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Archive for June 16th, 2014

ASHLY AMPLIFIERS AND SIGNAL PROCESSORS NOW SHIPPING WITH DANTE™

WEBSTER, NEW YORK: Ashly Audio, maker of powerful, high-performance, cost-effective power amplifiers and signal processors, is now shipping Dante digital media networking solution with all their nXe, nXp, Pema and NE Series networkable amplifiers. NE Series rack-mount system processors (4400, 4800, 8800) are also available for purchase with Dante. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s networkable amplifiers line and select signal processors.

“We’re now ready to supply our market with this incredible audio networking technology in our nXe and nXp amplifiers” says Anthony Errigo, director of communications at Ashly. “Dante currently brings the best in flexible, yet robust, digital audio transport and we’re poised to build on its success by delivering this connectivity in our most premier amplifiers and processors. Our customers will benefit greatly by this advancement.”

Audinate revolutionizes the way that A/V systems are connected by transporting high-quality media over standard IT networks. Dante is a robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd.

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #C11308

ASHLY AUDIO CELEBRATES 40 YEARS OF BUILDING GREAT-SOUNDING, COST-EFFECTIVE, AND RELIABLE PRO AUDIO SOLUTIONS

WEBSTER, NEW YORK: Founded by Billy Thompson in 1974 on the wings of a successful live sound company, Ashly Audio has been pioneering innovative products for the pro audio industry for forty years. Although much has changed, such as Ashly’s steady pivot from analog solutions for live sound to digital solutions for installed sound, much has also not changed, and it is this constancy that underlies Ashly success and longevity. Ashly has always delivered great-sounding gear that is highly reliable, easy-to-use, and fairly priced, which is a combination that never goes out of style. Moreover, Ashly has always resolutely stood behind its products and offered its full support to its customers. Ashly continues in this tradition as it builds the next generation of networkable amplifiers, DSPs, and user interfaces.

“Ashly has always had a relatively slow but steady growth trajectory,” explained Mark Wentling, president of Ashly Audio. “Many similar companies started out around the same time as Ashly Audio but have since closed their doors or been absorbed into other companies to become just another ‘brand.’ People have moved on and factories have been shuttered or moved overseas. Our approach has always been to remain steady, dependable, and maybe a little conservative, and that contributed to the forty strong years that we’re now celebrating. Indeed, the Ashly philosophy reflects back on our employees… many of the people still on the payroll in engineering, administration, and manufacturing were there when the company was just starting up!”

Those were the days when Billy Thompson was still playing the role of mad scientist at a lab bench overrun with oscilloscopes, custom-made real-time analyzers, and voltmeters. The smell of solder hung thick in the air. Among many other gems, Thompson used that charismatic setup to design Ashly’s 1970s-era SC-Series of rack-mounted processors, which included classic compressors, equalizers, crossovers, line mixers, mic preamps, and all of the other goodies that today reside inside Ashly’s Protea™ Digital Signal Processing platform. The live sound industry flocked to these and other Ashly products because, for a fair price, they effectively solved real problems and were well-known to reliably endure the stresses of life on the road.

In the 1980s, Thompson pioneered Ashly’s now-legendary MOS-FET amplifiers, which revolutionized the amplifier market by dramatically increasing amplifier power and reliability while minimizing size and cost. Ashly’s MOS-FET amplifiers were among the first to be certified for meeting Lucas-films’ stringent THX movie theater sound systems. Today, Ashly continues in that tradition by delivering high-power, high-fidelity amplifiers in small-footprint, multi-channel configurations that maintain Ashly’s hallmark reliability and value.

“Our relatively small size allows us to be quite nimble and responsive to our customers, whom we deeply value,” said Wentling. “Ashly Audio still operates a full factory in Webster, New York, just outside of Rochester, where we design and manufacture all of our networkable products, including high-power Class-D amplifiers, DSP Matrix processors, and some legacy handmade analog mixers, like the MX-508. In addition, we have responded to market forces by opening Asia-based manufacturing for our KLR-Series amplifiers and some legacy analog products. However, this is just a component of our U.S.-based operations. Indeed, we expanded our U.S. manufacturing plant last year and grew the R&D team. We continue to add to our product line-up in the area of high-performance Class-D amplification, as well as DSP matrix & system processors.”

A development Thompson couldn’t have anticipated without Steve Jobs-like prescience is how quickly the pro audio industry has adopted network technology from the IT industry. Ashly’s nimble in-house engineering team has ensured that the company stays at the leading edge of this development, giving A/V integrators cost-effective options for building Ashly systems and tying them elegantly into the larger lighting and video infrastructures. Ashly’s network-ready amplifiers and processors play nicely on a TCP/IP network right out of the box, and integrators can network digital audio via CobraNet or Dante® (“and AVB when the time is right,” promises Wentling). In addition to networkable hardware user controllers, Ashly offers a popular Ashly Remote iPad app for custom control of its products and will look towards the eventual release of iPhone and Android variants as well. Beyond simply offering these technologies, Ashly’s dedication to customer support ensures that Ashly users are a phone call away from answers and solutions to the myriad questions and challenges that can crop up in complicated networked systems.

“There is an incredible history here,” says Anthony Errigo, director of marketing communications. “People at Ashly are dedicated and have great stories to share. Our employees are proud of this company and brand that they have built together.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

And to take an historical look at Ashly, visit: www.ashly.com/40

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C11308

PHOTO CAPTION: Billy’s bench, circa 1979, with his RTA (Real-Time Analyzer).

Sennheiser microphone technology set to feature in Brazil

Old Lyme, Conn., June 16, 2014 – When national soccer teams from all over the world line up to compete for victory in Brazil, several hundred million TV viewers will be watching live and many will be more than happy to stay up all night in order to follow the action. During the tournament, the production company Host Broadcast Services (HBS) will be using wireless and wired microphones from Sennheiser, including the new Esfera surround microphone system, to capture the stadium atmosphere as realistically as possible and to provide the matches with thrilling commentaries and pitchside reports.

Whether sports fans or not, for TV viewers soccer is set to reign supreme for the next few weeks. For HBS, which has been producing such events since 2002, preparations have long been underway — the equipment and teams required for Brazil have been on-site since the beginning of April, carrying out intensive groundwork in order to ensure smooth broadcasts from the twelve stadia.

In Brazil HBS will, for the first time, use Sennheiser’s new Esfera surround microphone system, which produces complete 5.1 surround sound from the signal of a compact stereo microphone. “For us, high-quality images and high-quality sound go hand in hand,” comments a spokesperson from HBS. “And with Esfera we can create 5.1 sound with ease – even in post-production. Due to their compact construction and the small amount of cabling required, Esfera microphones will be used in a number of areas in the stadia, e.g. in the players’ tunnel, outside to capture the atmosphere and in the Camera 1 position as a fail-safe for 5.1 surround sound.” A total of 36 Esfera microphones (SPM 8000) will record the sound in the twelve stadia; in the International Broadcast Centre, two Esfera processing units (SPB 8000) will then be used to produce 5.1 sound from the stereo signals.

The sound of volleys and goal kicks will be captured using around 300 shotgun microphones – including MKH 8070 long gun microphones for the very precise recording of distant sound sources, MKH 8060 short gun microphones and MKH 418-S stereo shotgun microphones. MD 46 reporter microphones will also be in action at the edge of the pitch.

A total of 24 plug-on transmitters from the 2000 series will be used for wireless boom microphones and for spidercam-mounted MKH 8060s. Every camera team will also have a wireless reporting set (EK 2000 camera receiver and SK 2000 bodypack transmitter with MKE 1 clip-on microphone) and a wired MD 46 reporter microphone at its disposal. The audio signal will be monitored via HD 25 headphones.

Team and match news:

Of course, background reports about the teams and other stories from Brazil are a vital element too. To this end, HBS has also put together additional wireless packages for reporters: 40 wireless reporting sets with technology from the 2000 series will provide crystal clear sound transmission (EK 2000 camera receivers and SKM 2000 handheld transmitters with MMD 935 microphone heads), while 40 talk-back links will enable reporters to maintain contact with editorial staff (SK 2000 transmitters and EK 1039 bodypack receivers with HD 25 headphones).

Wolfgang Guse, Sales Director Professional Systems at Sennheiser Vertrieb und Service: “The demands regarding broadcasting from Brazil will be very high – image and sound quality must be excellent. We are delighted that HBS has been working with us for such a long time and has again, in Brazil, chosen to rely on our high-quality products.”

Sennheiser equipment in Brazil:

Microphones in the twelve stadia / camera team equipment

• 36 Esfera surround microphone systems (36 SPM 8000 stereo microphones; two SPB 8000 processing units)
• 240 MKH 8060 short gun microphones
• 48 MKH 8070 long gun microphones
• 96 MKH 418-S stereo shotgun microphones
• 47 MKH 416 short gun microphones
• 120 MD 46 reporter microphones
• 24 wireless channels of the 2000 Series for boom and spider cam microphones
• 47 wireless microphone systems for camera use (EK 2000 camera receivers, SK 2000 bodypack transmitters with MKE 1 clip-on microphones)
• 47 MD 46 reporter microphones
• 47 HD 25 monitoring headphones

Additional equipment for team news reporting:

• 40 camera systems (EK 2000 camera receivers, SKM 2000 handheld trans-mitters with MMD 935 microphone heads)
• 40 talk-back links (SK 2000 bodypack transmitters, EK 1039 bodypack receivers, HD 25 headphones)

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2012 the family company, which was founded in 1945, achieved a turnover of around 584 million euros. Sennheiser employs more than 2,300 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

Image captions:
1: In Brazil, HBS will use Sennheiser shotgun microphones, wireless microphone technology and Esfera surround microphone systems

2: The MKH 8070 long gun microphone can record even distant ball contact reliably and realistically

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Broadcast Pix Highlights New Products at InfoComm 2014

Billerica, Massachusetts –Broadcast Pix™ will showcase new products and updated software tools at InfoComm 2014 (C5737), which runs June 18-20 in Las Vegas, Nev. Among its new offerings is its ClearKey next generation chromakey upgrade for its integrated production switchers, expanded family of Flint™ systems, and new standalone fX3D real-time 3D graphics system and ReVue HD slow motion replay system.

“We have a lot to show the AV community at InfoComm,” said Steve Ellis, general manager, Broadcast Pix. “This has been an exciting year for Broadcast Pix, with our new standalone production products that can help operations with smaller budgets deliver results that rival what you see on national networks. And by expanding the Flint family, we’re making it more affordable than ever to produce live multi-camera productions for broadcast or webcast.”

Part of the new Version 4.0 software for Granite™ and Mica™ systems, as well as Version 3.0 software for Flint, ClearKey features precise, highly adjustable keying that can handle challenging visuals and create more realistic shadow and lighting effects. Its robust color correction removes the most stubborn spill from chromakeyed objects, while a key crop function can confine the keying effect to certain areas of the screen. Chromakey color is selected with a simple eye dropper tool, and intuitive controls make it easy to adjust lighting, shadow and spill correction effects.

Both fX3D and ReVue work independently in existing production environments or can be tightly integrated with Broadcast Pix systems. fX3D features a simplified end-to-end graphics workflow that makes it easy to create and playout high-end graphics. Its three software modules provide an intuitive interface to create graphic content, complete with a built-in 3D modeler and template-based rundown controller. Developed in collaboration with strategic partner EditShare, ReVue plays back two or four channels of video in sync, so it is easy to cut between cameras and find the best replay angle. Its compact controller includes a jog/shuttle wheel for reviewing footage, intuitive controls for manual and preset playback speeds, and dedicated buttons for marking in and out points for playback.

Broadcast Pix has also expanded its family of Flint systems. All three HD models include the same workflow software tools, but provide different input configurations to address different production requirements and budgets. The entry-level system, Flint LE, supports three HDMI or analog (composite, component or S-Video) inputs. Flint LX features four SDI or HDMI input, while Flint LS supports six inputs and offers a choice of six SDI (two of which can be HDMI) or four SDI and two HDMI or analog inputs. All models include two additional network inputs, which are ideal for presentations and Web pages from remote computers.

Flint handles the entire production workflow, from ingest to distribution. It includes a multi-format production mixer that allows operators to include cloud-based content from Skype, Twitter and other resources during live productions. Flint ingests and scales all sources while maintaining constant lip sync. Other built-in tools include an internal Inscriber CG, two-channel clip server, audio mixer with on-screen stereo faders and VU meters, customizable multi-view and HD streaming in a variety of formats.

Also announced for the show is VOX™ Lite, a small-scale version of its popular VOX voice-automated production option. A popular automated solution for visual radio, as well as government and corporate meetings for television, Internet, and in-house projection, VOX Lite eliminates the need for an operator for live productions, as sophisticated software detects which microphone is in use and switches cameras for automatic video-follow-audio productions. VOX Lite supports four microphones and works with any Flint, Granite or Mica integrated production switcher.

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix, Flint, Fluent, Granite, Mica and VOX are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

Christie Unveils World’s First Commercial Laser Projection System in Shanghai

Christie®, the industry-preferred brand in the digital cinema projection market, today announced the unveiling of the world’s first commercial pure laser projection system installed at the prestigious Shanghai Film Art Center on June 13, 2014.

The Shanghai Film Art Center, the first cineplex to be built in China, has just installed the Oriental Mega Screen and is equipped with state-of-the-art equipment and amenities. The installation of Christie’s laser projection system at this facility is a clear indication that high-brightness laser projection technology is officially ready to enter commercial operations. Having successfully demonstrated high powered laser projection systems at numerous industry events for the past two years, including the world’s first commercial laser engagement in 2013, Christie has once again accomplished the pioneering feat of placing this groundbreaking projection technology permanently within the reach of the mass audience.

Don Shaw next to Christie Laser Digital Projector

Laser Projection Redefines 3D Cinema
As the pioneer and leader in laser projection technology, Christie is in constant pursuit of maximum brightness and the most realistic color reproduction. Through continuous research and innovation, Christie’s industry-leading products and solutions have time and again captivated and amazed audiences around the world, and constantly elevate the audiovisual experience to new heights. Christie laser projectors will provide industry-leading brightness of up to 72,000 lumens per projector head, wider color gamut capabilities, higher contrast, and dramatically reduced maintenance requirements, resulting in a better experience for all applications.

With a maximum brightness of up to 72,000 lumens, Christie’s laser technology has achieved an astounding breakthrough, which completely shattered its previous record of 34,000 lumens using conventional xenon lamp technology. Not only does this greatly increase the brightness when viewing 3D content, it also further pushes the capability of high quality visuals and art forms to new heights and restores cinematic colors to its intended realism and brilliance.

One of the biggest advantages of Christie’s laser projection system is its scalable and upgradable architecture, which allows users to precisely select the amount of laser light needed for their screen, with the capability to simply add more laser modules in the future if they wish to increase the brightness. Moreover, using the industry-proven Christie Duo system, there is no practical limit to the amount of light that can be put on a cinema screen. For maximum reliability, Christie’s laser system features integrated cooling in each laser module to provide the right amount of cooling for the lasers that are in use.

Shanghai Film Art Center celebrates installation of Christie laser digital projector

If the mechanical cooling components in one module experience a failure, then only that module goes dark, but the movie can still play very brightly with the light from other modules. Competitive architectures feature a single cooling unit, which represents a high risk, single-point of failure for the entire system.

Smooth Installation of World’s First Commercial Laser Projector
The process of installing the world’s first commercial 4K laser projection system in Hall 1 of the Shanghai Film Art Center by Christie’s highly-proficient technical personnel has been smooth sailing. Boasting a brightness of 60,000 lumens, a contrast ratio of 3000:1, and a 1.4 gain high uniformity white screen measuring 23 meters in width, these technologies are set to deliver an unprecedented and ultimate visual experience for the audience. Christie is on track in setting a new record in the global film industry with the installation of this cutting edge laser projection system.

“As a pioneer in the visual display industry, Christie prides itself in the pursuit of achieving the highest in brightness and achieving the most realistic color reproduction,” said Don Shaw, senior director, Product Management, Christie.

“With our rich experience in the field of laser research and development, and having conducted a number of professional and commercial laser demos, Christie is able to deliver full-fledged laser technology at the Shanghai Film Art Center. The installation has been exceptionally smooth due to our longstanding expertise and practical experience in laser projection technology.”

Christie is the world’s first visual technologies company to receive the US FDA approval of variance allowing the sale of laser projectors for use in a cinema.

Christie Leads the Way in Commercial Laser Projection
The event at the Shanghai Film Art Center showcases the capabilities of Christie’s 4K laser projection system in displaying spectacular images that redefine the cinematic experience. From the gleaming bodywork of the hottest automobiles to flying sparks from chainsaw-wielding workers, the minute details on an owl’s feathers to soaring grains of sand generated from swift motions of a shark, the crystal-clear waters of natural landscapes to glimmering lights from multiple windows of a New York skyline at night, Christie’s laser projection system elevates stunning and lifelike visuals to a whole new level.

Guests who attended the event are not just enthralled by this unprecedented visual experience, they are also convinced that this installation marks a new milestone in cinema projection technologies. At the same time, they look forward to enjoying these breathtaking visuals at more theaters in China. The gala event concluded on a high note with the special preview of the Hollywood blockbuster film Godzilla.

“We are very proud to install and showcase the superiority and brilliance of the world’s first commercial laser projection system,” said Lin Yu, vice president, Christie Asia Pacific. “This revolutionary projector system will show how 3D light levels, color fidelity, image uniformity, viewing comfort, and a sense of immersion can be vastly improved, versus the conventional 3D systems found in cinemas around the world today. This heralds a new chapter in the milestones of global film technology and reinforces Christie’s position as the leader in ushering commercial theaters into a new era of high-brightness laser projection.”

ESP/SurgeX Adds IP Module for Digital Signage, Imaging and IT Power Products

The new IP module can be added to new or existing ESP/SurgeX energy management systems to capture important data and cycle power in real time.

Las Vegas, NV – InfoComm 2014 – June 18-20 – Booth C8725 – ESP/SurgeX, the leader in energy intelligence, is proud to announce the Remote Portal, a new module that brings IP connectivity to SurgeX Defender Series Surge+Diagnostic and MultiPak smart energy management systems as well as the ESP Envision Power Conditioning System (PCS). Integrators can now better understand and react to power problems through an IP connection.

ESP/SurgeX already has the industry’s best surge protection technology. Adding remote IP connectivity to its diagnostic software allows ESP/SurgeX integrators to instantly view the history of power quality events, monitor live data, download/upload reports, manage voltage thresholds, and diagnose power disturbances remotely. And because recorded and live power incidents are time stamped, integrators can isolate power quality issues chronologically to identify trends which may be causing disruptions or downtime.

Benchmarking has become a major focus area for facility managers seeking to justify the ROI of technology investments. To help with this process, the Remote Portal compiles and compares power disruption and usage data over a wide range of equipment locations and facilities to provide a cumulative or real-time view of power quality and energy consumption. For benchmarking purposes, the detailed logs and reports clearly demonstrate the improvement in power quality that results from integrating ESP/SurgeX products

“In the quest to maximize uptime and performance, remote troubleshooting and monitoring of power quality and energy usage is a priority,” said ESP/SurgeX president, Shannon Townley. “The Remote Console adds Internet connectivity to our industry leading surge protection and energy diagnostics equipment so integrators can quickly understand power issues, and correct them, without being onsite.”

SurgeX’s Remote Portal can be easily integrated with existing systems or implemented as part of a new installation. Both the MultiPak and Defender Series Surge + Diagnostic models provide professional-grade, Multi-Stage surge protection, EMI/RFI noise filtration, over/under voltage shutdown, first-of-its-kind Cat6 network protection, telephone line and wiring fault protection. The Surge + Diagnostic solution features customizable power protection settings and advanced data intelligence that helps integrators diagnose service calls proactively and keep short and long-term records of power quality. The MultiPak was made specifically for installation behind flat-panels displays and will fit naturally within common mounting mechanisms to protect valuable digital signage and video solutions.

The ESP/SurgeX Remote Portal will be available in Summer 2014, more information is available at www.SurgeX.com. You can also find ESP/SurgeX on Twitter and Facebook.
ESP/SurgeX Remote Portal
ABOUT ESP/SurgeX
ESP/SurgeX is the leader in energy intelligence and power protection products. Our comprehensive product portfolio offers a complete line of AC power solutions for surge protection, power conditioning, diagnostic analysis, and control of sensitive electrical and electronic equipment. Backed with 37 patents/patents pending, ESP/SurgeX products are engineered to safeguard against power anomalies that can “confuse” the circuitry in digital equipment and cause both equipment degradation and downtime. Independent research proves that ESP/SurgeX technology can improve equipment performance, profitability, and ROI. For over 25 years, business leaders worldwide have trusted ESP/SurgeX to protect and improve their electronic systems. For more information visit http://www.espei.com.

Aurora Multimedia Introduces New 7” HD Control Panel

— Aurora Multimedia introduces its new QXT-700 quad-core HD touch panel with integrated control system.

MORGANVILLE, NJ (InfoComm Booth #C5430) — Aurora Multimedia, a leader in IP control systems and HD video distribution, introduces the all-new QXT-700 HD platform-agnostic touch panel. This stunning new fully autonomous touch panel with integrated control system boasts a 1280 x 800 resolution HD screen and a 2D/3D graphic accelerator assuring stunning graphics and naturally responsive GUI performance. more

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Aurora Multimedia Introduces New QX Control Platform

— Aurora Multimedia introduces their new QX series Quad Core Control System.

MORGANVILLE, NJ, (InfoComm Booth #C5430) — Aurora Multimedia, a leader in IP control systems and HD video distribution, introduces the QX Series IP control line. Featuring a Quad-Core processor the QXP-2 combines an HD presentation system with a complete IP control engine into a small 2-gang housing.

With its PoE LAN, USB2.0, Bidirectional RS232 ports, IR, Relays I/O Ports, HDMI and Audio, the QXP-2 can manage any size Conference Room, Classroom or Digital Signage application. What makes the QXP unique is it is also capable of decoding 1080P 60Hz H.264 media and includes 8GB of storage capacity for storing/playing media files making it one of the industry’s first HD Video-Presentation/Control-System products on the market. more

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Aurora Multimedia Introduces New Streaming Media Product Line

— Aurora Multimedia’s new HPX and JPX series adds MPEG2/H.264 and JPEG2000 Steaming Media Over IP Products

MORGANVILLE, NJ, (InfoComm Booth #C5430) — Aurora Multimedia, a leader in IP control systems and HD video distribution, introduces two new Streaming Media solutions: the HPX Series and JPX Series.

The HPX Series is a high performance H.264 streaming media Encoder/Decoder solution for high definition signal delivery over IP networks. Series consists of HPX-TX1/TX2 encoders and HPX-RX-SM/RX-VW decoders to provide complete end-to-end stream¬ing media system as well as Video Wall and multi-view modes. It features HDMI and VGA in¬puts with loop-thru and adopts standard H.264/MPEG-4 AVC encoding. Perfect for media distribution within Corporate and Educational facilities

The JPX Series is a JPEG2000 visually lossless video system over IP that allows you to simultaneously send out an HDMI Signal (1080p video with 2.1 audio, USB & RS-232) to one or more HDMI video display devices using CAT5e/6/7 Cable over a standard Ethernet infrastructure. The JPX Series, consisting of the JPX-TX1 encoder and JPX-RX1 decoder can be used to distribute HD digital content from multiple sources to multiple destinations in a matrix topology on a 1-Gbps LAN. In addition the JPX Series has a Video Wall mode and does not require a managed switch further simplifying control and costs. Advanced internal video compression adapts to available network bandwidth if needed for a stable image at all times. With the ability to transmit RS232 and USB as well makes the JPX Series a single cable solution. Perfect for large video matrix applications such as conference centers, restaurant/sports bars and digital signage.

Computer software is available for each system allowing for full control and management or the optional HJ-PXC can be used to interface with 3rd party control systems or other devices via LAN.

For further information visit www.auroramm.com or call 732-591-5800.

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AURORA MULTIMEDIA INTRODUCES NEW HDBaseT WALL PLATES

— Aurora Multimedia introduces the industries first DisplayPort HDBaseT Wall Plate extender to the One Room – One CableTM product platform.

MORGANVILLE, NJ, (InfoComm Booth #C5430) — Aurora Multimedia, a leader in IP control systems and HD video distribution, introduces its latest DXW-3 HDBaseT CAT Wall Plate series. The DXW-3 series consists of three new wall plates (DXW-3, DXW-3E & DXW-3EU, DXW-3EUH) all offering DisplayPort in addition to HDMI and VGA inputs. All units extend the video signals 330ft over UTP CAT5e/6 and can extend up to 600ft using STP CAT6a. Switching sources is accomplished automatically via auto-sense on connection or by front-panel select buttons. Each Video input also has its own associated analog audio input for embedding audio over the HDBaseT signal. For Display Control the DXW-3 has a front panel IR Receiver which can pass IR over the same HDBaseT CAT cable. The new units also feature RS232 Display Control via the front panel buttons configurable via Aurora’s DXI Programmer software. more

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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