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Archive for July 1st, 2014

HARMAN’s Soundcraft Launches Online “How To” Video Series

POTTERS BAR, United Kingdom – HARMAN’s Soundcraft is pleased to announce that it is offering its “How To” instructional video series on its website, www.soundcraft.com. The videos focus on the Si Series of digital consoles and include a variety of topics from basic operation to advanced tips and tricks.

The “How To” video series offers practical instruction on how to get the most from a Soundcraft Si console in live sound, recording and fixed-installation applications. “The video series offers real-world information and depth of subject matter for a broad spectrum of users, whether they’ve never had their hands on a Soundcraft console before and need to get up and running quickly or have mixed hundreds of shows and want to dig deeply into a console’s feature set,” said Keith Watson, Marketing Director, Soundcraft Studer.

Alongside the “How To” videos, there is a video vault covering every Soundcraft console range including the Vi Series, Si Expression, Si Performer and analogue consoles. A wide variety of topics is offered, from basic operation and configuration, gain structure, channel assignment and using EQ and effects to Soundcraft-specific features like the Vistonics II™ colour touchscreen interface and FaderGlow™ illuminated, colour-coded faders.

“At Soundcraft we’re dedicated to providing our users with the educational tools they need to get the most out of their consoles,” said Watson. “We’d like to think our video series is the next best thing to having a front of house engineer standing next to you behind the console.”

The videos can be viewed at http://www.soundcraft.com/support/videos.aspx?c=15

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Shure Wireless Dominates Telecast of 68th Tony Awards on CBS

NILES, Ill., June 17, 2014—The CBS broadcast of the 2014 Tony Awards, which aired June 8, was one of the most complex in the event’s history. From host Hugh Jackman’s sprawling, bouncing, opening number to the on-stage gathering of all winners for a closing rendition of “On Broadway,” viewers were treated to a fast-paced production that included a record 17 musical acts and a live orchestra in Radio City Music Hall.

Managing RF system design and frequency coordination for Firehouse Productions was Vinny Siniscal. “With so much real estate to cover, so many frequencies to manage and so many live bands, I specified Shure UHF-R systems again this year,” he states. “When I’m doing a live network broadcast, that’s my preference. Even though the product has been around ten years or so, I know there’s nothing else out there that I trust to be robust enough to survive in such a crowded RF environment.”

This year’s production used almost 250 channels of wireless, 64 of which were for microphones. In addition, all eight channels of in-ear monitors on the Tony stage were Shure PSM® 1000 systems. The production also used wireless intercom systems, effects cues, and ENG cameras – most notably the Steadicam following Jackman from the red carpet to the stage on the opening number. “Producers design these shows assuming that whatever wireless is required can be accommodated,” notes Siniscal. “If that means more channels in less available spectrum, then so be it. It’s our job to make it happen.”

All but eight of the wireless mics were Shure UHF-R—the only exceptions were a handful of costumes with other transmitters already sewn inside. Most of the 56 Shure channels were bodypacks, including 32 UR1M micro-packs. Twelve channels were UR2 handheld transmitters, with an SM58® capsule for Hugh Jackman and Beta 58 elements for most other artists, including Carole King, LL Cool J, and Sting’s choir. “Firehouse provided full combo systems, and, of course, we had all Shure capsules available,” says Siniscal. “At the Tony Awards, you have to be ready for anything.”

One of Siniscal’s biggest challenges this year was the creation of six separate wireless reception zones. “That was driven by the opening number,” he relates. “It started on the red carpet, which is literally outside and open to all the RF on the street. Then we had to cover the stage-level and basement-level elevator banks, plus the elevator shaft itself. Of course, we also had the usual zones for the main stage and front of house, plus the backstage zone.”

To handle the audio transition from zone to zone, Siniscal found the Shure UA874 active directional antenna to be a valuable tool. “What I love about these antennas is that the RF output is switchable from -6dB to +12dB, including unity gain,” he explains. “That’s a key feature, as it allows me to balance for different RF levels across the various zones. I can also turn each zone on and off remotely via the distribution amp.”

With a lot of advance work, three scanners, and a lot of Shure equipment, Firehouse Productions contributed flawless wireless to the telecast for the fourth consecutive year. “Doing the Tony Awards is always a big challenge, because every year, the production grows,” says Siniscal. “We had about 50 more wireless channels compared to last year, plus the outdoor coverage. That means competing with whatever is happening in Midtown – which is a lot of variables to deal with, especially for a live network broadcast. But we had a great team; we did our advance work, and had the right tools for the job. Fortunately, it went off without a hitch, and I look forward to doing it again next year.”

 

Host Hugh Jackman speaks onstage during the 68th Annual Tony Awards at Radio City Music Hall on June 8, 2014 in New York City. (Photo by Theo Wargo/Getty Images for Tony Awards Productions)

 

 

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Community Delivers Great Sound for New Ice Hockey World Championship Arena in Belarus

Art Ramos Studio a.l.c., Community’s partner in Belarus, has recently overseen the installation of the audio systems at the Chizhovka-Arena in Minsk, featuring Community loudspeakers. The arena, one of the largest sports facilities in Belarus, is a multipurpose complex for ice hockey, sports, leisure and entertainment and is the home ground of HC Yunost-Minsk.

Chizhovka-Arena was built for the International Ice Hockey Federation (IIHF) Ice Hockey World Championship that took place in Minsk in May 2014. In addition to the tens of thousands of fans that traveled to see the event live, the IIHF’s flagship event was televised to 115 countries with television audience around the 1,000 million mark.

Chizhovka-Arena is located in the southeastern part of Minsk in a picturesque nook of a park named after the 900th anniversary of the city. Designed by Marat Grodnikov, the arena resembles two drops of water flowing into each other. The modern design fits well into the landscape of the Chizhovka Water Reservoir.

The main building, an ice hockey arena with multipurpose use for concerts, basketball and other events, seats 10,000. The second building consists of a small ice hockey training arena with 500 seats and a multipurpose sports hall with 740 seats, used for basketball, handball, gymnastics and other sports. This sports hall is also frequently used by television companies for filming TV shows. The two buildings are connected by a junction with conference and press rooms, shops, restaurants and cafés.

An original proposal was modified with a system design by Art Ramos Studio engineers, Alexey Sayganov and Alexandr Malets and the project was awarded by tender, complying with the obligatory procedure for all governmental purchases. Anton Streltsov, Deputy Director of Art Ramos Studio, commented, “Our proposal was chosen as it offered excellent value to the customer and met the requirements of the arena with a very modern approach.” The installation was handled by BelElectroMontazh, with supervision and support from Art Ramos Studio.

Throughout the complex the system uses two hundred and thirty-eight Community Distributed Design Series ceiling loudspeakers and four hundred and thirty-two Distributed Design surface-mount loudspeakers, supplied in a combination of black and white finishes to best complement their locations. In addition, eight Community R.5HP three-way coaxial, 12-inch loudspeakers were used to cover the ice hockey pitch in the main arena.

All loudspeakers are part of the EVAC/fire alarm system, for which separate certification was made in Belarus. The loudspeaker lines and loudspeakers are all controlled by QSC Q-SYS which monitors for loudspeaker, cable and short circuit faults.

Five separate Q-SYS systems are used to cover all areas of the complex, including the large arena seating, corridors, foyers, halls, cafés and restaurants, the small arena’s ice hockey area, the small arena’s sports hall, the small arena’s corridors, foyers and halls and the junction between the two arenas. The system includes a DiGiCo SD11 mixer, QSC amplifiers and Beyerdynamic microphones.

Anton Streltsov concluded, “Our team was extremely satisfied with the system’s results. With Community we know we can always deliver outstanding sound quality and reliability. Our engineers were particularly impressed by the uniformity of the SPL we achieved on the ice hockey pitch using R.5HP speakers, which is really important as players move so fast under adjacent loudspeakers. It was the best result of any similar installation.”

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Community Introduces I SERIES High-Power Modular Loudspeakers

Designed to provide exceptional musical quality and vocal clarity, Community’s new I SERIES is an innovative family of high-power/high-output modular loudspeakers that allows designers to implement complex solutions in houses of worship, multi-purpose auditoriums, live theaters and other professional and commercial venues.

I SERIES includes point-source, high-directivity, compact and floor-monitor models in multiple performance levels, providing modular scalability for any application requirement. A suite of matching-height subwoofers, in sizes ranging from compact single 12-inch models, to ground-shaking dual 18-inch models, complements the full-range I SERIES models with powerful low-frequency extension. Optional weather-resistant versions fill the needs of sports fields, amphitheaters and other venues needing high-performance loudspeakers designed for full outdoor exposure.

I SERIES features high-output woofers that combine a variety of technologies for smooth response, exceptional intelligibility, low distortion, and minimal power compression. Two-way models have large-format compression drivers, a choice of six rotatable horns and individually-voiced, beamwidth-matched crossovers with single or biamp operation. Three-way models offer a choice of three rotatable horn patterns and biamp or triamp operation and use a combination of large-format HF compression driver and Community’s M200HP midrange compression driver – both with ketone polymer diaphragms for exceptionally smooth and uniform sound quality.

I SERIES loudspeakers’ attractive, but discreet, appearance meets system design goals while minimizing any impact on facility aesthetics. Their lightweight 15mm Baltic Birch cabinets are finished in black or white low-gloss textured paint, and their edge-to-edge wrap-around fabric-backed powder-coated steel grilles have no forward-facing logos, resulting in an exceptionally clean appearance.

A wide range of optional low-profile, modular installation hardware supports the quick and easy installation of virtually any combination of I SERIES models. These installation hardware systems improve aesthetics by keeping the brackets hidden above and behind the cabinets, while also reducing the vertical array height and minimizing the number of suspension cables.

Chris Barrow, Community’s Director of Product Marketing, said, “I SERIES is a wide variety of great loudspeaker tools, crafted for sonic and aesthetic transparency and designed to remove the limitations systems designers and integrators face when using other loudspeakers. With I SERIES, systems designers can realize their goals for even coverage and great sound while architects and owners get a loudspeaker array that blends well with a facility’s interior design.”

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Front Porch Digital Promotes Phil Jackson to Chief Strategy Officer

Mind Behind Company’s Innovative LYNX(SM) and DISTILL(SM) Products Now Focused Full-Time on Innovation

LAFAYETTE, Colo. — July 1, 2014 – Front Porch Digital, the global leader in cloud and premises-based content storage management (CSM) solutions, today announced that Phil Jackson has been promoted from chief operations officer to chief strategy officer. In his new position, Jackson is responsible for driving innovation and strategy for Front Porch Digital.

“Phil was the brains behind our LYNX cloud CSM service and our newest product, DISTILL, both of which were the first of their kind and approach long-standing industry challenges in innovative ways. That inventive thinking is immeasurably valuable to Front Porch Digital,” said Mike Knaisch, president and CEO of Front Porch Digital. “This newly created role will provide Phil with the time and resources necessary to accelerate Front Porch Digital’s exceptional growth trajectory in media and entertainment and beyond.”

Jackson is assembling a core team from within Front Porch Digital, coupled with project-based virtual teams and a short list of key technology partners, to spur innovation on several fronts –through rapid prototyping, light-agile development methodology, and direct customer engagement in the innovation process.

“This isn’t just an R&D function that looks at the latest buzzwords or IT trends in an isolated manner. This is a serious attempt to collaborate with our customers to understand their principal pain points, and, in solving those problems, bring new thinking and techniques to market. We want to build on the capabilities of the LYNX, DIVA, and SAMMA systems, which are the foundation of Front Porch Digital’s success,” said Jackson. “I am looking forward to this wonderful opportunity and am excited to be focused on delivering new capabilities for our customers. We’ll be sure to share our progress, so please keep an eye on our new blog and social media feeds for regular updates.”

Jackson is based in Lafayette, Colorado, and reports to Knaisch. He joined Front Porch Digital four years ago after serving in enterprise IT with BT Group, developing new markets at Level 3 Communications and managing service product development with AT&T. Before that, he built a strong background in software and services. Jackson specializes in pioneering development of new products and markets and leading the associated organizational change for commercial success.

More information about Front Porch Digital is available at fpdigital.com.

# # #

About Front Porch Digital
Front Porch Digital is the global leader in solutions for migrating, managing, and monetizing media content. Operating on site and in the cloud, the company’s purpose-built software employs the latest technologies to deliver truly flexible and scalable media workflows. Solutions delivered by Front Porch Digital appropriately manage large and complex media files and workflows while ensuring optimal performance and utmost security. More information is available at fpdigital.com.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/FrontPorch/FrontPorchDigital-PhilJackson-ChiefOperationsOfficer.jpg
Photo Caption: Phil Jackson, Chief Strategy Officer at Front Porch Digital

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Riedel Provides A/V, Data, and Communications Solution for 2014 Red Bull Air Race World Championships

WUPPERTAL, Germany — July 1, 2014 — Riedel Communications, a leading provider of real-time video, audio, data, and communications networks, today announced that the company’s equipment is enabling flexible and reliable signal transport and communications for the Red Bull Air Race World Championship season that started Feb. 28 in Abu Dhabi. The series continued on to Rovinj, Croatia on April 12 and then to Putrajaya, Malaysia on May 18, and makes several more stops before finishing in China in November. For the first three races, the state-of-the-art solution supplied by Riedel not only supported wired and wireless communications among the more than 300 people — from pilots to security to referees — involved in the race, but also facilitated distribution of video and audio for production of both the live show and the international broadcast and Web stream.

The Red Bull Air Race World Championship is renowned as the fastest and most exhilarating motorsport series on the planet, and it has become a visual spectacle unlike any other. A combination of high speed, low altitude, and extreme maneuverability make it only accessible to the world’s most exceptional pilots, who this year will compete in eight races across the globe for the title of 2014 Red Bull Air Race World Champion. During each race, pilots navigate an aerial racetrack featuring air-filled pylons in the fastest possible time, incurring as few penalties as possible.

For this remarkable event, Riedel engineers built a signal distribution infrastructure for video, audio, communications, and data with the MediorNet real-time media network comprising seven MediorNet Compact frames and three MediorNet Modular frames. Technicians interfaced audio signals via MADI and Riedel’s RockNet digital audio network solution in combination with MediorNet to integrate the event’s main mixing console, located in the OB van that provided the big-screen mix for the live audience. Riedel also supplied the wireless video links and HD cameras for the racing planes’ onboard cameras, thus enabling stunning pictures to be delivered from the pilots’ perspectives.

Using MediorNet as a backbone, a Riedel Artist digital matrix intercom served as the event communications infrastructure. This intercom system, made up of two Artist frames equipped with MADI cards and 20 control panels, was integrated seamlessly with Riedel’s digital trunked radio (TETRA) installation. Two TETRA base stations supported 300 handheld radios to assure full event coverage, and two of Riedel’s RiFace universal radio interfaces allowed another 24 analog radios to be added to the mix. To bridge the distance between the race airport and the event site, Riedel set up a broadband link connecting the two via trunking over IP.

“Riedel often works at the cutting edge of live sports and entertainment productions, where clear communication and reliable, flexible signal transport are essential to a safe, successful, and exciting event,” said Yungmin Lee, project manager at Riedel Communications. “We’ve been involved in other groundbreaking Red Bull events and look forward to a great season working on the 2014 Red Bull Air Race World Championship.”

Further information about Riedel and the company’s products is available at www.riedel.net. For more information about the Red Bull Air Race visit www.redbullairrace.com

# # #

About Riedel Communications
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 400 people at 11 locations in Europe, Asia, Australia, and the Americas.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Riedel/Riedel-RedBullAirRaces.zip
Photo Credit: Red Bull Content Pool (www.redbullairracenewsroom.com)

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Analog Way enhances the LiveCore™ series with outstanding new features and accessories – InfoComm 2014 – Booth #C7125 -

June 2014 – To complement its LiveCore™ line of Premium AV processors, Analog Way is pleased to unveil new features and accessories. They were all demonstrated in Analog Way’s booth during InfoComm 2014 in Las Vegas, USA.

Analog Way’s LiveCore™ series of Premium AV Switchers come in two layouts: 8×2+1 for the NeXtage 16, and 12×4+1 for the SmartMatriX Ultra, Ascender 32 and Ascender 48. From fall 2014, full 4K will be available as an optional feature on all LiveCore™ series, including early stage units already in the field. Depending on the reference, several frame rates will be available as 4K/30P and 4K/60P.
In addition, the Ascender 48 will feature real-time Perspective Layers. This exclusive functionality allows outstanding visual effects and transitions, which are easily managed via the Web RCS live.

Additional output capability can be added to the 12×4+1 models through the new LiveCore™ Output Expander. The product comes in three different references: LOE016 for the SmartMatriX Ultra, LOE032 for the Ascender 32 and LOE048 for the Ascender 48.
Once linked to its LiveCore™ Switcher, the LiveCore™ Output Expander adds 4 additional outputs, plus 1 monitoring / aux output, resulting in an impressive 12×8+2 scaled seamless Matrix systems.

Moreover, the Secure Power Unit is now available to protect the 12×4+1 LiveCore™ models against mains loss or unstable power. Featuring dual power supplies and a battery backup, this innovative power accessory provides approximately 10 minutes to restore power or back up the system in case of branch circuit failure.

Finally, Analog Way introduces the Vertige™, a powerful Remote Console featuring a brand new design and an innovative approach to show creation and management. The Vertige™ presents a large 16/9 TFT color touch screen, and a variety of direct keys, contextual buttons, sliders, knobs, as well as a joystick and T-Bar to operate the device.

Other solutions are already available to control the LiveCore™ series, including the Web RCS, a user-friendly web-based interface, and the Shot Box, a key pad for preset control. Analog Way also provides a full series of drivers and literature for control of the LiveCore™ series through AMX and Crestron systems.

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Kramer Manages Bidirectional Ethernet to Serial Conversion

The FC-21ETH, FC-22ETH and FC-24ETH are members of the new Kramer family of high-performance, easy-to-use, bidirectional hardware and software interface systems. The FC-21ETH, FC-22ETH and FC-24ETH can enable control of RS-232 and/or RS-485 controllable machines via an Ethernet LAN. These products give installers the ability to implement simultaneous control over several AV devices (the number depends on exact model) spread throughout an installation by offering bidirectional Ethernet to serial conversion. Each product operates as a network server, which means they accept network connections, but do not initiate them.
All setup and maintenance of the FC devices are managed by built-in web pages, which are accessible through any common web browser. The FC-21ETH, FC-22ETH and FC-24ETH offer 1/2/4 (respectively) serial ports for AV device control with one of them being a RS-232/RS-485 dual-use serial port.

The FC-21ETH, FC-22ETH and FC-24ETH all support network connectivity, which allows users to connect a Kramer (or other) device via its RS-232 or RS-485 port to an Ethernet LAN. These products are also able to control up to three RS-232 devices and one RS-232/RS-485 device/s (FC model dependent) via Ethernet from a PC and can control a device from multiple Ethernet points (up to 40 PCs or remote controllers), via a LAN or the Internet. In addition, these products include Windows® based Virtual Port software for setting up virtual ports on a PC.

The FC-21ETH, FC-22ETH and FC-24ETH also feature easy setup and configuration of the FC devices through their built-in web pages (compatible with most common web browsers), remote firmware upgrades, and 1U rack space with the optional rack adapters.

The FC-21ETH and FC-22ETH are in stock and available at a U.S. list price of $450 and $540 each and the FC-24ETH will be available in the market shortly.

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grandMA2 Rocks on Tony Award-winning Musical “Hedwig and the Angry Inch”

“Hedwig and the Angry Inch,” the unconventional rock musical that recently captured four Tony Awards, may not be your grandma’s Broadway show, but its use of grandMA2 lighting consoles keeps the edgy production on track at the Belasco Theatre. A.C.T Lighting, Inc. is the exclusive distributor of MA products in North America.

“Hedwig and the Angry Inch” is John Cameron Mitchell and Stephen Trask’s gender-bending musical tale of life, love and a botched operation. It won Tonys for its star, Neil Patrick Harris; costar Lena Hall; and lighting designer Kevin Adams – Adams’s fourth win. The play also received top honors as Best Musical Revival.

The lighting and video for “Hedwig” were programmed on two grandMA2 full-size consoles. During rehearsals Kevin Adams, video designer Ben Pearcy, associate lighting designer Paul Toben and second assistant lighting designer Jimmy Lawlor used grandMA onPC stations to monitor the production. Now, both lighting and video run nightly on a single grandMA2 light with an onPC command wing and an NPU as back up in the compact booth. Brian Dawson is the board operator.

“grandMA2 offered us a really good networking solution that enabled us to have multiple programmers on the system during rehearsals and give display feedback for the designers,” says lighting programmer Benny Kirkham; Zach Peletz is the video programmer. “The show is very dynamic and we had to get it done quickly. Using grandMA2 and all its tools was the only choice to get the look we wanted.”

Kirkham notes that the show “is supposed to depict a one-night-only concert by a punk rock group, so we had to create some of the insanity of that with the design. Kevin really walked the line well creating a show that’s wild and anarchic without creating a distraction. The whole package comes together, and everything in the design works perfectly!”

Adams met Kirkham on the new Blue Man Group show at the Monte Carlo in Las Vegas where they worked on a grandMA2 console. They reunited for “Hedwig,” and Adams was “delighted” to partner with the programmer and the grandMA2 again.

Adams liked grandMA2′s graphical “Magic Sheets on the monitors,” which meant he “never needed any paper” to speed up recalling control channel numbers. “I had a lot less info in front of me; I never needed any channel numbers. I could just point to the layout that Benny and I shared. It was very visual and intuitive. An entire layer of frustration went away.”

Adams also liked the color monitors. “With ‘Hedwig’ we have mostly moving lights. With the monitors in color it was easier to understand what was happening live.”

Kirkham notes that Adams “became quite a fan of the grandMA2″ during the course of “Hedwig’s” production. “It’s fast and has the best effects engine on the market, which enabled us to create the look and feel we wanted,” he says. “The grandMA2 was great at managing tracking and cue data – and there’s no board that can fire up the popcorn machine as well as grandMA2 can!”

Kirkham says he’s never been involved in a production as “collegial” as “Hedwig.” “Every change moved the show to an even better place,” he reports. “We’re very proud of it.”

“I’ve enjoyed working with Benny and the grandMA2 very much,” Adams concludes.

About A.C.T Lighting

A leading importer and distributor of lighting products, A.C.T Lighting, Inc. strives to identify future trends and cutting-edge products, and stock, sell and support their inventory. The company provides superior customer service and value for money to all of its clients.

For more information call 818-707-0884.

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Corporate A/V Company Adds Yamaha QL1 For Fortune 100 Clients

BUENA PARK, Calif.—Sardis Media of Grayslake, Illinois recently took delivery of a new Yamaha QL1 Series Digital Audio Console for use on their corporate A/V projects. For over 30 years, Sardis Media has produced videos, meetings, and special events for Fortune 100 corporations, non-profits, and A-list associations. Clients include Advisors Excel, Motorola Solutions, Baxter, MorphoTrak, RustOleum, & RZIM. The company purchased its QL1 from Reach Communications of Brooklyn Park, Minnesota.

Sardis, who also owns a Yamaha M7CL Digital Audio Console, will use the new QL1 on the road as the primary audio console for smaller corporate events that require large event features. “We needed a console that had a lot of power and features but in a much smaller footprint for front of house for our production truck, says company spokesperson Nate Aguilar. Clients are always happy when we save space at FOH so they can fit more attendees in the room. As operators, we love that we don’t have to sacrifice quality when going to a small console like the QL1.”

Aguilar said that being in the corporate events business they are always dealing with more than a few Lavaliere microphones open at one time on stage, and the built-in Dugan auto mixer feature of the QL1 helps manage levels tremendously.

“We knew we wanted a touch screen for quick adjustments and graphic feedback on changes being made, says Aguilar. Most of us on staff at Sardis have a background in graphics or video, so being able to actually see what the console is outputting is important. Also, the built-in Dante network gives us the flexibility to add channels and outputs when needed in small increments, and having the ability to record every input separately is vital.”

Since Sardis already owns an M7CL and loves the operation, Aguilar notes, “it was a no brainer to add the Yamaha QL1 with its minimal learning curve to our inventory.”

For more information on Sardis Media, visit www.sardismedia.com.

For more information on Reach Communications, visit www.reachcomm.net.

For more information on the new Yamaha QL Series Digital Audio Consoles,
visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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