quality manner.

All of our products must absolutely satisfy three critical benchmark criteria…utility of function; quality of function; and economic value. Our people are our company. They, too, must be focused on and work to satisfy three critical benchmark criteria…customer satisfaction; product knowledge and expertise; and willingness to learn and adapt.

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Solid State Logic Exhibits at InfoComm for the First Time in 2014

Company to Showcase its Live Console with V2 Software to the American ProAV Market

LAS VEGAS – Solid State Logic (SSL), the world’s leading manufacturer of tools for creative audio professionals, is proud to announce that it will be exhibiting at InfoComm (Booth C11329) for the first time in 2014. As part of its continuing expansion into the ProAV market, the company will be presenting the V2 Software for the SSL Live, its first-ever dedicated live sound console. Reception to the console by the live sound production community has been extremely positive since its announcement last year, with Live already appearing on tour with Peter Gabriel, Carlos Santana and Flogging Molly, among others.

Response continues to grow as users show enthusiasm for sonic quality that is inspiring, a creative user experience that is excellent, and reliability and stability that is well beyond expectation. The V2 software release introduces 25 significant new features and demonstrates the rapid pace of ongoing development at SSL. Additions include enhancements to the Output Matrix, Effects Rack, User Interface, Routing, Solo System and Focus Channel, as well as the introduction of a comprehensive Offline Setup application. The new software, released in April, is now standard on all new consoles and is available for free to all existing owners.

New feature highlights:
PC Offline Software
The SSL Live PC Offline Software allows engineers to create, setup and edit all aspects of a Live Showfile from the comfort of their own laptop, making creation or editing of Show and Preset files simple and efficient. The user is presented with the same menus, screens and options as the full console software, creating a familiar user environment, enabling them to configure a Showfile from scratch or load one of the SSL Template files and edit it to their own requirements. All aspects of the Console Configuration can be edited, giving the user full control over the power of the Live’s Tempest processing engine. Full access to stage box setup and routing is provided. Along with naming, colouring and the unique Eyeconix channel identification tools, the layout of Fader Tile layers and banks can also be configured and accessed from the software. As well as control over mix bus routing, pre/post feed point sourcing and all other audio related channel parameters. In addition, the Automation system is fully accessible so that scenes, automation filters and input/output actions can be created, edited and updated. This also includes Group modes, scene re-numbering, etc. Once a Show file has been created or edited, it can be saved and exported to a USB key and then imported into the Live console ready for use.

Matrix Outputs
Matrix Outputs now have EQ, All-pass filters and delay processing available. All 36 Matrix Output paths now have available High and Low Pass Filters, a 4-band parametric equaliser, two seconds of delay and our unique All Pass Filters. This is in addition to the two inserts that can be used with both the internal Effects Rack and external processing. As with all the other path types within the Tempest engine, the processing order can also be changed by the operator to customise the signal flow for their requirements on a Matrix-by-Matrix basis.

Effects
The Version 2 release brings a selection of new effects that introduce additional sonic options and ways to maximise the processing power of the Tempest platform. New effects include four EQ types (the super flexible G-Flex EQ; which comes in 8, 16, 24 and 32 filter versions, a new, smooth Contour EQ, 1 and 2 band Dynamic EQ and a 4+2 Band Parametric), four new Delay effects (Tape Echo, Ping Pong, a new Short Delay and new Multi-Tap delays), ‘Guitar Cabinet’ and ‘Bass Cabinet’ emulations and five Reverbs (Ambient, Cathedral, Stadium, Recording Room and Tight ER). These new reverbs increase usability and make reverb setup much easier whilst retaining the supreme audio quality of the ER Verb from Version 1 Live software. A new Phase Scope Tool has also been added. With All-Pass Filters available on all processed paths, the addition of a Phase Scope to the Effects Rack allows the operator to use them more effectively and speed up their setup. Version 2 also includes a number of enhancements to the SSL Effects Rack itself, to streamline effect browsing, naming and routing.

New Control Surface Functions
A ‘Swap Button’ has been enabled on the console’s Fader Tiles and allows the user to assign any bank of a Fader Tile to the Swap button. Once assigned, the operator uses the Swap function like a ‘Home’ button, letting them jump back to their preferred Fader Bank at any time with one button press. As with the console’s Flip Function, Swap can be used independently per tile or globally if Swap is pressed and held down. With up to 75 banks of faders available, this function adds flexibility and speeds up access no matter how many banks the user has available. A new ‘Focus Channel Lock’ function allows the user to assign a path permanently to the Focus Fader and the Channel Control Tile; perfect for that important channel that you always need to control.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Blend and TwoDots Launch Remix Contest

Winning remix of TwoDots theme song to be included on official soundtrack album

NYC (June 2, 2014) – Blend (http://blend.io), an online network where musicians share and collaborate on tracks, announces the opportunity to remix the theme song of TwoDots, the sequel to the very popular and Webby Award winning Dots game, which launched last year to over 20 million downloads. TwoDots was released last week and became the #1 app in over 30 countries by the second day. The app is currently featured in over 100 countries.

Inspiring an up beat, the TwoDots theme song is a whimsical tune that “Blenders” can remix with their own style and direction with Ableton Live. The audio player is at https://blend.io/embed/538b802715d29dac5d000013.

The contest starts today and the song is now available on the Blend network. Remixes can be completed and entered into the competition until June 13. Blend and TwoDots will then choose the best remix to be included on the official soundtrack album for TwoDots, published by Blend and for sale on June 24.

To enter the contest, music producers need to login at https://blend.io/vip/dots and start remixing.

Blend supports major DAWs, such as Pro Tools, Ableton Live, Logic, FL Studio, Garageband, and more. More DAWs are continuously added, allowing music creators to find, share and collaborate on music projects in their native (source) format. While other networks publish completed music, Blend’s focus is on creating and collaborating while projects are in progress.

About Dots
Dots builds unique games with thoughtful design. The studio’s first game, also known as Dots, garnered a massive and loyal following since its launch in 2013. Five billion games were played in the first year alone, and millions more enjoy the game every day. Dots is available as a free download for iPhone, iPad and Android on the Apple App Store, Google Play, Amazon Appstore, and the Taobao Mobile marketplace. Two Dots is the newest game from the studio available on the Apple App Store. You can learn more about Dots by following @playdots on Twitter, liking www.facebook.com/playdots on Facebook and visiting the Dots website: www.weplaydots.com.

About Blend
Blend was created for musicians to connect and share in-progress tracks and collaborate, or “blend” each other’s works. While other networks focus on publishing completed music, Blend provides a platform for musicians to collaborate directly with each other in their native (source) format, such as Ableton Live, Maschine, Pro Tools, Logic, GarageBand and FL Studio. For more information and to enter, please visit http://blend.io.

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AES136 Berlin Highlights Project Studio Expo and Special Sound for Picture Programming

New York, NY, May 30, 2014 — Celebrating the success of the 136th Audio Engineering Society Convention, which took place April 26 – 29, 2014 at the Estrel Hotel and Convention Center in Berlin, Germany, the AES continues to forge new territory with its successful tracks and programs at recent Conventions. Making its European debut was the heavily-attended Project Studio Expo, sponsored by DPA Microphones, as well as an expanded Sound for Picture track, of interest to many of today’s leading professionals. Additional Technical Program events, manufacturer exhibitions, tech tours and more rounded out the Convention, which paved the way for AES138, which will next year be held in Poland (as announced at the Berlin opening ceremonies).

As proven popular at recent AES Conventions in San Francisco and New York City, the Project Studio Expo offered a unique set of presentations appropriate for all levels of today’s home-based and professional studio environments. Programs included Basic Microphone Technology; Professional Mixes from Your Project Studio – Common Mistakes, Immediate Solutions; Electronic Dance Music: Live Performance Mixing Techniques; The Business of Being in the Music Business; How Did They Get that Sound?; Advanced Vocal Editing; Mastering Engineering – The Link to Your Audience and more. Hosted by notable industry engineers, educators, journalists and sponsors, the Project Studio Expo once again offered a unique chance to experience music production with top talent, tools and techniques.

AES136 Berlin also featured an extensive Sound for Picture track, organized by Brian McCarty, chair of the Sound for Digital Cinema and Television Technical Committee. The Convention provided a platform for extensive discussions on the direction and future of immersive sound in cinema, television and video gaming. The attendance by a wide range of leading professionals in these fields, combined with the depth of knowledge contained in the AES membership, showed the advantages of cohesive and science-driven solutions for audio with UHDTV and other new media platforms.

Followup information from the AES 136th International Convention in Berlin can be found on the AES136 web page, including photos and downloadable convention papers from the extensive AES eLibrary.

Photo Caption 1: AES Presenter Stephen Webber, pictured with the crowd at the Project Studio Expo at AES136 in Berlin.

Photo Caption 2: Brian McCarty, chair of the Sound for Digital Cinema and Television Technical Committee at AES136, welcomes attendees to the Sound for Picture track.

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Tekserve Achieves Premier Certification from Cisco in United States

NEW YORK, NEW YORK, JUNE 2, 2014 – Tekserve, a leading provider of technology solutions for creative professionals, announced today it has achieved Premier Certification from Cisco®. To earn Premier Certification, Tekserve had to meet standards for networking competency, service, support and customer satisfaction set forth by Cisco.

“As we continue to expand our solutions portfolio and develop our competencies for the Media and Entertainment industry, while broadening our customer base, it is imperative that we align ourselves with innovative best-of-breed partners,” says Matt Cohen, Principal, Tekserve. “Media content requirements are increasing exponentially, with video and audio workflows demanding the highest performing and scalable infrastructures available. Cisco offers the scale and performance while also ensuring brand longevity, guaranteeing that our customers can move forward confidently with ongoing technology investments.”

Through Tekserve’s investment in Cisco’s Advanced Data Center Architecture Specialization, the company aims to increase its profitability by acquiring an advanced level of knowledge and skill to meet its customers’ diverse data center needs, including consolidation and virtualization, private cloud computing, application-or-infrastructure-as-a-service and big data.

As a Cisco Premier Certified Partner, Tekserve demonstrates a range of technical expertise. To achieve Cisco Premier Certification, Tekserve was required to achieve the Cisco Express Foundation Specialization. This specialization includes tests on technical competency in the integration of basic routing and switching, wireless LANs, and security technologies. In addition, Tekserve was required to integrate a base level of Cisco Lifecycle Services into their offerings and demonstrate measurably high levels of customer satisfaction based on independently audited customer satisfaction surveys.

The Cisco Resale Channel Program provides partners with the training required to build sales, technical and Cisco Lifecycle Services skills. Cisco resale partner certifications—Gold, Silver, Premier and Select—represent an increasing breadth of skills across key technologies and a partner’s ability to deliver integrated networking solutions. Cisco resale partner specializations—Master, Advanced and Express—reflect an increasing depth of sales, technical and service expertise in particular technologies.

For more information about Tekserve’s partnership with Cisco, please visit:
http://www.tekserve.com/tekserve_vendors/cisco/.

About Tekserve
Tekserve delivers a broad range of enterprise services, solutions and products to support the technology needs of businesses in fields ranging from finance and retail to media and entertainment. Employing best in class products from a wide range of technology manufacturers, Tekserve helps clients by identifying, engineering, deploying and supporting the best possible solutions for their technology challenges.

From its famous New York City retail location in Chelsea, Tekserve, stocks a wide variety of Apple products, accessories, storage solutions and display devices. Tekserve also provides system rentals, workshops and certified training, as well as the finest repair and support services. Since its inception in 1987, Tekserve has been dedicated to the service of its customers and the surrounding community.

Cisco, Cisco Systems and the Cisco logo are registered trademarks of Cisco Systems Inc. in the United States and certain other countries.

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Ascender 48 multi-screen Mixer Seamless Switcher to feature exclusive real-time perspective layer animation – InfoComm 2014 – Booth #C7125 -

June 2014 – Analog Way is pleased to unveil an outstanding new feature developed for the Ascender 48: real-time perspective layers. An exclusive preview of the Ascender 48 updated with this unprecedented functionality will be available in Analog Way’s booth #C7125 during InfoComm 2014, on June 18-20 in Las Vegas, USA.

Analog Way is pleased to add perspective layer animation to the Ascender 48 (Ref.ASC4806) Mixer Seamless Switcher. Compatible with computer and video sources, this new feature allows creation and animation of layers with a virtual viewing perspective in real time to create top-notch presentations.
The perspective layers can support the same seamless transition effects as any other layer.
Using the Preview/Monitoring output of the Ascender 48, the operator can display the perspective layers in real time in order to see and arrange all layers and presets as wanted.

Creation and management of the perspective layers can be managed without limitation directly from the Ascender 48’s Web RCS, a user-friendly interface designed to fully prepare a show and control it live.

Equipped with 48 scalers, the Ascender 48 is a powerful 12×4+1 Multi-screen Seamless Switcher offering Mixer, Hybrid, Hard Edge and Soft Edge configurations to fit any application.
An exclusive preview of the Ascender 48 featuring perspective layers will be offered during InfoComm 2014 in booth #C7125. Visitors will have the chance to experience real-time management and flexibility of perspective layers directly using the Ascender 48’s Web RCS.

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Martin Audio MLA Compact Takes Control At Sun Valley Community Church


The Tempe campus of Sun Valley Community Church recently installed a Martin Audio MLA Compact loudspeaker system as a key component in a significant upgrade of its technical capabilities.

According to Eric Johnson, Technical Director for Sun Valley, “Sun Valley Tempe merged with Bethany Church two and a half years ago and we inherited a large campus and an auditorium with technical capabilities that were deficient by today’s standards. The audio system was old and primarily designed for natural speech, orchestra and choir reinforcement in an acoustic setting. That, plus the building is a complex geometrical design, basically a five-sided pentagon with a seven-sided auditorium that’s about 160 degrees wide, has a raked floor, many complex angles and no parallel surfaces. Needless to say, this presented a real challenge when it came to choosing a new loudspeaker system.

“The original system had worked for many years,” Johnson continues, “but changing times, culture and styles made us realize that it no longer served our purposes for electric rock and roll style music. We decided on a major renovation that involved changing the seating from traditional pews to modern theatre style seats and going from a totally carpeted floor to carpeting only in the aisles. We also reduced the size of the stage, pulling back the downstage edge by about twelve feet in addition to upgrading the lighting and audio system.

“And there was a real concern as to whether or not we could put in a system that would adequately reinforce rock and roll without overwhelming the live-sounding room. So we discussed acoustically treating the room, which would have cost hundreds of thousands of dollars, or completely tearing down the ceiling and remodeling the room from the inside which wasn’t feasible either.”

Fortunately, Johnson was aware of the Martin Audio MLA system having first heard it several years ago during a demo at Comerica Theater in downtown Phoenix. “I had an idea of what the technology was about,” he points out, “but I was really impressed with what I heard. The possibility of MLA and the MLA Compact system specifically, led us to realize that the technology would allow us to precisely control the audio output and put the energy onto the seats while keeping it off the ceilings and walls. So that’s the direction we decided to pursue.”

The installed system for the 1300-seat auditorium consists of nine MLA Compact enclosures per side in left-right hangs with seven Martin Audio DSX subs in bunkers arranged in arc formation along the downstage edge. Two WT3 speakers for extreme left and right outfill and six DD6 speakers for front fill complete the system with Martin Audio MA3.0 and MA2.8Q amplifiers and a Merlin Processor that manages the outfills and front fills, as well as communications between the speakers. The rest of the setup currently includes a Soundcraft MH2 40-channel Desk at FOH Sennheiser Evolution Series wireless and DPA microphones.

Johnson adds that the installation team, which included Ed Crippen from Clark, the system integration company, Jon Hunsacker and Kevin Hull from SVCC and Sean Stinson’s ream of riggers from Clearwing, had to bring in a considerable amount of additional power to accommodate the new lights and audio system since the building was already over capacity for electrical service.

Completed in the first week of April, the system debuted on Palm Sunday and according to Eric, “it was an overwhelming success. Ed Crippen was there for the whole weekend, which included rehearsals and the first service. He was taking measurements for the service and one of the things we discovered during the sermon was that real-time intelligibility readings were off the charts. He had never seen intelligibility readings that high. The first time our pastor Chad Moore who uses hearing aids, stepped on the stage and spoke through the microphone he said, ‘I can finally hear myself.’

“There was a band playing that averaged between 95dB and 104dB with subs which was clear and not too loud. With the MLA Compact, the musicians can now focus on the nuances and subtleties of their music that can finally be heard without overwhelming the space. I even had to adjust the drummer’s toms because we could hear them rattling against the support post.

“When we went to the portion with just the pastor speaking downstage, we averaged 72dB over a ten minute window,” Eric confirms. “Not only was it loud enough, it was incredibly clear and you felt as if he was talking right in front of you at 72dB. It’s unheard of to put a message out at that volume and not suffer any fatigue because it’s not loud enough. We’re still talking about that one!”

Johnson notes that the overall process of assembling the system took the better portion of a year and required that he put the installer and speaker company together because “Clark was not a Martin Audio dealer and I wanted MLA Compact in the building. Ed and I attended an MLA training class in Las Vegas and that’s when he really lit up and got what the system was all about. It turned out to be a full-fledged collaboration between Sun Valley, Clark and Martin Audio.”

Summing up about the impact of MLA Compact on Sun Valley, Johnson concludes, “One notable thing that happened on the first Sunday we used system is that the doors from the worship center out to the lobby are usually opened up when it’s time to come in the room, but it was a nice day so the exterior doors from the lobby out to the patio were also open. One person commented that the reason he came in was that when the music started, he could hear our worship leader as clear as a bell all the way out onto the patio, which we could never do before the MLA Compact.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Christie Matrix STIM™ WQ Projector Wins Innovator Award in Australia

Christie®, a global visual displays and audio technologies company, is proud to announce that it is the recipient of the 2014 Innovator Award for the Christie Matrix StIM™ WQ 1-chip DLP® projector at the DTC Annual Defence Industry Dinner & Awards Ceremony held on May 30 in Adelaide, South Australia.

Christie Matrix StIM-WQ

The Innovator Award, organized by the Defence Teaming Centre (DTC) – a branch of the Australian Industry & Defence Network – recognizes a company that has invested in research and development to produce innovative products and/or services that have contributed to building the capability of the defence industry in South Australia. The Christie Matrix StIM WQ, which is the world’s brightest, solid state WQXGA simulation projection system, fended off stiff competition from BAE Systems and NewSat to clinch the coveted award.

The award-winning Christie Matrix StIM WQ is a fully integrated projection system designed to address the requirements of today’s most demanding simulation and training applications. Its unique, dual input architecture makes it the only WQXGA simulation projection system available today that displays separate channels for visible light and Infra-Red (IR) spectrum for simulated Night Vision Goggles training. With the ability to separate RGB and IR channel management, the Matrix StIM WQ offers greater system design flexibility, enabling the user to tailor and optimize the system to meet the specific night training requirement.

Another advantage is its ability to composite the two 60Hz RGB inputs to deliver true 120Hz RGB operation. The result is dramatically improved image quality without image artifacts or perceived loss of brightness while maintaining compatibility with current Image Generator technology, and without the need to make changes to the visual database. Designed for 24/7 operation and with a platform rated at 50,000 hours Mean Time Between Failures (MTBF), the Christie Matrix StIM WQ’s rugged design for motion platform use is a durable projection system with no consumables and virtually maintenance-free. This helps to offer a cost-effective solution to lower the cost of ownership in the long run.

Michael Bosworth, general manager, Christie Australia, and Jim Gray, business development manager, Christie Australia, were presented with the Innovator Award during the awards presentation ceremony at the Adelaide Entertainment Centre on May 30. The event was attended by over 400 representatives from Australia’s defence industry, and graced by the Honorable Jay Weatherill, Premier of South Australia.

“This award would not have been possible without the inspiration and hard work from our partners, management and fellow colleagues, for whom I have deep respect, and have worked tirelessly with to ensure that our visual solutions, such as the Christie Matrix StIM WQ, delivers the best visual experience for everyone who uses it,” Bosworth said in his acceptance speech.

Commenting on the win, Lin Yu, vice president, Christie Asia Pacific, said, “We’re very proud and honored to receive the Innovator award, and I would like to thank DTC and the judging panel for their recognition of the capabilities of our Christie Matrix StIM WQ projector. This is a clear testimony of the high quality and performance of Christie’s advanced visual technologies in meeting the needs of the most demanding users and applications.”

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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