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Archive for June 5th, 2014

Bartha Invests in Meyer Sound LYON, Citing its Linear Response, Imaging, and New Rigging System

Bartha of Columbus, Ohio has become one of the newest rental companies to purchase a Meyer Sound LYON™ linear sound reinforcement system. Bartha sees LYON as a powerful tool that will allow the company to deliver the utmost audio quality for corporate events in convention centres and arenas as well as indoor and outdoor music concerts. LYON will be featured at InfoComm 2014 in Las Vegas from June 18-20.

“We invested in LYON because we always strive to have the latest and best from Meyer Sound,” states Chris Andrus, audio department manager at Bartha. “Our decision was sealed when we heard LYON demonstrated in San Francisco. We were impressed by its linear response and exceptional stereo imaging, as well as the new flyware, which is the fastest and safest we’ve seen yet.”

Introduced in January, LYON incorporates the advanced technology of the LEO™ Family in a lighter and more compact package, extending the advantages of highly linear self-powered systems to a wider range of venues and applications.

The arrival of 24 LYON-M main line array and eight LYON-W wide-coverage line array loudspeakers adds to Bartha’s existing inventory of 1100-LFC low-frequency control elements and Galileo® Callisto™ loudspeaker management systems. Bartha now offers 19 Meyer Sound models, totaling 252 loudspeakers.

“We see our Meyer Sound stock as a complete toolbox, with the right tools for any job,” says Andrus. “Our strong relationship with Meyer Sound has helped us grow our business over the years. And now, with the addition of LYON, we have a powerful new tool for the most demanding jobs.”

The first deployment of Bartha’s new LYON system was a corporate event at the MGM Grand Arena in Las Vegas. “The room sounded the best we have ever heard it,” reports Andrus. “The consistency and quality were amazing—from the back row of the nosebleed seats to the very front, the tone was crisp and articulate. The clarity of the system was truly outstanding. The rig never sounded like it was ‘working’—you asked it to reproduce something, and it did just that, regardless of level.”

A diversified and full-service event production and staging company, Bartha manages all creative and logistical aspects of event production, from concept through design, staging, logistics, and operations. Bartha clients include a wide range of businesses, educational and governmental institutions, and religious organizations. Bartha regularly produces events nationwide and occasionally overseas.

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Meyer Sound Names Luke Jenks Director of Product Management

Meyer Sound has promoted Luke Jenks to the newly created position of Director of Product Management. Most recently serving as the company’s loudspeaker product manager, Jenks now represents the full range of company solutions, from loudspeakers to show control, system optimization, and passive and active acoustic systems.

As director of product management, Jenks is responsible for defining market needs, articulating customer requirements, and representing customer feedback throughout the lifecycle of a product. He also assumes direction of a newly formed product management team that encompasses market requirement definition, new product introductions, and technical documentation. The team includes Richard Bugg, audio show control product manager, Todd Meier, digital products manager, Greg Thomas, technical writer, and Rong Wang, new product introduction technical project manager.

“Luke is intimately familiar with our products at all levels, but more importantly, he has served as the important bridge between customers and engineering to help translate the needs and challenges on the ground into practical and complete solutions,” says Helen Meyer, Meyer Sound executive vice president. “There is no better suited candidate than Luke to help drive our product strategy and ensure customer success throughout the product lifecycle.”

Jenks began his career at Meyer Sound in loudspeaker assembly in 1989 before working as an engineering technician and technical support associate. He was later appointed to director of European technical support, and was based in France for nine years. As loudspeaker product manager since 2010, Jenks was principally responsible for launching the company’s new generation of line array systems: the LEO™ linear large-scale linear reinforcement system, the LYON™ linear sound reinforcement system, and the 1100-LFC low-frequency control element.

“Meyer Sound has never been afraid to disrupt the status quo, and we are fortunate to be able to do this with the input of our many talented users who push the envelope of sound in all types of environments,” says Jenks. “As we work on advancing next-generation linear systems and low-frequency technology, now is a more exciting time than ever to work here. I look forward to helping deliver more cutting-edge solutions for our customers’ projects.”

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Meyer Sound M1D Proves Ideal for Deep Thrust Stage at Chicago Shakespeare Theater

At the Chicago Shakespeare Theater (CST), a Meyer Sound M1D line array loudspeaker system is optimized to provide audio support for everything from Shakespearean dramas to contemporary, high-energy musicals like Follies, Sunday in the Park with George, and Gypsy. Designed to meet specific architectural challenges, the system was supplied by long-time Meyer Sound dealer TC Furlong, Inc. of Lake Forest, Ill., with logistical coordination by Jeff Cech.

The 18 M1D loudspeakers in CST’s 500-seat Jentes Family Courtyard Theater replace an aging, point-source center cluster. “The Courtyard was designed like the Swan Theatre in London, with very high surrounding balconies and a deep thrust stage,” explains James Savage, head of sound at CST. “The system also has to cover the room’s 270-degree spread.”

The new center cluster of eight M1D loudspeakers covers the main center section of the house in three zones, while side arrays of five M1D loudspeakers each are arranged in three zones to manage the extreme vertical coverage. “The M1Ds definitely fill the role much better from a quality standpoint,” adds Savage. “And their precise vertical control gives us the ability to greatly increase gain before feedback.”

In addition, two UPJ-1P VariO™ loudspeakers are placed at the proscenium to pull the image down, while four more UPJ-1P loudspeakers are located at the lower level balcony rail to supply fuller music for the side seats and foldback for the thrust stage. Two USW-1P subwoofers are mounted on catwalks at the proscenium to couple with the wall for low-end boost, and an additional inventory of 14 UP-4XP loudspeakers with IntelligentDC technology and eight MM-4 loudspeakers can be deployed as needed. System drive, zoning, and optimization are provided by a Galileo® loudspeaker management system with two Galileo 616 processors.

“The diverse form factors of Meyer Sound loudspeakers lend themselves well to the specific geometry of our thrust theatre,” says Chris Plevin, CST director of production. “The small-form MM-4 front-fill cabinets and relatively compact M1D arrays allow us to realize the best possible acoustic reinforcement without impacting the scenic and lighting designs.”

Founded in 1986 by Barbara Gaines, artistic director, CST moved to its new two-stage venue at Navy Pier in 1999. CST is the third-largest regional theatre in the Midwest, and was recipient of the Regional Theatre Tony Award in 2008.

TC Furlong, Inc. is a professional audio company specializing in gear rentals, live events, equipment sales, and services since 1973.

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Miami’s 1300 Studios Keeps Hot Shoots Cool with Zylight

LOS ANGELES – Denis Lauzon has built a 30-year career in advertising, still photography and video production. As the co-owner of 1300 Studios, a full service studio in Miami, he has built a production and rental facility designed to accommodate the needs of professionals and their crews.

The facility includes a 12-person conference room equipped with a 90-inch studio monitor, lounge that doubles as a green room with a 60-inch monitor, three-station hair and makeup room with daylight-balanced lighting, kitchen for food-based projects, and reception area. Plus, there are a number of industrial spaces for various types of location shooting surrounding the studio, as well as five acres of open space for exterior shoots.

In the 30×40-foot studio, Lauzon has taken the necessary steps to limit his time on a ladder. He keeps four Zylight IS3c LED large panel lights mounted on the lighting grid, two of which are used to color the cyc. Lauzon uses the Zylight Remote to wirelessly adjust the color and intensity of the IS3c lights on the grid. (The lights can also be controlled via DMX through XLR connectors.)

All Zylight lighting instruments feature Zylink wireless technology, which allows remote control of all functions, including color hue and saturation, color temperature, and brightness. Plus, Zylights that are linked together adjust simultaneously for uniform results.

Recently, Lauzon was approached by a client who wanted to match the background to precise logo colors, which Lauzon was able to accomplish quickly without gels or filters. During a music video shoot, Lauzon used the Zylight

Remote to dynamically change the background color of the cyc during the recording artist’s performance. “The whole wall was lit and changing color,” Lauzon explained. “It looked great.”

Despite pre-planning, performers can cause problems with chromakey by the choice of color. Lauzon has programmed two memory presets on the IS3c lights – blue and greenscreen – so it is easy to accommodate last minute changes. “Wardrobe and hair color dictate chromakey,” Lauzon explained. “To fix the issue, we press the button. There’s no repainting backdrops.”

Now, the only time Lauzon has to get on the ladder is to adjust his IS3cs is to flip the instruments for lens flare effects in music videos. The IS3c’s advanced color mixing system provides rich, accurate color rendition, while its 90-degree spread makes it an ideal soft light for widescreen shots.

1300 Studios owns seven IS3c lights with soft boxes, available for rental, plus two F8 LED Fresnels (one daylight balanced and one tungsten) and one Z90 compact LED light. Lauzon said the IS3c is great on location, and he has been impressed with the F8 LED Fresnel, which collapses to less than for inches thick for easy transport. “There’s no other Fresnel like that,” Lauzon said. “The industry is definitely changing toward LEDs. There are other brands out there, but Zylight has the best features we were looking for in one package.”

ABOUT 1300 STUDIOS

Located in Miami, 1300 Studios is one of the finest full-service digital photography and video studio rental facilities in South Florida. Our seasoned professional staff ensures a flawless production in a comfortable atmosphere you will appreciate. Contact us at (305) 628-0000 or visit www.1300studios.com.

ABOUT ZYLIGHT LLC

Founded in 2003, Zylight LLC is the leading manufacturer of intelligent LED lighting instruments for the film and video production industry. Every model in its easy-to-use lighting system produces fully calibrated bright white light, while some also provide a spectrum of adjustable colors without gels. Full wireless control and DMX integration are included, and AC or DC power options are available. The Zylight state-of-the-art LED system is truly the most unique and flexible lighting system on the market today. With more than 50 dealers worldwide, Zylight continues to develop innovative LED lighting solutions to help make your job easier. More Than Bright – Zylight. Find out more at www.zylight.com.

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Masque Sound Custom Audio Equipment Package Captures the Magic for Shakespeare’s Fantasy Play, The Tempest

CAMBRIDGE, MA, JUNE 5, 2014 – When Sound Designer Darron L West and Associate Sound Designer Charles Coes were looking to create a dazzling audio experience for William Shakespeare’s fantasy play The Tempest, they turned to Masque Sound, a leading theatrical sound reinforcement, installation and design company, to provide a custom audio equipment package.

The Tempest is a co-production between The Smith Center for the Performing Arts in Las Vegas and the American Repertory Theater (A.R.T.) in Cambridge, Massachusetts. The play premiered under a big top tent in Las Vegas on April 1 and is now playing at the A.R.T’s Loeb Drama Center.

The Tempest tells the story of shipwrecked aristocrat Prospero and his daughter Miranda who wash up on the shores of an enchanted and strange island. They find themselves immersed in a world of trickery and amazement, in which Tom Waits’ and Kathleen Brennan’s Dust Bowl balladry, Teller’s (of the legendary duo Penn & Teller) magic, and Pilobolus’ dance movements animate the spirits and monsters.

The sound designers’ goal was to create a very traditional Shakespearean play in the most modern way possible. Most of the soundscape was created by a four-piece live band and an array of eclectic percussive instruments.

“We have live musicians on stage accompanying the actors, so we utilized a lot of microphones and effects units,” says Coes. “We took a modern spin on the idea of a traditional Shakespearean ensemble by updating it to include a mix engineer and console. We really wanted to bring the band out and lift the vocals up so that you could effectively and clearly hear both from within the theater.”

One of the main challenges on the project was to create a sound design for two very different venues. “We encountered quite a bit of ambient noise from air conditioners, trains, helicopters and the nature of being in an unprotected acoustic space at the tent in Las Vegas,” adds Coes. “From there, we transitioned to the very quiet, typical theater space at the A.R.T.”

To give the designers the flexibility and dynamic audio that they were looking for, Masque Sound provided a custom equipment package featuring a Yamaha CL5 mixing console along with Yamaha Rio3224-D Dante digital network remote I/O racks.

For the speaker package, Masque Sound provided d&b audiotechnik Q1s for the left and right line array and a Meyer Sound M’elodie array for the center cluster. “We needed speakers with a lot of horsepower for Las Vegas, but the real challenge lay in the fact that we then needed to fit that same amount of equipment into the A.R.T., which is a shorter house,” continues Coes. “The crew at Masque Sound worked very hard to get us another M’elodie QuickFly frame in an extremely short amount of time, so that we could split our array from a single eight cabinet rig into two side-by-side four cabinet rigs.”

Although not in the original plans, 16 channels of Sennheiser wireless were used as well. “Right before we left the shop, the directing team had some concerns about the background noise in the tent and area mics, and we moved very quickly to change the show over from those area mics to a full RF package with body mics for everyone,” says Coes. “We went from a little bit of wireless to expanding it out to the full cast of 13, and we did it in about three days. Masque was incredibly accommodating and incredibly speedy in making it happen. They are always a great company to work with.”

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

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John Stanley Productions Uses Forscene for Ad Production

LONDON — June 4, 2014 – Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, announced today that John Stanley Productions used Forscene in its workflow to produce television and Internet ads for Boots No7 Protect and Perfect Anti-Ageing Serums, marking the first time Forscene has been used in the production of a commercial.

“The ratio of filming to finished product on this project was enormous. The challenge was how to tell the story in just a minute when we had enough material for an hour-long programme. That meant culling a lot of material in a hurry,” said Michelle Langer, executive producer at John Stanley Productions. “One of our producers had used Forscene before and was impressed with the ability to view and select clips independently of the editor. Forscene was an invaluable tool for enabling efficient communications between the crew on a shoot and the producer and editor in the edit suite at The Farm.”

John Stanley Productions had three crews working throughout the country, simultaneously filming eight women who were living without mirrors for four weeks while they tested the product to see the difference it made to their lines and wrinkles. Every other day they sent drives back to The Farm to be ingested. As each day’s footage was copied to The Farm’s media storage, proxies were automatically uploaded to JSP’s Forscene account — so that the rushes were immediately available to be viewed by Rachel Viner, senior producer. From that footage, the company produced a 60-second TV ad, a 40-second TV ad, and a three-minute online version that all told the story of the women’s experiences.

Before the main edit block, producers and editors had one day a week in an edit suite to cut weekly highlights. Having access to the media in Forscene made it possible to preselect the clips before edit day, making the time in the edit suite much more productive.

“Those weekly edits would have been a much longer process if the editor and producer had to wait until they were in the edit suite to view all the rushes from the three directors, or if they had been working from paper edits,” Langer said. “Forscene made the entire process run more smoothly and efficiently.”

Forscene also improved efficiency in the final edit by allowing the producer to view and select alternative clips whilst the editor was working on the master cut.

“In this production a lot of footage had to be condensed into just a minute of ad time. This plays well to Forscene’s ability to provide access to rushes in an efficient and cost effective way to help reduce edit time and costs,” said Greg Hirst, business development director, Forbidden Technologies plc. “As previous Forscene users, the team at John Stanley Productions could immediately see how Forscene could be an effective tool for this unique requirement.”

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden Technologies can be found at www.forbidden.co.uk.

# # #

About John Stanley Productions
John Stanley Productions was set up in 2011 by award-winning comedy writer and performer Matt Lucas. In September 2013 John Stanley Productions entered into partnership with all3media, the UK’s largest independent content production and distribution group. The production company specialises in producing high quality comedy and entertainment shows for television and radio. www.johnstanleyproductions.com

About Forbidden Technologies plc
Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations, including Atos, BIM, deltatre, EVS, and Key Code Media. More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.co.uk.

Video Link: www.no7serum.co.uk/?autoplay
Video Caption: Commercial for Boots No7 Protect and Perfect Anti-Ageing Serums produced by John Stanley Productions using Forscene.

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HARMAN’s JBL Professional Introduces High-Humidity Grilles for Control® 10 Series Ceiling Speakers

NORTHRIDGE, California – HARMAN’s JBL Professional is introducing the MTC-14WG and MTC-16WG high-humidity grilles for its industry-leading Control® 10 Series ceiling speakers. These grilles fit JBL’s Control 12C/T, Control 14C/T, and Control 16C/T, as well as Control 26C and 26CT. Made of an aluminum alloy material that does not rust and finished in a durable powder-coat, these grilles can extend the longevity of ceiling speakers when installed in humid environments.

The MTC-14WG and MTC-16WG address the weakest link when using ceiling speakers in high-humidity applications: a steel grille that can rust. These high-humidity grilles extend the longevity of JBL’s Control 10 Series model ceiling speakers, as their aluminum alloy material does not rust and the durable powder-coated finish prevents pitting that could otherwise occur with raw unfinished aluminum. The finish provides a nice look that matches with the speaker.

“JBL has offered weather grilles for many of our surface-mount speakers and these MTC-WG grilles are the first such products for our ceiling speakers,” said Rick Kamlet, Senior Manager, Commercial Sound, JBL Professional. “With these new grilles, our ceiling speaker models can be used in high-humidity applications, such as outdoor patios, business entranceways and restrooms.”

The MTC-14WG and MTC-16WG high-humidity grilles are available in either white or black.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

Trevisans Supplies Stations and Producers for the World Cup in Brazil

Trevisan’s Lens division is supplying the latest high-quality optics for TV stations and producers in Brazil to cover this summer’s World Cup, including the Cabrio Series. Trevisan’s has been the official representative of FUJINON lenses for the past 30 years.

The World Cup will be broadcast live to millions of viewers. The importance of this premier annual event means our customers need the best possible lenses to cover this event.

“FUJINON lenses are the most robust, resistent, and produce the best results on big events,” said Flavia Trevisan, Owner, Trevisans.

Trevisan offers nationwide service with support centers in São Paulo and Rio de Janeiro and has the best optical specialists in the country.

Trevisan’s Lens São Paulo

55 (11) 4508-5650

Rua Brigadeiro Jordão 113 – Ipiranga – São Paulo / SP – CEP 04210-000

Trevisan’s Lens Rio de Janeiro

55 (21) 2147-1570 / 1573

Av das Américas 500 bl 8 sala 255 – Barra da Tijuca – Rio de Janeiro / RJ – CEP 22640-100

For more on Trevisan’s Lens access: www.trevisans.com.br

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Barix Names DMJ Technologies as Manufacturer Representative in the United States

Company enhances audio offering with Barix, opens integration possibilities across portfolio

ZURICH/MINNEAPOLIS, June 5, 2014Barix has appointed DMJ Technologies as its manufacturer’s representative for the eastern and central United States. The company will represent Barix out of its New Jersey headquarters and satellite offices in Kansas, New York, Ohio and Virginia.

DMJ Technologies specializes in visual communications, with a strong emphasis on digital signage and IP technologies — two key Barix focus areas. Barix will play a major role across its education, corporate, medical, government and entertainment projects, all of which benefit from the cost-efficiency and flexibility of IP audio solutions.

“We were seeking an innovative audio-centric company to add to our portfolio, as we have historically been very video-focused,” said Marta Scoppa, partner, DMJ Technologies. “We have worked with Barix CEO Ronni Guggenheim before, and have always been impressed with the companies and technologies he has been involved with, especially in digital signage. The IP-based solutions from Barix will allow our team to bring yet another innovative product line to our customer base.”

Specifically, Scoppa views Barix’ Audio Point solution has an especially attractive opportunity to align Barix products with existing video signage systems in their portfolio. The Barix Audio Point solution synchronized multichannel audio feeds with content on video displays, and streams that audio to the mobile devices of consumers inside businesses, campuses and public spaces. Scoppa also sees opportunities to integrate Barix’s IP-based paging and intercom solutions—notably its new Simple Paging system—alongside video systems in transit centers and across educational and corporate campuses.

Barix and DMJ Technologies will officially introduce their partnership at the upcoming InfoComm show, taking place June 18-20 at the Las Vegas Convention Center. DMJ representatives will be at the Barix booth (C9420) to discuss the new partnership with dealers, systems integrators and end users.
Ronni Guggenheim, CEO of Barix, believes that DMJ Technologies’ experience in helping its customers architect IP-based systems well-positions them to effectively communicate the new opportunities that an enhanced audio presence can provide, especially in digital out-of-home deployments.

“Great-sounding audio over the network opens up many new possibilities for businesses to better engage with their customers, whether through standalone in-store audio programs or synchronized audio-to-mobile delivery alongside large video displays,” said Ronni Guggenheim, CEO, Barix. “We believe that DMJ Technologies has the portfolio and expertise to help integrators and end users take the best possible advantage of the many opportunities that IP-based delivery offers across multiple business verticals.”

About DMJ Technologies (www.dmjtechnologies.com)
DMJ Technologies is a Manufacturer’s Representative firm specializing in the field of audio visual communications. Our team of dedicated professionals represents more than 100 years of collective experience in filed presentation technologies. Our mission is to facilitate and cultivate strong and enduring relationships with our network of dealers, consultants and end users by introducing innovative, high impact and emerging technologies from our manufacturers. We are a team of dedicated and hard working professionals and our continued success is built on integrity and long term relationships between our manufacturers and our customer network.

Barix: We Move Audio (www.barix.com)
Barix supplies simple and reliable solutions and components to systems integrators and end users worldwide. We move high-quality audio across IP networks, adding value to customer solutions for more than a decade with hundreds of thousands of devices installed worldwide. Background music distribution with dynamic advertising insertion for retail shops, bars and hotels; public address solutions for schools and public spaces; and intercom and entry systems for facility surveillance, protection and security are among the many applications of Barix solutions. Barix also supports OEM projects for a number of Global 500 listed companies serving many industries worldwide.

# # #

Barix AG, Seefeldstrasse 303, 8008 Zurich, Switzerland
Phone: +41 43 43322 11, Fax: +41 44 2742849
Barix Technology Inc, St. Paul, MN – (866) 815-0866

http://www.barix.com

http://www.ip-audio.info

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New Jersey Township Chooses Yamaha CIS System

BUENA PARK, Calif.—The Township of Evesham, New Jersey courthouse is a typical municipal courtroom. It doubles as a non-jury courtroom, as well as a council meeting room and a township meeting room. Between the court and various town meetings, there can be up to 16 microphones on at any given time. The microphones need to be fed to the live speakers and for multi-track recording purposes.

ACIR Professional of Mays Landing, New Jersey was chosen to replace the live portion of the Township’s audio system in the hope of obtaining a cleaner, clearer sound. “In addition to obtaining a better quality sound, the customer still wanted to be able to send audio via multi-track to record,” states Vice President of Sales, Bobby Harper. “Having just demoed the new Yamaha CIS (Commercial Installation Solutions) Series products, the design became obvious.”

ACIR Pro chose a Yamaha MTX5-D processor with the EiX8-8 channel extender in order to accommodate the 16 inputs required. The processor also handles the routing of multi-track and a 4-zone (mix minus) to the Yamaha XMV4280-D Dante-enabled 4-channel amplifier. Yamaha VXC8W speakers were chosen for their clarity and ease of installation. The speakers are zoned for maximum gain before feedback. With assistance from a Dugan MY-16 Auto Mixer card installed in the MTX5-D and the extensive parametric EQ capabilities on each zone output.

Harper said the volume and clarity before feedback was staggering for both courtroom and meeting pre-sets. The presets were stored in the Yamaha MTX5-D library. Recall is available from an in-wall mounted Yamaha DCP1V4S-US controller that the clerk has at his/her fingertips. “Overall Yamaha was selected because of its new all-in-one CIS solution.”

ACIR also installed a Yamaha HS Studio Monitor along with 16 Shure MX418 D/C microphones.

For more information on ACIR Professional, visit www.acirpro.com.

For more information on Yamaha CIS products, visit www.yamahaca.com.

-END-

PHOTO CREDIT: Digital Warmth

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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