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Archive by Definition Branding & Marketing

HARMAN’s JBL VTX Line Array Loudspeakers Are the Unsung Heroes in “Sing My Song”

BEIJING, China – Music reality show “Sing My Song” is aired by CCTV3 and recently became a ratings winner in China. With a live audience of 300 people, the popularity of the show is largely attributed to its emphasis on original songs created by independent artists. To complement the ambitious direction of the show, HARMAN’s JBL VTX V25 line array loudspeakers were installed at the show’s live studio to enable the singers to showcase their original pieces of music.

Amidst many musical talent shows that focus on the contestants’ ability to sing cover songs, “Sing My Song” appeals to the artists’ creativity, rekindling the life and spirit of original compositions. The powerful, yet pure-sounding JBL VTX Series loudspeakers are the perfect choice for this program, as they deliver even coverage throughout the studio.

The main PA system features two groups of 10 JBL VTX V25 fullsize line array loudspeakers each that are suspended and cover three sides of the stage. Beneath the stage are three groups of four JBL VTX S28 subwoofers each. Thanks to the JBL VTX LAC (Line Array Calculator) Software, each projected area of the loudspeakers is taken into consideration to calculate the energy output of each loudspeaker.

“The JBL VTX loudspeakers perform and sound amazing,” said Jin Shaogang, music and pitch instructor for the show. “The mids and highs of the V25 loudspeakers sound smooth and transparent, while the JBL S28 subwoofers pack a lot of power and add plenty of depth to the sound.” The performance of the VTX loudspeakers also sound impressive on a variety of instruments, and their world-class sound quality is able to bring entire audiences to their feet.

Thirty-two Crown I-Tech 12000 HD amplifiers power the loudspeakers, and the entire system is connected using JBL HiQnet Performance Manager™ software, for the convenience of uploading the configurations for all the equipment during installation and sound debugging during live shows.

Four instructors Liu Huan, Yang Kun, Zhou Huajian, Cai Jianya were truly impressed by the “good songs and good sounds,” in reference to the excellent live audio quality that the JBL VTX line array loudspeakers bring to any stage.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

HARMAN’s AKG Enters Red Bull Air Race World Championships 2014 with Wireless Microphone Systems

ROVINJ, Croatia – While Hannes Arch, co-architect of HARMAN’s AKG AV100 aviation headphones, was the winner of the Red Bull Air Race in Rovinj, Croatia, the moderator’s bench was left wanting for nothing with their own set of HARMAN’s AKG wireless microphones, headsets and in-ear monitoring systems. The AKG systems enabled flawless communication on and off the racecourse during the commencement and winner ceremonies.

The system at the Red Bull Air Race featured the AKG DAM+ Series gooseneck microphones, equipped with CK49 capsules for the desks, capturing the sound of live commentators and the winners of the contest. The capsule is designed to capture the best sound in any indoor and outdoor environment, honing in on voices at greater distances, and reducing pop noise at short distances. Combined with the AKG WMS4500, DHT700 and DMS700 wireless microphone systems, the announcers were well-equipped for the show.

“Red Bull wanted to bring pristine audio performance and crystal-clear communication to this competition, which is why these AKG systems were perfect solutions for the Red Bull Air Race,” said Walter Rührig, Artist & Key Customer Relations, AKG. “In an outdoor environment like this, it is essential that we provided gear like the CK49 with windscreens, to reduce wind and pop noise during interviews and live announcements. The equipment performed perfectly without hiccups, which is a testament to AKG’s reliability.”

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

HARMAN’s Studer Vista 1 Gets Lexicon Effects with Version 5.1 Upgrade

POTTERS BAR, United Kingdom – HARMAN’s Studer has released the version 5.1 upgrade to its Vista 1 console, adding sister company Lexicon® effects processing to the Vista 1 digital broadcast console. Product Manager Roger Heiniger said, “The new software enables the built-in Lexicon FX surround processors [2 engines with up to 8 mono effects processors] for the Vista 1, controlled directly from the Vistonics™ U/I, all in one very compact footprint.”

Primary applications for the Vista 1 include; broadcast production, OB trucks and vans, theatre, houses of worship, live and music production. The Vista 1 is available in 32 or 22 motorised fader options, featuring the patented Vistonics and FaderGlow user interfaces and is capable of 96 DSP channels including 5.1 surround, true broadcast monitoring, talkback, red light control and GPIO.

Please contact your distributor to get the Version 5.1 upgrade.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

HARMAN’s JBL Professional CBT 70J-1 Column Loudspeaker and CBT 70JE-1 Extension Box Receive THX Approval

NORTHRIDGE, California – Making its world-class CBT column loudspeakers available for even more cinemas around the world, HARMAN’s JBL Professional today announced that its CBT 70J-1 column loudspeaker and CBT 70JE-1 extension box are now THX approved. This enables exhibitors to include CBT 70J-1 loudspeakers in their THX-certified theaters.

“The CBT 70J-1 was developed for a variety of applications where high-quality sound and low visual profile are priorities and we have seen considerable adoption of this product in cinema environments,” said Rick Kamlet, Senior Manager, Commercial Sound, JBL Professional. “Now, with THX approval, even more moviegoers can enjoy the sonic benefits of the CBT 70J-1!”

The CBT 70J-1 is a high-power, 2-way line array system consisting of 16 high-frequency drivers and four high-power low-frequency drivers, all in a fully co-axial column loudspeaker, featuring JBL’s patented CBT Constant Beamwidth beam control circuitry. The vertical coverage of the loudspeaker is asymmetrical, sending more sound toward the far seats of the auditorium than the near seats. When used as surround speakers, this technological breakthrough provides a much wider “sweet spot” where the audience hears a similar amount of both left and right surround speakers.

The 2-foot height of the column array controls the sound as well as a 2-foot tall horn would, so this asymmetrical coverage takes place throughout a wide bandwidth of the operational range of the speaker. In addition, the CBT 70J-1 covers a very wide horizontal angle of 150 degrees, allowing the even coverage of more seats. The small frontal profile makes it visually unobtrusive and the bracket allows for both vertical tilt and horizontal swivel aiming. The CBT 70JE-1 extension box can be added to the CBT 70J-1, doubling the low-frequency output capability and extending the pattern control of the system down to a lower frequency.

Major cinema exhibitors have installed the CBT70J-1 and the CBT70J-1 + CBTJE in the past several years as surround systems. These systems provide complete even coverage for each seat throughout the auditoriums at high SPL levels.

“We are very pleased that THX has certified the CBT70J-1 + JE,” said Charles Goodsell, Senior
Manager, Cinema, JBL Professional. “Movie theaters throughout the world are already employing these systems and we are glad they will now be able to be installed in THX-certified auditoriums.”

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

HARMAN’s Studer Vista X Console Star of the Show at KOBA 2014

SEOUL, South Korea – At KOBA 2014, HARMAN’s Studer showcased a broad selection of its latest products for broadcast applications, including the flagship Vista X digital console with the new Studer Infinity Processing Engine, additional Vista Series models, the compact, cost-effective OnAir broadcast consoles and more. KOBA (the Korea International Broadcast, Audio and Lighting Equipment Show) is South Korea’s premier showcase for the global broadcasting industry.

Studer exhibited with HARMAN’s South Korea distributor Dongyang Digital Co., Ltd. at KOBA 2014 at the COEX Exhibition Center, Seoul, South Korea, Booth C210 (May 20 – 23, 2014).

“At KOBA 2014, attendees had a unique opportunity to experience the new Vista X,” said Myoung-Ho Seo, Director of Technical Sales for Dongyang Digital. “It is a remarkable advancement in large-scale broadcast console technology that gives broadcast professionals far greater mixing and production capabilities than ever before—and by a wide margin.”

At the heart of the Vista X is the Studer Infinity processing engine, which uses CPU-based processors to provide huge numbers of DSP channels for large-scale, high-resolution audio processing and mixing. Thanks to the Infinity core, this is the first time more than 800 audio channels have been processed in a single CPU-based board. The Vista X includes 12 A-Link high-capacity fiber digital audio interfaces, to provide more than 5,000 inputs and outputs.

The Vista X shares many features with the Vista 5 M3 and Vista 1 consoles that were featured at KOBA, including the company’s patented Vistonics™ color touchscreen interface, FaderGlow™ enabling faders to be color-coded according to function, flexible input routing and many additional features that make Studer Vista consoles the most powerful and versatile in the industry.

Also on show was the Studer OnAir Series 3000 consoles, a complete lineup of compact, flexible boards that offer a host of useful high-end features that are ideal for smaller, medium and larger radio and TV studios.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

ESS Audio Announces First Sales of HARMAN’s Soundcraft Vi3000 Console in Poland

LOMIANKI, Poland – HARMAN Soundcraft’s Polish distributor ESS Audio has fulfilled the first of its first batch of orders for the new Soundcraft Vi3000.The first two companies to take delivery are W Sound from Szczecin, run by Mariusz Węgiełek, and Modussound of Sieraków Śląski, headed by Artur and Lukasz Kedzia. Both confirm they already have the consoles out on tour.

ESS Audio demonstrated the new features of the much-anticipated console to its customer base, and at the same time staged an open day for the Vi3000, which coincided with the European premiere of JBL Professional’s new VTX V20 loudspeakers and included two days of training. The event was supported by Oskar Tarczynski (from ESS Audio) and Ed Jackson (from HARMAN Professional).

The Soundcraft Vi3000 boasts many new attributes. In addition to the much requested access to Universal Audio’s plug-ins (via the new Soundcraft® Realtime Rack plug-in processing engine – which also integrates with the rest of the Vi Series consoles), the console also provides an analogue infrastructure via the I/Os on the back and has built-in MADI and Dante, as well as an upgraded SpiderCore™ DSP and new ‘3D’ Vistonics graphics.

In addition to the Dante/MADI record feed outputs, the console provides MIDI, USB, Ethernet, DVI out, redundant power supply and other connections.

According to W Sound’s Mariusz Węgiełek, “The Soundcraft Vi3000 is the ideal solution for medium-sized touring companies such as ours. The capability of the board, the price of the controller and additional peripherals like the stage rack or expansion cards, make it impossible to look at any alternatives.”

“The immediate driver for the purchase was to acquire a console that would meet most of the riders from the middle range of touring artists—and after almost a month of use, it has been a big hit,” Węgiełek continued. “The response from our sound engineers could not be more positive, and our Vi3000 is working almost every day, earning us money.”

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

The Australian Pink Floyd Show Plays On Its Legacy with HARMAN’s AKG Microphones

ADELAIDE, Australia – The Australian Pink Floyd Show (TAPFS), a cover band for the iconic Pink Floyd, is fully equipped with a diverse range of HARMAN’s AKG microphones for its band members. Having sold over four million tickets in 35 countries, The Australian Pink Floyd Show is currently touring the globe over the course of five months to bring its ‘Gold Standard’ to the rest of the world.

Having tried condenser microphones with larger polar patterns, guitarist/vocalist Steve Mac of TAPFS noticed they picked up the drums in the background, which introduced too much noise into the FOH mix. Dynamic microphones, on the other hand, don’t suffer as badly from drum spill, so after much experimentation, the band purchased an AKG D7 for each vocalist and the keyboardist/MC, which offers tremendous sound quality while meeting the band’s other criteria.

“The D7 has great isolation, which not only keeps our monitor mixes tidy, but preserves our voices,” said Mac. “Our keyboard player doubles as the MC and uses a chrome-plated D7 for a bit of fun and a touch of class!”

AKG C414, C518 and D40 microphones are used for the drums. “We use the AKG C414 microphones on the overhead and ride cymbal, because they just sound so natural. For the toms and roto toms, we use the AKG C518 microphones, because their small stature and stunning sound allows for more accurate positioning in tight spaces. We also use the AKG D40 on the lower floor tom and also on the gong to capture the rich bass,” Mac said.

Mac uses AKG C451/CK1 microphones on his Fender Twin Reverb amps, which “really bring out the detail of the top end and capture the glassy bite of a Twin,” he said. Mac also uses AKG C214 microphones on his Hiwatt 4 x 12 speaker cabinets, because “they have a large diaphragm and they capture the low end naturally and add ‘size’ to the guitar sounds.”

AKG C518 microphones with AKG radio packs are used for the tenor, alto and soprano saxophones. The Baritone saxophone is captured by an AKG D40 large diaphragm “to bring out the warmth in the sound without the risk of feedback,” according to Mac.

TAPFS ambitiously recreates Pink Floyd album tracks as closely as possible on a live stage. “We approach this show differently to most live shows, because to some degree we are taking a recording studio on tour. With AKG microphones, we are able to recreate the sounds of a studio environment, while maintaining isolation and high feedback rejection,” said Mac.

Besides sounding just the way vocalists want them to, AKG microphones are designed to stay consistent and endure severe punishment across all stages of a tour, so bands can focus on the show. “The consistency is extremely important, because the audience is familiar with the sounds of original Pink Floyd songs,” said Mac. “These microphones allow us to accurately maintain the amazing sounds of Pink Floyd’s albums, regardless of the venue and environment. That is why we have been using AKG microphones for 31 years in both studio recording and live music production.”

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

Australia’s Trackdown Studios Expands With HARMAN’s JBL and Crown

SYDNEY, Australia — Since its humble 1980s beginnings as a cramped recording studio with mattresses on the walls for sound absorption, Trackdown Studios (www.trackdown.com.au) has evolved to become a fixture on the Australian pro audio scene, working with artists like INXS, One Direction, Justin Bieber, Will.I.Am and many more and growing to two locations offering music and film recording and post-production. Trackdown’s Moore Park facility recently expanded with the addition of “Theatre One,” a new 20-seat room with audio post, mixing and 3D screening capabilities. Rather than equipping the theater with conventional studio monitors Trackdown chose HARMAN’s JBL Professional ScreenArray™ cinema system powered by Crown DSi Series power amplifiers.

Working with HARMAN Professional Australian distributor JANDS (www.jands.com.au), Trackdown installed a complete multichannel surround sound system with three JBL 3722N 2-way ScreenArray loudspeakers as the left, center and right channels, each employing dual 15-inch woofers and a horn-loaded compression driver. Four JBL 8340A 2-way surround loudspeakers and a JBL 3635 18-inch subwoofer complete the speaker complement.

The loudspeakers are driven by three Crown DSi 2000 amplifiers, which include presets for JBL cinema loudspeakers to make configuration quick and easy and provide on-board signal processing to handle crossover points, EQ, speaker delay and output limiting. Rounding out Theatre One’s equipment is a host of impressive video gear including a Christie Digital projector, Harkness Screens projection screen, Doremi ShowVault 4K video server and other equipment.

Right from completion (“we finished painting in the morning and started working in the afternoon,” noted Trackdown general manager Elaine Beckett) the studio launched into high-profile activity on films including The Great Gatsby, Forbidden Ground, Warwick Thornton’s new film The Dark Side and a concert documentary on Australian music legends Paul Kelly and Neil Finn (Split Enz, Crowded House).

Response to the Theatre One has been extremely enthusiastic. “One sound mixer in particular was thrilled to be working in Theater One, using it as a premix space,” noted Beckett. “It’s quite common to have small monitors in premix rooms and he was very impressed to be working with true theater sound for monitoring. What he mixed in Theatre One translated really well when doing the final mix in a large theatre.” With customers that include the elite of Australia’s film community and a growing number of international clients, Trackdown is confident they’ll be mixing a future Award-winning soundtrack sooner rather than later.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

Michael Franks Chooses HARMAN’s Martin Professional For the 2014 NFL Draft

NEW YORK, New York — Held at New York City’s prestigious Radio City Music Hall, the 2014 NFL Draft was the highest rated ESPN Draft telecast in more than two decades. To ensure proper lighting of the players, audience and for the live television broadcast on both ESPN and NFL Network, Christie Lites and Principal Lighting Designer, Michael Franks, deployed HARMAN’s Martin Professional fixtures to provide light to the entire venue.

In total, more than four miles of cable were used to power 14 Martin MAC Auras, 20 MAC Viper AirFxs, 19 MAC Viper Performances and 24 MAC Viper Profiles throughout Radio City Music Hall from Thursday, May 8th – Saturday, May 10th.

What began as a relatively quiet experience in 1936, the NFL’s annual Draft has become one of the largest productions and most anticipated yearly events. As the NFL has continued to grow, so has the emphasis on production quality.

“This was our first year with a complete Martin rig,” Franks said. “Doing this project for 18 years, the Draft has consistently grown into a bigger event. We are constantly looking at how we can make it better each year and this year Martin played a big part in that. With two different networks now covering the event, the challenges grew even more as additional areas needed lighting coverage. It was a lot to manage but having the consistency of one team, we were able to create a uniformed look that worked for everyone.”

Franks decided to make the transition to Martin fixtures after several product demos and side-by-side comparisons with competitors. “We did the entire set-up in a matter of three days so there was definitely a lot of pressure to get it perfect the first time,” he said. “In addition, there is a new red carpet set-up outside the Draft before the first night that we were responsible for lighting. There were a lot of different parts but Martin helped tie it all together.”

Echoing Franks’ statement, John Trowbridge, Gaffer Crew Chief at The Wolf Productions stated that he enjoyed working with a quality product such as Martin. “In prior years,” he said, “we’ve used a selection of different manufactures, so it was nice to tighten things up with just Martin. Christie Lites is a Martin shop with a bunch of great fixtures so it made my life and my team’s life easier dealing with one company.”

At Radio City, the team needed to ensure that every area of the venue, including the hallways and all three balconies, were lit for live television. “Martin’s fixtures helped us to keep a uniform look and they also proved to be really even and bright,” said Franks. “We used a few of Vipers as follow spots which gave us the ability to light the players when they walked into the audience, since the ‘house’ followspots couldn’t reach them there. The Viper AirFXs and Viper Performances were used to light the walls, giving them color and patterns that were shown behind players and correspondents on both ESPN & NFL Network. We also used the Performances to light the tables in a controlled way due to the fact that this year, they were positioned behind the fans.”

Franks said he appreciates the quality of light, and color of the Martin fixtures, as they are different than what he has seen from competing lighting manufacturers. “I’m always one to refer to the phrase that ‘change is the only constant’,” he said. “A project like this never stops changing and the switch to Martin was a great choice for this production. We always need to find ways to be more efficient and Martin has been an improvement and a refinement in how we handle the Draft.”

Chris McMeen, Christie Lites, was the account representative for the package.

For additional information on Christie Lites, please visit: www.christielites.com

For additional information on The Wolf Productions, please visit: www.thewolfproductions.com/

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

Raiding the Rock Vault Continues to Thrill Audiences with HARMAN’s AKG Microphones

LAS VEGAS, Nevada – Recently rated by The Las Vegas Review Journal as “Best Musical 2014”, “Raiding the Rock Vault” uses HARMAN’s AKG Microphones to provide the ultimate classic rock concert experience in Las Vegas. Written by GRAMMY™-winning producer David Kershenbaum and John Payne of Asia, this 2-hour experience weaves an entertaining storyline with some of the greatest rock hits of the ‘70s and ‘80s.

The full microphone system for “Raiding the Rock Vault” comprises 16 DMS700 V2 wireless channels connected to all the guitars through PT700 V2 transmitters, 12 WMS4500 wireless channels for vocals, with HT4500 D5 and D7 capsules for the singers and PT4500 transmitters for the actors. Twelve channels of IVM4500 are used for in-ear monitoring, while AKG’s HELICAL antennas take care of transmission.

“Everything has worked great, and that’s the most important thing,” said Keith Marks, production coordinator for “Raiding the Rock Vault.” “When we listened to the quality of AKG’s wireless microphones, we found that even artists who have never worked with wireless microphones before are loving it. The DMS system sounds perfect, on par with the quality of wired microphones.”

The “Raiding the Rock Vault” cast, which recently added Doug Aldrich of Whitesnake and Dio, performs over 200 shows annually. Naturally, the intensity and repetition of these shows require the production crew to maintain an inventory of extremely durable sound equipment.

“It’s a testament to the quality of the equipment, when it keeps performing great, day in and out,” Marks said. “Also, AKG provides incredible customer service: I can get Joe Wagoner or anyone else at AKG on the phone whenever I need them, which is an invaluable benefit.”

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

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