A virtual press conference from Sound & Video Contractor

Archive for July 25th, 2014

Thunder Audio Rolls and Roars with L-ACOUSTICS

Detroit/Nashville sound company purchases K1 system after taking K2 on Vampire Weekend tour

LIVONIA, Michigan — After putting a new K2 loudspeaker system through its paces – including a recent trek on Vampire Weekend’s North American tour leg – Thunder Audio, Inc. has expanded its inventory with a large-format K1 system from L-ACOUSTICS.

According to Thunder Audio Business Development Manager Greg Snyder, the company is currently taking delivery of 48 K1 enclosures, as well as bringing the rest of its total L-ACOUSTICS inventory up to 36 K2 and 24 KARA elements, 18 K1-SB and 34 SB28 subs, six ARCS II and 22 LA-RAK, each loaded with three LA8 amplified controllers. An additional 48 K2 are also on order for the first quarter of 2015.

“K1 has become the industry’s first choice for live audio reinforcement systems, but K2 is the reason we finally became a member of the L-ACOUSTICS family,” says Snyder. “It’s a stellar system for arena tours, like Vampire Weekend, as well as the perfect support box for K1 on larger stadium and festival shows. We are thrilled with the linearity in performance across L-ACOUSTICS’ entire product range and excited about the solutions that these systems will provide for our clients.”

Client response has, indeed, been very favorable. Neil Heal, Vampire Weekend’s FOH engineer since late-2007, commented on his use of Thunder Audio’s K2 rig. “The typical configuration on our most recent American tour leg was left and right arrays of 14 K2, plus eight KARA outfills and four SB28 per side, all of which sounded fantastic. It seemed odd to be using so few subs, but more than that would have been overkill with K2, which is such a full range enclosure with a really nice usable low end. Vampire Weekend’s mix is all about vocal and instrumental clarity, and I could literally run the rig without subs in most arenas, but having just a few of them more than adequately filled out the low end.”

“We used K2 both indoors and outdoors, with arrays ranging between eight and 14 boxes per side, and I’m very impressed with the sonic consistency we got from night to night,” he continues. “K2′s ‘steerability’ with Panflex is also really nice in the event that Jonny [Winkler, Thunder Audio FOH systems engineer] had to hang the arrays near a glass wall or whatever; we could aim the top end away from it, which is great.”

Thunder Audio’s Winkler appreciates not only the fidelity of K2, but also the ease with which the system flies and strikes. “We flew the rig so fast each day that the lighting guys and carpenters were angry with me,” he laughs. “It takes longer to get the pins pre-set than it does to fly it, and that doesn’t even take that long. We have several other manufacturer’s boxes in our inventory here at Thunder Audio, and this is by far the fastest and easiest. I’ve flown an entire K2 rig totally by myself in less than four hours.”

As for Heal, his only regret is that he didn’t have the system earlier. “The band was out on the road for 17 months and carried another PA for most of the tour because K2 simply didn’t exist when we started,” he says. “But I really prefer K2. It’s awesome. I’d love to have it every night, without a doubt. But it’ll be available on the next tour, and I’ll certainly take it out again. Plus, our festival stops this summer are on K1 mains with K2 outfills, which is just perfect.”

Thunder Audio Vice President Paul Owen sums up his investments by adding, “This was a huge undertaking by Tony [Villarreal, President] and I, and we had to take a lot into consideration before moving forward with K1 and K2: popularity, demand and, of course, availability. K1 is the first choice on the majority of riders that we handle and the predominant system when it comes to festivals. There’s no denying its sheer power and quality. We feel that K1 and K2 are our best venture to date for attracting new customers and facilitating old ones, and we’re very excited for what these systems can do for our clients and company’s future.”

For more info on Thunder Audio, visit www.thunderaudioinc.com.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for North America is handled by L-ACOUSTICS’ subsidiary in Oxnard, California.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

Archimedia Announces Enterprise Media Player for Any Media Professional, Regardless of Expertise

Designed for Operations Budgets, Player Is Free With Active Support Agreement

DELRAY BEACH, Fla. — July 24, 2014 – Archimedia Technology, a company whose technology and applications bring precise multiformat viewing to the professional’s desktop, TV, UHDTV, and infrastructure, today released the Archimedia Enterprise Player, which comes free with an active support agreement. The new product is designed for all stakeholders — expert or not — who must be able to view professional video reliably and precisely in order to do their jobs, especially those who need specialized technical support to deal with professional media.

Enterprise Player users could range from those who lack the technical expertise to use professional video tools, to video experts who simply need to review their work without tying up an edit suite. They could come not only from media and entertainment organizations, but from any business that uses video in its operations, advertising, training, public relations, websites, exhibitions, public areas, and employee desktops.

The Enterprise Player is appropriate not only for professional editors, colorists, and compressionists, but also for nontechnical supervisors, project managers, salespeople, lawyers, caption spellcheckers, customer support staff, event coordinators, conference room service technicians, set designers, writers, producers, videotape dubbers, data I/O technicians, and anyone else associated with that business — all of whom must work together to keep the video projects and the business on track.

“The Archimedia Master Player is the world’s most sophisticated and precise professional media player, and it has become the reference standard in major movie studios, archives, and broadcast networks around the world. Now we’re bringing the expertise and software tools that we developed for the studios to anyone needing quality and precision in everyday viewing,” said Mark Gray, Archimedia president and CEO. “Archimedia’s new Enterprise Player is intended to find its way into the office of every producer and executive — and the offices of their staff. In the past, people used VTRs when they needed to view video. Now that type of convenience and efficiency is available with the Archimedia Enterprise Player on any desktop or laptop.”

The Enterprise Player serves a dual purpose. First, it replaces the VTR and videotapes that used to serve as the universal sharing device. Anyone who has installed the Archimedia Enterprise Player can simply double-click on a file to play it. At the same time, the Enterprise Player augments the robust Archimedia Master Player, giving expert users a fast, accurate, reliable media player with which to check their work or view media-specific data.

Perfectly suited for users who have limited experience working with the intricacies of professional media, the Archimedia Enterprise Player installs easily on any computer equipped with Windows(R) 7 or 8 by simply downloading the software from Archimedia’s website. Users can get media-specific email support from Archimedia, as well as Archimedia’s live online or phone support when needed. In this way, the Archimedia Enterprise Player also replaces consumer-oriented open-source downloads and free media players that come with PCs, none of which offer any meaningful technical support for people dealing with professional media. Having access to Archimedia’s experts eliminates the need to call on the in-house IT department, which likely doesn’t have the expertise to deal with the ever more complex world of media formats.

The main difference between the Archimedia Master Player and the Archimedia Enterprise Player is in the formats they support. The Archimedia Enterprise Player plays all professional and consumer video and audio formats except for JPEG 2000, DPX, and 4K/UHD, which are found only in cinematic or production masters. Like the Master Player, the Enterprise Player can play captions and subtitles in more than 80 external formats and more than 50 embedded formats, and all video can play to a normal TV over HDMI so that what the user sees is real TV rather than a PC approximation. The player also delivers accurate audio in all modes — fast forward, rewind, slow, and scrub.

The Archimedia Enterprise Player is designed for operations budgets as opposed to capital budgets, which can save businesses $100,000 a year or more and helps preserve capital. At the same time, a business can better control the balance sheet by adjusting operations costs based on changes in headcount. This pricing model enables enterprises to provide a sophisticated media player and specialized technical support to a defined number of employees without worrying about auditing licenses or the cost of maintaining in-house technical expertise. Made to run on existing office computers, the player software is free for businesses with an active support account.

The Archimedia Enterprise Player is available now for download from the Archimedia website. Archimedia will demonstrate the new player at IBC2014 on stand 7.D14.

Information about the Archimedia Enterprise Player, including an online demo and a free trial, is available at www.archimediatech.com.

# # #

About Archimedia
Archimedia Technology specializes in the playback and human analysis of mastering formats, including JPEG 2000, for the professional broadcast, digital cinema, and video archival industries. Its technology and applications bring precise multiformat viewing to the professional’s desktop, TV, UHDTV, and infrastructure. Archimedia’s products fulfill a critical piece of the production and archival workflows, encapsulating complex file interchange and quality control processes for mastering and archive formats into practical solutions that give end users a new level of access to their assets. More information is available at www.archimediatech.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

Visit Archimedia Technology at IBC2014, Stand 7.D14

Photo Link: www.wallstcom.com/Archimedia/Archimedia-Enterprise-Media-Player.jpg
Photo Caption: Archimedia Enterprise Media Player

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

West Coast Catalyst AV Distribution Network Member Custom Plus Distributing Appoints Steven Ricks as Territory Sales Manager

Auburn, WA – July 25, 2014 – Custom Plus Distributing today announced the appointment of Steven Ricks as Territory Sales Manager of the company’s new San Jose, California location.

Steven Ricks is ready to drop-off the gear you need for today's install

Steven Ricks is an industry veteran. He previously served as Custom Plus/Oliver Marketing as a Sales Representative from 2002 to 2006. Additionally, Ricks held corporate roles with NetStreams and Crestron, where he honed his knowledge of control systems and design.

”Ricks’ focus is on working with dealers to maximize their profit and inventory levels to make sure that they run efficient businesses,” says Custom Plus Distributing President and Owner Bob Oliver. “Working with dealers to help close business is something that Ricks enjoys greatly. He looks forward to meeting new dealers and reacquainting himself with those he has worked with in the past.”

Call Ricks at 408.515.5173 or email ricks@customplusdistributing.com.

About Custom Plus Distributing
Established in 1996, Custom Plus Distributing is a leading Distributor covering Washington, Oregon, Idaho, Alaska, Montana, Northern California and Nevada territories. Custom Plus Distributing specializes in both car and home categories, providing audio, video, security, and networking products. CPD is also a founding member of Catalyst AV, a consortium of consumer electronics distributors, serving over 15,000 dealers nationwide. www.customplusdistributing.com

About Catalyst AV
Founded in 2012, Catalyst AV is a network of 11-independent consumer electronics distributors serving the residential and professional AV channels in the U.S. Catalyst AV grants manufacturers a consistent and cohesive nationwide distribution model to more than 15,000 professional integration specialists. Catalyst AV benefits integrators by delivering all the products and support necessary to execute the demands of job specifications with confidence. The Catalyst AV Board of Directors consists of Mike Hench (Electronics Source Distributors); Steve Presti (Easy Access Distribution) and Wally Whinna (Allnet Distributing). www.catalystav.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

HPA to Host Symposium Leading Into SMPTE 2014 Annual Technical Conference & Exhibition

‘Making Do With More’ Event at Hollywood’s Historic El Capitan Theatre Will Explore the Impact of Enriched Pictures and Sound for Filmmakers and Content Creators

WHITE PLAINS, N.Y. — July 24, 2014 – The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced that the SMPTE 2014 Annual Technical Conference & Exhibition (SMPTE 2014) will feature a pre-conference event — the SMPTE 2014 Symposium, hosted by the Hollywood Post Alliance(R) (HPA(R)) and titled “Making Do With More.” The daylong event is scheduled for Monday, Oct. 20 at the historic El Capitan Theatre in Hollywood, California.

“As we consider how technological advances will improve the entertainment experience, we must also address the workflow challenges that will arise,” said Pat Griffis, SMPTE education vice president. “Each area of potential enhancement — higher resolution, greater contrast and color, higher brightness, more frames, and more objects associated with sound — brings with it new demands on workflow. Sessions within the SMPTE 2014 Symposium will address these and other next-generation workflow concerns from both a technical and creative standpoint.”

The SMPTE 2014 Symposium is among the first joint efforts of SMPTE and HPA as they move forward with plans for full consolidation by May 2015, and it highlights the strengths of both organizations. HPA is known for facilitating dialog among all disciplines in the entertainment industry, and for its contributions to SMPTE educational events such as SMPTE 2014 that enrich and expand the larger conversation about key topics shaping the industry.

HPA is well-known for the annual HPA Tech Retreat(R), which brings technologists and filmmakers together to address many controversial topics influencing the industry. In developing the SMPTE 2014 Symposium as a “filmmaker’s symposium,” HPA is orchestrating sessions that take an in-depth look at advanced technologies that bring new tools to storytelling. The symposium will include creative sessions from renowned cinematographers, visual effects specialists, colorists, and other filmmakers discussing what they hope to do with enhanced pictures and frame rates.

Additional sessions will offer a look at immersive sound, its impact, and how it’s being applied today; changing models for delivery of content to the consumer — including theatrical, broadcast, physical media, and digital distribution — across TV sets, computers, and mobile devices; and the standards and practices being developed to address the changing content life cycle.

“By connecting the creative community and its supporters with the technical community at the SMPTE 2014 Symposium, SMPTE and HPA are creating an opportunity for all participants to gain a richer and deeper understanding of technology’s impact on the creative process,” said Leon Silverman, HPA president. “The new displays and distribution approaches being proposed by technology companies need to be understood in the context of how the creative community will use this extended tool kit. It is also critical that we examine the standards and workflow approaches that will be necessary to deliver something more to consumers than a higher numbers of pixels.”

SMPTE 2014 is the premier annual event for motion-imaging and media technology, production, operations, and the allied arts and sciences. Each year the event draws elite and world-renowned technology thought-leaders from motion picture studios, broadcast and distribution networks, production and postproduction communities, software companies, systems integrators, manufacturers, display technologies, distribution providers, over-the-top providers, and others leading the evolving motion-imaging industry.

Further information about SMPTE 2014 and the preconference symposium is available at www.smpte2014.org/.

# # #

About the Hollywood Post Alliance(R)
Hollywood Post Alliance(R) (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools, and infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. The annual HPA Tech Retreat(R) draws top industry engineering, technical, and creative talent, as well as strategic business leaders focused on technology, from all aspects of digital cinema, postproduction, film, television, video, and related technologies together for an informal exchange of information. The 2015 HPA Tech Retreat is scheduled for Feb. 9-13 in Indian Wells, California. Further information is available at http://hollywoodpostalliance.org/?ai1ec_event=2013-hpa-tech-retreat&instance_id=293. Information on joining HPA is available at http://hollywoodpostalliance.org/.

About the Society of Motion Picture and Television Engineers(R) (SMPTE(R))
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.

The Society is sustained by more than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world. Through the Society’s partnership with the Hollywood Post Alliance (HPA), this membership is complemented by the professional community of businesses and individuals who provide expertise, support, tools, and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News, Tradeshows / Events |

Calrec Audio IBC2014 Product Preview, Stand 8.C58

Calrec Products at IBC2014

Summa Audio Console
At IBC2014 Calrec will showcase its new Summa audio console. The Summa console is designed for broadcast professionals who need a straightforward solution for producing creative and engrossing broadcast audio, but not all of the resources offered by Calrec’s Apollo and Artemis consoles.

Designed to ensure intuitive operation in live broadcast applications, Summa simplifies even complex workflow tasks, such as creating mix-minus feeds, with a highly intuitive GUI suitable for a broad range of operator levels. Users control the console via a 17-inch multitouch screen inspired by familiar tablet technology. The crisp high-resolution display provides elegant controls and a clear presentation of information. The console’s other large displays are fully configurable to display bus, output, and loudness meters, and they feature dedicated metering, routing, and processing information for each fader.

Photo Link: www.wallstcom.com/Calrec/Calrec-SummaLongshot.jpg
Photo Caption: Calrec’s Summa Broadcast Audio Console

Company Quote:

“IBC is the leading industry event for Europe, but it also attracts an international audience. We look forward to showcasing our new products at the show this year and look forward to the feedback from our customers and partners in the region.”
– Henry Goodman, Head of Sales and Marketing, Calrec Audio

Company Overview

Calrec Audio is exclusively dedicated to excellence in audio mixing for on-air and live production. A broadcast specialist for 50 years, Calrec has developed a range of digital consoles relied on by the world’s most successful broadcasters. For putting sound in the picture, broadcasters put their trust in Calrec. More information is available at calrec.com and community.calrec.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News, Tradeshows / Events |

Award-Winning Gefen Solution Distributes HDMI with USB, RS-232, IR and Audio over a Local Area Network with Option to Create Virtual Matrix Switching Solution

CHATSWORTH, CA – Digital connectivity solutions provider Gefen today announced that its HD KVM over IP solution won the AV Technology Best of Show Award at InfoComm 2014.

Gefen’s HD KVM over IP sends 1080p high definition content over a LAN with the option to integrate various video formats and create a virtual, cross-point matrix. The sender/receiver system allows the remote control of computers from any workstation on the LAN when using a Gigabit Ethernet switch. Users access content using a keyboard, video display and mouse (KVM). Video resolutions in the HDMI format up to 1080p, four USB peripherals, bi-directional audio, RS-232 control signals and IR are transported on the LAN with optional extension up to 100 meters on both sender and receiver sides using a single CAT-5 cable. This extension system boasts latency of less than two frames.

One of the best features of this new solution is its ability to support additional sender and receiver units on the same LAN. Each sender and receiver can be automatically or manually configured to a unique IP address to support multiple units. Up to 256 sender and a theoretical limit of just over 65,000 units total can be routed through the LAN, creating a scalable, virtual cross-point matrix with no additional wiring. The HD KVM over IP can also be combined on the same LAN with Gefen’s DVI and VGA KVM over IP extenders. These integrated systems support both analog and digital video in a virtual matrix that sends data to any workstation regardless of the video format. Resolutions are supported up to 1920×1200 at 60 FPS.

Gefen’s HD KVM over IP helps facilities improve performance by increasing remote control options and streamlining equipment. Each system includes a web server interface for easy configuration and setup. Each receiver unit comes equipped with an Ethernet switch and two Ethernet ports for connecting additional computers at the remote location.

The Best of Show designation is awarded to those companies with outstanding products exhibited at InfoComm. Winners were selected by panels of professional users and editors, and on judges’ inspection at the convention.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Christie Donates Projectors and Installation Services to San Diego’s Museum of Photographic Arts

Christie®, a global leader in visual display solutions, is pleased to announce its donation of high-performance projection technology and installation services to the Museum of Photographic Arts (MOPA) in San Diego. Installed by Christie’s Professional Services team, the Christie Solaria® Series® DCI-compliance based system will deliver outstanding digital cinema images via the Solaria One projector, as well as alternative content powered by the Christie SKA-3D cinema processor. The solution replaces a first-generation Christie digital cinema projector. It will light up the 226-seat Joan and Irwin Jacobs Theater at the Museum of Photographic Arts, a professional quality, nonprofit theater venue in San Diego. Beloved by the local community, MOPA is host to diverse film festivals and screenings reaching over 10,000 people annually.

Founded in 1983, MOPA has established an international reputation of excellence through its presentation of high quality exhibitions, lectures, publications and films. Its mission is to inspire, educate, and engage broad audiences through the presentation, collection, and preservation of photography, film, and video. MOPA is one of the only museum facilities in the United States dedicated exclusively to lens-based media, with holdings of over 8,000 photographs by 700 artists and a 20,000 volume research library, making it a one-of-a-kind destination for scholars, researchers, and photography and film enthusiasts of all ages.

Museum of Photographic Art - San Diego

Christie’s CEO Jack Kline was inspired by MOPA’s educational role in the community, especially its desire to expand visual literacy for people of all ages. Driven by Christie’s commitment to good corporate citizenship and support of worthy causes in the community, the company’s generous gift will benefit local film festivals, film directors and producers, and community groups, who partner with MOPA to bring important local and international independent films to San Diego’s audiences.

“Community giving has always been a high priority for Christie, especially when it comes to the advancement of education and the arts,” said Kline. “Our acclaimed projection technology will ensure that MOPA will not only continue to be a one-of-a-kind destination for photography, but also serve as a resource where future generations of students can enjoy and appreciate the cinematic arts as well.”

Deborah Klochko, Executive Director at MOPA, said, “When our theater opened in 2001, we selected the finest projection and sound equipment available, including a Christie projector system. After more than a decade of near-constant operation, the current system was still serving the museum, a testament to the outstanding quality of Christie products. When the time came to replace our projector to meet current industry standards, it was only natural that we turned to Christie once again for their remarkable technology and reliability.

“The digital projection capabilities provided by Christie, combined with our ability to project 16mm, 35mm and other specialized formats, make MOPA one of the premier nonprofit venues for cinema in Southern California,” added Klochko.

Christie’s donation was joined with a $20,000 grant from Las Patronas, a philanthropic organization that has donated over $17 million to San Diego organizations since 1946.

The complete projection system includes a state-of-the-art Christie® Solaria® One projector, recognized as the brightest-in-class solution and a Christie SKA-3D cinema processor. The system also includes Christie® Xenolite® lamps, a series of high-quality, long-life lamps to help lower operating costs. Christie’s Professional Services team supplied complete technical support for this project, expertly working with the MOPA team to properly install, integrate, and maintain the site. They skillfully compensated for many spatial challenges typical of larger venues to create the optimum visual experience for museum visitors.

“Installing the equipment for the Joan and Irwin Jacobs Theater involved the same technical and design challenges that many other multi-use facilities experience, where space is at a premium and the ability to project content from a wide variety of sources is paramount,” said Sean James, vice president, Global Professional Services. “The all-in-one nature of the Christie Solaria One projector, with built-in Christie® IMB™ Server, Touch Panel Controller and playlist software, helped meet the space requirements – while also providing a full-featured projection system.”

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Corporate AV, News |

NUAGE Road Tour and Nuendo Masterclass at RSPE Audio Solutions

BUENA PARK, Calif.—A Yamaha NUAGE Demo and Nuendo Masterclass will be held by top Yamaha Commercial Audio Systems and Steinberg engineers and hosted by RSPE Audio Solutions on Tuesday, August 5, 2014 from 7:00 PM to 9:00 PM at 4130 Cahuenga Blvd. #210, Universal City, CA. The event is free of charge.

A joint collaboration between Yamaha and Steinberg, the NUAGE Advanced Production System is the brainchild of workflow efficient hardware and Nuendo 6 software operating together in perfect harmony. Offering unprecedented productivity and flexibility as well as premium audio quality in an innovative design, NUAGE is making waves across the world.

David Lees and Marcel Mauceri from Yamaha Commercial Audio Systems, Inc. will be on hand to demonstrate the new Yamaha NUAGE production system along with a Nuendo masterclass presented by Steinberg’s Greg Ondo discussing the latest news, tips and tricks in Nuendo. Plus get hands on with Yamaha’s Nuage, the dedicated, scalable, DAW control surface/recording mixer for Nuendo.

Spots are limited so registration is required at: https://www.eventbrite.com/register?orderid=321450975521&client_token=a2951db3596148c782f325bc5a917688&eid=11858933389

-END-

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

July 2014
M T W T F S S
« Jun   Aug »
 123456
78910111213
14151617181920
21222324252627
28293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication